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Empireheads to the Florida Estate of Burt Reynolds To
presents WORDS PORTRAITS Nick de Semlyen Steve Schofi eld EMPIRE HEADS TO THE FLORIDA ESTATE OF BURT REYNOLDS TO SPEND AN ALL-ACCESS WEEKEND WITH THE BANDIT HIMSELF, ONCE THE BIGGEST MOVIE STAR ON THE PLANET TYPE Jordan Metcalf 120 JANUARY 2016 JANUARY 2016 121 Most character-building of all, he shared a New York apartment with Rip Torn. “He was wild,” Reynolds says of the notoriously volatile Men In Black star. “One time they asked me to go duck- hunting in the Roosevelt Game Reserve for (TV show) The American Sportsman, and I took Rip with me. While we were walking around, some geese fl ew above us, squawking. Rip goes, ‘You know what “IF I’D SAID YES TO STAR they’re saying? They’re saying, “That’s the crazy Rip Torn down there.”’ He took his gun, said, ‘I’ll teach that sonuvabitch WARS, IT WOULD HAVE to talk like that,’ and shot one. I said, ‘Rip, you really are crazy.’ But I couldn’t help but love him. Still do.” Reynolds built a reputation as HIS REFRESHMENTS ARE LAID OUT. MEANT NO SMOKEY a fearless man of action, stoked by his A cluster of grapes, a glass of ice water eagerness to do his own stunts. “The and a bowl of Veggie Straws potato fi rst one involved me going through chips (‘Zesty Ranch’ fl avour), arranged AND THE BANDIT…” a plate-glass window on a show called lovingly on a side-table. Frontiers Of Faith,” he says. “I got 125 The students are assembled. This bucks — a nice chunk of change in 1957.” Friday night, 18 of them have come. -
'Christian' Martial Arts
MY LIFE IN “THE WAY” by Gaylene Goodroad 1 My Life in “The Way” RENOUNCING “THE WAY” OF THE EAST “At the time of my conversion, I had also dedicated over 13 years of my life to the martial arts. Through the literal sweat of my brow, I had achieved not one, but two coveted black belts, promoting that year to second degree—Sensei Nidan. I had studied under some internationally recognized karate masters, and had accumulated a room full of trophies while Steve was stationed on the island of Oahu. “I had unwittingly become a teacher of Far Eastern mysticism, which is the source of all karate—despite the American claim to the contrary. I studied well and had been a follower of karate-do: “the way of the empty hand”. I had also taught others the way of karate, including a group of marines stationed at Pearl Harbor. I had led them and others along the same stray path of “spiritual enlightenment,” a destiny devoid of Christ.” ~ Paper Hearts, Author’s Testimony, pg. 13 AUTHOR’S NOTE: In 1992, I renounced both of my black belts, after discovering the sobering truth about my chosen vocation in light of my Christian faith. For the years since, I have grieved over the fact that I was a teacher of “the Way” to many dear souls—including children. Although I can never undo that grievous error, my prayer is that some may heed what I have written here. What you are about to read is a sobering examination of the martial arts— based on years of hands-on experience and training in karate-do—and an earnest study of the Scriptures. -
Roger Savage Some Mainland Chinese Work
did you get that soundtrack?’ and the answer was, ‘in Australia’. is because often the actors they use can’t speak very good Soon after that we started doing a lot of low-budget films and Mandarin – their native tongue is often Cantonese, Korean or Roger Savage some Mainland Chinese work. One of these low-budget films even Japanese. In House of Flying Daggers, for instance, some of was directed by Zhang Yimo, who directed Hero in 2004. It the main actors were Korean and Japanese whose Mandarin was So many international awards… so little cupboard space. was through this previous association that we found ourselves unacceptable to the Mainland Chinese audience. To satisfy the working on that film as well. Hero was quite an unusual Chinese audiences the production hired voice artists to come in Andy Stewart talks to Australia’s most decorated film soundtrack, not your typical Hollywood soundtrack. and redo the voice at our studio in Beijing. The Chinese editors mixer about operating Soundfirm and what’s involved in AS: In what way was the Hero soundtrack different? then expertly cut the voice back into the film – they did an RS: The Chinese directors don’t bow down to the studio system, amazing job. Neither House of Flying Daggers nor Hero sound or delivering great sound to a cinema audience. they don’t have to, so they make their films the way they want. look like a dubbed film at all. Often the films themselves are way out there, which often means AS: What’s involved in good ADR in your experience and how the soundtrack is as well. -
VIN TIN the Monthly Newsletter for the Amarillo Region of the Antique Automobile Club of America
Debbie & Mack McDougal 7103 Applewood Amarillo, TX 79108 VIN TIN The Monthly Newsletter for the Amarillo Region of the Antique Automobile Club of America Volume 45 March 2015 Issue #3 Debbie & Mack McDougal (These awards were received by Davena House for previous issues) CLUB OFFICERS We are a club devoted to the enjoyment of antique automobiles through President: road trips, parades, exhibitions and friendly competition. Our membership Glenn Wallick is diverse in age, census and preference of make of car, but unite in the 2217 Woodside delight of saving antique vehicles from the ravages of time. Our Amarillo, TX 79124 membership participates in local 806-353-5629 charity work, supporting the Make-A- Wish Foundation, Meals-On-Wheels, Vice-President: etc. We operate in coordination with the David House Panhandle Council of Car Clubs and within 10613 South Western the sanction of the Antique Automobile Club of America. We welcome Amarillo, TX 79118 all those who share in our interests 806-622-3693 whether they own an antique vehicle or simply enjoy the romance of Secretary: Debbie McDougal automobilia. 7103 Applewood Amarillo, TX 79108 806-383-9299 March Birthdays Treasurer: Betty White 17th……………Charles White 8849 Dove Ridge Drive Canyon, TX 79015 806-557-6366 19th…………..Marilyn Miller Historian: Cecil & Mary Grace Regier 204 Regier Drive Dumas, TX 79029 806-966-5479 March Anniversaries Directors: 14th Richard & Connie Whitehead Glenn Wallick, President 15th…………… Brad & Kim Higby Will Taylor, Past President Tom Griffin, Please remember to call Calista Huber at 806-622-2762 if you know of a club Jerry Harris member who needs to be remembered with a card. -
Ralph Story Outtakes and Television Programs 0249
http://oac.cdlib.org/findaid/ark:/13030/kt5v19s1rt No online items Finding Aid of Ralph Story outtakes and television programs 0249 Finding aid prepared by Rebecca Hirsch and Nick Hazelton The processing of this collection and the creation of this finding aid was funded by the generous support of the Council on Library and Information Resources. USC Libraries Special Collections Doheny Memorial Library 206 3550 Trousdale Parkway Los Angeles, California, 90089-0189 213-740-5900 [email protected] 2011 Finding Aid of Ralph Story 0249 1 outtakes and television programs 0249 Title: Ralph Story outtakes and television programs Collection number: 0249 Contributing Institution: USC Libraries Special Collections Language of Material: English Physical Description: 261.0 linear ft.286 film reel boxes, 1 banker's box Date (inclusive): 1964-1972 Abstract: The collection includes outtake reels from the television show Ralph Story's Los Angeles and footage (some including sound) from the 1971-1972 season of the show Story in Hollywood. creator: Story, Ralph Preferred Citation [Box/folder# or item name], Ralph Story outtakes and television programs, Collection no. 0249, Regional History Collections, Special Collections, USC Libraries, University of Southern California Conditions Governing Access COLLECTION STORED OFF-SITE. Advance notice required for access. Related Archival Materials The Ralph Story papers, 1940-2007. UCLA Library, Department of Special Collections Manuscripts Division. Collection number: 867. Acquisition The collection was given to the University of Southern California by Ralph Snyder Story on December 17, 1991. Conditions Governing Use All requests for permission to use film must be submitted in writing to the Manuscripts Librarian. -
Written & Directed by and Starring Stephen Chow
CJ7 Written & Directed by and Starring Stephen Chow East Coast Publicity West Coast Publicity Distributor IHOP Public Relations Block Korenbrot PR Sony Pictures Classics Jeff Hill Melody Korenbrot Carmelo Pirrone Jessica Uzzan Judy Chang Leila Guenancia 853 7th Ave, 3C 110 S. Fairfax Ave, #310 550 Madison Ave New York, NY 10019 Los Angeles, CA 90036 New York, NY 10022 212-265-4373 tel 323-634-7001 tel 212-833-8833 tel 212-247-2948 fax 323-634-7030 fax 212-833-8844 fax 1 Short Synopsis: From Stephen Chow, the director and star of Kung Fu Hustle, comes CJ7, a new comedy featuring Chow’s trademark slapstick antics. Ti (Stephen Chow) is a poor father who works all day, everyday at a construction site to make sure his son Dicky Chow (Xu Jian) can attend an elite private school. Despite his father’s good intentions to give his son the opportunities he never had, Dicky, with his dirty and tattered clothes and none of the “cool” toys stands out from his schoolmates like a sore thumb. Ti can’t afford to buy Dicky any expensive toys and goes to the best place he knows to get new stuff for Dicky – the junk yard! While out “shopping” for a new toy for his son, Ti finds a mysterious orb and brings it home for Dicky to play with. To his surprise and disbelief, the orb reveals itself to Dicky as a bizarre “pet” with extraordinary powers. Armed with his “CJ7” Dicky seizes this chance to overcome his poor background and shabby clothes and impress his fellow schoolmates for the first time in his life. -
Download Heroic Grace: the Chinese Martial Arts Film Catalog (PDF)
UCLA Film and Television Archive Hong Kong Economic and Trade Office in San Francisco HEROIC GRACE: THE CHINESE MARTIAL ARTS FILM February 28 - March 16, 2003 Los Angeles Front and inside cover: Lau Kar-fai (Gordon Liu Jiahui) in THE 36TH CHAMBER OF SHAOLIN (SHAOLIN SANSHILIU FANG ) present HEROIC GRACE: THE CHINESE MARTIAL ARTS FILM February 28 - March 16, 2003 Los Angeles Heroic Grace: The Chinese Martial Arts Film catalog (2003) is a publication of the UCLA Film and Television Archive, Los Angeles, USA. Editors: David Chute (Essay Section) Cheng-Sim Lim (Film Notes & Other Sections) Designer: Anne Coates Printed in Los Angeles by Foundation Press ii CONTENTS From the Presenter Tim Kittleson iv From the Presenting Sponsor Annie Tang v From the Chairman John Woo vi Acknowledgments vii Leaping into the Jiang Hu Cheng-Sim Lim 1 A Note on the Romanization of Chinese 3 ESSAYS Introduction David Chute 5 How to Watch a Martial Arts Movie David Bordwell 9 From Page to Screen: A Brief History of Wuxia Fiction Sam Ho 13 The Book, the Goddess and the Hero: Sexual Bérénice Reynaud 18 Aesthetics in the Chinese Martial Arts Film Crouching Tiger, Hidden Dragon—Passing Fad Stephen Teo 23 or Global Phenomenon? Selected Bibliography 27 FILM NOTES 31-49 PROGRAM INFORMATION Screening Schedule 51 Print & Tape Sources 52 UCLA Staff 53 iii FROM THE PRESENTER Heroic Grace: The Chinese Martial Arts Film ranks among the most ambitious programs mounted by the UCLA Film and Television Archive, taking five years to organize by our dedicated and intrepid Public Programming staff. -
1 Lisa Funnell. Warrior Women: Gender, Race, and the Transnational Chinese Action Star. New York: SUNY Press, 2014. 294Pp. ISBN1
1 Lisa Funnell. Warrior Women: Gender, Race, and the Transnational Chinese Action Star. New York: SUNY Press, 2014. 294pp. ISBN13: 978-1-4384-5249-4 (hardcover). Warrior Women: Gender, Race and the Transnational Chinese Action Star is a welcome entry into the literature on gender in action film, examining female identity from the perspective of a globalising Chinese identity reflected in its popular culture over the past forty years. Funnell's exploration of the topic takes a historical perspective, looking at female actors in wuxia (martial arts) movies, and in movies which draw on wuxia tropes, from the 1970s through to the early 2000s. One of its unique selling points is that it also takes a transnational view, rather than focusing simply on mainland China, Hong Kong or Taiwan. To this end, it looks at the genre's different iterations in these three areas, and also explores wuxia's entry into global cinema, as diaspora Chinese from Canada and the USA increasingly populate the genre, and as Hollywood borrows tropes and actors from Chinese cinema. The book emphasises that women have been key players in Chinese martial-arts cinema from the very beginning; the genre embodies women differently to men, but this distinctive female embodiment is crucial to the visual language of Chinese martial-arts cinema. This book is particularly valuable in pointing up the transnational nature of wuxia, particularly regarding the boundary-spanning careers of Chinese-Canadian and Chinese-American stars. Significantly, local discourses continue to affect transnational ones, for instance the fact that Canadian actresses tend to downplay their Canadian connections, reflecting the (self-) perception that Canadians are not “interesting” or “exotic” in the way that Americans are, and yet Canada is an increasingly dominant node in the Chinese diaspora. -
Tunneling, Propping, and Expropriation: Evidence from Connected Party Transactions in Hong Kong$
ARTICLE IN PRESS Journal of Financial Economics 82 (2006) 343–386 www.elsevier.com/locate/jfec Tunneling, propping, and expropriation: evidence from connected party transactions in Hong Kong$ Yan-Leung Cheunga, P. Raghavendra Raub,Ã, Aris Stouraitisc aCity University of Hong Kong, 83 Tat Chee Avenue, Kowloon Tong, Hong Kong, People’s Republic of China bKrannert Graduate School of Management, Purdue University,403 West State Street, West Lafayette, IN, 47907-2056, USA cCity University of Hong Kong, 83 Tat Chee Avenue, Kowloon Tong, Hong Kong, People’s Republic of China Received 9 December 2003; received in revised form 30 June 2004; accepted 2 August 2004 Available online 18 September 2006 Abstract We examine a sample of connected transactions between Hong Kong listed companies and their controlling shareholders. We address three questions: What types of connected transactions lead to expropriation of minority shareholders? Which firms are more likely to expropriate? Does the market anticipate the expropriation by firms? On average, firms announcing connected transactions earn significant negative excess returns, significantly lower than firms announcing similar arm’s length transactions. We find limited evidence that firms undertaking connected transactions trade at discounted valuations prior to the expropriation, suggesting that investors cannot predict expropriation and revalue firms only when expropriation does occur. r 2006 Elsevier B.V. All rights reserved. JEL classification: G15; G34; K33 Keywords: International corporate governance; Legal -
100 Per Cent Jackie Chan : the Essential Companion Pdf, Epub, Ebook
100 PER CENT JACKIE CHAN : THE ESSENTIAL COMPANION PDF, EPUB, EBOOK Jackie Chan | 160 pages | 01 Sep 2003 | Titan Books Ltd | 9781840234916 | English | London, United Kingdom 100 Per Cent Jackie Chan : The Essential Companion PDF Book Its really amazing and a lot of fun to watch just for the choreography aspect. Visit store. What surprised me the most is that Jackie is not the straight-forward good-guy like in most of his films though it's hard to tell at times. Reuse this content opens in new window. He began producing records professionally in the s and has gone on to become a successful singer in Hong Kong and Asia. Awards won. Both Jackie and Alan go out into the hall and bump into May, and Jackie has to cover his tracks by pretending that Alan knows that Lorelei is in Jackie's bedroom. To tell you the truth I hardly remember this film. Ones opinions to reserve I am Jackie Chan : some other viewers should be able to determine in regards to publication. Was this review helpful? Joan Lin , a Taiwanese actress. Payment methods. And all of that unnecessary violent effort is only to kidnap someone in order to make the main character do something for them that they don't want to pay for. This is an acceptable action movie distinguished by nicely cinematography of the spectacular sequences , and contains agreeable sense of humor as well as previous entries. People who viewed this item also viewed. The visuals are memorable. Jackie starting an unforgettable fight with the evil monks in a spacious refectory. -
Martial Arts Cinema and Hong Kong Modernity
Martial Arts Cinema and Hong Kong Modernity Aesthetics, Representation, Circulation Man-Fung Yip Hong Kong University Press Th e University of Hong Kong Pokfulam Road Hong Kong www.hkupress.org © 2017 Hong Kong University Press ISBN 978-988-8390-71-7 (Hardback) All rights reserved. No portion of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any infor- mation storage or retrieval system, without prior permission in writing from the publisher. An earlier version of Chapter 2 “In the Realm of the Senses” was published as “In the Realm of the Senses: Sensory Realism, Speed, and Hong Kong Martial Arts Cinema,” Cinema Journal 53 (4): 76–97. Copyright © 2014 by the University of Texas Press. All rights reserved. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. 10 9 8 7 6 5 4 3 2 1 Printed and bound by Paramount Printing Co., Ltd. in Hong Kong, China Contents Acknowledgments viii Notes on Transliteration x Introduction: Martial Arts Cinema and Hong Kong Modernity 1 1. Body Semiotics 24 2. In the Realm of the Senses 56 3. Myth and Masculinity 85 4. Th e Diffi culty of Diff erence 115 5. Marginal Cinema, Minor Transnationalism 145 Epilogue 186 Filmography 197 Bibliography 203 Index 215 Introduction Martial Arts Cinema and Hong Kong Modernity Made at a time when confi dence was dwindling in Hong Kong due to a battered economy and in the aft ermath of the SARS epidemic outbreak,1 Kung Fu Hustle (Gongfu, 2004), the highly acclaimed action comedy by Stephen Chow, can be seen as an attempt to revitalize the positive energy and tenacious resolve—what is commonly referred to as the “Hong Kong spirit” (Xianggang jingshen)—that has allegedly pro- pelled the city’s amazing socioeconomic growth. -
New Line Cinema, Jackie Chan, and the Anatomy of an Action Star Jesse
New Line Cinema, Jackie Chan, and the Anatomy of an Action Star Jesse Balzer A Thesis in the Mel Hoppenheim School of Cinema Presented in Partial Fulfillment of the Requirements for the Degree of Master of Arts (Film Studies) at Concordia University Montreal, Quebec, Canada April, 2014 © Jesse Balzer 2014 CONCORDIA UNIVERSITY School of Graduate Studies This is to certify that the thesis prepared By: Jesse Balzer Entitled: New Line Cinema, Jackie Chan, and the Anatomy of an Action Star and submitted in partial fulfillment of the requirements for the degree of Master of Arts (Film Studies) complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Read and approved by the following jury members: Charles Acland External Examiner Marc Steinberg Examiner Haidee Wasson Supervisor Approved by April 14, 2014 Catherine Russell Date Graduate Program Director April 14, 2014 Catherine Wild Date Dean of Faculty Balzer iii ABSTRACT New Line Cinema, Jackie Chan, and the Anatomy of an Action Star Jesse Balzer Jackie Chan’s Hollywood career began in earnest with the theatrical wide release of Rumble in the Bronx in early 1996 by independent studio New Line Cinema. New Line released two more Chan films – Jackie Chan’s First Strike (1997) and Mr. Nice Guy (1998) – after they were acquired by the media conglomerate Time Warner. These three films, originally produced and distributed by the Golden Harvest studio in Hong Kong, were distributed and marketed by New Line for release in North America. New Line reedited, rescored, and dubbed these films in order to take advantage of the significant marketing synergies of their conglomerate parents at Time Warner.