Sam Ford World Wrestling Entertainment in Japanese Culture
Sam Ford World Wrestling Entertainment in Japanese Culture in the 21st Century Introduction Approximately 16,000 pro wrestling fans were jammed into the Yokohama Arena on 01 March 2002, paying $1.1 million to see the first show by American international sports entertainment property World Wrestling Entertainment (WWE), formerly a regional promotion in the Northeast that launched a national media phenomenon in the 1980s when it paired with the growing strength of cable and pay-per-view television and remains based in Stamford, Connecticut, creating the first most successful wrestling touring group and television program on a national level. Shane McMahon, who along with sister Stephanie is heir to the McMahon family wrestling empire controlled by their father, Vince McMahon, was scheduled to come out early in the show, in front of the capacity crowd. His family company had not been to Japan for a show since the mid-1990s, when they only drew 4,500 fans in the same building, and fans hated parts of the show so much they chanted “refund.” Something had changed by 2002, though, and WWE was the place to be for thousands of people in Tokyo. McMahon entered the ring, accompanied by translator Wally Yamaguchi—a figure Japanese pro wrestling fans might know as a referee for Japanese wrestling organization All- Japan. As McMahon began to speak to the crowd through Yamaguchi, the duo was met with a loud series of boos. According to journalist Dave Meltzer, “The crowd, particularly the ringsiders, were furious. They wanted WWF, not WWF translated into Japanese.”1 Shane 1 Meltzer, Dave.
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