Spring 19 Community Brochure
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Image: Brian Hartley
IMAGINATE FESTIVAL Scotland’s international festival of performing arts for children and young people 6-13 may 2013 TICKETS:0131 228 1404 WWW.TRAVERSE.CO.UK Image: Brian Hartley IMAGINATE FESTIVAL FUNDERS & SUPPORT ABOUT IMAGINATE Every year Imaginate receives financial and in kind support from a range of national and international organisations.We would like to thank them all for their invaluable support of the Imaginate Festival. Imaginate is a unique organisation in Scotland,leading in the promotion,development If you would like to know more about our supporters or how to support us,please visit: and celebration of the performing arts for children and young people. www.imaginate.org.uk/support/ We achieve this through the delivery of an integrated M A J O R F U N D E R S BEYONDTHE FESTIVAL annual programme of art-form development, learning supported through the partnerships and performance, including the world Imaginate believes that a high quality creative Scottish Government’s Edinburgh Festivals Expo Fund famous Imaginate Festival, Scotland’s international development programme is the key to unlocking festival of performing arts for children and young people. creativity and supporting artistic excellence in the performing arts sector for children and young people in THE IMAGINATE FESTIVAL Scotland. This programme creates regular opportunities for artists and practitioners, whether they are students, T R U S T S A N D F O U N D AT I O N S PA R T N E R S Every year the Festival and Festival On Tour attracts established artists or at the beginning of their career. -
Survival Guide
Edinburgh Festivals SURVIVAL GUIDE Introduction by Alexander McCall Smith INTRODUCTION The original Edinburgh Festival was a wonderful gesture. In 1947, Britain was a dreary and difficult place to live, with the hardships and shortages of the Second World War still very much in evidence. The idea was to promote joyful celebration of the arts that would bring colour and excitement back into daily life. It worked, and the Edinburgh International Festival visitor might find a suitable festival even at the less rapidly became one of the leading arts festivals of obvious times of the year. The Scottish International the world. Edinburgh in the late summer came to be Storytelling Festival, for example, takes place in the synonymous with artistic celebration and sheer joy, shortening days of late October and early November, not just for the people of Edinburgh and Scotland, and, at what might be the coldest, darkest time of the but for everybody. year, there is the remarkable Edinburgh’s Hogmany, But then something rather interesting happened. one of the world’s biggest parties. The Hogmany The city had shown itself to be the ideal place for a celebration and the events that go with it allow many festival, and it was not long before the excitement thousands of people to see the light at the end of and enthusiasm of the International Festival began to winter’s tunnel. spill over into other artistic celebrations. There was How has this happened? At the heart of this the Fringe, the unofficial but highly popular younger is the fact that Edinburgh is, quite simply, one of sibling of the official Festival, but that was just the the most beautiful cities in the world. -
Classes Residencies Workshops
9 September – 8 December 2017 PROFESSIONAL DANCE classes residencies workshops dancebase.co.uk WELCOME Autumn Term 2017 Welcome to our always surprising and inspiring professional programme – full of newly embodied ideas and opportunities for the dancers and makers of the nation. This term we have a true legend coming to visit and personally the first and so possibly the most influential guru of mine: The great Lindsay Kemp will be in the house in October. Lindsay was mentor to many including Kate Bush and David Bowie – the latter even came to stay at the mad and glorious basement flat in Drummond Street here in Edinburgh whilst writing his album Hunky Dory. I was scullery maid and gin pourer but also a devoted student of Lindsay’s. His shows were like something from another fabulous, glittering, over-made-up planet. A planet I’ve been visiting regularly ever since! As well as this amazing news, we will be welcoming our new DEBS (graduate dancers) who will be mentored by Al Seed, one of our great Scottish artists of physical theatre. Add to this up to two free classes a week for professionals and countless residency showings on Fridays, and it all starts to add up to a pretty awesome Autumn. As always, I’ll remind you that our Friday afternoon showings by companies in residence are open to all and free to attend. I hope to see you there, as well as |at the Lindsay Kemp-led autumn showcase and our Youth Dance showcase at the Traverse in November. Morag Deyes MBE, Artistic Director [email protected] BOARD Chairman Edward ACrozier Members -
Madge Atkinson (1885-1970) and Natural Movement
Pioneer Women: early British modern dancers June 2008-May 2010 Project Background and Aims Funded through the Arts and Humanities Research Council’s Resource Enhancement Scheme, the primary focus of this project was on two previously closed archive collections containing material representing forms of ‘barefoot dance’ that were prominent in early twentieth century Britain. The archives are specific to the work of Madge Atkinson (1885-1970) and Ruby Ginner (1886-1978) (the collection of Bice Bellairs), both pioneers of early British modern dance forms which embraced naturalism and neo-classical ways of moving. In addition, the project processed materials from two solo dancers working in modern dance forms influenced by European practice, Ludi Horenstein (also known as Ludmila Mlada or Rosemary Young) and Leslie Burrowes. The project undertook vital cataloguing and preservation work to ensure the permanence and accessibility of the materials and records. However, the overall aim was to increase interest and scholarship in these previously overlooked areas of British dance and, more specifically, the practitioners who contributed to the expansion of the art form. The project was a collaboration between the National Resource Centre for Dance, the Department of Dance, Film and Theatre of the University of Surrey and an eminent Dance Historian based at Middlesex University. The project was guided by a select steering group and developed with the expertise of two key dance scholars Professor Rachel Fensham and Professor Alexandra Carter. The opening and publicising of these collections, subsequent research into them, and a series of events aimed to re-establish the largely forgotten place of Atkinson, Ginner, Horenstein and Burrowes in dance history. -
Performance Suitable for Audiences with Profound and Multiple Theatre Learning Disabilities
Show Title: Home Dates: Aug 21-24, 26-28 Age Suitability: PG Venue: Pleasance Courtyard Performance Suitable for Audiences with Profound and Multiple Theatre Learning Disabilities A tale of unexpected friendship. Exploring a new and unknown world, Home immerses audiences with Profound and Multiple Learning Disabilities (PMLD) in a multisensory story of discovery. Home is the latest bold and exciting production from Frozen Light. The world is not how they remember it. Where are they now and where is their home? Scarlet and Olive must learn how to survive and create a future together in an environment that is full of surprises. Will the stars shine on this unexpected friendship? And how will they face the challenges that lie ahead? See below for our list of relaxed performances Relaxed Performance Show Title: Adventurers Wanted: A 250-Hour Epic Tabletop Role-Playing Game Dates: 2nd-28th of August Age Suitability: 14+ Venue: Sweet Holyrood Theatre Watch the most ambitious tabletop role-playing game ever attempted: an improvised epic brought to life over a whole month. Experience live storytelling at its most legendary in a fun and informal setting. Adventurers Wanted is designed to be accessible – whether you’ve played role-playing games before, or have no idea what they are, the adventure is open to all to watch and play. What happens is down to the players: there’s no way of knowing where the adventure will end up, but it’s guaranteed to be unlike anything else at the Fringe! Show Website: www.adventurers250.wordpress.com/ Relaxed Performance Show Title: AnimAlphabet the Musical Dates: 14-Aug Age Suitability: U (0 and older) Venue: Pleasance Dome Children's Shows Treble Clef Island is a wonderful land of music, song and dance, but there's a problem. -
Edinburgh Festival News Snippets
Home Festival History News Pre-Festival Stuff Festival Time Newbie? Witterings Links Site Map News Snippets - August 2008 to August 2009 2007-2008 | 2006-2007 Fringe 2009 ticket sales and other statistics posted September 1st, 2009. Initial statistics have been put out by the Fringe Society for the 2009 festival. They are summarised in The Guardian and The Scotsman. The headline figure is a new record of 1.85m tickets sold. This beats the previous record of 1.7m in 2007 by 9%. Other stats include: 18,901 performers in 34,265 performances of 2,098 shows; comedy made up 35% of the overall programme, theatre 28% and music 16%. While there is no breakdown of audience figures so far the feedback from some venues appears to indicate that increases in attendances at comedy shows may well be attributable to the Scots. As previously stated, despite apprehension in various quarters buoyant ticket sales are not totally unexpected this year. 2010 and 2011 will be more problematic years as the effects of the recession impact on employment numbers. Comedy is least likely to be affected as its audience tends to be younger and is more likely to have the necessary disposable income. Fringe venues complain about costs posted August 30th, 2009. The Scotsman reported that Fringe chief, Kath Mainland, is to meet venue chiefs who are concerned about rising costs and the future viability of medium-sized venues. More on the expense of putting on shows at the festival posted August 30th, 2009. This time it is Tommy Sheppard, director of The Stand Comedy Club, writing in The Scotsman on the difficulties faced by comedians. -
Curriculum Vitae & Background
SUMMARY CURRICULUM VITAE & BACKGROUND Dr. Wendy May Timmons [email protected], Direct line 0131 6516596, @wtimmons Academic Role Senior Teaching Fellow (0.8) Programme Director: MSc Dance Science & Education WITH accredited QTs teaching pathway for 3-18 yrs. (GTCS) o I conceptualised and developed the MSc Dance Science and Education programme, which was successfully launched in 2009. This was the first and remains the only PG degree for dance in Scotland. o Following the success of the MSc DSE, I then developed the QTs pathway within the MSc DSE, successfully getting it accredited by the GTCS as a teacher qualification across 3-18 years with a subject specialism in dance. There is no other route to QTs for dance teachers in Scotland. The MSc DSE with QTs was indeed the first Master’s degree to break traditional ITE models of provision, ensuring a route to access to dance artists and practitioners, this was launched in 2016 o PhD completed October 2020: Title, Dancing with hypermobility: The embodied experiences and health risk of hypermobility in a classical ballet narrative Responsibilities: Course organiser & teaching: Dance Pedagogy (40 credits), Preventative Dance Medicine (20 credits), Dissertation Course (60 credits) Teaching: Professional Development and leadership in Dance (40 credits QTs pathway), MA PE Dance Education, Dance theory & practical (yrs. 1&2) PhD supervision: Three current students (Dance Science & Education), Sian Salmond, Yang Zhao, Liron Blajwajs, Academic citizenship: Committee membership: 1. Special Circumstances committee MHSES 2. Teaching, Learning and curriculum development committee subgroup MHSES 3. School for Scottish and Celtic Studies, archive. Steering Board member (LLC/CAHSS) 4. -
HIRE DANCE BASE Our Beautiful Studios, Meeting Room and Other Spaces Are Available to Hire
DANCE AND 22 Apr – 29 Jun SHINE Courses, drop-in classes & workshops for eve ryone SUMMER 19 Dance Base 14 –16 Grassmarket Edinburgh EH1 2JU 0131 225 5525 dance @dancebase.co.uk dancebase.co.uk @DanceBase DanceBaseScotland @dancebase BOARD Chair Edward A Crozier Vice Chair Ashley Shannon Members Robert Dawson Scott, Fiona Hendry, Kirstee Macbeth, Cllr Donald Wilson DANCE BASE STAFF Chief Executive Emma Stewart-Jones Patron: HRH Prince Charles, Duke of Rothesay KT KG Artistic Director Morag Deyes MBE Artistic Patron: Mark Morris General Manager Matt Roe Dance Base is a registered charity that encourages and celebrates Head of Finance Fiona Dick the potential for dance in everyone. Donations from individuals, Finance Officer Stef Skinner trusts, foundations and companies are all vital to our work. If you Head of Catalyst Bush Hartshorn would like to support Dance Base, please contact Matt Roe, Programme Manager Helen McIntosh Chief Executive (Interim) on 0131 225 5525. Participation Manager Allan Irvine Dance Base is a Registered Scottish Charity No. SC022512 Programmes Coordinator Charlotte Anderson Dance Artist (Dance for Parkinson’s) Jen Cunningham Dance Base gratefully acknowledges support from: Head of Marketing & Communications John Lyndon Marketing & Communications Officer Emma Lawford Marketing & Communications Officer Lyn Conroy Bookings & Front of House Manager Caroline Mansfield Bookings & Front of House Deputy Managers Linsey McEwan-Smith, Kathryn Miller, Zoë Shaw Duty Manager Mirna Higueras Calvo Bookings & Front of House Assistants -
27 March 2020
Mercury Musical Developments and Musical Theatre Network present in partnership with Royal & Derngate, Northampton 26 - 27 March 2020 Shining a light on new British musical theatre mercurymusicals.com musicaltheatrenetwork.com Welcome Theatres like ours exist to bring people together and we were so looking forward to welcoming such an array of musical theatre talent to Northampton this week from across the country and beyond. Sadly that is not possible right now, but we’re determined to continue to champion all the artists who were to perform on our stages this week, so we’ve taken the decision with Mercury Musical Developments and Musical Theatre Network to still publish this year’s BEAM programme, to salary and continue to support all the artists who were due mercurymusicals.com to perform during this week’s showcase and to encourage all who were due to attend to share and distribute their work with one another online. We are so grateful to those of you who were due to be attending this week who have kindly donated the cost of your ticket towards helping us to pay our artists and freelancers. Many of you who attended the UK Musical Theatre Conference here last year will have heard us talk of our commitment to developing new musical theatre for mid-scale regional venues and tours. We’ve had a thrilling year since in which we’ve hosted dozens of artists in Northampton to create original work in partnership with Perfect Pitch, China Plate, Musical Theatre Network, Mercury Musical Developments, Scottish Opera and Improbable. Thanks to the support of an Arts Council England “Ambition For Excellence” grant and partnerships with several midscale venues nationwide, we’re also excited to be able to announce that five of the projects we’ve developed here this year have been fully commissioned. -
Mary Campbell Was Like an Angel with Her Full White Curly Hair
Mary Williams Campbell, A Dancer in Spirit Biographical Introduction to the Collection Author: Janice LaPointe-Crump With appreciation to Catherine Loveday and Dawn Letson © 2004, J. LaPointe-Crump Mary Campbell was like an angel with her full white curly hair. Occasionally I would stand by the piano in Studio 2 at Jacob's Pillow and just listen to her play. She inspired me to incorporate my emotional feelings in my dancing, which is so important to the dancer. It makes all the difference between exercising and really dancing! And to elicit this blossoming in the dancer requires the accompanist to also be a dancer in spirit! --Susan Kramer, Jacob's Pillow alumna 1963 & 1964 A dancer in spirit is a frequent phrase used to describe a woman whose gentle charisma drew in alert listeners from all walks of life. Mary Williams Campbell was much more than a skilled accompanist or a talented composer. She was a moving scholar who helped dancers and students learn the structure, form and the classic codes for creating works. She dedicated her life to unleashing the imagination and instilling a respect for the history of dance, particularly modern dance. Campbell’s unique artistry shined “as a beacon” [through her openness and generosity] to emerging artists and experienced artist- teachers alike. The partnering role of an accompanist with the teacher and choreographer has only recently begun to be analyzed and appreciated. Accompanists are expected to have the patience of Job and be willing to be at each rehearsal, each class, playing the same work again and again in ways that motivate dancers. -
Adventurestake You?
WHERE WILL YOUR fringe ADVENTURES TAKE YOU? CB-34423-Fringe-Programme header 420x45-Aw-DI.indd 1 26/04/2016 17:21 1 2 3 4 5 6 500m Beaverhall Road 83 120 J8 Pilrig Street McDonald Road Inverleith Row 2k Logie Green Road Logie Mill Cycle path Edinburgh Festival Fringe Box Edinburgh Art Festival A15 1 446 Arboretum Place Office and Shop (E5) 369 Steps 370 2 Fringe Central (F5) F Edinburgh Festival Fringe 28 Public walkway Dryden Street A Spey Terrace Railway station Virgin Money Fringe Edinburgh Festival Fringe 10 FMcDonald Place on the Royalres Mile (E5) with Ticket Collection Point C t Car parking n McDonald Shaw’s o Street Street m Edinburgh International e Virgin Moneyr Fringe a Toilets l B 55 Gdns Bellevue Shaw’s C Book Festival on The Mound W(D4) Annandale St Place Inverleith Terrace VisitScotland Broughton Road ClaremoVirginnt Money Half McDonald Road Gro M Edinburgh Mela Information Centre H Priceve Hut (D4) k B anonmills t C n Edinburgh International o Fringe EastTicket Claremont Street Canon St m Rodney St TCre Bellevue Road i 100m B la Collection Point HopetounFestival Street e C l l e Bellevue Street East Fettes Avenue e v 282 c u TransportMelgund for Edinburgh Edinburgh Jazz a e t r Annandale Street en r c TS Terrace J s e T and Blues Festival re T e Travelshop C rr n a n o Place c u e 500m Glenogle Road d to n Green Street e a r See inset below The Royal Edinburghp Cornwallis Edinburgh Bus Tours o B Eyre Pl BUS T Saxe-Coburg Military Tattoo H 195 for Leith venues Bellevue bank A24 600m Place Summer- B Brunswick Street e Saxe-Coburg -
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CALEDONIAN DEUCHARS IPA FRINGE PROGRAMME MAP HEADER - 420 x 45mm high 1 2 3 4 5 6 84 Beaverhall Road J8 Pilrig Street 120 McDonald Road Inverleith Row 369 Logie Green Road Logie Mill A15 Cycle Path 1 Edinburgh Festival Fringe Box Edinburgh Art Festival Arboretum Place 193 Office and Shop (E5) 446 Steps 2k 380 2 Fringe Central (F5) F Edinburgh Festival Fringe 28 Public Walkway Dryden Street A Spey Terrace Railway Station Virgin Money Fringe Edinburgh Festival Fringe 10 FMcDonald Place on the Royalres Mile (E5) with Ticket Collection Point C t Car Parking n McDonald Shaw’s o Street Street m Edinburgh International e Virgin Moneyr Fringe a Toilets l B 371 55 Gdns Bellevue Shaw’s C Book Festival on the Mound (D4)W Annandale St Place Inverleith Terrace VisitScotland Broughton Road ClaremoVirginnt Money Half McDonald Road Gro M Edinburgh Mela 50m Information Centre H Priceve Hut (D4) k 100m B 103 onm t an ills 300m C n Edinburgh International o Fringe EastTicket Claremont Street 282 Canon St m Rodney St TCre Bellevue Road i B la Collection Point HopetounFestival Street 375 e C l l e Bellevue Street East Fettes Avenue e v c u TransportMelgund for Edinburgh Edinburgh Jazz a e t r Annandale Street en r c TS Terrace J s e T and Blues Festival re T e Travelshop C rra n n o Place ce u Glenogle Road to 500m nd Green Street e a r See inset below p 207 Cornwallis Edinburgh Bus Tours o B Eyre Pl BUS T Royal Edinburgh Military Tattoo Saxe-Coburg H 195 for Leith Venues Bellevue 600m bank Place Summer- A23 B Brunswick Street e Saxe-Coburg St 70 317 ll Bridge