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Café Society
Presents CAFÉ SOCIETY A film by Woody Allen (96 min., USA, 2016) Language: English Distribution Publicity Bonne Smith Star PR 1352 Dundas St. West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1Y2 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com @MongrelMedia MongrelMedia CAFÉ SOCIETY Starring (in alphabetical order) Rose JEANNIE BERLIN Phil STEVE CARELL Bobby JESSE EISENBERG Veronica BLAKE LIVELY Rad PARKER POSEY Vonnie KRISTEN STEWART Ben COREY STOLL Marty KEN STOTT Co-starring (in alphabetical order) Candy ANNA CAMP Leonard STEPHEN KUNKEN Evelyn SARI LENNICK Steve PAUL SCHNEIDER Filmmakers Writer/Director WOODY ALLEN Producers LETTY ARONSON, p.g.a. STEPHEN TENENBAUM, p.g.a. EDWARD WALSON, p.g.a. Co-Producer HELEN ROBIN Executive Producers ADAM B. STERN MARC I. STERN Executive Producer RONALD L. CHEZ Cinematographer VITTORIO STORARO AIC, ASC Production Designer SANTO LOQUASTO Editor ALISA LEPSELTER ACE Costume Design SUZY BENZINGER Casting JULIET TAYLOR PATRICIA DiCERTO 2 CAFÉ SOCIETY Synopsis Set in the 1930s, Woody Allen’s bittersweet romance CAFÉ SOCIETY follows Bronx-born Bobby Dorfman (Jesse Eisenberg) to Hollywood, where he falls in love, and back to New York, where he is swept up in the vibrant world of high society nightclub life. Centering on events in the lives of Bobby’s colorful Bronx family, the film is a glittering valentine to the movie stars, socialites, playboys, debutantes, politicians, and gangsters who epitomized the excitement and glamour of the age. Bobby’s family features his relentlessly bickering parents Rose (Jeannie Berlin) and Marty (Ken Stott), his casually amoral gangster brother Ben (Corey Stoll); his good-hearted teacher sister Evelyn (Sari Lennick), and her egghead husband Leonard (Stephen Kunken). -
False Authenticity in the Films of Woody Allen
False Authenticity in the Films of Woody Allen by Nicholas Vick November, 2012 Director of Thesis: Amanda Klein Major Department: English Woody Allen is an auteur who is deeply concerned with the visual presentation of his cityscapes. However, each city that Allen films is presented in such a glamorous light that the depiction of the cities is falsely authentic. That is, Allen's cityscapes are actually unrealistic recreations based on his nostalgia or stilted view of the city's culture. Allen's treatment of each city is similar to each other in that he strives to create a cinematic postcard for the viewer. However, differing themes and characteristics emerge to define Allen's optimistic visual approach. Allen's hometown of Manhattan is a place where artists, intellectuals, and writers can thrive. Paris denotes a sense of nostalgia and questions the power behind it. Allen's London is primarily concerned with class and the social imperative. Finally, Barcelona is a haven for physicality, bravado, and sex but also uncertainty for American travelers. Despite being in these picturesque and dynamic locations, happiness is rarely achieved for Allen's characters. So, regardless of Allen's dreamy and romanticized visual treatment of cityscapes and culture, Allen is a director who operates in a continuous state of contradiction because of the emotional unrest his characters suffer. False Authenticity in the Films of Woody Allen A Thesis Presented To the Faculty of the Department of English East Carolina University In Partial Fulfillment of the Requirements for the Degree MA English by Nicholas Vick November, 2012 © Nicholas Vick, 2012 False Authenticity in the Films of Woody Allen by Nicholas Vick APPROVED BY: DIRECTOR OF DISSERTATION/THESIS: _______________________________________________________ Dr. -
Vicky Cristina Barcelona: Fotos Y Pasión En La Ciudad Condal
VICKY CRISTINA BARCELONA: FOTOS Y PASIÓN EN LA CIUDAD CONDAL Por ALBERT ELDUQUE Título original: Vicky Cristina Barcelona Producción: Mediapro (USA-España, 2008). Productores: Letty Aronson, Stephen Tenenbaum, Gareth Wiley y Jaume Roures. Director: Woody Allen. Guión: Woody Allen. Fotografía: Javier Aguirresarobe. Diseño de producción: Alain Bainée. Montaje: Alisa Lepselter. Intérpretes: Rebecca Hall (Vicky), Scarlett Johansson (Cristina), Javier Bardem (Juan Antonio), Penélope Cruz (María Elena), Chris Messina (Doug) Color - 96 minutos - Estreno en España: 19-IX-2008. Galardonado con un Oscar de la Academia de Hollywood recientemente y gozando de una gran popularidad, la situación actual de Javier Bardem es interesante. Entre las producciones estadounidenses y las españolas, entre No Country For Old Men y Mar Adentro, últimamente trabaja precisamente en los híbridos entre lo internacional y las raíces, participando en producciones de directores extranjeros en España, ya sean Los fantasmas de Goya, de Milos Forman, o Biutiful, el proyecto de Alejandro González Iñárritu situado en el Raval barcelonés. Obviamente, la última película de Woody Allen, Vicky Cristina Barcelona, se inscribe en esta línea de conjunción internacional, y lo hace también con Penélope Cruz, otra actriz situada entre los proyectos americanos y las películas españolas. Cabe preguntarse por qué en una película dedicada desde el título a Barcelona los dos únicos personajes españoles relevantes son estrellas internacionales, y por qué los actores locales que han participado en el filme han sido apartados hacia roles muy secundarios (Josep Maria Domènech, como el padre del personaje de Bardem) o directamente anecdóticos (Abel Folk, Lloll Bertran, etc.). Hay en Vicky Cristina Barcelona un encuentro cultural en el equipo técnico que no se llega a plasmar en el reparto, basado en intérpretes anglosajones o estrellas latinas ya consolidadas. -
God's Own Country Is Francis’ First Feature Film Project
GOD’S OWN COUNTRY A film by Francis Lee UK • 104 min. • 2017 OFFICIAL SELECTION: Sundance Film Festival 2017 Berlin International Film Festival 2017 San Francisco International Film Festival 2017 Provincetown International Film Festival 2017 Outfest Los Angeles 2017 (Opening Night) Distribution Contacts: Samuel Goldwyn Films Ryan Boring, [email protected] New York Publicity Contacts: Cinetic Marketing Ryan Werner, [email protected] Courtney Ott, [email protected] Bingham Bryant, [email protected] God’s Own Country Production Notes Logline Francis Lee’s feature film debut is a contemporary tale of self-discovery and emotional-awakening set on the sheep farming hills of rural England. Synopsis Johnny Saxby works long hours in brutal isolation on his family’s remote farm in the north of England. He numbs the daily frustration of his lonely existence with nightly binge-drinking at the local pub and casual sex. When a handsome Romanian migrant worker arrives to take up temporary work on the family farm, Johnny suddenly finds himself having to deal with emotions he has never felt before. An intense relationship forms between the two which could change Johnny’s life forever. Long Synopsis Spring. Yorkshire. Johnny Saxby (24) carries the weight of his family’s dilapidating sheep farm alone. His formidable grandmother Deirdre (70) is now too old to work the land, whilst his father Martin (50), once a capable farmer, struggles in the aftermath of a stroke. Socially and geographically isolated and overwhelmed by the responsibility, yet too proud to accept any help, Johnny numbs his frustration with drink, dope and casual sex. -
COMANDANTE COMANDANTE Dirigido Por/Directed by OLIVER STONE
COMANDANTE COMANDANTE Dirigido por/Directed by OLIVER STONE Productora/Production Company: MEDIAPRODUCCIÓN, S.L. Bruc, 111, bajos. 08009 Barcelona. Tel. 93 476 15 51. Fax 93 476 15 52. Con la participación de/with the participation of: Pentagrama Films, Morena Films. Director/Director: OLIVER STONE. Productor/Producer: OLIVER STONE. Productores ejecutivos/Executive Producers: JAUME ROURES, ÁLVARO LONGORIA, JOSÉ IBÁÑEZ. Productores asociados/Associate Producers: JUAN IBÁÑEZ, RAMÓN IBÁÑEZ, JUAN GORDON, RITA DAGHER. Director de producción/Line Producer: VINCENT JOLIET. Guión/Screenplay: ÁLVARO LONGORIA, OLIVER STONE, JOSÉ IBÁÑEZ. Argumento/Idea: Basado en una idea original de José Ibáñez y Álvaro Longoria. Directores de Fotografía/Photography: RODRIGO PRIETO, CARLOS MARCOVICH. Música/Score: ALBERTO IGLESIAS. Montadores/Editors: ÁLEX MÁRQUEZ, ELISA BONORA. Sonido/Sound: SANTIAGO NÚÑEZ. Efectos especiales/Special Effects: CARLA PAGI, CLARK MULLER. Efectos digitales/Visual Effects: POST-PRODUCCIÓN DIGITAL: LA LUNA DIGITAL. Supervisor post-producción: ALESSANDRA PASQUINO. Coordinadores post-producción: LAURE JOLIET, MARIAN FERNÁNDEZ. DOCUMENTAL/DOCUMENTARY 35 mm. Eastmancolor. Panorámico 1:1,66. Duración/Running time - Metraje/Metres: 98 minutos. 2.688 Web: www.comandante.net metros. Laboratorios/Laboratories: MADRID FILM LAB. Lugares de rodaje/Locations: Cuba. Fechas de rodaje/Shooting dates: 13/2/2002 - 15/4/2002. Estreno/Premiere: 6/6/2003 Distribución nacional/Spain Distribution: MUSIDORA FILMS, S.A. Princesa, 17. Madrid. Tel. 91 542 00 36. Fax 91 559 90 69. E- mail: [email protected] Ventas mundiales/World Sales: MEDIAPRODUCCIÓN, S.L. Bruc, 111, bajos. 08009 Barcelona. Tel. 93 476 15 51. Fax 93 476 15 52. OLIVER STONE/Filmografía/Filmography: Largometrajes/Feature films: 1981: LA MANO. 1986: PLATOON. -
L'homme Irrationnel Irrational Man
L'homme irrationnel Irrational Man Écrit et réalisé par / Written and directed by Woody Allen GRAVIER PRODUCTIONS PRÉSENTE / PRESENTS EN ASSOCIATION AVEC / IN ASSOCIATION WITH PERDIDO PRODUCTIONS L'homme irrationnel Irrational Man Écrit et réalisé par / Written and directed by Woody Allen DISTRIBUTION MARS DISTRIBUTION 66, rue de Miromesnil Jamie Blackley 75008 Paris Tél. : 01 56 43 67 20 Joaquin Phoenix [email protected] Parker Posey Emma Stone CANNES BUREAU DE PRESSE / PRESS OFFICE Hôtel Martinez Room 107 Tél. : 04 97 97 77 15 INTERNATIONAL PRESS HYPERACTIVE PUBLICITY Caroline Turner [email protected] Judith Daniel [email protected] SORTIE LE 14 OCTOBRE ATTACHÉS DE PRESSE FRANCE INTERNATIONAL RELEASE DATES ON REQUEST Jean-Pierre Vincent Virginie Picat DURÉE / LENGTH : 1H36 [email protected] Tél. : 04 93 06 43 98 / 04 93 06 43 99 Synopsis Professeur de philosophie, Abe Lucas est un homme dévasté sur le plan affectif, qui a perdu toute joie de vivre. Il a le sentiment que quoi qu’il ait entrepris - militantisme politique ou enseignement - n’a servi à rien. Peu de temps après son arrivée dans l’université d’une petite ville, Abe entame deux liaisons. D’abord, avec Rita Richards, collègue en manque de compagnie qui compte sur lui pour lui faire oublier son mariage désastreux. Ensuite, avec Jill Pollard, sa meilleure étudiante, qui devient aussi sa meilleure amie. Si Jill est amoureuse de son petit copain Roy, elle trouve irrésistibles le tempérament torturé et fantasque d’Abe, comme son passé exotique. Et tandis que les troubles psychologiques de ce dernier s’intensifient, Jill est de plus en plus fascinée par lui. -
Lucasgamonalbarradealmeida.Pdf
UNIVERSIDADE FEDERAL DE JUIZ DE FORA FACULDADE DE COMUNICAÇÃO PROGRAMA DE PÓS-GRAUDAÇÃO EM COMUNICAÇÃO Lucas Gamonal Barra de Almeida A PARIS DE WOODY ALLEN: narrações sobre a cidade e suas apropriações midiáticas pelo turismo Juiz de Fora Fevereiro de 2015 Lucas Gamonal Barra de Almeida A PARIS DE WOODY ALLEN: narrações sobre a cidade e suas apropriações midiáticas pelo turismo Dissertação apresentada ao Programa de Pós-Graduação em Comunicação da Universidade Federal de Juiz de Fora como requisito parcial para obtenção do título de Mestre em Comunicação. Orientadora: Dra. Christina Ferraz Musse Juiz de Fora Fevereiro de 2015 Ficha catalográfica elaborada através do Programa de geração automática da Biblioteca Universitária da UFJF, com os dados fornecidos pelo(a) autor(a) Almeida, Lucas Gamonal Barra de. A Paris de Woody Allen: : narrações sobre a cidade e suas apropriações midiáticas pelo turismo / Lucas Gamonal Barra de Almeida. -- 2015. 138 f. : il. Orientadora: Christina Ferraz Musse Dissertação (mestrado acadêmico) - Universidade Federal de Juiz de Fora, Faculdade de Comunicação Social. Programa de Pós- Graduação em Comunicação, 2015. 1. Comunicação. 2. Turismo. 3. Cidade. 4. Identidade. 5. Meia-Noite em Paris. I. Musse, Christina Ferraz, orient. II. Título. Para minha mãe, exemplo de alegria, amor e coragem irredutíveis. AGRADECIMENTOS Certamente essa é uma das mais difíceis etapas, apesar de carregar um sabor especial. Acredito que as conquistas não fazem sentido se não tivermos pessoas especiais com quem as compartilhar. Muitos, de diferentes formas, foram importantes para que pudesse chegar aqui. Então agradeço: À minha mãe, que me dá forças para seguir minhas empreitadas sem deixar que pense em desistir de lutar por meus objetivos, sempre colocando um sorriso de amor em meu rosto. -
Manhattan , Writes What We See, He'll Have a Remarkable Story
A N I L L U M I N E D I L L U S I O N S E S S A Y B Y I A N C . B L O O M MMAANNHHAATTTTAANN Directed by Woody Allen Produced by Charles H. Joffe and Jack Rollins Distributed by United Artists Released in 1979 f Isaac, the protagonist of Manhattan , writes what we see, he'll have a remarkable story. This I character, played by Woody Allen, opens the film in a monologue, dictating five different opening paragraphs for a book he is writing. His introduction illustrates the protagonist of his book (and Isaac [and Woody Allen, for that matter]) as the epitome of what makes the island great. The movie Manhattan is about all the introductions Simon dictates for his book. The romanticization of the city, the beautiful women, the sad decline of morality are all present in the film. We see it all in black-and-white tones while listening to George Gershwin tunes. The character laments the negative influence of television, to which he has made a guilty contribution. Finally arriving at a suitable introduction, the city is connected directly to the protagonist—he loves Manhattan and Manhattan loves him right back. Allen by no means surveys the city in the film. He deals with a few characters of the intellectual set, people like himself that he knows well. The movie, while paying homage to the grandeur and mystique of New York City, is really an entertaining indictment of artsy academics. "Nothing worth knowing can be understood by the mind." Isaac gets caught in a fix, dating a 17-year-old named Tracy while falling for Mary, an editor, who is having an adulterous affair with Isaac's best friend, Yale, a professor. -
De Las Vitrinas a La Pantalla II Manhattan Woody Allen (1979) 30 De Mayo De 2013, 18.00 H
CICLO DE CINE Cine de Museos: De las vitrinas a la pantalla II Manhattan Woody Allen (1979) 30 de mayo de 2013, 18.00 h Título original: Manhattan. Dirección: Woody Allen. Producción: Jack Rollins & Charles H. Joffe Productions para United Artist. Productores: Charles H. Joffe, Jack Rollins. Productor ejecutivo: Robert Greenhut. Guion: Woody Allen, Marshall Brickman. Fotografía: Gordon Willis. Música: George Gershwin, Wolfgang Amadeus Mozart. Montaje: Susan E. Morse. Diseño de producción: Mel Bourne. Intérpretes: Woody Allen (Isaac), Diane Keaton (Mary), Michael Murphy (Yale), Mariel Hemingway (Tracy), Meryl Streep (Jill), Anne Byrne Hoffman (Emily), Karen Ludwig (Connie), Michael O'Donoghue (Dennis), Victor Truro, Tisa Farrow, Helen Hanft, Bella Abzug, Gary Weis, Kenny Vance, Charles Levin, Karen Allen, David Rasche, Damion Scheller, Wallace Shawn, Mark Linn-Baker, Frances Conroy, Bill Anthony, John Doumanian, Raymond Serra, Llewellyn Lafford... Nacionalidad y año: Estados Unidos 1979. Duración y datos técnicos: 96 min. B/N 2.35:1. Muchos de los admiradores del cine de Woody Allen (entre los que me encuentro) piensan, pensamos, que en su última etapa el realizador judío ha perdido fuelle, que está lejos de la viveza, ingenio y vitalidad de antiguas obras, que últimamente no hace más que dar vueltas sobre lo mismo, plantear idénticas ideas ya oxidadas por el tiempo. Cierto es que el mundo de Woody Allen siempre ha pivotado por unas constantes, pero en los últimos tiempos ya parecen haberse agotado, llegando en ocasiones al nivel de vergonzosa auto-parodia como fue la muy tópica Vicky Cristina Barcelona (2008), impropia de un ojo clínico como el suyo. -
Whatever Works Film Production Notes
PRODUCTION NOTES A new comedy written and directed by Woody Allen Release date: October 15, 2009 Running time: 88 minutes Rated: M (Sexual references) For more information contact Jillian Heggie at Hopscotch Films on: 02) 8303 3800 or email: [email protected] WHATEVER WORKS Starring (in alphabetical order) John ED BEGLEY, JR. Marietta PATRICIA CLARKSON Boris LARRY DAVID Leo Brockman CONLETH HILL Joe MICHAEL McKEAN Melody EVAN RACHEL WOOD Co-Starring (in alphabetical order) Randy James HENRY CAVILL Perry JOHN GALLAGHER, JR. Helena JESSICA HECHT Jessica CAROLYN McCORMICK Howard CHRISTOPHER EVAN WELCH Filmmakers Writer/Director WOODY ALLEN Producers LETTY ARONSON STEPHEN TENENBAUM Co-Producer HELEN ROBIN Executive Producers VINCENT MARAVAL BRAHIM CHIOUA Co-Executive Producers JACK ROLLINS CHARLES H. JOFFE Director of Photography HARRIS SAVIDES, A.S.C. Production Designer SANTO LOQUASTO Editor ALISA LEPSELTER Costume Designer SUZY BENZINGER Casting JULIET TAYLOR LAURA ROSENTHAL ALI FARRELL 2 WHATEVER WORKS Synopsis Woody Allen returns to New York with an offbeat comedy about a crotchety misanthrope (Larry David) and a naïve, impressionable young runaway from the south (Evan Rachel Wood). When her uptight parents, (Patricia Clarkson and Ed Begley, Jr.) arrive to rescue her, they are quickly drawn into wildly unexpected romantic entanglements. Everyone discovers that finding love is just a combination of lucky chance and appreciating the value of WHATEVER WORKS. After the failure of his career, his marriage, and his suicide attempt, world-class grouch Boris Yellnikoff (Larry David), spends his days insulting the small children unfortunate enough to study chess with him and irritating his still-loyal friends with his never-ending tirades about the worthlessness of absolutely everything. -
House of Fraser British Academy Television Awards Sunday 10 May 2015
House of Fraser British Academy Television Awards Sunday 10 May 2015 Previous Nominations and Wins Includes this year’s nominations. Wins in bold. Leading Actor Jason Watkins: 1 Nomination / 1 Win The Lost Honour of Leading Actor in 2015: The Lost Honour of Christopher Jefferies Christopher Jefferies Leading Actress Georgina Campbell: 1 Nomination / 1 Win Murdered by My Boyfriend Leading Actress in 2015: Murdered by My Boyfriend Supporting Actor Stephen Rea: Television: The Honourable Woman 2 Nominations / 1 Win Supporting Actor in 2015: The Honourable Woman Supporting Actor in 2012: The Shadow Line Film: 1 Nomination Leading Actor in 1993: The Crying Game Supporting Actress Gemma Jones: 4 Nominations / 1 Win Marvellous Supporting Actress in 2015: Marvellous Actress in 1977: The Duchess of Duke Street Actress in 1972: The Man in the Sidecar/The Cherry Orchard Actress in 1971: The Lie/The Spoils of Poynton Male Performance in a Comedy Programme Matt Berry: 3 Nominations / 1 Win Toast of London Male Performance in a Comedy Programme in 2015: Toast of London Writer: Comedy in 2015: Toast of London Situation Comedy in 2014: Toast of London Female Performance in a Comedy Programme Jessica Hynes: 2 Nominations / 1 Win W1A Female Performance in a Comedy Programme in 2015: W1A Female Performance in a Comedy Programme in 2013: Twenty Twelve Entertainment Performance Anthony McPartlin and Television: Declan Donnelly: Ant and 8 Nominations / 3 Wins Dec’s Saturday Night Entertainment Performance in 2015: Ant and Dec’s Saturday Night Takeaway Takeaway -
Ctiarc H /(&>E a Rt Uefll ' That Problems Can Be Worked Show
Page 6 PITTSBURGH CATHOLIC Friday, September 25, 1992 Entertainm ent Church & Bible Q u i z - M ovie review * H u s b a n d s and W ives’ com plex d ram a T h e life o f S au l By WILLIAM NED ANDREWS TriStar pictures presents a allows him to paint a canvas disillusionment and boyish The place of King Saul in the history of the Hebrews is quite secure for Jack Rollins and Charles E. of a romantic free-for-all in wonder, a man whose heart not only was he the first king of Israel and a great warrior but he was also a handsome man who stood head and shoulders above the people. But Joffe production of a Woody which there are no winners. plays him like a yo-yo. Juliette despite his power and popularity, he became a tragic figure because of his Allen film, "Husbands and Everyone is dynamically af Lewis amazes once again as the destructive force who can long-term love-hate relationship with one of his sons-in-law who proved to Wives." fected by the changes of the be a more popular hero with the subjects than the king himself. In his heart as their personal drive pin a heart down only to pull final and losing battle with the hated Philistines, he died in battle by his Ga.be...................Woody Allen for fulfillment cuts deeply into it to pieces. own sword rather than be captured and humiliated by the enemy. Match the entries in the left column with the corresponding names in the right.