The Cannonball Run & the Cannonball Run II
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Empireheads to the Florida Estate of Burt Reynolds To
presents WORDS PORTRAITS Nick de Semlyen Steve Schofi eld EMPIRE HEADS TO THE FLORIDA ESTATE OF BURT REYNOLDS TO SPEND AN ALL-ACCESS WEEKEND WITH THE BANDIT HIMSELF, ONCE THE BIGGEST MOVIE STAR ON THE PLANET TYPE Jordan Metcalf 120 JANUARY 2016 JANUARY 2016 121 Most character-building of all, he shared a New York apartment with Rip Torn. “He was wild,” Reynolds says of the notoriously volatile Men In Black star. “One time they asked me to go duck- hunting in the Roosevelt Game Reserve for (TV show) The American Sportsman, and I took Rip with me. While we were walking around, some geese fl ew above us, squawking. Rip goes, ‘You know what “IF I’D SAID YES TO STAR they’re saying? They’re saying, “That’s the crazy Rip Torn down there.”’ He took his gun, said, ‘I’ll teach that sonuvabitch WARS, IT WOULD HAVE to talk like that,’ and shot one. I said, ‘Rip, you really are crazy.’ But I couldn’t help but love him. Still do.” Reynolds built a reputation as HIS REFRESHMENTS ARE LAID OUT. MEANT NO SMOKEY a fearless man of action, stoked by his A cluster of grapes, a glass of ice water eagerness to do his own stunts. “The and a bowl of Veggie Straws potato fi rst one involved me going through chips (‘Zesty Ranch’ fl avour), arranged AND THE BANDIT…” a plate-glass window on a show called lovingly on a side-table. Frontiers Of Faith,” he says. “I got 125 The students are assembled. This bucks — a nice chunk of change in 1957.” Friday night, 18 of them have come. -
31 Days of Oscar® 2010 Schedule
31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy -
VIN TIN the Monthly Newsletter for the Amarillo Region of the Antique Automobile Club of America
Debbie & Mack McDougal 7103 Applewood Amarillo, TX 79108 VIN TIN The Monthly Newsletter for the Amarillo Region of the Antique Automobile Club of America Volume 45 March 2015 Issue #3 Debbie & Mack McDougal (These awards were received by Davena House for previous issues) CLUB OFFICERS We are a club devoted to the enjoyment of antique automobiles through President: road trips, parades, exhibitions and friendly competition. Our membership Glenn Wallick is diverse in age, census and preference of make of car, but unite in the 2217 Woodside delight of saving antique vehicles from the ravages of time. Our Amarillo, TX 79124 membership participates in local 806-353-5629 charity work, supporting the Make-A- Wish Foundation, Meals-On-Wheels, Vice-President: etc. We operate in coordination with the David House Panhandle Council of Car Clubs and within 10613 South Western the sanction of the Antique Automobile Club of America. We welcome Amarillo, TX 79118 all those who share in our interests 806-622-3693 whether they own an antique vehicle or simply enjoy the romance of Secretary: Debbie McDougal automobilia. 7103 Applewood Amarillo, TX 79108 806-383-9299 March Birthdays Treasurer: Betty White 17th……………Charles White 8849 Dove Ridge Drive Canyon, TX 79015 806-557-6366 19th…………..Marilyn Miller Historian: Cecil & Mary Grace Regier 204 Regier Drive Dumas, TX 79029 806-966-5479 March Anniversaries Directors: 14th Richard & Connie Whitehead Glenn Wallick, President 15th…………… Brad & Kim Higby Will Taylor, Past President Tom Griffin, Please remember to call Calista Huber at 806-622-2762 if you know of a club Jerry Harris member who needs to be remembered with a card. -
Bodies of Desire and Bodies in Distress
Bodies of Desire and Bodies in Distress Bodies of Desire and Bodies in Distress: The Golden Age of Italian Cult Cinema 1970-1985 By Xavier Mendik Bodies of Desire and Bodies in Distress: The Golden Age of Italian Cult Cinema 1970-1985, By Xavier Mendik This book first published 2015 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2015 by Xavier Mendik All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-5954-0, ISBN (13): 978-1-4438-5954-7 This book is dedicated with much love to Caroline and Zena CONTENTS Acknowledgements .................................................................................... ix Foreword ................................................................................................... xii Enzo G. Castellari Introduction ................................................................................................ 1 Bodies of Desire and Bodies of Distress beyond the ‘Argento Effect’ Chapter One .............................................................................................. 21 “There is Something Wrong with that Scene”: The Return of the Repressed in 1970s Giallo Cinema Chapter Two ............................................................................................ -
Mon Ennemi Intime Et Intérieur / the Manchurian Candidate (V.F
Document généré le 28 sept. 2021 17:09 Ciné-Bulles Le cinéma d'auteur avant tout Mon ennemi intime et intérieur The Manchurian Candidate (v.f. : Un crime dans la tête) The Manchurian Candidate (v.f. : Le candidat mandchou) André Lavoie Volume 22, numéro 4, automne 2004 URI : https://id.erudit.org/iderudit/26494ac Aller au sommaire du numéro Éditeur(s) Association des cinémas parallèles du Québec ISSN 0820-8921 (imprimé) 1923-3221 (numérique) Découvrir la revue Citer ce compte rendu Lavoie, A. (2004). Compte rendu de [Mon ennemi intime et intérieur / The Manchurian Candidate (v.f. : Un crime dans la tête) / The Manchurian Candidate (v.f. : Le candidat mandchou)]. Ciné-Bulles, 22(4), 34–35. Tous droits réservés © Association des cinémas parallèles du Québec, 2004 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ Tn& ÊVInt-Êcf-iLJr7nn Candidate Mon ennemi intime et intérieur PAR ANDRÉ LAVOII Il n'y a pas seulement quatre décennies qui séparent le film de John Frankenheimer1, The Manchurian Candidate (1962), du remake signé Jonathan Demme; de la guerre au Vietnam aux attentats terroristes du 11 septembre 2001, beaucoup de tragédies ont façonné les États-Unis pour en faire le paradis de la paranoïa. -
El Mensajero Del Miedo (1962) Ee.Uu
VIERNES 4 21‘30 h. Entrada libre (hasta completar aforo) EL MENSAJERO DEL MIEDO (1962) EE.UU. 126 min. Ttulo Orig.- The Manchurian candidate. Dire tor.- John Frankenheimer. Argumento.- La novela hom nima de Richard Condon. Gui$n.- George Axelrod. Fotografa.- Lionel Lindon (B/N). Monta(e.- Ferris We,ster. M)si a.- David Amram. Produ tor.- George Axelrod. John Frankenheimer y Frank 0inatra. Produ i$n.- Mirisch Corporation para United Artists. Int-r.retes.- Frank 0inatra (Bennett Marco). Laurence 2arvey (Raymond Shaw). Janet Leigh (Rosie Chaney). Angela Lans,ury (madre de Raymond). James Gregory (senador John Iselin). Leslie 3arrish (Jocelyn Jordan). John McGiver (senador Thomas Jordan). 2enry 0ilva (Chun in). James Edwards (Melvin). 5high Diegh (Yeng Lo). Al,ert 3aulsen (%ilkov). v.o.s.e. 2 candidaturas a los Oscars: Actriz de reparto (Angela Lansbury) y Monta e Msica de sala: El mensajero del miedo (The Manchurian candidate, 1962) de John Frankenheimer Banda sonora original de David Amram 0eg6n el guionista del film. George Axelrod. EL MENSAJERO DEL MIEDO ,se convirti- de un fracaso en un cl.sico, sin pasar por el 01ito2. La historia de 8detr9s: de esta pel;cula es famosa: a las grandes productoras les asusta,a el proyecto de llevar a la pantalla la novela de Richard Condon hasta que Frank 0inatra persuadi a United Artists de que al presidente 5ennedy le divert;a esa novela; tras el magnicidio de Dallas. 0inatra compr los derechos de la pel;cula y la retir de la circulaci n durante m9s de 15 [email protected] La historia de 8delante: Ael ca,reo provocado por la pel;cula a diestro y siniestro- no lo es menos: en 3ar;s los comunistas organiBaron piquetes contra ella; en el condado de Crange. -
October 2019 San Antonio, TX 78278-2261 Officers Hello Texican Rangers
The Texas Star Newsletter for the Texican Rangers A Publication of the Texican Rangers An Authentic Cowboy Action Shooting Club That Treasures & Respects the Cowboy Tradition SASS Affiliated PO Box 782261 October 2019 San Antonio, TX 78278-2261 Officers Hello Texican Rangers President A.D. 210-862-7464 [email protected] Vice President Thank you to all who helped tear down Bexar Bill Brocius the range and put things away for the 210-310-9090 winter after our October match. We had a [email protected] beautiful day for the last match of the year with 49 shooters showing up to enjoy the Secretary day and 23 of them shot the match clean. A 47% clean match percentage! Tombstone Mary Before you know it, January 2020 will 210-262-7464 be here and it will be time to pay dues. [email protected] The Rangers have not raised dues since it started in 1994. A review of the dues Treasurer charges by surrounding clubs shows General Burleson $36.00 for individuals and $48.00 to 210-912-7908 $60.00 for families. [email protected] The Texican Ranger Officers have voted to raise the individual dues from $24 Range Master to $36 dollars. The family dues will Colorado Horseshoe remain at $48.00 719-231-6109 The 2020 Texas State Championship, [email protected] Comancheria Days is filling up fast we are almost 1/3rd full. If, you are planning on Communications shooting please get your application in the Dutch Van Horn mail today. 210-823-6058 I want to remind you that you will only [email protected] receive one more newsletter in 2019. -
Va.Orgjackie's MOVIES
Va.orgJACKIE'S MOVIES Jackie starred in his first movie at the age of eight and has been making movies ever since. Here's a list of Jackie's films: These are the films Jackie made as a child: ·Big and Little Wong Tin-Bar (1962) · The Lover Eternal (1963) · The Story of Qui Xiang Lin (1964) · Come Drink with Me (1966) · A Touch of Zen (1968) These are films where Jackie was a stuntman only: Fist of Fury (1971) Enter the Dragon (1973) The Himalayan (1975) Fantasy Mission Force (1982) Here is the complete list of all the rest of Jackie's movies: ·The Little Tiger of Canton (1971, also: Master with Cracked Fingers) · CAST : Jackie Chan (aka Chen Yuen Lung), Juan Hsao Ten, Shih Tien, Han Kyo Tsi · DIRECTOR : Chin Hsin · STUNT COORDINATOR : Chan Yuen Long, Se Fu Tsai · PRODUCER : Li Long Koon · The Heroine (1971, also: Kung Fu Girl) · CAST : Jackie Chan (aka Chen Yuen Lung), Cheng Pei-pei, James Tien, Jo Shishido · DIRECTOR : Lo Wei · STUNT COORDINATOR : Jackie Chan · Not Scared to Die (1973, also: Eagle's Shadow Fist) · CAST : Wang Qing, Lin Xiu, Jackie Chan (aka Chen Yuen Lung) · DIRECTOR : Zhu Wu · PRODUCER : Hoi Ling · WRITER : Su Lan · STUNT COORDINATOR : Jackie Chan · All in the Family (1975) · CAST : Linda Chu, Dean Shek, Samo Hung, Jackie Chan · DIRECTOR : Chan Mu · PRODUCER : Raymond Chow · WRITER : Ken Suma · Hand of Death (1976, also: Countdown in Kung Fu) · CAST : Dorian Tan, James Tien, Jackie Chan · DIRECTOR : John Woo · WRITER : John Woo · STUNT COORDINATOR : Samo Hung · New Fist of Fury (1976) · CAST : Jackie Chan, Nora Miao, Lo Wei, Han Ying Chieh, Chen King, Chan Sing · DIRECTOR : Lo Wei · STUNT COORDINATOR : Han Ying Chieh · Shaolin Wooden Men (1976) · CAST : Jackie Chan, Kam Kan, Simon Yuen, Lung Chung-erh · DIRECTOR : Lo Wei · WRITER : Chen Chi-hwa · STUNT COORDINATOR : Li Ming-wen, Jackie Chan · Killer Meteors (1977, also: Jackie Chan vs. -
Tobacco Product Placement and Its Reporting to the Federal Trade Commission
Tobacco product placement and its reporting to the Federal Trade Commission Jonathan R. Polansky Onbeyond LLC, Fairfax, California Stanton A. Glantz, PhD University of California, San Francisco ___________________________ University of California, San Francisco This publication is available at www.escholarship.org/uc/item/7kd981j3 July 2016 Tobacco product placement and its reporting to the FTC | 2 Summary of findings The historical record strongly suggests that asking tobacco companies to report their product placement activities and expenditures did not capture all activity in this area. This report compares expenditures for product placement described in internal documents from American Tobacco, Brown & Williamson, Liggett & Myers, Philip Morris and RJ Reynolds tobacco companies with reports the companies were required to submit to the US Federal Trade Commission in the “endorsements and testimonials” category of cigarette promotion and advertising. During that time, in their internal documents, American Tobacco, Brown & Williamson, Philip Morris and RJ Reynolds, or their contracted product placement agents, listed 750 motion pictures as engaged for product placement, 600 of which were released widely to theaters (Appendix). Substantial discrepancies exist between product placement spending described in the internal industry records and the spending reported to the Federal Trade Commission in the “endorsements and testimonials” category. Nearly half (47 percent; $2.3 million of about $5 million) of spending for on-screen product placement -
Japanese Women, Hong Kong Films, and Transcultural Fandom
SOME OF US ARE LOOKING AT THE STARS: JAPANESE WOMEN, HONG KONG FILMS, AND TRANSCULTURAL FANDOM Lori Hitchcock Morimoto Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Doctor of Philosophy in the Department of Communication and Culture Indiana University April 2011 Accepted by the Graduate Faculty, Indiana University, in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Doctoral Committee _______________________________________ Prof. Barbara Klinger, Ph.D. _______________________________________ Prof. Gregory Waller, Ph.D. _______________________________________ Prof. Michael Curtin, Ph.D. _______________________________________ Prof. Michiko Suzuki, Ph.D. Date of Oral Examination: April 6, 2011 ii © 2011 Lori Hitchcock Morimoto ALL RIGHTS RESERVED iii For Michael, who has had a long “year, two at the most.” iv Acknowledgements Writing is a solitary pursuit, but I have found that it takes a village to make a dissertation. I am indebted to my advisor, Barbara Klinger, for her insightful critique, infinite patience, and unflagging enthusiasm for this project. Gratitude goes to Michael Curtin, who saw promise in my early work and has continued to mentor me through several iterations of his own academic career. Gregory Waller’s interest in my research has been gratifying and encouraging, and I am most appreciative of Michiko Suzuki’s interest, guidance, and insights. Richard Bauman and Sumie Jones were enthusiastic readers of early work leading to this dissertation, and I am grateful for their comments and critique along the way. I would also like to thank Joan Hawkins for her enduring support during her tenure as Director of Graduate Studies in CMCL and beyond, as well as for the insights of her dissertation support group. -
The Color of Brainwashing: the Manchurian Candidate and the Cultural Logic of Cold War Paranoia
【연구논문】 The Color of Brainwashing: The Manchurian Candidate and the Cultural Logic of Cold War Paranoia Swan Kim (University of Virginia) [T]he shock of the discovery of the plight of the prisoners placed Chinese conduct in a new, infinitely more disturbing light. Mao Tse Tung’s China acquired a new, far more frightening and disturbing aspect. From this, arguably, its image in the West never recovered. Long after the Korean War receded into memory, the fear of “the Manchurian candidate” remained. Max Hastings, The Korean War (1987, 304) The concept of a rumor does not deny the presence of existential threats facing the United States during the course of the Cold War. In fact, the predominant image of the enemy was, at times, quite realistic. Nevertheless, veracity had little to do with the rumor’s reception. The rumor spread because it provided a culturally compelling explanation for an uncertain predicament; fact and accuracy played a supporting role only. The sinister face of the enemy emerged primarily from a common “universe of discourse” and a pool of “shared assumptions” permeating American society at mid-century. Ron Robin, The Making of the Cold War Enemy (2001, 4) 168 Swan Kim The Korean War brought one of the great sea changes in postwar American history, yet the most mysterious and terrifying outcome for the American public was a psychological one: “[o]ne of the most interesting aftermaths of the Korean conflict in 1950-1953 has been the preoccupation of many Americans with ‘brainwashing.’”1) As the ultimate product of Cold War paranoia, brainwashing was considered the latest weapon that would complement an ideological warfare. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room.