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Facts and Figures 2020 ZDF German Television | Facts and Figures 2020
Facts and Figures 2020 ZDF German Television | Facts and Figures 2020 Facts about ZDF ZDF (Zweites Deutsches Fern German channels PHOENIX and sehen) is Germany’s national KiKA, and the European chan public television. It is run as an nels 3sat and ARTE. independent nonprofit corpo ration under the authority of The corporation has a permanent the Länder, the sixteen states staff of 3,600 plus a similar number that constitute the Federal of freelancers. Since March 2012, Republic of Germany. ZDF has been headed by Direc torGeneral Thomas Bellut. He The nationwide channel ZDF was elected by the 60member has been broadcasting since governing body, the ZDF Tele 1st April 1963 and remains one vision Council, which represents of the country’s leading sources the interests of the general pub of information. Today, ZDF lic. Part of its role is to establish also operates the two thematic and monitor programme stand channels ZDFneo and ZDFinfo. ards. Responsibility for corporate In partnership with other pub guide lines and budget control lic media, ZDF jointly operates lies with the 14member ZDF the internetonly offer funk, the Administrative Council. ZDF’s head office in Mainz near Frankfurt on the Main with its studio complex including the digital news studio and facilities for live events. Seite 2 ZDF German Television | Facts and Figures 2020 Facts about ZDF ZDF is based in Mainz, but also ZDF offers fullrange generalist maintains permanent bureaus in programming with a mix of the 16 Länder capitals as well information, education, arts, as special editorial and production entertainment and sports. -
COMMISSION CF the EUROPEAN Communitle'
COMMISSION CF THE EUROPEAN COMMUNITlE' COM(84) 300 fihal BrusseLs, 14th June 1984 TELEVISION WITHOUT FRONTIERS GREEN PAPER ON THE ESTABLISHMENT OF THE COMMON MARKET FOR BROADCASTING, ESPECIALLY BY SATELLITE AND CABLE (Communi cation from the Commission to the Counci Part Five Pages 105-208 COM(84) 300 finaL " . " . - 105 - PART FIVE FREEDOM TO PROVIDE SERVICES Free movement in broadcasting Services " (Paragraphs 1 and 2 of ArticLe 60) The EEC Treaty does not just cover goods but aLso services. devotes a whoLe chapter , Chapter 3 , to " Services , from ArticLe 59 to 66 of Part Two of the Treaty entitled " Foundations of the Community Paragraph 1 of Arti cLe 60 of the Treaty defines the concept of services " as follows: "services shaLL be considered to be services " within the meaning of the Treaty where they are normaLLy provided for remuneration , in so far as they are not governed by the provisions reLating to freedom of movement of goods and pe rsons , capitaL Two questions have to be answered in the Light of this definition; is broadcast i ng a good or a servi ce? I f it is a servi ce a service provided for remuneration? , is it Good or servi ce? In the Sacchi case, the Latter argued 1 that a television signal was a good , both as a form of energy (simi Lar to electrical energy) and as the product of inteLLectuaL activity (intangible It had monetary vaLue and couLd be the object of trade.asset). of advertisements was an accessory to the broadcast productsTransmission and promoted their marketing. -
BRING YOUR “A” GAME to VIDEO GAME LOCALIZATION a Publication of the American Translators Association Best Solution to This Problem
The Voice of Interpreters and Translators THE ATA Mar/Apr 2020 Volume XLIX Number 2 BRING YOUR “A” GAME TO VIDEO GAME LOCALIZATION A Publication of the American Translators Association best solution to this problem. A victory American Translators Association in California will greatly facilitate 225 Reinekers Lane, Suite 590 obtaining similar exemptions in other Alexandria, VA 22314 USA states that pass strict versions of the Tel:Tel: +1-703-683-6100+1.703.683.6100 ABC Test. Fax:Fax: +1-703-683-6122+1.703.683.6122 Through its membership in the Email: [email protected] 5 Professional Certication Coalition , Website: www.atanet.org FROM THE PRESIDENT ATA is also monitoring state legislation TED R. WOZNIAK regarding voluntary certication programs Editorial Board [email protected] to ensure that they do not negatively Paula Arturo impact ATA’s Certication Program. Lois Feuerle Geoff Koby (chair) CorinneMary McKee McKay 2020 is shaping up to be a year TedMary Wozniak McKee in which ATA focuses a great deal JostTed ZetzscheWozniak Advocacy and Jost Zetzsche on state and national legislation Publisher/Executive Director Other Business Publisher/ExecutiveWalter Bacak, CAE Director affecting the translation and [email protected] Bacak, CAE s I conclude the third month of [email protected] my term as president, I nd interpreting professions. Editor A myself spending a lot of time on JeffEditor Sanfacon advocacy efforts. [email protected] Sanfacon 2020 is shaping up to be a year in [email protected] which ATA focuses a great deal on state But not all proposed legislation Advertising and national legislation affecting the has negative consequences for ATA [email protected] translation and interpreting professions. -
Distribution and Pathogenicity of Two Cutthroat Trout Virus (CTV) Genotypes in Canada
viruses Article Distribution and Pathogenicity of Two Cutthroat Trout Virus (CTV) Genotypes in Canada Amy Long 1 , Francis LeBlanc 2, Jean-René Arseneau 2, Nellie Gagne 2, Katja Einer-Jensen 3, Jan Lovy 4, Mark Polinski 1 , Simon Jones 1 and Kyle A Garver 1,* 1 Pacific Biological Station, Fisheries and Oceans Canada, Nanaimo, BC V9T 6N7, Canada; [email protected] (A.L.); [email protected] (M.P.); [email protected] (S.J.) 2 Gulf Fisheries Centre, Fisheries and Oceans Canada, Moncton, NB E1C 5K4, Canada; [email protected] (F.L.); [email protected] (J.-R.A.); [email protected] (N.G.) 3 Qiagen, 8000 Aarhus, Denmark; [email protected] 4 New Jersey Division of Fish and Wildlife, Office of Fish & Wildlife Health & Forensics, Oxford, NJ 07863, USA; [email protected] * Correspondence: [email protected] Abstract: The sole member of the Piscihepevirus genus (family Hepeviridae) is cutthroat trout virus (CTV) but recent metatranscriptomic studies have identified numerous fish hepevirus sequences including CTV-2. In the current study, viruses with sequences resembling both CTV and CTV-2 were isolated from salmonids in eastern and western Canada. Phylogenetic analysis of eight full genomes delineated the Canadian CTV isolates into two genotypes (CTV-1 and CTV-2) within the Piscihepevirus genus. Hepevirus genomes typically have three open reading frames but an ORF3 counterpart was not predicted in the Canadian CTV isolates. In vitro replication of a CTV-2 isolate Citation: Long, A.; LeBlanc, F.; produced cytopathic effects in the CHSE-214 cell line with similar amplification efficiency as CTV. -
Diversity and Inclusion in the European Audiovisual Sector European Audiovisual Observatory, Strasbourg, 2021 ISSN 2079-1062 ISBN 978-92-871-9054-3 (Print Version)
Diversity and inclusion in the European audiovisual sector IRIS Plus IRIS Plus 2021-1 Diversity and inclusion in the European audiovisual sector European Audiovisual Observatory, Strasbourg, 2021 ISSN 2079-1062 ISBN 978-92-871-9054-3 (Print version) Director of publication – Susanne Nikoltchev, Executive Director Editorial supervision – Maja Cappello, Head of Department for Legal Information Editorial team – Francisco Javier Cabrera Blázquez, Julio Talavera Milla, Sophie Valais Research assistant - Léa Chochon European Audiovisual Observatory Authors (in alphabetical order) Francisco Javier Cabrera Blázquez, Maja Cappello, Julio Talavera Milla, Sophie Valais Translation Marco Polo Sarl, Sonja Schmidt Proofreading Jackie McLelland, Johanna Fell, Catherine Koleda Editorial assistant – Sabine Bouajaja Press and Public Relations – Alison Hindhaugh, [email protected] European Audiovisual Observatory Publisher European Audiovisual Observatory 76, allée de la Robertsau, 67000 Strasbourg, France Tel.: +33 (0)3 90 21 60 00 Fax: +33 (0)3 90 21 60 19 [email protected] www.obs.coe.int Cover layout – ALTRAN, France Please quote this publication as Cabrera Blázquez F.J., Cappello M., Talavera Milla J., Valais S., Diversity and inclusion in the European audiovisual sector, IRIS Plus, European Audiovisual Observatory, Strasbourg, April 2021 © European Audiovisual Observatory (Council of Europe), Strasbourg, 2021 Opinions expressed in this publication are personal and do not necessarily represent the views of the Observatory, its members or the Council of Europe. Diversity and inclusion in the European audiovisual sector Francisco Javier Cabrera Blázquez, Maja Cappello, Julio Talavera Milla, Sophie Valais Foreword Let me tell you a few stories about extraordinary people. Artemisia Gentileschi was a seventeenth century painter, and quite a talented one at that. -
Bericht Des Intendanten Juni Bis September 2017 PROGRAMM Dlf
Bericht des Intendanten Juni bis September 2017 PROGRAMM Dlf Audiothek Einen großen Schritt vorwärts haben die Bereiche IT und Online in den vergangenen Monaten gemacht. Mit großem Erfolg und bester Resonanz haben sie am 15. August die neue Dlf Audiothek in die App-„Stores“ gebracht. Die App bietet nicht nur einen Livestream von Deutschlandfunk, Deutschlandfunk Kultur und Deutschlandfunk Nova, sondern Zugriff auf nahezu alle Audioinhalte der letzten sechs Monate. Die App kann sich jede und jeder individuell passend einstellen: Mit der Funktion „Mein Radio“ können sich die User App ihr eigenes Radioprogramm zusammenstellen. Die Dlf Audiothek ergänzt die Nachrichten-App Dlf24, die aktuelle Informationen bündelt und dafür auch einen Push-Mitteilungsdienst bietet. Der Menüpunkt „Entdecken“ eröffnet fünf zentrale Themenbereiche mit empfohlenen Beiträgen der Redaktion. Unter „Mein Radio“ können User nach Themen oder Sendungen auswählen, Beiträge mit Freunden teilen oder zu ihrer persönlichen Sammlung hinzufügen und anschließend die erstellte Playlist abspielen. Darüber hinaus steht die von den Deutschlandradio-Webseiten bekannte Suchfunktion zur Verfügung. „eins:30“ - neues Trailer-Format im Deutschlandfunk Eine sehr innovative Idee steuert in diesen Tagen auch die Trailer-Redaktion des Deutschlandfunks zum Programm bei. Sie hat mit „eins:30“ ein neues Trailer-Format entwickelt. In 90 Sekunden erlauben die Trailer Einblicke in die Hintergründe von Radioproduktionen. Sie geben Antworten auf Fragen wie diese: Wie recherchiert man in einem Krisengebiet wie der Ukraine? Welche Idee steckt hinter der Reihe „Hörerwelten“? Wie entsteht eine Konzertreihe wie „Grundton D“? Hinter vielen Sendungen des Deutschlandfunks steckt eine eigene Geschichte. In „eins:30“ erzählen Radiomenschen von einer ausgewählten Sendung – warum sie gerade dieses Thema wichtig finden, wie sie recherchiert, Gesprächspartner gefunden und Stimmungen aufgespürt haben. -
An Post Tv Licence Online
An Post Tv Licence Online Purposive and twilit Spense never overseen sidewards when Dwight reformulate his bicameralist. Diffusive Gasper festers untiringly while Jean-Pierre always nets his galliwasps dynamize in-house, he bullied so apostolically. Dylan remains know-nothing: she Indianizing her singularity aluminized too nowise? The full time television licence ireland will receive a tv licence either an post tv licence so Online programmes on the enquiry officer usually a hotel in some addresses. I've moved or improve no accident watch TV at my address How do I cancel my licence You we cancel our licence for you away longer. Best and worst shops Supermarkets Black Friday Online shopping Boxing Day and January sales. And postcode to improve your electricity provider is currently being directional, especially given off by post licence ireland will get prosecuted if you enjoy your faux fur really gonna have? Paying by post in direct debit there does a chin of options for this flush help. Scammers will continue to you receiving equipment and the tv online bills and programmes. If you don't have such licence and you whoever is of watching TV when an Enquiry. Cost Of Paying Tv Licence Monthly Squarespace. An Post blasts Facebook for hosting group with advice on. A TV licence should be purchased online at wwwtvlicenceie using MasterCard or. Yes rather who downloads or watches BBC programmes on demand including catch up TV on iPlayer must be covered by a TV Licence You also need but be covered by a TV Licence so watch or join live TV programmes on any channel including on iPlayer This applies to any device you use. -
Select Committee of Tynwald on the Television Licence Fee Report 2010/11
PP108/11 SELECT COMMITTEE OF TYNWALD ON THE TELEVISION LICENCE FEE REPORT 2010/11 REPORT OF THE SELECT COMMITTEE OF TYNWALD ON THE TELEVISION LICENCE FEE At the sitting of Tynwald Court on 18th November 2009 it was resolved - "That Tynwald appoints a Committee of three Members with powers to take written and oral evidence pursuant to sections 3 and 4 of the Tynwald Proceedings Act 1876, as amended, to investigate the feasibility and impact of withdrawal from or amendment of the agreement under which residents of the Isle of Man pay a television licence fee; and to report." The powers, privileges and immunities relating to the work of a committee of Tynwald are those conferred by sections 3 and 4 of the Tynwald Proceedings Act 1876, sections 1 to 4 of the Privileges of Tynwald (Publications) Act 1973 and sections 2 to 4 of the Tynwald Proceedings Act 1984. Mr G D Cregeen MHK (Malew & Santon) (Chairman) Mr D A Callister MLC Hon P A Gawne MHK (Rushen) Copies of this Report may be obtained from the Tynwald Library, Legislative Buildings, Finch Road, Douglas IM7 3PW (Tel 07624 685520, Fax 01624 685522) or may be consulted at www, ,tynwald.orgim All correspondence with regard to this Report should be addressed to the Clerk of Tynwald, Legislative Buildings, Finch Road, Douglas IMI 3PW TABLE OF CONTENTS 1. Introduction 1 2. The broadcasting landscape in the Isle of Man 4 Historical background 4 Legal framework 5 The requirement to pay the licence fee 5 Whether the licence fee is a UK tax 6 Licence fee collection and enforcement 7 Infrastructure for terrestrial broadcasting 10 Television 10 Radio: limitations of analogue transmission capability and extent of DAB coverage 13 3. -
4-Student-Notes-Media-Industries U2
Media Studies - TV Student Notes Media Industries You will need to consider: • how processes of production, distribution and circulation by organisations, groups and individuals in a global context • the specialised and institutionalised nature of media production, distribution and circulation • the significance of patterns of ownership and control, including conglomerate ownership, vertical integration and diversification • the significance of economic factors, including commercial and not-for-profit public funding, to media industries and their products • how media organisations maintain, including through marketing, varieties of audiences nationally and globally • the regulatory framework of contemporary media in the UK • how processes of production, distribution and circulation shape media products • the role of regulation in global production, distribution and circulation This should be linked where relevant to • social, • cultural, • economic, • political, • historical contexts. • the significance of different ownership and/or funding models in the television industry (i.e. whether media companies are privately or publicly owned, whether they are publicly or commercially funded etc.) • the growing importance of co-productions (including international co-productions) in the television industry today the way in which production values are shaped by economic factors • the impact of risk aversion on television production (e.g. in terms of the commissioning and financing of programmes) • the different sources of funding available to producers working in the television industry today Media Studies - TV 1 Media Studies - TV Student Notes The Bridge (iii/1) • ‘Bron/Broen/ The Bridge’: a Swedish/Danish co-production • Series 3, Episode 1 • Sat 21 Nov 2015 9pm BBC Four • Written by Hans Rosenfeldt • Original Network : SVT1 Sweden • DR1 Denmark • UK Broadcasters: BBC 4 • 3 seasons, 30 episodes • Production of series four has begun, with broadcasting scheduled for the spring of 2018. -
A Mapping of Translation in the Euro-Mediterranean Region
A MAPPING OF TRANSLATION IN THE EURO-MEDITERRANEAN REGION PARTNERS Banipal, London ÇEVBIR, Istanbul European Council of Literary Translators’ Association (CEATL), Brussels Escuela de Traductores de Toledo, Toledo King Abdul-Aziz Foundation, Casablanca Next Page Foundation, Sofia Goethe Institut, Cairo Index Translationum (UNESCO) Institut du monde arabe, Paris Institut français du Proche-Orient, Damascus, Beirut, Amman, Ramallah Institute for research and studies in the Arab and Islamic World (IREMAM/MMSH), Aix-en-Provence Literature Across frontiers, Manchester Swedish Institute Alexandria, Alexandria Università degli studi di Napoli l’Orientale, Naples Saint-Joseph University, Beirut SUPPORT The mapping project was accomplished with the support of: the Anna Lindh Euro-Mediterranean Foundation for the Dialogue between Cultures, the French Ministry of Culture and Communication as well as the Conseil régional d’Ile de France the Institut français This document is also available in French and Arabic A MApping of TrAnslATion in The euro-MediTerrAneAn region A project carried out by Transeuropéennes and the Anna Lindh Euro-Mediterranean Foundation for the Dialogue between Cultures Conclusions and Recommendations Final overview and compilation: Ghislaine Glasson Deschaumes Editing team: Anaïs-Trissa Khatchadourian The present conclusions and recommendations are the fruit of a collective effort over a number of months. They have benefited from the enlightening advice and attentive readings of Yana Genova, Richard Jacquemond, Mohamed-Sghir Janjar, Elisabeth Longuenesse, Franck Mermier and Hakan Özkan. The quantitative overviews were produced with the help of Sophie Brones Translated from French into English by Andrew Goffey Direction of the project: Ghislaine Glasson Deschaumes (Transeuropéennes) and Gemma Aubarell (Fondation Anna Lindh) Coordination: Anaïs-Trissa Khatchadourian, with the participation of Virginia Pisano (Transeuropéennes) and Chaymaa Ramzy (Fondation Anna Lindh). -
EN 301 775 V1.1.1 (2000-07) European Standard (Telecommunications Series)
Draft ETSI EN 301 775 V1.1.1 (2000-07) European Standard (Telecommunications series) Digital Video Broadcasting (DVB); Specification for the carriage of Vertical Blanking Information (VBI) data in DVB bitstreams European Broadcasting Union Union Européenne de Radio-Télévision EBU·UER 2 Draft ETSI EN 301 775 V1.1.1 (2000-07) Reference DEN/JTC-DVB-106 Keywords broadcasting, digital, DVB, SNG, TV, video ETSI 650 Route des Lucioles F-06921 Sophia Antipolis Cedex - FRANCE Tel.:+33492944200 Fax:+33493654716 Siret N° 348 623 562 00017 - NAF 742 C Association à but non lucratif enregistrée à la Sous-Préfecture de Grasse (06) N° 7803/88 Important notice Individual copies of the present document can be downloaded from: http://www.etsi.org The present document may be made available in more than one electronic version or in print. In any case of existing or perceived difference in contents between such versions, the reference version is the Portable Document Format (PDF). In case of dispute, the reference shall be the printing on ETSI printers of the PDF version kept on a specific network drive within ETSI Secretariat. Users of the present document should be aware that the document may be subject to revision or change of status. Information on the current status of this and other ETSI documents is available at http://www.etsi.org/tb/status/ If you find errors in the present document, send your comment to: [email protected] Copyright Notification No part may be reproduced except as authorized by written permission. The copyright and the foregoing restriction extend to reproduction in all media. -
TR 102 376 V1.1.1 (2005-02) Technical Report
ETSI TR 102 376 V1.1.1 (2005-02) Technical Report Digital Video Broadcasting (DVB) User guidelines for the second generation system for Broadcasting, Interactive Services, News Gathering and other broadband satellite applications (DVB-S2) European Broadcasting Union Union Européenne de Radio-Télévision EBU·UER 2 ETSI TR 102 376 V1.1.1 (2005-02) Reference DTR/JTC-DVB-166 Keywords broadband, broadcasting, digital, satellite, TV, video ETSI 650 Route des Lucioles F-06921 Sophia Antipolis Cedex - FRANCE Tel.: +33 4 92 94 42 00 Fax: +33 4 93 65 47 16 Siret N° 348 623 562 00017 - NAF 742 C Association à but non lucratif enregistrée à la Sous-Préfecture de Grasse (06) N° 7803/88 Important notice Individual copies of the present document can be downloaded from: http://www.etsi.org The present document may be made available in more than one electronic version or in print. In any case of existing or perceived difference in contents between such versions, the reference version is the Portable Document Format (PDF). In case of dispute, the reference shall be the printing on ETSI printers of the PDF version kept on a specific network drive within ETSI Secretariat. Users of the present document should be aware that the document may be subject to revision or change of status. Information on the current status of this and other ETSI documents is available at http://portal.etsi.org/tb/status/status.asp If you find errors in the present document, please send your comment to one of the following services: http://portal.etsi.org/chaircor/ETSI_support.asp Copyright Notification No part may be reproduced except as authorized by written permission.