Sincerity and Authenticity
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The American Postdramatic Television Series: the Art of Poetry and the Composition of Chaos (How to Understand the Script of the Best American Television Series)”
RLCS, Revista Latina de Comunicación Social, 72 – Pages 500 to 520 Funded Research | DOI: 10.4185/RLCS, 72-2017-1176| ISSN 1138-5820 | Year 2017 How to cite this article in bibliographies / References MA Orosa, M López-Golán , C Márquez-Domínguez, YT Ramos-Gil (2017): “The American postdramatic television series: the art of poetry and the composition of chaos (How to understand the script of the best American television series)”. Revista Latina de Comunicación Social, 72, pp. 500 to 520. http://www.revistalatinacs.org/072paper/1176/26en.html DOI: 10.4185/RLCS-2017-1176 The American postdramatic television series: the art of poetry and the composition of chaos How to understand the script of the best American television series Miguel Ángel Orosa [CV] [ ORCID] [ GS] Professor at the School of Social Communication. Pontificia Universidad Católica del Ecuador (Sede Ibarra, Ecuador) – [email protected] Mónica López Golán [CV] [ ORCID] [ GS] Professor at the School of Social Communication. Pontificia Universidad Católica del Ecuador (Sede Ibarra, Ecuador) – moLó[email protected] Carmelo Márquez-Domínguez [CV] [ ORCID] [ GS] Professor at the School of Social Communication. Pontificia Universidad Católica del Ecuador Sede Ibarra, Ecuador) – camarquez @pucesi.edu.ec Yalitza Therly Ramos Gil [CV] [ ORCID] [ GS] Professor at the School of Social Communication. Pontificia Universidad Católica del Ecuador (Sede Ibarra, Ecuador) – [email protected] Abstract Introduction: The magnitude of the (post)dramatic changes that have been taking place in American audiovisual fiction only happen every several hundred years. The goal of this research work is to highlight the features of the change occurring within the organisational (post)dramatic realm of American serial television. -
A–Z Glossary
Page 279 16 A–Z Glossary Adorno A critical theorist, essayist, philosopher, musicologist and social critic, Theodor Wiesengrund Adorno (Frankfurt am Main 1903 – Visp 1969) is best known as a leading member of the Frankfurt School. Following the submission of his doctoral thesis on Husserl he studied composition and sought a career in music. Though by the end of the 1920s his essays on music had become more popular, Adorno’s early work as a composer and music critic was not well received and he came to devote more energy to philosophy, beginning his association with the Institute for Social Research in 1928. For Adorno, thought generally misrepresents reality by making it con- form to the instrumental human interests which dominate under capitalist modernity. Under Adorno’s analysis, modern society falsely understands the world as a totality of facts, when it can never be fully described or cognized in general terms. He was deeply critical of what he saw as the political conservativism of scientific positivism, and argued for dialectical method in philosophical research. Rejecting the idea that philosophy pro- vides access to a direct or unmediated set of truths, Adorno suggests that only dialectics can escape ‘identity thinking’: thought distorted by relations of social power which attempts to make objects conform to inadequate con- cepts. It is therefore in the anomalous – or ‘non-identical’ – that Adorno finds the strongest indictments of the poverty of the present state of things. Dialectics is ‘the consistent consciousness of nonidentity’, he writes in Negative Dialectics (1966). Though heavily indebted to Marx, Adorno remained sceptical about the revolutionary potential of the working class, preferring to speak of the way in which late capitalism permeates all levels of society with its own instru- mental logic. -
Philosophy As a Path to Happiness
CORE Metadata, citation and similar papers at core.ac.uk Provided by Helsingin yliopiston digitaalinen arkisto Philosophy as a Path to Happiness Attainment of Happiness in Arabic Peripatetic and Ismaili Philosophy Janne Mattila ACADEMIC DISSERTATION To be publicly discussed, by due permission of the Faculty of Arts at the University of Helsinki in auditorium XII, University main building, on the 13th of June, 2011 at 12 o’clock. ISBN 978-952-92-9077-2 (paperback) ISBN 978-952-10-7001-3 (PDF) http://ethesis.helsinki.fi/ Helsinki University Print Helsinki 2011 2 Abstract The aim of this study is to explore the idea of philosophy as a path to happiness in medieval Arabic philosophy. The starting point is in comparison of two distinct currents within Arabic philosophy between the 10th and early 11th centuries, Peripatetic philosophy, represented by al-Fārābī and Ibn Sīnā, and Ismaili philosophy represented by al-Kirmānī and the Brethren of Purity. These two distinct groups of sources initially offer two contrasting views about philosophy. The attitude of the Peripatetic philosophers is rationalistic and secular in spirit, whereas for the Ismailis philosophy represents the esoteric truth behind revelation. Still, the two currents of thought converge in their view that the ultimate purpose of philosophy lies in its ability to lead man towards happiness. Moreover, they share a common concept of happiness as a contemplative ideal of human perfection, merged together with the Neoplatonic goal of the soul’s reascent to the spiritual world. Finally, for both happiness refers primarily to an otherworldly state thereby becoming a philosophical interpretation of the Quranic accounts of the afterlife. -
History 600: Public Intellectuals in the US Prof. Ratner-Rosenhagen Office
Hannah Arendt W.E.B. DuBois Noam Chomsky History 600: Public Intellectuals in the U.S. Prof. Ratner-Rosenhagen Lecturer: Ronit Stahl Class Meetings: Office: Mosse Hum. 4112 Office: Mosse Hum. 4112 M 11 a.m.-1 p.m. email: [email protected] email: [email protected] Room: Mosse Hum. 5257 Prof. RR’s Office Hours: R.S.’s Office Hours: T 3- M 9 a.m.-11a.m. 5 p.m. This course is designed for students interested in exploring the life of the mind in the twentieth-century United States. Specifically, we will examine the life of particular minds— intellectuals of different political, moral, and social persuasions and sensibilities, who have played prominent roles in American public life over the course of the last century. Despite the common conception of American culture as profoundly anti-intellectual, we will evaluate how professional thinkers and writers have indeed been forces in American society. Our aim is to investigate the contested meaning, role, and place of the intellectual in a democratic, capitalist culture. We will also examine the cultural conditions, academic and governmental institutions, and the media for the dissemination of ideas, which have both fostered and inhibited intellectual production and exchange. Roughly the first third of the semester will be devoted to reading studies in U.S. and comparative intellectual history, the sociology of knowledge, and critical social theory. In addition, students will explore the varieties of public intellectual life by becoming familiarized with a wide array of prominent American philosophers, political and social theorists, scientists, novelists, artists, and activists. -
Dr. Lionel Trilling Jefferson Lecturer the Blakelock Problem
Humanities New York City, a sheaf of rolled-up canvases under his arm, while Blakelock bargained; as often as not, they’d return to the same dealers with the same pic tures just before closing, Blakelock desperate and willing to accept almost anything for his work. He was a self-taught artist, born and raised in New York City, who headed west after graduation from what is now the City University of New York, sketch ing his way across the plains to the coast, returning by way of Mexico, Panama, and the West Indies. At first he painted pictures in the Hudson River style— romantically colored panoramas identifiable with the locales he had visited. But as the years passed, the children came, and fame, fortune or even a minimal income eluded him, Blakelock started building on canvas a world of his own: dark scenes, heavy with overarching trees Dr. Lionel Trilling brooding over moonlit waters, highly romantic Indian Jefferson Lecturer encampments that never were. Bright colors left his palette, the hues of night dominated. Dr. Lionel Trilling will deliver the first Jefferson Lec Blakelock did build up a modest following of col ture in the Humanities before a distinguished au lectors, but in the 1870’s and 1880’s, $30 to $50 was dience at the National Academy of Sciences Audi a decent price for a sizable painting by an unknown, torium, 2101 Constitution Avenue Northwest, Wash and his fees never caught up with his expenses. Only ington, D. C. on Wednesday, April 26 at eight once did light break through: in 1883, the Toledo o ’clock. -
NIETZSCHE and NIHILISM Brian Gilbert a Thesis Submitted In
NIETZSCHE AND NIHILISM Brian Gilbert A thesis submitted in conformity with the requirements for the degree of Doctor of Education Department of Theory and Policy Ontario hstitute for Studies in Education of the University of Toronto O Copyright by Brian Gilbert (1999) National Library Bibliothèque nationale du Canada Acquisitions and Acquisitions et Bibliographie Services services bibliographiques 395 Wellington Street 395. rue Wellington Ottawa ON K1A ON4 Ottawa ON KtA ON4 canada canada Your Me Votre reference Our Ne Notre ref6rence The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, ban, distribute or sell reproduire, prêter, distribuer ou copies of this thesis in microfom, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/fïlm, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. NIETZSCHE AND NIHILISM Brian Howard Gilbert, Ed. D., 1999 Department of Theory and Policy Studies University of Toronto ABSTRACT The failure of Hegel's attempt at a 'grand' synthesis of Platonic and Christian thought has forced upon continental philosophy a radical rethinking and reevaluation of both metaphysics and theology -what Heidegger has called the onto-theological tradition. -
Lionel Trilling's Existential State
Lionel Trilling’s Existential State Michael Szalay Death is like justice is supposed to be. Ralph Ellison, Three Days Before the Shooting IN 1952, LIONEL TRILLING ANNOUNCED THAT “intellect has associated itself with power, per- haps as never before in history, and is now conceded to be in itself a kind of power.” He was de- scribing what would be his own associations: his personal papers are littered with missives from the stars of postwar politics. Senator James L. Buckley admires his contribution to American let- ters. Jacob J. Javits does the same. Daniel Patrick Moynihan praises him as “the nation’s leading literary critic.” First Lady Jacqueline Kennedy writes from the White House, thanking him for the collection of D. H. Lawrence stories and hoping to see him again soon. Three years later, President Lyndon Johnson sends a telegram asking Trilling to represent him at the funeral of T. S. Eliot. Politicians liked having Trilling around. He confirmed their noble sense of mission as often as they praised him.1 Trilling’s accommodating relation to power alienated many of his peers, like Irving Howe and C. Wright Mills, and later provoked condemnations from historians like Christopher Lasch and MICHAEL SZALAY teaches American literature and culture at UC, Irvine, and is the author of New Deal Modernism and The Hip Figure, forthcoming from Stanford University Press. He is co-editor of Stanford’s “Post*45” Book Series. 1 Trilling thought that the political establishment embraced intellectuals because it was “uneasy with itself” and eager “to apologize for its existence by a show of taste and sensitivity.” Trilling, “The Situation of the American Intellectual at the Present Time,” in The Moral Obligation to Be Intelligent, ed. -
Rousseau and the Modern Cult of Sincerity by Arthur M
Rousseau and the Modern Cult of Sincerity By Arthur M. Melzer NY TRUE EFFORT AT COLLECTIVE SELF-KNOWLEDGE, ANY attempt to understand ourselves as a society and a culture, must give par- ticular attention to the question of sincerity. For the canonization of sincerity or authenticity, its elevation to the highest or most fundamental Ahuman virtue, would seem to be one of the defining characteristics of our age. This has been the observation of a long- line of critics. One might immediately object, of course, that the goal with which we are truly obsessed is rather wealth or material success. But one of the strangest things about our society is that while everyone chases money, few wholeheartedly believe in it. Virtually every American will tell you that Americans are too materialistic and sell- out too easily. Somehow, we have all internalized the old critique of bourgeois cul- ture; we are-all critics of our own lives. And on this second, critical leve1,when we ask ourselves what it means not to sell out, a little voice within us always gives the same reply: "be true to your inner self." This is our obsession with sincerity. Thus, by the ideal of sincerity, I mean something very general - more general, perhaps, than is sanctioned by common usage. In the largest sense, I mean the phe- nomenon that Allan Bloom describes in saying that in our thinking about human happiness and human excellence, we have replaced the RTHUR M. MELZER IS traditional vocabulary of virtue and vice with ssociate profesror such new pairs of opposites as inner political scienceat juichjgan directed/other directed, real self/alienated self, State University and codirector of sincere/hypOcritical.' the Symposium on Science, For example, if one asks what character Reason, and Modern Democracy. -
The New Sincerity Ethos by Kayley Hart a Dissertation Submitted to The
Sincerity and Hyperreality: The New Sincerity Ethos by Kayley Hart A Dissertation Submitted to the University of Wyoming Undergraduate Honors Program and English Honors Program Spring 2020 Hart 2 I: Introduction to New Sincerity A broad literary and cultural ethos has emerged in the early 21st century that is referred to by literary scholars, writers, and journalists as “New Sincerity.” Associated with the “millennial” generation, the movement encompasses various media including books, poetry, television, films, and music. Analyzing New Sincerity as a specific movement or ethos involves studying the relationship between sincerity and irony, writer and reader, and postmodernism. This study seeks to understand the characteristics of New Sincerity and the political and cultural implications of the emergence of media that embraces sincerity and kindness instead of cynicism. “New Sincerity” is described as an ethos in the media, indicating its cultural foothold. In a 2012 Atlantic article called, “Sincerity, Not Irony, Is Our Age's Ethos,” Jonathan D. Fitzgerald argues that sincerity is the overarching ethos of our age. He says, “A recent Knights of Columbus-Marist Poll survey found that among Millennials, six out of 10 prioritized being close to God and having a good family life above anything else.” This indicates that New Sincerity is more than just a rejection of irony, but a shift in everyday values, including an acceptance of vulnerability and simplicity. Fitzgerald looks at Generation X (born in the 1960s-70s) and Millennials (born in the 1980s-90s) comparatively, saying he appreciates the culture of the 90s, “But I can also still remember the cool, detached posturing of the teenagers I looked up to as a child in the '80s, and still as a teenager myself in the '90s. -
Melodic Speech Patterns in the Traditional Japanese Kyogen Theatre: a Strategy of Contrasting Structures
Spring 2001 97 Melodic Speech Patterns in the Traditional Japanese Kyogen Theatre: A Strategy of Contrasting Structures Zvika Serper To Nomura Mansaku, the greatest living kyogen actor Kyogen are comic short plays that serve as interludes between the serious no dramas, together comprising the nogaku, the Japanese traditional aristocratic theatre. They can be farce, satire, tragi-comedy, etc., dealing with the daily life of the lower and middle classes. Relationships between an ordinary man and his wife or lover, and those between a master and his servant are the most common themes in kyogen, in contrast with the more serious super-human appearances of ghosts, gods, and demons in no. Kyogen can be considered as the realistic antithesis of no not only on the dramatic level, but as regards the acting too.1 Vocal expression in kyogen, as in no, consists of both speech and singing, although the proportions differ completely in the two styles, with far more speech than singing in kyogen. Similar to the other traditional theatre arts in Japan, the art passes from father to sons or disciples, and the acting patterns accumulate and crystallize throughout the generations, including the melodic speech patterns. There is no notation of these patterns in the professional texts, and to date no analysis has been attempted of these traditional speech patterns. The kyogen speech served as one of the main sources for the speech of kabuki, the traditional popular theatre that developed later, and therefore it embodies the nucleus of the presentational speech art of all Japanese traditional theatres. In the present analysis of the principles and aesthetic of the kyogen speech patterns I hope to shed some light on these Japanese theatrical speech patterns and provide greater insight into their complexity. -
Albert Camus' Dialogue with Nietzsche and Dostoevsky Sean Derek Illing Louisiana State University and Agricultural and Mechanical College, [email protected]
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2014 Between nihilism and transcendence : Albert Camus' dialogue with Nietzsche and Dostoevsky Sean Derek Illing Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Political Science Commons Recommended Citation Illing, Sean Derek, "Between nihilism and transcendence : Albert Camus' dialogue with Nietzsche and Dostoevsky" (2014). LSU Doctoral Dissertations. 1393. https://digitalcommons.lsu.edu/gradschool_dissertations/1393 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. BETWEEN NIHILISM AND TRANSCENDENCE: ALBERT CAMUS’ DIALOGUE WITH NIETZSCHE AND DOSTOEVSKY A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Political Science by Sean D. Illing B.A., Louisiana State University, 2007 M.A., University of West Florida, 2009 May 2014 ACKNOWLEDGEMENTS This dissertation is the product of many supportive individuals. I am especially grateful for Dr. Cecil Eubank’s guidance. As a teacher, one can do no better than Professor Eubanks. Although his Socratic glare can be terrifying, there is always love and wisdom in his instruction. It is no exaggeration to say that this work would not exist without his support. At every step, he helped me along as I struggled to articulate my thoughts. -
Neoconservatism Hoover Press : Berkowitz/Conservative Hberkc Ch5 Mp 104 Rev1 Page 104 Hoover Press : Berkowitz/Conservative Hberkc Ch5 Mp 105 Rev1 Page 105
Hoover Press : Berkowitz/Conservative hberkc ch5 Mp_103 rev1 page 103 part iii Neoconservatism Hoover Press : Berkowitz/Conservative hberkc ch5 Mp_104 rev1 page 104 Hoover Press : Berkowitz/Conservative hberkc ch5 Mp_105 rev1 page 105 chapter five The Neoconservative Journey Jacob Heilbrunn The Neoconservative Conspiracy The longer the United States struggles to impose order in postwar Iraq, the harsher indictments of the George W. Bush administration’s foreign policy are becoming. “Acquiring additional burdens by engag- ing in new wars of liberation is the last thing the United States needs,” declared one Bush critic in Foreign Affairs. “The principal problem is the mistaken belief that democracy is a talisman for all the world’s ills, and that the United States has a responsibility to promote dem- ocratic government wherever in the world it is lacking.”1 Does this sound like a Democratic pundit bashing Bush for par- tisan gain? Quite the contrary. The swipe came from Dimitri Simes, president of the Nixon Center and copublisher of National Interest. Simes is not alone in calling on the administration to reclaim the party’s pre-Reagan heritage—to abandon the moralistic, Wilsonian, neoconservative dream of exporting democracy and return to a more limited and realistic foreign policy that avoids the pitfalls of Iraq. 1. Dimitri K. Simes, “America’s Imperial Dilemma,” Foreign Affairs (Novem- ber/December 2003): 97, 100. Hoover Press : Berkowitz/Conservative hberkc ch5 Mp_106 rev1 page 106 106 jacob heilbrunn In fact, critics on the Left and Right are remarkably united in their assessment of the administration. Both believe a neoconservative cabal has hijacked the administration’s foreign policy and has now overplayed its hand.