London Suite by Neil Simon
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Play-Guide Sunshine-Boys-FNL.Pdf
TABLE OF CONTENTS ABOUT ATC 1 INTRODUCTION TO THE PLAY 2 SYNOPSIS 2 MEET THE CREATOR 2 MEET THE CHARACTERS 4 COMMENTS ON THE PLAY 4 COMMENTS ON THE PLAYWRIGHT 6 THE HISTORY OF VAUDEVILLE 7 FamOUS VAUDEVILLIANS 9 A VAUDEVILLE EXCERPT: WEBER AND FIELDS 11 MEDIA TRANSITIONS: THE END OF AN ERA 12 REFERENCES IN THE PLAY 13 DISCUSSION QUESTIONS AND ACTIVITIES 19 The Sunshine Boys Play Guide written and compiled by Katherine Monberg, ATC Literary Assistant. Discussion questions and activities provided by April Jackson, Education Manager, Amber Tibbitts and Bryanna Patrick, Education Associates Support for ATC’s education and community programming has been provided by: APS John and Helen Murphy Foundation The Maurice and Meta Gross Arizona Commission on the Arts National Endowment for the Arts Foundation Bank of America Foundation Phoenix Office of Arts and Culture The Max and Victoria Dreyfus Foundation Blue Cross Blue Shield Arizona PICOR Charitable Foundation The Stocker Foundation City of Glendale Rosemont Copper The William l and Ruth T. Pendleton Community Foundation for Southern Arizona Stonewall Foundation Memorial Fund Cox Charities Target Tucson Medical Center Downtown Tucson Partnership The Boeing Company Tucson Pima Arts Council Enterprise Holdings Foundation The Donald Pitt Family Foundation Wells Fargo Ford Motor Company Fund The Johnson Family Foundation, Inc Freeport-McMoRan Copper & Gold Foundation The Lovell Foundation JPMorgan Chase The Marshall Foundation ABOUT ATC Arizona Theatre Company is a professional, not-for-profit -
Ruth Prawer Jhabvala's Adapted Screenplays
Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone. -
SUNSHINE BOYS Previews Begin Wednesday, October 23
CONTACT: Nancy Richards – 917-873-6389 (cell) /[email protected] MEDIA PAGE: www.northcoastrep.org/press FOR IMMEDIATE RELEASE, PLEASE: LAUGHTER AND TEARS FILL THE BILL AS NORTH COAST REPERTORY THEATRE SHINES THE SPOTLIGHT ON THE SUNSHINE BOYS A Neil Simon Classic Performances Beginning Wednesday, October 23, 2019 Running Through Sunday, November 17, 2019 EXTENDED TO NOVEMBER 24TH due to popular demand Directed by Jeffrey B. Moss Solana Beach, CA – THE SUNSHINE BOYS deftly showcases the late Neil Simon’s brilliant ear for sidesplitting dialogue and his sharp eye for physical comedy. Yet beneath the raucous laughter are two vulnerable people struggling to make sense of their lives. North Coast Repertory Theatre has earned numerous accolades by critics and audiences alike for capturing the nuances of Simon’s memorable characters who wrestle with love, loss, work, family and aging. Simon’s plays historically sell out rapidly, so early ticket buying is highly recommended. Jeffrey B. Moss directs Bryan Banville*, Portia Gregory, Phillip Korth, Samantha Roper, James Sutorius*, John Tessmer, and Lenny Wolpe*, in THE SUNSHINE BOYS. The design team includes Marty Burnett (Resident Scenic Designer), Matthew Novotny (Lighting), Elisa Benzoni (Costumes), Aaron Rumley (Sound), Philip Korth (Props) and Peter Herman (Wigs). Danielle Stephens* is the Stage Manager. *The actor or stage manager appears through the courtesy of Actors’ Equity Association. For photos, go to www.northcoastrep.org/press. THE SUNSHINE BOYS previews begin Wednesday, October 23. Opening Night on Saturday, October 26, at 8pm. A new Preview Matinee has been added on Friday, October 25, at 2pm. There will be a special talkback on Friday, November 1, with the cast and artistic director. -
August 2018 Welcome Mike Hausberg
AUGUST 2018 WELCOME MIKE HAUSBERG Welcome to The Old Globe and this production of Barefoot in the Park. Our goal is to serve all of San Diego and beyond through the art of theatre. Below are the mission and values that drive our work. We thank you for being a crucial part of what we do. MISSION STATEMENT The mission of The Old Globe is to preserve, strengthen, and advance American theatre by: creating theatrical experiences of the highest professional standards; producing and presenting works of exceptional merit, designed to reach current and future audiences; ensuring diversity and balance in programming; providing an environment for the growth and education of theatre professionals, audiences, and the community at large. STATEMENT OF VALUES The Old Globe believes that theatre matters. Our commitment is to make it matter to more people. The values that shape this commitment are: TRANSFORMATION Theatre cultivates imagination and empathy, enriching our humanity and connecting us to each other by bringing us entertaining experiences, new ideas, and a wide range of stories told from many perspectives. INCLUSION The communities of San Diego, in their diversity and their commonality, are welcome and reflected at the Globe. Access for all to our stages and programs expands when we engage audiences in many ways and in many places. EXCELLENCE Our dedication to creating exceptional work demands a high standard of achievement in everything we do, on and off the stage. STABILITY Our priority every day is to steward a vital, nurturing, and financially secure institution that will thrive for generations. IMPACT Our prominence nationally and locally brings with it a responsibility to listen, collaborate, and act with integrity in order to serve. -
Facts About I Ought to Be in Pictures
INVISIBLE THEATRE - PRESS RELEASE Press Contact: Cathy Johnson or Susan Claassen Administration: (520) 884-0672 Box Office: (520) 882-9721 1400 N. First Ave, Tucson, AZ 85719 [email protected] www.invisibletheatre.com FOR IMMEDIATE RELEASE Invisible Theatre Concludes its 45th Anniversary Season with I OUGHT TO BE IN PICTURES by Neil Simon April 19 – May 1, 2016 (March 28, 2016, Tucson, Arizona); IT concludes its 45th Anniversary Season with I OUGHT TO BE IN PICTURES by Neil Simon. This heartfelt comedy directed by Susan Claassen and Fred Rodriguez features David Alexander Johnston, Susan Kovitz, and Lucille Petty. It tells the story of Herb, a Hollywood scriptwriter currently "at liberty", who is surprised when his forgotten past reappears in the form of Libby, his teenage daughter. Libby trekked from Brooklyn to LA with dreams of movie stardom. With Steffy, his sometime paramour at his side, Herb decides to take another stab at fatherhood and hopefully this time, get it right. How they pick up the pieces of a father daughter relationship is a poignant, tender and nevertheless very funny story. This production is made possible in part through the generous support of the Milton and Elizabeth Kahn Philanthropic Fund "Terrific...sweet, dandy and touching... a mature, memorable play that brings joy to the season." - New York Post I OUGHT TO BE IN PICTURES will play from April 19 – May 1, 2016 with the official press opening on Wednesday, April 20, 2016 at 7:30 p.m. The Invisible Theatre is located at 1400 N. First Avenue (at Drachman), Tucson, AZ 85719. -
London Suite 2011 Programme
London Suite By Neil Simon London Suite consists of four one-act plays that take place in the 1980s, in an old but very fashionable hotel in London, much like the Connaught Hotel in Mayfair. The Connaught, originally built in the 19th century, still stands today, a testament to the splendour of the period. Its décor, although remodelled many times, still has the charm and ambience of the original. It is far from one of the larger hotels in London but its clientele look for atmosphere, comfort and privacy, standing out from its glitzy contemporaries. In Settling Accounts, the suite is occupied by an inebriated Welsh writer who is holding his long time business manager - caught absconding with the writer's money - at gun point. An American widow and her daughter then take over the suite in Going Home. At the daughter's insistence, mother spends her last evening in London with a rich Scotsman. In Sidney and Diana, an Oscar winning actress and her divorced husband are seeing each other for the first time in years. The Man on the Floor features as guests a married couple from New York who have lost their tickets to Wimbledon. There will be an interval of fifteen minutes between Acts I and II when the bar will be open and the raffle drawn. 2 Act 1 Settling Accounts Brian Dan Bennett Billy Chuck Jagiello Director – Darka Makarec Going Home Lauren Sarah Couzens Mrs Semple Carolyn Taylor Director – Jeni Summerfield Act 2 Diana & Sidney Diana Lois Wells Grace Katie Dyet Sidney Simon Wisbey Director – Jo Webster The Man on the Floor Mark Dan Bennett Annie Carole Ferriday Mrs Sitgood Marie Hoyle Bellman Adrian Wells Dr. -
Tomlinson · Sees Positive Side of Socialism
Registration creates confusion "Wflen I registered this especially those who did not was now larger than originally fall, I waited in line for four pre-register and had to get planned. hours just to have my picture their classes after every one '' I don't know all of the taken.'' else had registered. "I could circumstances,'' said Nursing If this comment sounds not get the classes I needed Dept. head Eileen Williams, familiar, it just might be. Tbis for my major," complained '' but the students were told was the response of many one student. '' Every class I ahead of time about the situa Mesa College students when had to have was filled. This tion." asked how tbey felt about the school does not seem to make Another similar problem fall registration. any kind of special consider was the scheduling of a gene Have· the changes brought ation for those students who tics class, which was dropped. about during pre-registration can.not pre_-reg ister ~' ' Many students were unaware for the spring semester helped I was never so confused in of the change. anything, or have they just all my life," said a new ''We can only schedule a made conditions worse? student. ''The fall registration class so many times," Sneed "No one agrees morn than I was bad enough, waiting in said. "If a new or returning do that the lines were ridicu line for so long, b4t for those student does not get register lously long,'' said Reigistrar who didn't know where all the_ ed like he wanted, he just Betsy Sneed. -
Plays by Neil Simon
PLAY GUIDE 2017 2018 About ATC …………………………………………………………………………………..… 1 Introduction to the Play ………………………………………………………………………... 2 Meet the Playwright ……………………………..…………………………………………….. 3 Meet the Director: Interview with Marsha Mason …………………………………………………. 3 Meet the Characters ……………………………………………….……………………..…… 5 Evolution of a Genre: Romantic Comedy…………………………………………………………. 6 The History of “Dating” …………….…………………..…………………….………………… 8 Glossary ……………………………………………………………………………………… 10 Discussion Questions and Activities …………………………………………………………….. 12 Chapter Two Play Guide by Katherine Monberg, with contributions from ATC Learning & Education staff. SUPPORT FOR ATC’S LEARNING & EDUCATION PROGRAMMING HAS BEEN PROVIDED APS Rosemont Copper Arizona Commission on the Arts Stonewall Foundation Bank of America Foundation Target Blue Cross Blue Shield of Arizona The Boeing Company City of Glendale The Donald Pitt Family Foundation Community Foundation for Southern Arizona The Johnson Family Foundation, Inc. Cox Charities The Lovell Foundation Downtown Tucson Partnership The Marshall Foundation Enterprise Holdings Foundation The Maurice and Meta Gross Foundation Ford Motor Company Fund The Max and Victoria Dreyfus Foundation Freeport-McMoRan Copper & Gold Foundation The Stocker Foundation JPMorgan Chase The WIlliam L. and Ruth T. Pendleton Memorial Fund John and Helen Murphy Foundation Tucson Medical Center National Endowment for the Arts Tucson Pima Arts Council Phoenix Office of Arts and Culture Wells Fargo PICOR Charitable Foundation ABOUT ATC Under new leadership, -
An Evening of Comedy from the Ridiculous to the Sublime. ACT I ACT II Scene 1 Scene 1
Iron Mountain Stage Company Presents Spring MIX IT, x SHAKE IT, Mi STIR IT... We are serving something for everyone! Directed by Victor Venning An evening of comedy from the ridiculous to the sublime. ACT I ACT II Scene 1 Scene 1 Surprise by Mark Harvey Levine Wanda’s Visit by Christopher Durang Peter is a psychic, but he can only see 2 minutes ahead into the A comedy about a married couple who are a bit restless in their future. relationship and have their lives thrown into disarray by Wanda, the Whitney .................................................... Patty Sullivan husband’s old high school girl friend who suddenly shows up for a Esther ...................................................... Patty Loud visit. Peter ....................................................... Barry Smith Wanda ...................................................... Linda Gerdes Waitress ................................................... Marie Cannici Scene 2 Marsha .................................................... Corinne Digiacinto Jim .......................................................... Fred Mawson God Walks Into a Bar or: What is This, Some Kind Of Joke? By Jerry Lazar God will answer a question for every good joke that Jerry tells. It’s all in the presentation. Paul ......................................................... Ben Fraumann Jerry ........................................................ John Klemek Blueberry Hill Accord by Daryl Watson I’ll pass a description along to you as soon as I get that from Victor. CHARACTERS???? Scene 3 -
Seen on Screen.Indd
A WALK IN BEVERLY HILLS 3 Electric Fountain 8 Avalon Hotel Beverly Hills The Electric Fountain, a landmark of Beverly Hills since it was built Young starlets have long lounged by the pool at the mid-century in 1931, can be spotted in several movies and music videos. The style Avalon Beverly Hills hotel. Originally the Beverly Carlton Seen on Screen fountain got its name because it was the first electric fountain to Hotel, it was once the home of none other than Marilyn Monroe. be built in the United States. In the 1995 teen comedy, Clueless, Lucy, Ricky, Fred and Ethel also “stayed” at the hotel on their Beverly Hills has long been a backdrop for major the fountain is where Cher, played by Alicia Silverstone, has the vacation to LA in a classic episode of I Love Lucy. Sip a refreshing feature films and television shows and home to epiphany that she is in love with Josh. The members of The Go- cocktail in one of the poolside cabanas or dine at Viviane as you celebrities since the motion picture industry came to Go’s danced in the fountain in the music video for their 1981 hit relive the Golden Age of television. song “Our Lips are Sealed.” life in the early 1900s. Explore with us as we take you on a journey around town, giving you an up close tour 4 The Beverly Hilton For entertainment fans with extra time and a mode of of the many sites and experiences that have made this The 2013 Best Picture Academy Award winner, Argo, transportation, here are two additional filming locations city famous. -
SUNSHINE BOYS Previews Begin Wednesday, October 23
CONTACT: Nancy Richards – 917-873-6389 (cell) /[email protected] MEDIA PAGE: www.northcoastrep.org/press FOR IMMEDIATE RELEASE, PLEASE: LAUGHTER AND TEARS FILL THE BILL AS NORTH COAST REPERTORY THEATRE SHINES THE SPOTLIGHT ON THE SUNSHINE BOYS A Neil Simon Classic Performances Beginning Wednesday, October 23, 2019 Running Through Sunday, November 17, 2019 Directed by Jeffrey B. Moss Solana Beach, CA – THE SUNSHINE BOYS deftly showcases the late Neil Simon’s brilliant ear for sidesplitting dialogue and his sharp eye for physical comedy. Yet beneath the raucous laughter are two vulnerable people struggling to make sense of their lives. North Coast Repertory Theatre has earned numerous accolades by critics and audiences alike for capturing the nuances of Simon’s memorable characters who wrestle with love, loss, work, family and aging. Simon’s plays historically sell out rapidly, so early ticket buying is highly recommended. Jeffrey B. Moss directs Bryan Banville*, Portia Gregory, Phillip Korth, Samantha Roper, James Sutorius*, John Tessmer, and Lenny Wolpe*, in THE SUNSHINE BOYS. The design team includes Marty Burnett (Resident Scenic Designer), Matthew Novotny (Lighting), Elisa Benzoni (Costumes), Aaron Rumley (Sound), Philip Korth (Props) and Peter Herman (Wigs). Danielle Stephens* is the Stage Manager. *The actor or stage manager appears through the courtesy of Actors’ Equity Association. For photos, go to www.northcoastrep.org/press. THE SUNSHINE BOYS previews begin Wednesday, October 23. Opening Night on Saturday, October 26, at 8pm. A new Preview Matinee has been added on Friday, October 25, at 2pm. There will be a special talkback on Friday, November 1, with the cast and artistic director. -
FCT's Business Sponsors
Fauquier Community Theatre's Spotlight Painting Stories for 33 Years February, 2011 In This Issue California Suite Roundtable Discussion Meet FCT's Business Sponsors Neil Simon Spotlight On FCT Seeking Treasurer College Scholarships "California Suite" Ready to Shine at FCT Neil Simon's "California Suite" will open its run at the Fauquier Community Theater this Friday, Feb. 25. The play features a perfectly balanced mix of comedy and poignancy as the stories of four sets of travelers unfold within a California hotel suite. Among the characters are Hannah Warren from New York who, in the first episode, has come to the hotel to discuss child custody details with her ex- husband. The second episode features a British actress nominated for an Academy Award. She is preparing to attend the ceremony with her husband, who is hiding a secret life from the spotlight. Two doctors and their spouses who are in the midst of a less-than-idyllic vacation take the stage for the third episode, while the final vignette features a married man on a solo trip whose situation becomes comically complicated when both a hooker and then his wife show up in his suite unexpectedly. The cast includes 10 actors taking on the personas of 11 characters. FCT is pleased to welcome several new talents who are making their debut in the FCT play. They include Ian Wade, who has previously been active in local theater in Maryland; Holly Czuchna, who has spent the last five years living and occasionally performing in Vienna, Austria; Nora Zanger, who has been active in community theater in Virginia and Maryland; and Daniel F.