100 Per Cent Jackie Chan : the Essential Companion Pdf, Epub, Ebook
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The Assassination of Lord Mayo: the 'First'
IJAPS, Vol. 6, No. 1 (January 2010) HAKKA CONSTRUCTION OF FEMININITY IN THE CHARACTER OF CHUNG PHIN-MOI IN THE FILM "CHINA, MY NATIVE LAND" Tenn Nga-I* National Taiwan Normal University (NTNU), Taiwan. e-mail: [email protected] ABSTRACT "China, My Native Land", directed by Lee Hsing and released in 1980, was the first film that highlights the life story of Taiwanese Hakka writer Chung Li-fo (1915–1960) and his wife Chung Phin-moi (1914–2008). In reality the Chungs had challenged a contemporary Hakka taboo that couples with the same surname could never tie the knot. Throughout their lives they experienced ridicules, illness, death of a child and extreme poverty. Nevertheless they managed to stay together and remained in love with each other. On its debut the film was acclaimed a masterpiece of "Healthy Realism", a new trend of cinematic art of the 1980s. Reexamined two decades later, the film turned out a cultural product targeted advocating the Kuomintang (國民黨 KMT) pro-China policy and consolidating its rule of martial law. Furthermore, Phin-moi's image represented in the film goes through duplex distortion, first by her husband and next by the director with Chinese mentality. Illiterate, Phin-moi could not take the initiative of constructing her image either in creative writing or in film production. At first her husband described her personality. Afterwards the director based on his description to reconstruct her on the screen. In this light Phin-moi is exploited twice, first by Hakka patriarchy and then by Chinese ideology. Image construction involves complicated knowledge politics. -
Download Subtitle Indonesia Police Story 2013 106
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Ralph Story Outtakes and Television Programs 0249
http://oac.cdlib.org/findaid/ark:/13030/kt5v19s1rt No online items Finding Aid of Ralph Story outtakes and television programs 0249 Finding aid prepared by Rebecca Hirsch and Nick Hazelton The processing of this collection and the creation of this finding aid was funded by the generous support of the Council on Library and Information Resources. USC Libraries Special Collections Doheny Memorial Library 206 3550 Trousdale Parkway Los Angeles, California, 90089-0189 213-740-5900 [email protected] 2011 Finding Aid of Ralph Story 0249 1 outtakes and television programs 0249 Title: Ralph Story outtakes and television programs Collection number: 0249 Contributing Institution: USC Libraries Special Collections Language of Material: English Physical Description: 261.0 linear ft.286 film reel boxes, 1 banker's box Date (inclusive): 1964-1972 Abstract: The collection includes outtake reels from the television show Ralph Story's Los Angeles and footage (some including sound) from the 1971-1972 season of the show Story in Hollywood. creator: Story, Ralph Preferred Citation [Box/folder# or item name], Ralph Story outtakes and television programs, Collection no. 0249, Regional History Collections, Special Collections, USC Libraries, University of Southern California Conditions Governing Access COLLECTION STORED OFF-SITE. Advance notice required for access. Related Archival Materials The Ralph Story papers, 1940-2007. UCLA Library, Department of Special Collections Manuscripts Division. Collection number: 867. Acquisition The collection was given to the University of Southern California by Ralph Snyder Story on December 17, 1991. Conditions Governing Use All requests for permission to use film must be submitted in writing to the Manuscripts Librarian. -
Download Heroic Grace: the Chinese Martial Arts Film Catalog (PDF)
UCLA Film and Television Archive Hong Kong Economic and Trade Office in San Francisco HEROIC GRACE: THE CHINESE MARTIAL ARTS FILM February 28 - March 16, 2003 Los Angeles Front and inside cover: Lau Kar-fai (Gordon Liu Jiahui) in THE 36TH CHAMBER OF SHAOLIN (SHAOLIN SANSHILIU FANG ) present HEROIC GRACE: THE CHINESE MARTIAL ARTS FILM February 28 - March 16, 2003 Los Angeles Heroic Grace: The Chinese Martial Arts Film catalog (2003) is a publication of the UCLA Film and Television Archive, Los Angeles, USA. Editors: David Chute (Essay Section) Cheng-Sim Lim (Film Notes & Other Sections) Designer: Anne Coates Printed in Los Angeles by Foundation Press ii CONTENTS From the Presenter Tim Kittleson iv From the Presenting Sponsor Annie Tang v From the Chairman John Woo vi Acknowledgments vii Leaping into the Jiang Hu Cheng-Sim Lim 1 A Note on the Romanization of Chinese 3 ESSAYS Introduction David Chute 5 How to Watch a Martial Arts Movie David Bordwell 9 From Page to Screen: A Brief History of Wuxia Fiction Sam Ho 13 The Book, the Goddess and the Hero: Sexual Bérénice Reynaud 18 Aesthetics in the Chinese Martial Arts Film Crouching Tiger, Hidden Dragon—Passing Fad Stephen Teo 23 or Global Phenomenon? Selected Bibliography 27 FILM NOTES 31-49 PROGRAM INFORMATION Screening Schedule 51 Print & Tape Sources 52 UCLA Staff 53 iii FROM THE PRESENTER Heroic Grace: The Chinese Martial Arts Film ranks among the most ambitious programs mounted by the UCLA Film and Television Archive, taking five years to organize by our dedicated and intrepid Public Programming staff. -
2014-2015 General Catalog
UNIVERSITY OF THE PACIFIC General Catalog 2014-2015 Table of Contents University of the Pacific ............................................................................ 3 Visual Arts ..................................................................................... 181 General Catalog 2014-2015 ..................................................................... 4 Cross-Disciplinary Majors and Programs ....................................... 188 General Information .................................................................................. 6 Conservatory of Music ......................................................................... 192 Pacific Learning Objectives ............................................................... 6 Music Composition ........................................................................ 197 Academic Units .................................................................................. 7 Music Performance ........................................................................ 199 General Education ............................................................................. 7 Music Education ............................................................................ 204 Admission Requirements ................................................................... 8 Music History ................................................................................. 207 Tuition and Fees .............................................................................. 13 Music Management ...................................................................... -
How New Is from NTCH Ticketing
14 發光的城市 A R O U N D T O W N FRIDAY, DECEMBER 12, 2008 • TAIPEI TIMES ince 1988, the National Theater has things it has to offer modern theater. played host to the New Idea Theater But how to repackage it for audiences SFestival (新點子劇展), which features who lack a detailed knowledge of a selection of the best local experimental Chinese history and legend, or the theater. The 2008 incarnation of this patience to sit through three-hour epics, event opens today with a production of has proved a challenge. Liou Ching-ti’s Hell (劉青提的地獄) by the Tonight’s premiere of Liou Ching- Taiwan Bangzi Company (台灣豫劇團), ti’s Hell brings together Henan directed by Malaysian-born Fu Hung- opera performers with the veteran Stanley Huang is Taiwan’s reigning bad boy. cheng (符宏征). This will establish the experimental theater director Fu PHOTO: TAIPEI TIMES theme of the festival, which runs to Dec. Hung-cheng. It is based on the popular 28 and includes two other productions Buddhist tale Mu Lien Saves His Mother The fallout from paparazzi even more, that are also experiments based on (目蓮救母). According to Fu, the current actress Annie Yi’s (伊能 however, was how much the traditional opera styles. production departs from tradition in 靜) reported affair with son’s mother, Joan Lin (林 This theme of variations on tradition focusing on the psychological factors fellow thespian and hot 鳳嬌), has aged. Lin married is highly appropriate for a year that has that led Mu Lien’s mother, the Liou stud Laurence Huang (黃 Jackie Chan some 20 years seen an almost unprecedented number Ching-ti of the title, to deserve the 維德) continued this week, ago when her career as a of large-scale productions that sought terrible fate of being dragged by demons when Eastern Media Group’s movie superstar was at its to give new life to traditional theater to the very deepest levels of Hell. -
Martial Arts, Acting and Kung Fu Hero in Change
EnterText 6.1 SABRINA YU Can a Wuxia Star Act? Martial Arts, Acting, and Critical Responses to Jet Li’s Once Upon A Time In China Introduction It has been commonplace in western critical discourse to state that action stars can’t act. This seems particularly true when it comes to trans-bordering Chinese action stars like Jet Li. Criticism of his acting skills in his English-language films can be easily picked up from the press: Without the fight scenes, though, this film (Romeo Must Die) would be a bust… ‘Jet is our special effect,’ says Silver, summing up his star’s appeal neatly.1 Li’s martial arts skills are as brilliant as his acting skills aren’t.2 The action is fun and ultra-violent, the story is satisfactorily ridiculous and the acting is non-existent.3 “Good martial artist with limited acting ability” seems to represent a popular view of Chinese martial arts stars and indeed this is how they are often used in Hollywood films. Nevertheless, such a view also reveals a deep-rooted bias, i.e. the martial arts star is someone who knows less about acting than s/he does about fighting. On the other hand, it reflects a dominant idea about film performance, by privileging facial Sabrina Yu: Can a Wuxia Star Act? 134 EnterText 6.1 expression/psychology over body movement/physicality. Can’t a martial arts star act? Are fighting and acting always two split, conflicting elements within a Chinese wuxia star’s performance? In this paper, I would like to re-examine this stereotypical western critical consensus in the light of the contrasting Hong Kong critical response to Jet Li’s Chinese work Once Upon A Time In China (Tsui Hark, Hong Kong, 1991) (OUATIC hereinafter). -
Rub-A-Dub in the Hot
14 發光的城市 A R O U N D T O W N FRIDAY, AUGUST 28, 2009 • TAIPEI TIMES BY ALita RICKards MUSIC STOP Rub-a-dub in the hot tub here is a feeling of decadence when you We hope it will be fresh, with something sit in a hot tub with dozens of your closest for everyone.” friends (at least in terms of proximity) New electronic acts include The Soul Tdrinking a cocktail and bobbing to a DJ. Sweat and Swank Show, vDub, Genetically COMPILED BY Ian BartHOLOmeW Every act interviewed for this story Modified Beats, DJ Charles, Juni, Edify and mentioned the hot tub, with both bands and Supermilkmen, with returning favorites to such an extent that he called DJs playing at this weekend’s Lost Lagoon including Marcus Aurelius and Hooker. the marriage off, making the blowout at Wulai craving a soak as part of Two bands are flying in from Australia particularly hurtful comment that their party experience. to perform: electric glam rock solo artist he wasn’t sure if he loved Chu Add three natural spring-water FutureMan, and God’s Wounds. The latter enough to make the commitment swimming pools, a venue surrounded by formed last year and gained a residency at of marriage. mountains and lush foliage, free camping The Excelsior, in Sydney, with its Nintendo- Lau is not the only superstar and cabins with private hot tubs, and you influenced live punk-electro. Its influences who has worked hard to keep a have an event that combines the best of include car crashes, Japanese monster long-standing relationship secret. -
BC Stunt Performers Injury Survey
BC Film Stunt Performers and Stunt Related Injuries: A Survey and Review September 2012 Prepared For: Actsafe Suite 215, 750 Hamilton Street Vancouver, BC V6B 2R5 Prepared By: Billy Quirke M.Sc., Occupational Health and Safety Consultant Actsafe Suite 215, 750 Hamilton Street Vancouver, BC V6B 2R5 1.0 Executive Summary Background The purpose of this research was to a) explore the predominant health and safety issues facing stunt performers in British Columbia (BC) and b) identify areas or projects where Actsafe can help the stunt performance community to do their jobs safely. Initial Review • WorkSafeBC Stunt Related Injury Statistics - Falls from elevation accounted for over half of the accepted claims by stunt performers in the past 10 years. • Academic Sources – One study highlights the prevalence of concussions/head injuries sustained during stunt performance. Stunt coordinators and physicians were found to be the individuals most influential in communicating health and safety oriented information to respondents. Online Survey • Wire work & ratchets, martial arts and high falls resulted in the greatest number of reported injuries respectively. • A large percentage of respondents suffering head injuries did not report the filing of accident reports or receive compensation after injury. • The primary rationale from respondents for not reporting an injury was a lack of recognition of the severity of injuries. Other reported factors included feelings that injury was part of the job, the belief reporting would decrease the likelihood of ascertaining future work and perceived difficulties in dealing with the regulatory agency. • 35% of respondents felt the cumulative abuse they have sustained as a stunt performer has negatively affected their overall health and/or affected their quality of life. -
Va.Orgjackie's MOVIES
Va.orgJACKIE'S MOVIES Jackie starred in his first movie at the age of eight and has been making movies ever since. Here's a list of Jackie's films: These are the films Jackie made as a child: ·Big and Little Wong Tin-Bar (1962) · The Lover Eternal (1963) · The Story of Qui Xiang Lin (1964) · Come Drink with Me (1966) · A Touch of Zen (1968) These are films where Jackie was a stuntman only: Fist of Fury (1971) Enter the Dragon (1973) The Himalayan (1975) Fantasy Mission Force (1982) Here is the complete list of all the rest of Jackie's movies: ·The Little Tiger of Canton (1971, also: Master with Cracked Fingers) · CAST : Jackie Chan (aka Chen Yuen Lung), Juan Hsao Ten, Shih Tien, Han Kyo Tsi · DIRECTOR : Chin Hsin · STUNT COORDINATOR : Chan Yuen Long, Se Fu Tsai · PRODUCER : Li Long Koon · The Heroine (1971, also: Kung Fu Girl) · CAST : Jackie Chan (aka Chen Yuen Lung), Cheng Pei-pei, James Tien, Jo Shishido · DIRECTOR : Lo Wei · STUNT COORDINATOR : Jackie Chan · Not Scared to Die (1973, also: Eagle's Shadow Fist) · CAST : Wang Qing, Lin Xiu, Jackie Chan (aka Chen Yuen Lung) · DIRECTOR : Zhu Wu · PRODUCER : Hoi Ling · WRITER : Su Lan · STUNT COORDINATOR : Jackie Chan · All in the Family (1975) · CAST : Linda Chu, Dean Shek, Samo Hung, Jackie Chan · DIRECTOR : Chan Mu · PRODUCER : Raymond Chow · WRITER : Ken Suma · Hand of Death (1976, also: Countdown in Kung Fu) · CAST : Dorian Tan, James Tien, Jackie Chan · DIRECTOR : John Woo · WRITER : John Woo · STUNT COORDINATOR : Samo Hung · New Fist of Fury (1976) · CAST : Jackie Chan, Nora Miao, Lo Wei, Han Ying Chieh, Chen King, Chan Sing · DIRECTOR : Lo Wei · STUNT COORDINATOR : Han Ying Chieh · Shaolin Wooden Men (1976) · CAST : Jackie Chan, Kam Kan, Simon Yuen, Lung Chung-erh · DIRECTOR : Lo Wei · WRITER : Chen Chi-hwa · STUNT COORDINATOR : Li Ming-wen, Jackie Chan · Killer Meteors (1977, also: Jackie Chan vs. -
CHRISTOPHER LEPS Kick the Can (Spec Ad) Director, Stunt Coordinator Alex Madison, Producer
FEATURE Spaceman Stunt Coordinator Stephen Nemeth, Producer Dance Camp Stunt Coordinator Jon M. Chu, Producer Book of Swords Stunt Coordinator Wayne Kennedy, Producer Torque Fight Coordinator (uncredited) Neal H. Moritz, Producer The Waiters 2nd Unit Director Kipp Tribble, Producer Clutch Stunt Coordinator Robert Stio, Producer TELEVISION Greenleaf (1 ep.) Cover Coordinator Al Dickerson, Producer RocketJump: The Show (1 ep.) Stunt Coordinator Freddie Wong, Producer Complications (2 eps.) Cover Coordinator Craig Siebels, Producer Burger King Star Wars commercial Fight Coordinator John Landis, Director Angel (1 ep.) Asst. Sword Coordinator Skip Schoolnik, Producer Worst Case Scenarios (1 ep.) Stunt Co-Coordinator Craig Piligian, Producer Mortal Kombat Conquest (14 eps.) Asst. Fight Coordinator (uncredited) Larry Kasanoff, Producer Out of the Blue Stunt Coordinator Sam Riddle, Producer Chase (spec ad) Director, Stunt Coordinator Alex Madison, Producer CHRISTOPHER LEPS Kick the Can (spec ad) Director, Stunt Coordinator Alex Madison, Producer DIRECTOR STUNT COORDINATOR SHORT FILM STUNTMAN Director, Producer, Writer, Editor Muse (2014) www.imdb.me/christopherleps Wholehearted (2012) www.christopherleps.com Century of Light (2011), [email protected] Ed & Vern’s Rock Store (2008) Cop Sign (2005) 818 . 618 . 5661 Shadow (2004), Saber Duel (2003) Director, Producer, Editor Testing (2015) Amy and Elliot (2009) SPECIAL SKILLS AND ABILITIES Directing | Editing | Pre-Viz | Martial Arts & Weapons (30 years) | Fight Choreography | Driving Sword Work | Mo-Cap | Reactions | High Falls | Mini-Tramp | Wire Work | Air Rams & Ratchets BIO Over the past 27 years, I’ve had a unique adventure in the TV and film industry. My diverse career started at the Walt Disney Company in 1989, but my zeal for cinema was sparked by the movies seen in my youth. -
A Different Brilliance—The D & B Story
1. Yes, Madam (1985): Michelle Yeoh 2. Love Unto Wastes (1986): (left) Elaine Jin; (right) Tony Leung Chiu-wai 3. An Autumn’s Tale (1987): (left) Chow Yun-fat; (right) Cherie Chung 4. Where’s Officer Tuba? (1986): Sammo Hung 5. Hong Kong 1941 (1984): (from left) Alex Man, Cecilia Yip, Chow Yun-fat 6. It’s a Mad, Mad, Mad World (1987): (front row from left) Loletta Lee, Elsie Chan, Pauline Kwan, Lydia Sum, Bill Tung; (back row) John Chiang 7. The Return of Pom Pom (1984): (left) John Sham; (right) Richard Ng 8. Heart to Hearts (1988): (from left) Dodo Cheng, George Lam, Vivian Chow Pic. 1-8 © 2010 Fortune Star Media Limited All Rights Reserved Contents 4 Foreword Kwok Ching-ling, Wong Ha-pak 〈Chapter I〉 Production • Cinema Circuits 10 D & B’s Development: From Production Company to Theatrical Distribution Po Fung Circuit 19 Retrospective on the Big Three: Dickson Poon and the Rise-and-Fall Story of the Wong Ha-pak D & B Cinema Circuit 29 An Unconventional Filmmaker—John Sham Eric Tsang Siu-wang 36 My Days at D & B Shu Kei In-Depth Portraits 46 John Sham Diversification Strategies of a Resolute Producer 54 Stephen Shin Targeting the Middle-Class Audience Demographic 61 Linda Kuk An Administrative Producer Who Embodies Both Strength and Gentleness 67 Norman Chan A Production Controller Who Changes the Game 73 Terence Chang Bringing Hong Kong Films to the International Stage 78 Otto Leong Cinema Circuit Management: Flexibility Is the Way to Go 〈Chapter II〉 Creative Minds 86 D & B: The Creative Trajectory of a Trailblazer Thomas Shin 92 From