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The Actor Behind the Camera
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2016 The Actor Behind the Camera Zechariah H. Pierce Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the Acting Commons, and the Performance Studies Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/4113 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. THE ACTOR BEHIND THE CAMERA A Thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts at Virginia Commonwealth University by ZECHARIAH HENRY PIERCE Bachelor of Arts, Theatre, 2009 Director: DR. AARON ANDERSON Associate Chair of the Department of Theatre Virginia Commonwealth University Richmond, Virginia May 2016 !ii Acknowledgement I am incredibly grateful to my family, to whom without their undying support, graduate school would not be possible. Thanks to my in-laws for your gracious hospitality and loving care, my wife for your strength in defending the homestead, and my children for your endless supply of love and entertainment. You are the reason I am where I am. To Dr. Aaron Anderson, for your encouragement and inspiration in exploring the unknown and crossing into uncharted territory. I hope to find as much success in bringing theatrical arts to all walks of life, and still have time to be a rockstar dad. To my students, actors, and producers: thank you for your patience, your trust, and your willingness to let me experiment with my identity in new roles. -
May Fair Confirms Starring Role for the 56Th Bfi
CONTACT Mason Williams T: 0845 0941 007 [email protected] MAY FAIR CONFIRMS STARRING ROLE FOR THE 56 TH BFI LONDON FILM FESTIVAL IN PARTNERSHIP WITH AMERICAN EXPRESS The May Fair Hotel , London, plays a starring role in the 56th BFI London Film Festival in partnership with American Express, confirming it will be the official hotel partner for the 4 th consecutive year. The luxury London hotel will be celebrating the two-week festival (10-21 October 2012) with a gala film event on 19 th October showing Paul Andrew Williams’s uplifting drama and ‘one to watch’; Song For Marion, plus a series of May Fair movie moments. Song For Marion, which was recently selected to close the Toronto Film Festival, is a charming film in which Gemma Arterton plays a young woman who runs a music school. Vanessa Redgrave plays an ailing elderly woman with a great love of life who is one of her students. Terence Stamp plays Vanessa’s grumpy husband. A heart warming and joyful film about love, loss and self-discovery. The May Fair Hotel, which has been synonymous with the film industry since the 1950’s when it was owned by film impresarios, the American Danziger Brothers (founders of Elstree Studios), is home to London’s largest private theatre/cinema accommodating 201 guests within luxurious surroundings and providing the very latest, cutting edge technology. Director of Marketing For The May Fair Hotel, Linda Plant said: “Extending our relationship and activities with the BFI reinforces our position as THE film hotel in London . -
Bfi London Film Festival Announces New Format For
BFI LONDON FILM FESTIVAL ANNOUNCES NEW FORMAT FOR 2020 EDITION Virtual LFF & LFF in Cinemas The first ever edition of the Festival to be widely accessible across the UK 50 Virtual Festival Premieres to be enjoyed at home Up to 12 special previews of eagerly anticipated upcoming films screening in cinemas around the UK New Audience Choice Awards introduced for 2020 Edition Free talks, events, short films LONDON – Thursday 2nd July, 2020, 13:00 : The BFI London Film Festival in partnership with American Express today reveals its plans for the upcoming edition of the Festival from 7th-18th October 2020. In the most accessible version of the festival to UK audiences yet, film lovers will be given an opportunity to connect for a unique and innovative festival experience, enjoying both live and digital screenings across the 12 days of the Festival. Adapting to the extraordinary challenges of the year, the Festival will deliver up to 50 Virtual Festival Premieres in a programme that offers audiences the opportunity to see the best new cinema from around the world and with that same texture LFF’s audiences love, including fiction, documentary, animation, artists’ moving image, and restored classics from the world’s archives. Every film will be presented with an intro or Q&A, and the programme will also include a range of free-to-access additional works and events to include: an international short film programme, Screen Talks with major filmmakers and actors, salons and roundtables and a brand new Virtual Exhibition of XR and Immersive Art. Industry and Media delegates will have access to a rich professional programme, also delivered digitally. -
Director of Photography / Cameraman / Camera Operator
PETER FIELD, ACO / GBCT Director of Photography / Cameraman / Camera Operator Selected credits Feature Films / High End T.V. 2017 ROGUE ONE – A STAR WARS STORY Disney / Lucas Film Gareth Edwards Action Unit A Camera Operator Simon Crane STARWARS VIII Disney / Lucas Film Rian Johnson 2nd Unit A Camera Operator WONDER WOMAN Atlas Entertainment Patty Jenkins 2nd Unit Camera Operator Damon Caro 2016 DOCTOR STRANGE Marvel Studios Scott Derrickson 2nd Unit Camera Operator Jeff Habberstad THE HUNTSMAN WINTER’S WAR Roth Films Cedric Nicolas-Troyan 2nd Unit Camera Operator Simon Crane BOURNE 5 Universal Pictures Paul Greengrass 2nd Unit Camera Operator Simon Crane NEW BLOOD Eleventh Hour Films Anthony Philipson 2nd Unit D.O.P 2015 SPECTRE – JAMES BOND 007 Eon Productions Sam Mendes 2nd Unit Camera Operator Alexander Witt 2014 MISSION IMPOSSIBLE : 5 Paramount Pictures Christopher Mc’Guirre 2nd Unit Camera Operator Greg Smrz MARCO POLO Netflix / Weinstein Co. John Maybury Action unit D.O.P. Eps. 8 & 10 Chris Forster URBAN AND THE SHED CREW Circadian Pictures Ltd Candida Brady D.O.P. 2013 THE SECRET SERVICE 2013 / 14 Twentieth Century Fox Matthew Vaughn 2nd Unit A - Camera Operator Brad Allen OUR ROBOT OVERLORDS Pinewood Films No. 6 Jon Wright A – Camera Operator / 2nd Unit D.O.P. SHERLOCK SER. 3 Hartswood Films / BBC Jeremy Lovering 2nd Unit D.O.P. THE LAST MAN SuperSuperSuper Films Gavin Rothery Short Film D.O.P. EDGE OF TOMORROW Warner Brothers Doug Liman 2nd Unit A - Camera Operator / Main Unit Re-shoots A - Camera Operator Simon Crane 2012 FAST and FURIOUS 6 Universal Pictures Justin Lin Intrinsic-london.com Rob Little & Jarek Zapora, 71-75 Shelton Street, London WC2H 9JQ 020 7470 8712 or [email protected] 2nd Unit Camera Operator Spiro Razatos MALEFICENT Walt Disney Robert Stromberg 2nd Unit A - Camera Operator Simon Crane SKYFALL Eon Productions Alexander Witt 2nd Unit Camera Operator ISOLATED MGI London Ltd Murray Gough D.O.P. -
Transatlantic Spaces: Production, Location and Style in 1960S-1970S Action- Adventure TV Series
Transatlantic spaces: production, location and style in 1960s-1970s action- adventure TV series Article Accepted Version Bignell, J. (2010) Transatlantic spaces: production, location and style in 1960s-1970s action-adventure TV series. Media History, 16 (1). pp. 53-65. ISSN 1469-9729 doi: https://doi.org/10.1080/13688800903395460 Available at http://centaur.reading.ac.uk/17666/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . To link to this article DOI: http://dx.doi.org/10.1080/13688800903395460 Publisher: Taylor & Francis All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online Transatlantic spaces: Production, location and style in 1960s-70s Action-Adventure TV Series Jonathan Bignell Abstract This article argues that transatlantic hybridity connects space, visual style and ideological point of view in British television action-adventure fiction of the 1960s-70s. It analyses the relationship between the physical location of TV series production at Elstree Studios, UK, the representation of place in programmes, and the international trade in television fiction between the UK and USA. The TV series made at Elstree by the ITC and ABC companies and their affiliates linked Britishness with an international modernity associated with the USA, while also promoting national specificity. To do this, they drew on film production techniques that were already common for TV series production in Hollywood. -
Welsh Government
Detailed Responses to the recommendations of the report, Voting Rights for Prisoners, are set out below: Recommendation 1 The Committee recommends that: The Welsh Government and National Assembly for Wales Commission introduce legislation to give all those Welsh prisoners who are serving custodial sentences of less than four years the right to vote in devolved Welsh elections. Mohammad Asghar and Mark Isherwood do not agree with this recommendation. Response: Accept The Welsh Government believes that enabling at least some prisoners to vote will send very strong and positive messages to prisoners that they still have a stake in society and, in turn, that they have responsibilities towards society as a whole. Enfranchisement based on sentence length will strike a reasonable balance; we agree that a custodial sentence of four years is an appropriate threshold, which acknowledges the nature, gravity and circumstances of the offending. Accordingly, the Welsh Government will work to introduce legislation in this Assembly to enable prisoners from Wales serving a custodial sentence of less than four years to vote in devolved local government elections. We shall work closely with the UK Government and partners to implement such legislation. We estimate that some 1,900 prisoners out of a total of about 4,800 prisoners from Wales would be enfranchised. The recommendation concerning Assembly elections is directed to the Llywydd and it would be for her, in the first instance, to respond in the context of the Senedd and Elections (Wales) Bill. Financial Implications – The financial implications of providing for prisoner voting will be addressed as part of the negotiations which will take place with the UK Government. -
9 MAY 2019 on SALE Priority Booking: Friday 22 February Public: Friday 1 March KITCHEN & BAR
8 MARCH – WWW.CORNEXCHANGENEW.COM 9 MAY 2019 ON SALE Priority Booking: Friday 22 February Public: Friday 1 March KITCHEN & BAR | LEARNING CENTRE | CINEMA | THEATRE All Is True Take a Seat in Enjoy a delicious our Cinema lunch before or after your film Only a few seats left! LUNCHTIME Help us bring the best of the Your choice of a hot OFFER arts to Newbury and support or cold sandwich the Corn Exchange by naming with vegetable crisps, a seat in our cosy cinema. homemade kale-slaw www.cornexchangenew.com/ and a drink from just £5! takeaseat Hot sandwiches £6. Terms and conditions apply. TICKET PRICES Full Price £9.00 A weekly Concession £7.50 screening Parents and Babies / £5.50 dedicated to Silver Screen / Relaxed Screenings / SILVER the over-60s. Dementia Friendly SCREEN Midweek Matinee (Mon-Thu, before 16.00) Full Price £7.00 Screenings especially Concession £5.50 for parents and carers with babies less than Family Ticket 18 months old, to enjoy (2 adults, 2 children) a friendly and relaxed & BABIES Full Price £30.00 PARENTS cinema atmosphere. Midweek Matinee £22.00 Live & Encore Screenings Full Price £15.50 Concession £13.50 These screenings are designed to meet the DISCOUNTS needs of those living WELCOME Senior Citizens (over-65s) | with dementia and Under-19s | Full-Time Students | their families/carers. FRIENDLY Key Workers | Registered Disabled DEMENTIA (+ Free Companion Ticket) | Jobseeker’s Allowance www.cornexchangenew.com/film Priority booking opens 0845 5218 218 Friday 22 February Calls will cost 2p per minute plus your BOOK telephone company’s access charge Public booking opens HOW TO Book nine films and get the Friday 1 March tenth film FREE! Terms and conditions apply. -
GDC Inmate Handbook
NOTICE This handbook does not replace the official Rules and Regulations of the Georgia Department of Corrections. Information from the Rules and Regulations of the Department has been included to help you understand what is required of you, but this information is to be used in conjunction with the Rules and Regulations. In any case, where there is a conflict between information in the Rules and Regulations and information in this handbook, the Rules and Regulations are to be followed. 1 INTRODUCTION Treat your time in a Correctional Facility as an opportunity to correct mistakes, to learn how to return to society as a contributing member. While you are here, treat others as you would like to be treated, observe rules and regulations, and participate actively in available programs, and you will be closer to that goal. If you are entering a State Prison for the first time you will be interested in what is expected of you, as well as what will be provided to you, by the Georgia Department of Corrections. This booklet will answer some of your questions. It outlines the rules and regulations of the Department, as well as the disciplinary and grievance procedures that will apply to you during your incarceration. You will also learn about the programs offered through your institution. There are rules and regulations, which you will be expected to observe while in prison as you prepare for your release from prison. You will be treated humanely and you will be allowed to earn opportunities to change the life habits that helped put you in prison. -
Documentary in the Steps of Trisha Brown, the Touching Before We Go And, in Honour of Festival Artist Rocio Molina, Flamenco, Flamenco
Barbican October highlights Transcender returns with its trademark mix of transcendental and hypnotic music from across the globe including shows by Midori Takada, Kayhan Kalhor with Rembrandt Trio, Susheela Raman with guitarist Sam Mills, and a response to the Indian declaration of Independence 70 years ago featuring Actress and Jack Barnett with Indian music producer Sandunes. Acclaimed American pianist Jeremy Denk starts his Milton Court Artist-in-Residence with a recital of Mozart’s late piano music and a three-part day of music celebrating the infinite variety of the variation form. Other concerts include Academy of Ancient Music performing Purcell’s King Arthur, Kid Creole & The Coconuts and Arto Lindsay, Wolfgang Voigt’s ambient project GAS, Gilberto Gil with Cortejo Afro and a screening of Shiraz: A Romance of India with live musical accompaniment by Anoushka Shankar. The Barbican presents Basquiat: Boom for Real, the first large-scale exhibition in the UK of the work of American artist Jean-Michel Basquiat (1960-1988).The exhibition brings together an outstanding selection of more than 100 works, many never seen before in the UK. The Grime and the Glamour: NYC 1976-90, a major season at Barbican Cinema, complements the exhibition and Too Young for What? - a day celebrating the spirit, energy and creativity of Basquiat - showcases a range of new work by young people from across east London and beyond. Barbican Art Gallery also presents Purple, a new immersive, six-channel video installation by British artist and filmmaker John Akomfrah for the Curve charting incremental shifts in climate change across the planet. -
Ralph Story Outtakes and Television Programs 0249
http://oac.cdlib.org/findaid/ark:/13030/kt5v19s1rt No online items Finding Aid of Ralph Story outtakes and television programs 0249 Finding aid prepared by Rebecca Hirsch and Nick Hazelton The processing of this collection and the creation of this finding aid was funded by the generous support of the Council on Library and Information Resources. USC Libraries Special Collections Doheny Memorial Library 206 3550 Trousdale Parkway Los Angeles, California, 90089-0189 213-740-5900 [email protected] 2011 Finding Aid of Ralph Story 0249 1 outtakes and television programs 0249 Title: Ralph Story outtakes and television programs Collection number: 0249 Contributing Institution: USC Libraries Special Collections Language of Material: English Physical Description: 261.0 linear ft.286 film reel boxes, 1 banker's box Date (inclusive): 1964-1972 Abstract: The collection includes outtake reels from the television show Ralph Story's Los Angeles and footage (some including sound) from the 1971-1972 season of the show Story in Hollywood. creator: Story, Ralph Preferred Citation [Box/folder# or item name], Ralph Story outtakes and television programs, Collection no. 0249, Regional History Collections, Special Collections, USC Libraries, University of Southern California Conditions Governing Access COLLECTION STORED OFF-SITE. Advance notice required for access. Related Archival Materials The Ralph Story papers, 1940-2007. UCLA Library, Department of Special Collections Manuscripts Division. Collection number: 867. Acquisition The collection was given to the University of Southern California by Ralph Snyder Story on December 17, 1991. Conditions Governing Use All requests for permission to use film must be submitted in writing to the Manuscripts Librarian. -
Download Heroic Grace: the Chinese Martial Arts Film Catalog (PDF)
UCLA Film and Television Archive Hong Kong Economic and Trade Office in San Francisco HEROIC GRACE: THE CHINESE MARTIAL ARTS FILM February 28 - March 16, 2003 Los Angeles Front and inside cover: Lau Kar-fai (Gordon Liu Jiahui) in THE 36TH CHAMBER OF SHAOLIN (SHAOLIN SANSHILIU FANG ) present HEROIC GRACE: THE CHINESE MARTIAL ARTS FILM February 28 - March 16, 2003 Los Angeles Heroic Grace: The Chinese Martial Arts Film catalog (2003) is a publication of the UCLA Film and Television Archive, Los Angeles, USA. Editors: David Chute (Essay Section) Cheng-Sim Lim (Film Notes & Other Sections) Designer: Anne Coates Printed in Los Angeles by Foundation Press ii CONTENTS From the Presenter Tim Kittleson iv From the Presenting Sponsor Annie Tang v From the Chairman John Woo vi Acknowledgments vii Leaping into the Jiang Hu Cheng-Sim Lim 1 A Note on the Romanization of Chinese 3 ESSAYS Introduction David Chute 5 How to Watch a Martial Arts Movie David Bordwell 9 From Page to Screen: A Brief History of Wuxia Fiction Sam Ho 13 The Book, the Goddess and the Hero: Sexual Bérénice Reynaud 18 Aesthetics in the Chinese Martial Arts Film Crouching Tiger, Hidden Dragon—Passing Fad Stephen Teo 23 or Global Phenomenon? Selected Bibliography 27 FILM NOTES 31-49 PROGRAM INFORMATION Screening Schedule 51 Print & Tape Sources 52 UCLA Staff 53 iii FROM THE PRESENTER Heroic Grace: The Chinese Martial Arts Film ranks among the most ambitious programs mounted by the UCLA Film and Television Archive, taking five years to organize by our dedicated and intrepid Public Programming staff. -
BOND 50 Marks the Debut of Nine James Bond Films Previously Unavailable in High Definition Blu- Ray and Comes with a Dossier of More Than 122 Hours of Bonus Features
BOND 50 marks the debut of nine James Bond films previously unavailable in high definition Blu- ray and comes with a dossier of more than 122 hours of bonus features. Set for release just prior to the theatrical premiere of SKYFALL, BOND 50 will offer a look at the latest Bond film through videoblogs shot with the cast and crew. The BOND 50 collection also provides two all-new pieces that spotlight the history of 007. “The World of Bond” takes a look at the style and attitude that is signature to Bond; pulling together the cars, the women, the villains and the music that have been a staple of these films for the past 50 years. “Being Bond” profiles the six distinguished actors that have had the honor of portraying 007. Additional bonus content in the BOND 50 collection includes cast and crew commentaries, the behind-the-scenes making of each film, in-depth interviews with every actor that played Bond, a closer look at the exotic locations as shot on-the-set, the women of Bond, the villains of Bond, Bond’s cars and gadgets, music videos and much, much more! Special Features: DISC TWENTY THREE – Bonus Material o NEW – The World of Bond – the 007 films have a look, style and attitude that is signature Bond. From the cars, to the women, to the villains and even the music, Bond films stand apart. The World of Bond takes the viewer through the best of five decades worth of classic James Bond in one thrilling montage. The World of Bond showcases the fascinating and entertaining interplay among unforgettable moments of danger, seduction, adventure and a dash of that distinguished humor that fans have cherished from the beginning up until now.