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Alexander Literary Firsts & Poetry Rare Books
ALEXANDER LITERARY FIRSTS & POETRY RARE BOOKS CATALOGUE TWENTY- SEVEN 2 Alexander Rare Books [email protected]/ (802) 476‐0838 ALEXANDER RARE BOOKS – LITERARY FIRSTS & POETRY Mark Alexander 234 Camp Street Barre, VT 05641 (802) 476-0838 [email protected] Catalogue Twenty–Seven: All items are US, CN or UK Hardcover First Editions & First Printings unless otherwise stated. All items guaranteed & are refundable for any reason within 30 days. Subject to prior sale. VT residents please add 6% sales tax. Checks, Money Orders, Paypal & most credit cards accepted. Net 30 days. Libraries & institutions billed according to need. Reciprocal terms offered to the trade. SHIPPING IS FREE IN THE US (generally Priority Mail) & CANADA, elsewhere $13 per shipment. Visit AlexanderRareBooks.com for cover scans and photos of most catalogued items. I encourage you to visit my website for the latest acquisitions. The best items usually appear on my website, then appear in my catalogues, before appearing elsewhere online. I am always interested in acquiring first editions, single copies or collections, and particularly modernist & contemporary poetry. Thank you in advance for perusing this catalogue. CATALOGUE TWENTY-SEVEN 1) Adam, Helen. THE BELLS OF DIS. West Branch, Iowa: Coffee House Press, 1985. Tall sewn illustrated wraps. Morning Coffee Chapbook: 12. One of 500 copies, numbered and signed by the poet and the artist Ann Mikolowski. A lovely book hand set and hand sewn. Bottom tips bumped, else fine. (10690) $20.00 2) Armantraut, Rae. CONCENTRATE. Green River, VT: Longhouse, 2007. Small (3 x 4 1/2 in.) accordion style chapbook attached to unprinted card covers, with wrap around band. -
April 2005 Updrafts
Chaparral from the California Federation of Chaparral Poets, Inc. serving Californiaupdr poets for over 60 yearsaftsVolume 66, No. 3 • April, 2005 President Ted Kooser is Pulitzer Prize Winner James Shuman, PSJ 2005 has been a busy year for Poet Laureate Ted Kooser. On April 7, the Pulitzer commit- First Vice President tee announced that his Delights & Shadows had won the Pulitzer Prize for poetry. And, Jeremy Shuman, PSJ later in the week, he accepted appointment to serve a second term as Poet Laureate. Second Vice President While many previous Poets Laureate have also Katharine Wilson, RF Winners of the Pulitzer Prize receive a $10,000 award. Third Vice President been winners of the Pulitzer, not since 1947 has the Pegasus Buchanan, Tw prize been won by the sitting laureate. In that year, A professor of English at the University of Ne- braska-Lincoln, Kooser’s award-winning book, De- Fourth Vice President Robert Lowell won— and at the time the position Eric Donald, Or was known as the Consultant in Poetry to the Li- lights & Shadows, was published by Copper Canyon Press in 2004. Treasurer brary of Congress. It was not until 1986 that the po- Ursula Gibson, Tw sition became known as the Poet Laureate Consult- “I’m thrilled by this,” Kooser said shortly after Recording Secretary ant in Poetry to the Library of Congress. the announcement. “ It’s something every poet dreams Lee Collins, Tw The 89th annual prizes in Journalism, Letters, of. There are so many gifted poets in this country, Corresponding Secretary Drama and Music were announced by Columbia Uni- and so many marvelous collections published each Dorothy Marshall, Tw versity. -
Galway Kinnell - Poems
Classic Poetry Series Galway Kinnell - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Galway Kinnell(1 February 1927) Galway Kinnell is an American poet. He was Poet Laureate of Vermont from 1989 to 1993. An admitted follower of <a href="http://www.poemhunter.com/walt- whitman/">Walt Whitman</a> , Kinnell rejects the idea of seeking fulfillment by escaping into the imaginary world. His best-loved and most anthologized poems are "St. Francis and the Sow" and "After Making Love We Hear Footsteps". <b>Biography</b> Born in Providence, Rhode Island, Kinnell said that as a youth he was turned on to poetry by <a href="http://www.poemhunter.com/edgar-allan-poe/">Edgar Allan Poe</a> and <a href="http://www.poemhunter.com/emily- dickinson/">Emily Dickinson</a>, drawn to both the musical appeal of their poetry and the idea that they led solitary lives. The allure of the language spoke to what he describes as the homogeneous feel of his hometown, Pawtucket, Rhode Island. He has also described himself as an introvert during his childhood. Kinnell studied at Princeton University, graduating in 1948 alongside friend and fellow poet <a href="http://www.poemhunter.com/william-stanley- merwin/">W.S. Merwin</a>. He received his master of arts degree from the University of Rochester. He traveled extensively in Europe and the Middle East, and went to Paris on a Fulbright Fellowship. During the 1960s, the Civil Rights Movement in the United States caught his attention. Upon returning to the US, he joined CORE (Congress of Racial Equality) and worked on voter registration and workplace integration in Hammond, Louisiana. -
Modern Poetry Seminar “Shifting Poetics: from High Modernism to Eco-Poetics to Black Lives Matter”
San José State University Department of English and Comparative Literature ENGLISH 211: Modern Poetry Seminar “Shifting Poetics: From High Modernism to Eco-Poetics to Black Lives Matter” Spring 2021 Instructor: Prof. Alan Soldofsky Office Location: FO 106 Telephone: 408-924-4432 Email: [email protected] Virtual Office Hours: M, W 3:00 – 4:30 PM, and Th p.m. by appointment Class Days/Time: Synchronous Zoom Meetings M 7:00 – 8:30 PM; Asynchronous on Canvas (24/7) Classroom: Zoom Credit Units: 4 Credits Course Description This seminar is designed to engage students in an immersive study of salient themes and innovations in selected poets from the 20th and 21st centuries. The curriculum will include practice in close reading/explication of selected poems. The course will be taught in a partially synchronous distance learning mode, using SJSU’s Canvas and Zoom platforms, with weekly Monday Zoom class meetings, 7:00 – 8:15 p.m. The course may be taken two times for credit (toward an MA or MFA degree). Thematic Focus Shifting Cultural Politics and Poetics from High Modernism to Eco-Poetics to Black Lives Matter (1909 – 2021) The emphasis during the semester will be on the evolving poetics and associated cultural politics as viewed through various aesthetic movements in poetry from the high modernist period to the present. During the semester the curriculum will include reading one or more poems (online) by the following poets: W.B. Yeats, Ezra Pound, T.S. Eliot, William Carlos Williams, Wallace Stevens, Hart Crane, Marianne Moore, Robinson Jeffers, Langston Hughes, Claude McKay, H. -
Lion King Playbill
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Librarian of Congress Appoints UNH Professor Emeritus Charles Simic Poet Laureate
University of New Hampshire University of New Hampshire Scholars' Repository Media Relations UNH Publications and Documents 8-2-2007 Librarian Of Congress Appoints UNH Professor Emeritus Charles Simic Poet Laureate Erika Mantz UNH Media Relations Follow this and additional works at: https://scholars.unh.edu/news Recommended Citation Mantz, Erika, "Librarian Of Congress Appoints UNH Professor Emeritus Charles Simic Poet Laureate" (2007). UNH Today. 850. https://scholars.unh.edu/news/850 This News Article is brought to you for free and open access by the UNH Publications and Documents at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Media Relations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. Librarian Of Congress Appoints UNH Professor Emeritus Charles Simic Poet Laureate 9/11/17, 1250 PM Librarian Of Congress Appoints UNH Professor Emeritus Charles Simic Poet Laureate Contact: Erika Mantz 603-862-1567 UNH Media Relations August 2, 2007 Librarian of Congress James H. Billington has announced the appointment of Charles Simic to be the Library’s 15th Poet Laureate Consultant in Poetry. Simic will take up his duties in the fall, opening the Library’s annual literary series on Oct. 17 with a reading of his work. He also will be a featured speaker at the Library of Congress National Book Festival in the Poetry pavilion on Saturday, Sept. 29, on the National Mall in Washington, D.C. Simic succeeds Donald Hall as Poet Laureate and joins a long line of distinguished poets who have served in the position, including most recently Ted Kooser, Louise Glück, Billy Collins, Stanley Kunitz, Robert Pinsky, Robert Hass and Rita Dove. -
Howard Nemerov's War Poetry
Diederik Oostdijk Debunking ‘The Good War’ Myth: Howard Nemerov’s War Poetry This essay offers the most comprehensive analysis to date of Howard Nemerov’s war poetry. Nemerov (1920–1991) was a fighter pilot of the Royal Air Force and the U.S. Air Force during World War II and became one the most prolific American poets of that war. Whereas his early poems about World War II tend to be impersonal and dense, his later war poems, especially those in War Stories (1987) are more autobiographical and lyri- cal. Throughout his career Nemerov resisted the idea that World War II had been a ‘Good War’ and all of his poems are testimony to his traumatic experiences as a fighter pilot. “Poetry is a way of getting something right in language” Howard Nemerov, “On the Measure of Poetry” Of all the American poets who were involved in and emerged after World War II, Howard Nemerov (1920–1991) tried to debunk ‘The Good War’ myth most consistently and assertively.1 Nemerov published over twenty-five volumes of poetry, won the Pulitzer Prize and the National Book Award, was poetry con- sultant at the Library of Congress, and was awarded the National Medal of the Arts in 1987, the highest distinction the American government can bestow on its artists. Despite all the prizes and awards given to him during his lifetime, Nemerov was quickly forgotten by literary historians after his death, partly because of his reputation as an opaque and intellectual poet and partly because his life was less controversial than that of some of his contemporaries, for instance James Dickey and Robert Lowell. -
Galway Kinnell: Adamic Poet and Deep Imagist. Leo Luke Marcello Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1976 Galway Kinnell: Adamic Poet and Deep Imagist. Leo Luke Marcello Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Marcello, Leo Luke, "Galway Kinnell: Adamic Poet and Deep Imagist." (1976). LSU Historical Dissertations and Theses. 2930. https://digitalcommons.lsu.edu/gradschool_disstheses/2930 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1.The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. -
September 2003 Updrafts
Chaparral from the California Federation of Chaparral Poets, Inc. serving Californiaupdr poets for over 60 yearsaftsVolume 64, No. 5 • September, 2003 President James Shuman, PSJ Louise Glück appointed new Poet Laureate First Vice President Librarian of Congress James H. Billington has announced the appointment of Louise Jeremy Shuman, PSJ Glück as the country’s12th Poet Laureate Consultant in Poetry. She will take up her duties Second Vice President in the fall, opening the Library’s annual literary series on October 21 with a reading of her Katharine Wilson, RF work. Glück succeeds Robert Penn Warren, Richard Wilbur, Howard Nemerov, Mark Strand, Third Vice President Pegasus Buchanan, Tw Joseph Brodsky, Mona Van Duyn, Rita Dove, Robert Hass, Robert Pinsky, Stanley Kunitz Fourth Vice President and Billy Collins. Eric Donald, Or The literary series will continue on October 22 Treasurer with a Favorite Poem reading featuring Frank Bidart Meadowlands (1996); The Wild Iris (1992), which re- Ursula Gibson, Tw and former Poet Laureate Robert Pinsky. In addition ceived the Pulitzer Prize and the Poetry Society of Recording Secretary to programming the new reading series, Glück will America’s William Carlos Williams Award; Ararat Lee Collins, Tw participate in events in February and again in May at (1990), which received the Library of Congress’s Corresponding Secretary the Library of Congress. On making the appointment, Rebekah Johnson Bobbitt National Prize for Poetry; Dorothy Marshall, Tw the Librarian said, “Louise Glück will bring to the and The Triumph of Achilles (1985), which received Members-at-Large Chair Library of Congress a strong, vivid, deep poetic the National Book Critics Circle Award, the Boston Frances Yordan, FG voice, accomplished in a series of book-length po- Globe Literary Press Award, and the Poetry Society etic cycles. -
The War in the Air: Post-War Memory in the Poetry of Howard Nemerov and Richard Hugo Michael Sarnowski
The War in the Air: Post-War Memory in the Poetry of Howard Nemerov and Richard Hugo Michael Sarnowski He watched the sky and thought of all the fires the world had ever seen, fires from wars, fires from bombs. So much smoke. Where has it all gone? New smoke curled beneath wisps of old, drifting ever higher, higher. Where does it all go? He inhaled deeply and his insides burned, and Vernon knew all that smoke was now just the air we breathe. —Alan Heathcock, “Smoke,” Volt: Stories he title “The War in the Air” comes from Howard Nemerov's 1977 poem of the same name, and this paper focuses on the pervasiveness of war memory in the poetry of T two members of the U.S. Army Air Forces who served in World War II, Howard Nemerov and Richard Hugo. Neither Nemerov nor Hugo began publishing poetry until after the conclusion of their armed service, and the war did not feature as a prominent topic until later in their writing careers. For Hugo, 24 years had passed since the war before his 1969 collection Good Luck In Cracked Italian was published, poems in which Hugo negotiates his memories of the war with a return visit to the sites of the Mediterranean theater where he flew combat missions for the 825th Squadron. Though Nemerov had written poems on subjects such as service, suffering, and the universality of war in each of his poetry collections, it wasn’t until 1987’s War Stories that a collection of his was thematically driven by both war experience and contemplation of the impulses that return humans to war. -
UC Creative Writing Newsletter
Spring 2017 DIRECTOR’S NOTE BY LEAH STEWART CREATIVE This is my last note as director, as Rebecca Lindenberg will take over that position in the fall. We’re delighted that Rebecca, who joined us two years ago as a visiting assistant WRITING professor in poetry, will also become a permanent member of the faculty. Michael Griffith will be taking a well-deserved sabbatical after his five years as Director of Graduate Studies, CONTENTS and as of the fall I'll be department head. I've enjoyed DEPARTMENT NEWS directing the program, particularly curricular development; FACULTY NEWS we've just changed our Creative Writing major to a multi- ALUMNI NEWS genre approach, after years of requiring students to select a STUDENT NEWS genre. This has allowed us to create innovative classes like INCOMING STUDENTS Creative Writing and Research, Hybrid Forms, Comic Poetry and Prose, and so on, which we're looking forward to teaching—and inviting graduate students to teach—next year and beyond. In other news, it's been a pleasure to welcome Lisa Ampleman, a poet who graduated from our program in 2013, back to the department in her new capacity as managing editor of The Cincinnati Review. Nicola Mason's new venture, Acre Books, released its first publication, A Very Angry Baby, an anthology that includes work by Brock Clarke, Andrew Hudgins, and Julianna Baggott. Back in February, Cincinnati www.artsci.uc.edu/creativewriting Magazine wrote an article about our program, which you can read here. If you haven't yet taken a look at the Elliston Project—an audio archive of more than 700 recorded readings and lectures given at UC since 1951—you can do so here. -
Two Journeys
PHILIP LEVINE TWO JOURNEYS Is. what follows a fiction by Balzac? It would seem unlikely, for there is no one standing out in the dark on a rain-swept night as a carriage pulled by six gray horses splashes down the Boulevard Raspail on the way to the apartment of that singularly beautiful woman, Madame La Pointe, although it does involve a beautiful and singularly gifted woman. Is it a fiction at all? That is a harder question to deal with. If Norman Mailer had written it and its central character were a novelist living in Brooklyn, the author of an astOnishingly successful first book called The Naked and the Dead, a man deeply immersed in an ongoing depiction of the CIA, he would describe it as a fiction, and he would most likely name the central character Norman Mailer. One of my central characters is named Philip Levine, he is a poet from Detroit, he lives mainly in Fresno, California, where he has an awful job teaching too many courses in freshman comp at the local col lege, and on this particular summer day he is traveling with two fellow poets by train to give a reading almost no one will attend. It is twenty years ago, he is in his fiftieth year, as I was then, and though I cannot call it a fiction, I will begin now to fictionalize this tale. I will say the local railway has a reputation for first-rate service, they are never more than a few minutes late even in the worst weather, and on this day the weather is a delight: blue sky with a few puffy clouds overhead as the poets head for the provincial town where their reading, though almost entirely unadvertised, will become the event of that summer's cultural history, a history that wiII never be written except for the present effort, which The Hopwood Lecture, 1997 393 394 MICHIGAN QUARTERLY REVIEW since it may be a fiction may not be a history at all.