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TOWN & COUNTRY DN Britain's Prince William, Duke of Cambridge (R) talks to Rolling Stones member Ronnie Wood Actress Tamannaah Bhatia looks on during and partner Sally Humphreys at 'The Tusk Rhino Trail' celebration at Kensington Palace a promotional event in Bangalore I O N A H B S L A E F GLOBE British actress Natascha McElhone and actor Sean Penn arrive for the premiere of Hulu original drama series ”The First” at the California Science Center in Los Angeles, California. Flor Ferrera poses for a street style por- trait during New York Fashion Week: The Shows at Spring Stu- dios in New York British actress Risabae is seen on the Natascha McEl- street during New York hone arrives for Fashion Week in New York. the premiere of Hulu original Janelle Lloyd is drama series seen wearing a ”The First”, at green Sandro Dress Japanese Princess Akiko visits the Anitkabir, the the California and white boots on mausoleum of Turkish Republic's founder Musta- Science Center the street during fa Kemal Ataturk, during her visit to Ankara in Los Angeles, New York Fashion California. Week in New York Australian actress Melissa George arrives for the US actress Oliv- premiere of Hulu ia Munn arrives original drama for a special series ”The First”, screening of at the California ”The Predator” Science Center in Actresses Vanessa Redgrave and her daughter Joely Rich- at the Egyptian Los Angeles, Cali- ardson leave from Westminster Abbey in central London, Theatre in Hol- Camila Coelho seen wearing Coach in the streets of Man- fornia. after attending a service of thanksgiving for the late Eng- lywood. hattan during the New York Fashion Week in New York lish theatre, opera and film director, Peter Hall..

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Saturday, February 29, 2020 Sheraton Albuquerque Uptown
THE AMERICAN ADVERTISING AWARDS NEW MEXICO Saturday, February 29, 2020 Sheraton Albuquerque Uptown American Advertising Federation New Mexico | American Advertising Awards 2020 | View winners on YOUTUBE: AAFNM 2020 ADDYS 1 GRACIOUS THANK YOU TO 2600 Louisiana Blvd NE Albuquerque, NM 87110 PRESIDENT’S MESSAGE The American Advertising Awards committee is always challenged with developing a theme for the show. There’s a few that almost all clubs have run through – a specific decade, masquerade, circus,Mad Men, The Wizard of Oz, etc. This year’s committee got double dipped. How do you pick an amazing theme while honoring the past, celebrating the club’s 60th anniversary? Inspired by the year 2020, this year’s theme centers around hindsight. See what we did there? The adage that hindsight is 2020 may be cliché, but it’s true. We’re gathered here tonight because we have consistently learned from and have been inspired by those that came before us. Our former leaders had a vision for this club, this community, this industry that have led us this far. We continually learn from great leaders, tremendous local agencies, brilliant marketing minds and clever creative innovators. AAF New Mexico thrives by connecting the past to the future with programs that honor past Silver Medal winners, professionals currently in the field and students just starting their journey. We’re thrilled to recognize the achievement of our collective history while we celebrate another great year of outstanding creative work. May the individuals and work showcased here tonight be celebrated in another 60 years! Cheers, Elizabeth Also, a special thank you to our sponsors.
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The Premiere Fund Slate for MIFF 2021 Comprises the Following
The MIFF Premiere Fund provides minority co-financing to new Australian quality narrative-drama and documentary feature films that then premiere at the Melbourne International Film Festival (MIFF). Seeking out Stories That Need Telling, the the Premiere Fund deepens MIFF’s relationship with filmmaking talent and builds a pipeline of quality Australian content for MIFF. Launched at MIFF 2007, the Premiere Fund has committed to more than 70 projects. Under the charge of MIFF Chair Claire Dobbin, the Premiere Fund Executive Producer is Mark Woods, former CEO of Screen Ireland and Ausfilm and Showtime Australia Head of Content Investment & International Acquisitions. Woods has co-invested in and Executive Produced many quality films, including Rabbit Proof Fence, Japanese Story, Somersault, Breakfast on Pluto, Cannes Palme d’Or winner Wind that Shakes the Barley, and Oscar-winning Six Shooter. ➢ The Premiere Fund slate for MIFF 2021 comprises the following: • ABLAZE: A meditation on family, culture and memory, indigenous Melbourne opera singer Tiriki Onus investigates whether a 70- year old silent film was in fact made by his grandfather – civil rights leader Bill Onus. From director Alex Morgan (Hunt Angels) and producer Tom Zubrycki (Exile in Sarajevo). (Distributor: Umbrella) • ANONYMOUS CLUB: An intimate – often first-person – exploration of the successful, yet shy and introverted, 33-year-old queer Australian musician Courtney Barnett. From producers Pip Campey (Bastardy), Samantha Dinning (No Time For Quiet) & director Danny Cohen. (Dist: Film Art Media) • CHEF ANTONIO’S RECIPES FOR REVOLUTION: Continuing their series of food-related social-issue feature documentaries, director Trevor Graham (Make Hummus Not War) and producer Lisa Wang (Monsieur Mayonnaise) find a very inclusive Italian restaurant/hotel run predominately by young disabled people.
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Web Version Please Subscribe to the Relative Times For
Volume XVI Number 2 November/December 2004 Inside: Fast Forward, Part 3 Blake’s 7 Spinoffs All I Want for Dalekmas MTL’s 15th Anniversary Celebration And More WEB VERSION PLEASE SUBSCRIBE TO THE RELATIVE TIMES FOR THE FULL VERSION Milwaukee Time The Relative Times Lords Officers Logo Design Published 8 times a year by — Jay Badenhoop, Marti (2004-2005 term) The Milwaukee Time Lords Madsen, Linda Kelly c/o Lloyd Brown President th Contributors (Who to Blame): 2446 N. 69 Street Howard Weintrob . Wauwatosa, WI 53213-1314 Barbara Brown, John Brown, Andy DeGaetano, Debbie Frey, Dean Gustin, Jay Editor: ............. Barbara Brown Harber, Ed Hochman, and Marti Madsen. Vice President Art Editor ............ Marti Madsen Andy DeGaetano . News Editor .......... Mark Hansen And thanks to anyone whose name I may Newsletter Staff: have neglected to include. Treasurer Ellen Brown, Lloyd Brown Julie Fry.................... Secretary Ross Cannizzo............... Sergeant-at-Arms Contents Items in RED not included in web version Dean Gustin................. Meeting Schedule 3 Dalekmas Wishes 14 Chancellory 5 Fast Forward, pt. 3 17 Videos SF Databank 6 Blake’s 7 Spinoffs 24 Dean Gustin................. MTL 15th Anniversary 11 The Gallifrey Ragsheet 26 Fundraising From Beyond the Vortex Position open Newsletter Back to 28 pages again! I can breathe. Our cover is part of a much larger Barbara Brown............... drawing by Jay Harber. He did several versions of the same drawing – this one is of just the background. There are several versions with a rather nude Romana I, which are very good drawings, but which I can’t print in the Events newsletter.
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DANGER CLOSE: the Battle of Long Tan PRODUCTION NOTES
DANGER CLOSE: The Battle of Long Tan PRODUCTION NOTES PUBLICITY REQUESTS: Amy Burgess / National Publicity Manager, Transmission Films 02 8333 9000, [email protected] Images: High res images and poster available to download via the DOWNLOAD MEDIA tab at: https://www.transmissionfilms.com.au/films/danger-close Running Time: 118 mins Distributed in Australia by Transmission Films DANGER CLOSE: The Battle of Long Tan – Production Notes SHORT SYNOPSIS South Vietnam, late afternoon on August 18, 1966 - for three and a half hours, in the pouring rain, amid the mud and shattered trees of a rubber plantation called Long Tan, a dispersed company of 108 young and mostly inexperienced Australian and New Zealand soldiers are fighting for their lives, holding off an overwhelming enemy force of 2,500 battle hardened North Vietnamese soldiers. SYNOPSIS Based on a true story: DANGER CLOSE begins with Major Harry Smith [Travis Fimmel], the strict and highly motivated commander of Delta Company, 6th Battalion, Royal Australian Regiment, on operation in Nui Dat, Phuoc Tuy Province, Vietnam. Delta Company is made up four platoons; 10, 11 and 12 platoons and a Company HQ, a total of 108 men. Harry is a career officer and he has no time to ‘coddle’ or befriend the men in his company. He feels that ‘babysitting’ these young men - half of which are conscripts - is beneath his special forces skills and previous combat experience. But with a point to prove, Harry is keen to show what his men, and importantly, he can do to make the best of a harrowing situation.
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© 2018 Mystery Road Media Pty Ltd, Australian Broadcasting Corporation, Create NSW, Screenwest (Australia) Ltd, Screen Australia
© 2018 Mystery Road Media Pty Ltd, Australian Broadcasting Corporation, Create NSW, Screenwest (Australia) Ltd, Screen Australia SUNDAYS AT 8.30PM FROM JUNE 3, OR BINGE FULL SEASON ON IVIEW Hotly anticipated six-part drama Mystery Road will debut on ABC & ABC iview on Sunday, 3 June at 830pm. Because just one episode will leave audiences wanting for more, the ABC is kicking off its premiere with a special back-to-back screening of both episodes one and two, with the entire series available to binge on iview following the broadcast. Contact: Safia van der Zwan, ABC Publicist, 0283333846 & [email protected] ABOUT THE PRODUCTION Filmed in the East Kimberley region of Western Australia, Aaron Pedersen and Judy Davis star in Mystery Road – The Series a six part spin-off from Ivan Sen’s internationally acclaimed and award winning feature films Mystery Road and Goldstone. Joining Pedersen and Davis is a stellar ensemble casting including Deborah Mailman, Wayne Blair, Anthony Hayes, Ernie Dingo, John Waters, Madeleine Madden, Kris McQuade, Meyne Wyatt, Tasia Zalar and Ningali Lawford-Wolf. Directed by Rachel Perkins, produced by David Jowsey & Greer Simpkin, Mystery Road was script produced by Michaeley O’Brien, and written by Michaeley O’Brien, Steven McGregor, Kodie Bedford & Tim Lee, with Ivan Sen & the ABC’s Sally Riley as Executive Producers. Bunya Productions’ Greer Simpkin said: “It was a great honour to work with our exceptional cast and accomplished director Rachel Perkins on the Mystery Road series. Our hope is that the series will not only be an entertaining and compelling mystery, but will also say something about the Australian identity.” ABC TV Head of Scripted Sally Riley said: “The ABC is thrilled to have the immense talents of the extraordinary Judy Davis and Aaron Pedersen in this brand new series of the iconic Australian film Mystery Road.
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Movie Data Analysis.Pdf
FinalProject 25/08/2018, 930 PM COGS108 Final Project Group Members: Yanyi Wang Ziwen Zeng Lingfei Lu Yuhan Wang Yuqing Deng Introduction and Background Movie revenue is one of the most important measure of good and bad movies. Revenue is also the most important and intuitionistic feedback to producers, directors and actors. Therefore it is worth for us to put effort on analyzing what factors correlate to revenue, so that producers, directors and actors know how to get higher revenue on next movie by focusing on most correlated factors. Our project focuses on anaylzing all kinds of factors that correlated to revenue, for example, genres, elements in the movie, popularity, release month, runtime, vote average, vote count on website and cast etc. After analysis, we can clearly know what are the crucial factors to a movie's revenue and our analysis can be used as a guide for people shooting movies who want to earn higher renveue for their next movie. They can focus on those most correlated factors, for example, shooting specific genre and hire some actors who have higher average revenue. Reasrch Question: Various factors blend together to create a high revenue for movie, but what are the most important aspect contribute to higher revenue? What aspects should people put more effort on and what factors should people focus on when they try to higher the revenue of a movie? http://localhost:8888/nbconvert/html/Desktop/MyProjects/Pr_085/FinalProject.ipynb?download=false Page 1 of 62 FinalProject 25/08/2018, 930 PM Hypothesis: We predict that the following factors contribute the most to movie revenue.
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Download Presskit
THE BUTTERFLY TREE PRESS KIT MELISSA GEORGE EWEN LESLIE ED OXENBOULD SOPHIE LOWE WRITER/DIRECTOR PRISCILLA CAMERON www.butterflytree.film CONTENTS 1 2 LOGLINE CAST 3 4 5 6 ONE CAST SyNOPSIS OUTLINE SHEETS BIOGRAPHIES 7 8 9 10 FILmmAKER’s STILLS PRODUCTION MEDIA BIOGRAPHIES GALLERY NOTES CONTENT 11 12 13 14 SOCIAL NEWS AND TECHNICAL MEDIA REVIEWS INFORMATION CONTACT 1LOGLINE LOGLINE Evelyn, a burlesque queen bewitches single dad, Al and his teenage son, Fin. As they compete for her affections, old wounds are reopened over the death of Fin’s mother. 2CAST CAST EVELYN ...................................Melissa George FIN ............................................ Ed Oxenbould AL ................................................. Ewen Leslie SHELLEY ��Sophie Lowe 3SyNOPSIS SyNOPSIS Evelyn, a burlesque queen, bewitches single dad Al and his teenage son, Fin with her zest for life. When father and son discover they are competing for the affections of the same woman, old wounds are reopened over the death of Fin’s mother. Through the vivacious Evelyn, Fin learns the power of forgiveness and relinquishes his goddess in return for a family. In this seductive and heart-warming story, both men will discover the power of selfless love. 4OUTLINE OUTLINE www.butterflytree.film Thirteen-year-old Fin lives with his father Al, a creative writing teacher Finally, in a man-to-man show down Fin knocks Al unconscious, at his school. Both father and son are grieving the loss of Fin’s mother, which lands him in hospital. Fin returns to Evelyn’s shop, seeking solace, Rose, who committed suicide 3 years earlier. Unable to move on, Al seeks only to discover that Evelyn has gone to hospital for a mastectomy.
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Eric Clapton Celebrates 70Th Birthday by Rocking the Garden
lifestyle SUNDAY, MAY 3, 2015 Features Eric Clapton celebrates 70th birthday by rocking the Garden t was Eric Clapton’s birthday celebration, but it was the BB King, who earlier Friday announced that he is in hospice sold-out crowd at Madison Square Garden that got a gift as care in Las Vegas. Ithe guitar god enthralled during a two-hour concert that For his birthday bash, Clapton brought out a few of his gui- included some of his biggest hits and guest stars including tar-playing friends: Mayer traded frenetic guitar licks with his John Mayer. idol on “Pretending,” while he and Jimmy Vaughan were mas- There was no cake or “Happy Birthday” serenade; in fact, terful together on the electric “Before You Accuse Me.” Derek Clapton started Friday’s concert in typical matter-of-fact fash- Trucks and Doyle Braham also delivered as they joined him on ion, with a brief salutation to the crowd before delving into a “Let It Rain.” They were all great complements to the show, but rollicking version of “Somebody’s Knocking” from JJ Cale. Still, it was Clapton, of course, that kept the audience entranced, the first in Clapton’s two-night stand to mark his 70th (which thrilling with those hands as he performed songs like “I Shot actually happened March 30) was special, if only for Clapton’s the Sheriff,” “Crossroads” and “Layla,” and “Cocaine.” Though legendary guitar play, scorching through songs like “Hoochie Clapton has joked at times about taking a break from touring, Coochie” and “Queen of Spades,” while measured but still stir- Friday’s concert showed that if he did, it would not be due to ring during songs like his acoustic “Tears in Heaven,” which he age: He has not slowed a beat.
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Melissa George Agents Agitateurs 01 47 23 05 46
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A-Z Movies August
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2021 Primetime Emmy® Awards Ballot
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Inside Story
Inside Story insidestory.org.au /on-the-couch/ 27/07/2009 1007 words Books & Arts On the couch Ellie Rennie 27 July 2009 Ellie Rennie reviews In Treatment series one: therapy from start to finish Gabriel Byrne and Melissa George in In Treatment In Treatment Series 1 | Warner | $89.95 AFTER watching In Treatment I’ve concluded that one of the unhealthiest relationships of all is the one between screenwriter and audience. Screenwriters persuade us to adore characters we should hate and make us see ourselves in the most demented scenarios. By season three of The Sopranos I had developed an unforgivable crush on Tony Soprano – murdering, cheating bully that he is – not to mention an insatiable appetite for cannoli. I single out Tony because his complexity and my empathy were achieved through psychoanalysis. What better way to build characters and then brutally rip them apart than by sticking them in therapy? HBO’s most recent gem, In Treatment, is The Sopranos without the mafia and the long title sequence. The series takes place almost entirely inside a psychologist’s home office, each short episode (twenty-five minutes) being one therapy session from start to finish. As in The Sopranos, the shrink in In Treatment is dealing with his own problems: a troubled marriage, uncertain patient–therapist boundaries and a crippling tendency to analyse, rather than relate to, the people he loves. Gabriel Byrne’s performance as Dr Paul Weston is so honest and complex that it leaves you stripped of pretences, attuned to insecurities and reeling at the pitfalls of the human condition.
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