UNIVERSITY of LONDON, SCHOOL of ADVANCED STUDY Senate
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John Vanderbank, Was the Son of a Tapestry Weaver of Dutch Origins
Neil Jeffares, Dictionary of pastellists before 1800 Online edition VANDERBANK, John London 9.IX.1694–23.XII.1739 Johann van der Banck, known as John Vanderbank, was the son of a tapestry weaver of Dutch origins. From 1711 he was a pupil at Kneller’s academy, but in 1720 he joined Louis Chéron (q.v.) in establishing the first St Martin’s Lane academy; there were 33 subscribers, including established artists such as Louis Laguerre, William Kent and Giuseppe Grisoni; younger artists included Joseph Highmore, Bartholomew Dandridge, George Knapton and William Hogarth, with Arthur Pond one of the youngest and least prepared. Leading an extravagant lifestyle, Vanderbank was forced to quit England in 1724 to avoid his creditors, but returned by 1727 and resumed his career as a history painter, portraitist and illustrator. On 23.VI.1737 he took on John Robinson as an apprentice for five years for a premium of £157 10s. He normally worked in oil but produced many drawings; however virtually no pastels survive. His painting technique has been described as “lively”, in the sense of a Hogarthian lack of finish; the portraits are brightly, sometimes crudely lit. Bibliography Bénézit, s.v. Banck; Lippincott 1983; New Haven 1979; Oxford DNB; Walpole 1828, p. 53f; Waterhouse 1981; Wright 2006; Register of duties paid for apprentices’ indentures, 1710– 1811 Pastels J.7414.101 ?SELF-PORTRAIT in red coat, white wig, pstl, 58.5x43 (Sir Edward Coates; London, Sotheby’s, 22.VI.1922, Lot 2 n.r., 40 gns; Newstead) J.7414.106 Man in a brown coat, pstl/ppr, 57x42.5 (Barnard Castle, Bowes Museum, inv. -
Antoine De LHOYER (1768-1852) Complete Works for Guitar Trio and Quartet Trio Concertant • Trio No
Antoine de LHOYER (1768-1852) Complete Works for Guitar Trio and Quartet Trio concertant • Trio No. 2 • Air varié et dialogue Jørgen Skogmo, Jens Franke, Oskar Werninge, Tim Pells, Guitars Antoine de Lhoyer (1768-1852) by the Russian treasury. He was a favourite of the whim and fashion, he no longer composed. And hadn’t for Complete Works for Guitar Trio and Quartet Tsaritsa, Elizabeth Alexeievna (Princess Louise of twenty-five years. Not since the publication in Paris of the Baden), who, when he left Russia in 1812, gave him a Grand Duo for Violin and Guitar, Op. 45, in 1826. Beethoven’s French contemporary Antoine de Lhoyer, des Princes (1791-92, 1799-1800). From 1794 to 1797 he 5,500 roubles ‘handshake’ (exceeding Boïeldieu’s annual ‘What instrument so completely allows us to live, for a royalist and professional soldier, was born in Clermont- aligned himself with Franz II, last of the Holy Roman salary as court composer). The popularity of the guitar time, in a world of our own imagination?’ (The Giulianiad, Ferrand in the Auvergne. He died in Paris at the age of Emperors, fighting unsuccessful Habsburg campaigns around the royal houses and boudoirs of Europe, often in 1833). Sets of variations, romances and dances feature 83, two and a half years after Chopin, during the last days against the French (Napoleon entering the arena in preference to keyboard or harp, is well attested. Lhoyer inevitably in Lhoyer’s catalogue. But, more unexpectedly of the short-lived Second Republic. Not much is known 1796). We may presume his trusted guitar went with him, published a number of works in St Petersburg (1803-12), for his day, and supporting Micheli’s view that ‘we can about him, his bourgeois origins, nor with whom he as with other soldier-players – Fernando Sor, François de several inscribed to members of the nobility, among them suppose for him a serious and in-depth musical training’, studied – surprisingly, Fétis’s Biographie universelle from Fossa and Leonhard von Call most famously. -
Raconter Les Camisards
Mémoire 2 professionnel / juin 2014 Spécialité - cultures de l’écrit et de l’image Mention - sciences de l’information et des bibliothèques Domaine - sciences humaines et sociales Diplôme national de master Professeur d'Histoire Moderne – Université Martinde direction la Philippe Sous Lyon 2 JASSERAND Mickaël des camisards entre 1702 et 2014 Annexe – tableau des livres traitant d'historiographie (1702-2014) Raconter les Camisards : essai : JASSERAND Mickaël | Master CEI | Mémoire | juin 2014 - 3 - Résumé : Ce mémoire est une étude des différents ouvrages et auteurs ayant écrit sur les Camisards entre 1702 et 2014 afin de comprendre l'évolution de l'historiographie des Camisards et l'implication des facteurs religieux et régionaux dans la procréation littéraire de cette historiographie. Descripteurs : Camisard – Historiographie – Mémoire – Légendes – Protestantisme - Abstract : This work is a study of the different publications between 1702 and 2014 concerning the Camisards in order to understand the evolution of the historiography of the Camisards and the implication of the religious and regionals factors in the literary procreation of that historigraphy Keywords : Camisard – Historiography – Legends – Protestantism - Droits d’auteurs Cette création est mise à disposition selon le Contrat : Paternité-Pas d'Utilisation Commerciale-Pas de Modification 2.0 France disponible en ligne http://creativecommons.org/licenses/by-nc-nd/2.0/fr/ ou par courrier postal à Creative Commons, 171 Second Street, Suite 300, San Francisco, California 94105, USA. JASSERAND Mickaël | Master CEI | Mémoire | juin 2014 - 4 - Table des annexes TABLEAU DES PRINCIPAUX OUVRAGES TRAITANT DES CAMISARDS ENTRE 1702-2014..........................................................................................................8 JASSERAND Mickaël | Master CEI | Mémoire | juin 2014 - 5 - Le tableau suivant a pour objectif de recenser les principaux ouvrages traitant de manière exclusive ou partielle de la guerre des camisards. -
THE CAMISARD UPRISING of the FRENCH PROTESTANTS. The
THE CAMISARD UPRISING OF THE FRENCH PROTESTANTS. BY REV. PROF. HENRY MARTYN BAIRD, D.D., LL.D., University of the City of New York. The movement known as the War of the Camisards is an episode of the history of Protestantism in France which, though rarely studied in detail and perhaps but partially understood, was not devoid of significance.1 1 On the Camisard uprising see Louvreleuil, " Le Fanatisme renouvelle, ou Histoire des Sacrileges, des incendies . que les Calvinistes revoltez ont commis dans les Sevenes " (Avignon, 1704, 3 vols.). Concluded in a fourth volume under the title " L'Obstination confondue" (Avignon, 1706). Brueys, "Histoire du Fanatisme de notre terns" (3d edition, Utrecht, 1737, 3 vols.). Cavalier, " Memoirs of the Wars of the Cevennes " (2d edition, London, 1727). Though ostensibly written by Cavalier himself, the true author is said to be Pierre Henri Galli, who gives the results of conversations with the Camisard chief, but with such frequent errors as to diminish greatly the value of the narrative. The anonymous " Histoire des Camisards" (London, 1754) is inaccurate and rarely deserving of confidence. The pastoral letters of Bishop Fle'chier in the 5th volume of his " CEuvres completes " (Paris, 1828), and his correspondence in the 10th volume are of great interest. Antoine Court, '' Histoire des troubles des Cevennes ou de la guerre des Camisards, sous le regne de Louis XIV." (Villefranche, 1760, and Alais, 1S19, 3 vols.). By far the most faithful and complete history of the entire war. Although Court was a child at the time of the events described^ and is compelled to make use of the narratives of Louvreleuil, Brueys, etc., he had great familiarity with the region of the Cevennes, where he labored as a minister from 1715 onwards. -
Researching Huguenot Settlers in Ireland
BYU Family Historian Volume 6 Article 9 9-1-2007 Researching Huguenot Settlers in Ireland Vivien Costello Follow this and additional works at: https://scholarsarchive.byu.edu/byufamilyhistorian Recommended Citation The BYU Family Historian, Vol. 6 (Fall 2007) p. 83-163 This Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in BYU Family Historian by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. RESEARCHING HUGUENOT SETTLERS IN IRELAND1 VIVIEN COSTELLO PREAMBLE This study is a genealogical research guide to French Protestant refugee settlers in Ireland, c. 1660–1760. It reassesses Irish Huguenot settlements in the light of new findings and provides a background historical framework. A comprehensive select bibliography is included. While there is no formal listing of manuscript sources, many key documents are cited in the footnotes. This work covers only French Huguenots; other Protestant Stranger immigrant groups, such as German Palatines and the Swiss watchmakers of New Geneva, are not featured. INTRODUCTION Protestantism in France2 In mainland Europe during the early sixteenth century, theologians such as Martin Luther and John Calvin called for an end to the many forms of corruption that had developed within the Roman Catholic Church. When their demands were ignored, they and their followers ceased to accept the authority of the Pope and set up independent Protestant churches instead. Bitter religious strife throughout much of Europe ensued. In France, a Catholic-versus-Protestant civil war was waged intermittently throughout the second half of the sixteenth century, followed by ever-increasing curbs on Protestant civil and religious liberties.3 The majority of French Protestants, nicknamed Huguenots,4 were followers of Calvin. -
Government Art Collection Annual Report 2008-2009
Annual Report and Acquisitions 2008 – 2009 Contents 3 Foreword – Julia Somerville, Chairman of the Advisory Committee 4 Director’s Report – Penny Johnson 15 Advisory Committee members and GAC staff 16 Acquisitions 28 Annex 1 – List of works lent to public exhibitions 34 Annex 2 – List of long-term loans outside Government Our aim is to improve the quality of life for all through cultural and sporting activities, support the pursuit of excellence, and champion the tourism, creative and leisure industries. 2 Foreword Looking back over the past year, what stands out is the extraordinary growth in public interest in the Government Art Collection (GAC). We’ve been featured on radio and in the newspapers. And the public continues to flock through the doors of our headquarters when we have open house days. Visitors enjoying an Open House Tour at the GAC’s premises We continue to make our resources stretch as far as they can. The Director’s report highlights some of the exciting and important works which we have been able to acquire over the last year. This continues the GAC’s track record of making acquisitions by British artists of the highest calibre, fulfilling its role in promoting British art by displaying it in Government buildings in the UK and abroad. The Collection plays a vital part in Britain’s representation abroad: both as a reminder of our historical past and an illustration of our contemporary preoccupations. Our activities are an integral part of the UK’s diplomatic mission. We are pleased that we are increasingly playing a strategic role when new embassies are being planned. -
A History of the French in London Liberty, Equality, Opportunity
A history of the French in London liberty, equality, opportunity Edited by Debra Kelly and Martyn Cornick A history of the French in London liberty, equality, opportunity A history of the French in London liberty, equality, opportunity Edited by Debra Kelly and Martyn Cornick LONDON INSTITUTE OF HISTORICAL RESEARCH Published by UNIVERSITY OF LONDON SCHOOL OF ADVANCED STUDY INSTITUTE OF HISTORICAL RESEARCH Senate House, Malet Street, London WC1E 7HU First published in print in 2013. This book is published under a Creative Commons Attribution- NonCommercial-NoDerivatives 4.0 International (CC BY- NCND 4.0) license. More information regarding CC licenses is available at https://creativecommons.org/licenses/ Available to download free at http://www.humanities-digital-library.org ISBN 978 1 909646 48 3 (PDF edition) ISBN 978 1 905165 86 5 (hardback edition) Contents List of contributors vii List of figures xv List of tables xxi List of maps xxiii Acknowledgements xxv Introduction The French in London: a study in time and space 1 Martyn Cornick 1. A special case? London’s French Protestants 13 Elizabeth Randall 2. Montagu House, Bloomsbury: a French household in London, 1673–1733 43 Paul Boucher and Tessa Murdoch 3. The novelty of the French émigrés in London in the 1790s 69 Kirsty Carpenter Note on French Catholics in London after 1789 91 4. Courts in exile: Bourbons, Bonapartes and Orléans in London, from George III to Edward VII 99 Philip Mansel 5. The French in London during the 1830s: multidimensional occupancy 129 Máire Cross 6. Introductory exposition: French republicans and communists in exile to 1848 155 Fabrice Bensimon 7. -
Portraits of Sculptors in Modernism
Konstvetenskapliga institutionen Portraits of Sculptors in Modernism Författare: Olga Grinchtein © Handledare: Karin Wahlberg Liljeström Påbyggnadskurs (C) i konstvetenskap Vårterminen 2021 ABSTRACT Institution/Ämne Uppsala universitet. Konstvetenskapliga institutionen, Konstvetenskap Författare Olga Grinchtein Titel och undertitel: Portraits of Sculptors in Modernism Engelsk titel: Portraits of Sculptors in Modernism Handledare Karin Wahlberg Liljeström Ventileringstermin: Höstterm. (år) Vårterm. (år) Sommartermin (år) 2021 The portrait of sculptor emerged in the sixteenth century, where the sitter’s occupation was indicated by his holding a statue. This thesis has focus on portraits of sculptors at the turn of 1900, which have indications of profession. 60 artworks created between 1872 and 1927 are analyzed. The goal of the thesis is to identify new facets that modernism introduced to the portraits of sculptors. The thesis covers the evolution of artistic convention in the depiction of sculptor. The comparison of portraits at the turn of 1900 with portraits of sculptors from previous epochs is included. The thesis is also a contribution to the bibliography of portraits of sculptors. 2 Acknowledgements I would like to thank my supervisor Karin Wahlberg Liljeström for her help and advice. I also thank Linda Hinners for providing information about Annie Bergman’s portrait of Gertrud Linnea Sprinchorn. I would like to thank my mother for supporting my interest in art history. 3 Table of Contents 1. Introduction ....................................................................................................................... -
THE MASTERS of ENGLISH PAINTING Hogarth-Gainsborough-Constable
LICEUL BILINGV “GEORGE COŞBUC” THE MASTERS OF ENGLISH PAINTING Hogarth-Gainsborough-Constable Dimulescu Valentina-Andreea Profesor îndrumător Clasa a XIIa U1 Maria Constantinescu 2004 THE MASTERS OF ENGLISH PAINTING Hogarth-Gainsborough-Constable TABLE OF CONTENTS FOREWORD …....……………………………………………....……………………………............ 1 PART ONE HISTORY OF BRITISH ART ............................................................................................................ 2 PART TWO TRENDS AND STYLE ........................................................................................................................ 4 PART THREE ENGLISH PAINTERS CHAPTER 1 THE FIRST ENGLISH PAINTER ......................................................................................................7 CHAPTER 2 BETWEEN PORTRAIT AND LANDSCAPE ..................................................................................12 CHAPTER 3 ONE OF THE GREATEST BRITISH LANDSCAPE ARTISTS ..................................................16 CONCLUSION ................................................................................................................................... 20 BIBLIOGRAPHY .............................................................................................................................. 22 APPENDIX NOTABLE PAINTINGS ................................................................................................................... 23 ANNEXE 1 ......................................................................................................................................... -
Encyclopaedia Britannica, 11Th Edition, Volume 5, Slice 5 - "Cat" to "Celt"
Encyclopaedia Britannica, 11th Edition, Volume 5, Slice 5 - "Cat" to "Celt" By Various English A Doctrine Publishing Corporation Digital Book This book is indexed by ISYS Web Indexing system to allow the reader find any word or number within the document. Transcriber's notes: (1) Numbers following letters (without space) like C2 were originally (2) Characters following a carat (^) were printed in superscript. (3) Side-notes were relocated to function as titles of their respective (4) Macrons and breves above letters and dots below letters were not (5) [oo] stands for the infinity symbol. (6) The following typographical errors have been corrected: Article CATALONIA: "There is much woodland, but meadows and pastures are rare." 'There' amended from 'These'. Article CATALYSIS: "It seems in this, as in other cases, that additional compounds are first formed which subsequently react with the re-formation of the catalyst." 'additional' amended from 'addition'. Article CAVALRY: "... and as this particular branch of the army was almost exclusively commanded by the aristocracy it suffered most in the early days of the Revolution." 'army' amended from 'arm'. Article CECILIA, SAINT: "It was long supposed that she was a noble lady of Rome 594 who, with her husband and other friends whom she had converted, suffered martyrdom, c. 230, under the emperor Alexander Severus." 'martyrdom' amended from 'martydom'. Article CELT: "Two poets of this period, whom an English writer describes as 'the two filthy Welshmen who first smoked publicly in the streets,' -
Cdec Cahiers 49.Pdf
Cahiers de la pensée mili-Terre n° 49 4ème Trimestre 2017 Sommaire Éditorial du Directeur du CDEC, le Général Pascal FACON p. 3 Biographie du Général Pascal FACON p. 5 Dossiers Thèmes des futurs dossiers p. 9 Rappel des prix attribués aux stagiaires p. 11 Histoire Les collections de l’armée de Terre dans les musées de la défense p. 15 Par le Chef de bataillon Aude PIERNAS Histoire militaire et modernité Style de commandement depuis le XVIIIème: évolutions et perspectives p. 25 Par le Chef d’escadrons Christophe MAURIN, le Chef de bataillon Vincent LEHMULLER, le Chef d’escadron Rémy JAILLET et avec le concours de Madame Géraldine SOULIÉ Troupes royales face aux Camisards (1702-1710): leçons à tirer sur le TN p. 45 Par les Chefs d’escadron Xavier COMBET et Étienne THÉBAULT et le Chef de bataillon Jean-Maël VUITTON Ruptures technologiques, pensée tactique et formation des élites p. 61 Par le Chef d’escadron Roméo DUBRAIL et les Chefs de bataillon Antoine MATHEY et Yann QUERAN Libres opinions1 Infovalorisation: quels systèmes pour demain p. 75 Par le Chef de bataillon Franck DUCHEMIN, le Commandant Jérôme CHEYPPE, le Capitaine Jean-François CAVERNE et Monsieur Olivier MONSACRE 1 Comme son nom l’indique, cette rubrique comporte des articles qui n’engagent que leurs auteurs. 1 Sommaire Kazakhstan: mirage ou réalité d’un nouvel Eldorado? p. 89 Par le Capitaine Patrick MARNIER L’État Islamique, ou le djihad 2.0 p. 97 Par le Chef de bataillon Stéphane SIMON Vladimir Poutine: héritier de la Realpolitik de Kissinger? p. 103 Par le Commandant Alexandra GILHODES 2 Cahiers de la pensée mili-Terre n° 49 4ème Trimestre 2017 Éditorial du Directeur du Centre de doctrine et d’enseignement du commandement Le Général Pascal FACON Une pensée militaire pour les combats d’aujourd’hui et de demain Nouveau directeur du Centre de doctrine et d’enseignement du commandement (CDEC), j’ai l’honneur de vous présenter ce nouveau Cahier de la pensée Mili-Terre. -
500 Ans De Protestantisme Entre Cévennes Et Méditerranée
fait vibrer la culture 500 ans de protestantisme entre Cévennes et Méditerranée en réseau AVRIL 2017 DECEMBRE 2018 C’est dans le cadre des commémorations internationales concernant "l’année LUTHER 2017, 500e anniversaire de la Réforme" que le Département du Gard a choisi de s’associer à cet événement organisé par le Pays Vidourle Camargue, pour valoriser et faire connaitre le patrimoine protestant. Le Gard représente à lui seul le quart des protestants de France. Les archives départementales disposent d’importants fonds. Le sud du département et la Petite Camargue possèdent un riche patrimoine bâti protestant, en cours d’inventaire Coordination et de rénovation sur ce et médiation : Pays qui comprend la baie Patricia Carlier Mission patrimoine d’Aigues-Mortes. Pays Vidourle Camargue À cette occasion les communes [email protected] du Pays possédant des temples 04 34 14 80 00 ont souhaité s’associer aux partenaires du réseau pour Communication : proposer aux visiteurs des Département du Gard / Pays Vidourle Camargue / expositions complétées Centre des Monuments d’animations, spectacles, Nationaux concerts, conférences, ateliers pédagogiques en divers lieux de notre Département entre Cévennes et Méditerranée. 2 Sommaire AIGUES-MORTES 4 AIGUES-VIVES 6 AUBAIS 6 BEAUVOISIN 6 CALVISSON 7 CANNES-et-CLAIRAN 8 CODOGNAN 8 CONGENIES 8 GALLARGUES-LE-MONTUEUX 9 JUNAS 9 LUNEL 10 MARSILLARGUES 12 MIALET 12 MONTPEZAT 13 MUS 13 NIMES 14 SAINT-LAURENT-D’ AIGOUZE 15 SALINELLES 15 SOMMIERES 18 UCHAUD 19 VAUVERT 20 VESTRIC-et-CANDIAC 20 CONFERENCES 21 3 Aigues-Mortes Salle des Capucins - Place Saint-Louis Du 8 au 23 avril 2017 Le patrimoine protestant de Vaunage et de Petite Camargue.