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Star Trek and Religion
Star Trek and Religion: Changing attitudes towards religion Changingin Voyagerattitudes towardsand DS9 religion in Voyager and DS9 Star Trek: Deep Space Nine • Differences between DS9 and other Trek series: – Takes place on space station (repeated contact with different species, not just per- episode contact… deeper cultural understanding? – Religion central to premise, multiple episodes – Regular worship events featured: prayers, temple attendance, meditation, religious hierarchy, etc. Star Trek: Deep Space Nine • Does DS9 as a series respect religion? What factors might indicate that it does respect religion? What factors might indicate it does not? • Were we more open to the spiritual in the late 1990’s then we were in the 1980's (or 1960's), or less so? • Is “respect” another way of saying “patronizing rejection”? Star Trek: Deep Space Nine • Sisko’s “divine parentage”:revealed in Season Seven, Sisko’s mother was human, possessed by Bajoran Prophet – Mother left after Sisko born - mission accomplished! – Sisko is therefore sort-of, in a sci-fi way, of divine parentage - brought to life deliberately by beings worshipped as Gods. – First time ever “gods” are shown to act outside the species to whom they are sacred • What does this say about Star Trek: DS9’s treatment of the divine? Is this a more sympathetic treatment than Classic Trek or Next Gen? Star Trek: Deep Space Nine • Sisko’s Journey – Identified as the Emissary by spiritual leader of Bajor in pilot episode (“Emissary” 1993) – Religious role accepted reluctantly, but only as subordinate to Starfleet secular way of understanding (“Destiny” 1995; “Accession” 1996) – Truly accepts his religious role in fifth season - (“Rapture” 1997) Star Trek: Deep Space Nine • Sisko’s Journey, con’t – Starfleet role and Emissary role come into conflict in sixth season - Sisko chooses Starfleet role, and disaster follows (“Tears of the Prophets” 1998) – Season seven (final season) - Sisko follows spiritual path, fulfils destiny - religious journey compete. -
Super! Drama TV August 2020
Super! drama TV August 2020 Note: #=serial number [J]=in Japanese 2020.08.01 2020.08.02 Sat Sun 06:00 06:00 06:00 STAR TREK: DEEP SPACE NINE 06:00 STAR TREK: DEEP SPACE NINE 06:00 Season 5 Season 5 #10 #11 06:30 06:30 「RAPTURE」 「THE DARKNESS AND THE LIGHT」 06:30 07:00 07:00 07:00 CAPTAIN SCARLET AND THE 07:00 STAR TREK: THE NEXT 07:00 MYSTERONS GENERATION Season 6 #19 「DANGEROUS RENDEZVOUS」 #5 「SCHISMS」 07:30 07:30 07:30 JOE 90 07:30 #19 「LONE-HANDED 90」 08:00 08:00 08:00 ULTRAMAN TOWARDS THE 08:00 STAR TREK: THE NEXT 08:00 FUTURE [J] GENERATION Season 6 #2 「the hibernator」 #6 08:30 08:30 08:30 THUNDERBIRDS ARE GO Season 「TRUE Q」 08:30 3 #1 「'CHAOS' Part One」 09:00 09:00 09:00 information [J] 09:00 information [J] 09:00 09:30 09:30 09:30 NCIS: NEW ORLEANS Season 5 09:30 S.W.A.T. Season 3 09:30 #15 #6 「Crab Mentality」 「KINGDOM」 10:00 10:00 10:00 10:30 10:30 10:30 NCIS: NEW ORLEANS Season 5 10:30 DESIGNATED SURVIVOR Season 10:30 #16 2 「Survivor」 #12 11:00 11:00 「The Final Frontier」 11:00 11:30 11:30 11:30 information [J] 11:30 information [J] 11:30 12:00 12:00 12:00 NCIS Season 9 12:00 NCIS Season 9 12:00 #13 #19 「A Desperate Man」 「The Good Son」 12:30 12:30 12:30 13:00 13:00 13:00 NCIS Season 9 13:00 NCIS Season 9 13:00 #14 #20 「Life Before His Eyes」 「The Missionary Position」 13:30 13:30 13:30 14:00 14:00 14:00 NCIS Season 9 14:00 NCIS Season 9 14:00 #15 #21 「Secrets」 「Rekindled」 14:30 14:30 14:30 15:00 15:00 15:00 NCIS Season 9 15:00 NCIS Season 9 15:00 #16 #22 「Psych out」 「Playing with Fire」 15:30 15:30 15:30 16:00 16:00 16:00 NCIS Season 9 16:00 NCIS Season 9 16:00 #17 #23 「Need to Know」 「Up in Smoke」 16:30 16:30 16:30 17:00 17:00 17:00 NCIS Season 9 17:00 NCIS Season 9 17:00 #18 #24 「The Tell」 「Till Death Do Us Part」 17:30 17:30 17:30 18:00 18:00 18:00 MACGYVER Season 2 [J] 18:00 THE MYSTERIES OF LAURA 18:00 #9 Season 1 「CD-ROM + Hoagie Foil」 #19 18:30 18:30 「The Mystery of the Dodgy Draft」 18:30 19:00 19:00 19:00 information [J] 19:00 THE BLACKLIST Season 7 19:00 #14 「TWAMIE ULLULAQ (NO. -
Star Trek" Mary Jo Deegan University of Nebraska-Lincoln, [email protected]
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by UNL | Libraries University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Sociology Department, Faculty Publications Sociology, Department of 1986 Sexism in Space: The rF eudian Formula in "Star Trek" Mary Jo Deegan University of Nebraska-Lincoln, [email protected] Follow this and additional works at: http://digitalcommons.unl.edu/sociologyfacpub Part of the Family, Life Course, and Society Commons, and the Social Psychology and Interaction Commons Deegan, Mary Jo, "Sexism in Space: The rF eudian Formula in "Star Trek"" (1986). Sociology Department, Faculty Publications. 368. http://digitalcommons.unl.edu/sociologyfacpub/368 This Article is brought to you for free and open access by the Sociology, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Sociology Department, Faculty Publications by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. THIS FILE CONTAINS THE FOLLOWING MATERIALS: Deegan, Mary Jo. 1986. “Sexism in Space: The Freudian Formula in ‘Star Trek.’” Pp. 209-224 in Eros in the Mind’s Eye: Sexuality and the Fantastic in Art and Film, edited by Donald Palumbo. (Contributions to the Study of Science Fiction and Fantasy, No. 21). New York: Greenwood Press. 17 Sexism in Space: The Freudian Formula in IIStar Trek" MARY JO DEEGAN Space, the final frontier. These are the voyages of the starship Enterprise, its five year mission to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before. These words, spoken at the beginning of each televised "Star Trek" episode, set the stage for the fan tastic future. -
Abstracts and Backgrounds
Abstracts and Backgrounds NAVY Con TABLE OF CONTENTS DESTINATION UNKNOWN ................................................................................. 3 WAR AND SOCIETY ............................................................................................. 5 MATT BUCHER – POTEMKIN PARADISE: THE UNITED FEDERATION IN THE 24TH CENTURY ............ 5 ELSA B. KANIA – BEYOND LOYALTY, DUTY, HONOR: COMPETING PARADIGMS OF PROFESSIONALISM IN THE CIVIL-MILITARY RELATIONS OF BABYLON 5 ............................................ 6 S.H. HARRISON – STAR CULTURE WARS: THE NEGATIVE IMPACT OF POLITICS AND IMPERIALISM ON IMPERIAL NAVAL CAPABILITY IN STAR WARS ................................................................................ 6 MATTHEW ADER – THE ARISTOCRATS STRIKE BACK: RE-ECALUATING THE POLITICAL COMPOSITION OF THE ALLIANCE TO RESTORE THE REPUBLIC ......................................................... 7 LT COL BREE FRAM, USSF – LEADERSHIP IN TRANSITION: LESSONS FROM TRILL .......................... 7 PAST AND FUTURE COMPETITION ................................................................ 8 WILLIAM J. PROM – THE ONCE AND FUTURE KING OF BATTLE: ARTILLERY (AND ITS ABSENCE) IN SCIENCE FICTION .......................................................................................................................... 8 TOM SHUGART – ALL ABOUT EVE: WHAT VIRTUAL FOREVER WARS CAN TEACH US ABOUT THE FUTURE OF COMBAT ................................................................................................................... 10 -
___... -.:: GEOCITIES.Ws
__ __ _____ _____ _____ _____ ____ _ __ / / / / /_ _/ / ___/ /_ _/ / __ ) / _ \ | | / / / /__/ / / / ( ( / / / / / / / /_) / | |/ / / ___ / / / \ \ / / / / / / / _ _/ |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ersion 1.21 By K. Bradley Washburn "The Historian" ______________ | __ | | \| /\ / | | |/_/ / | | |\ \/\ / | | |_\/ \/ | |______________| K. Bradley Washburn HISTORY OF THE FUTURE Page 2 of 2 FOREWARD Relevant Notes WARNING: THIS FILE IS HAZARDOUS TO YOUR PRINTER'S INK SUPPLY!!! [*Story(Time Before:Time Transpired:Time After)] KEY TO ABBREVIATIONS AS--The Amazing Stories AST--Animated Star Trek B5--Babylon 5 BT--The Best of Trek DS9--Deep Space Nine EL--Enterprise Logs ENT--Enterprise LD--The Lives of Dax NE--New Earth NF--New Frontier RPG--Role-Playing Games S.C.E.--Starfleet Corps of Engineers SA--Starfleet Academy SNW--Strange New Worlds sQ--seaQuest ST--Star Trek TNG--The Next Generation TNV--The New Voyages V--Voyager WLB—Gateways: What Lay Beyond Blue italics - Completely canonical. Animated and live-action movies, episodes, and their novelizations. Green italics - Officially canonical. Novels, comics, and graphic novels. Red italics – Marginally canonical. Role-playing material, source books, internet sources. For more notes, see the AFTERWORD K. Bradley Washburn HISTORY OF THE FUTURE Page 3 of 3 TIMELINE circa 13.5 billion years ago * The Big Bang. -
Writing to Think
U.S. Naval War College U.S. Naval War College Digital Commons Newport Papers Special Collections 2-2014 Writing to Think Robert C. Rubel Follow this and additional works at: https://digital-commons.usnwc.edu/usnwc-newport-papers Recommended Citation Rubel, Robert C., "Writing to Think" (2014). Newport Papers. 41. https://digital-commons.usnwc.edu/usnwc-newport-papers/41 This Book is brought to you for free and open access by the Special Collections at U.S. Naval War College Digital Commons. It has been accepted for inclusion in Newport Papers by an authorized administrator of U.S. Naval War College Digital Commons. For more information, please contact [email protected]. NAVAL WAR COLLEGE NEWPORT PAPERS 41 NAVAL WAR COLLEGE WAR NAVAL Writing to Think The Intellectual Journey of a Naval Career NEWPORT PAPERS NEWPORT 41 Robert C. Rubel Cover This perspective aerial view of Newport, Rhode Island, drawn and published by Galt & Hoy of New York, circa 1878, is found in the American Memory Online Map Collections: 1500–2003, of the Library of Congress Geography and Map Division, Washington, D.C. The map may be viewed at http://hdl.loc.gov/ loc.gmd/g3774n.pm008790. Writing to Think The Intellectual Journey of a Naval Career Robert C. Rubel NAVAL WAR COLLEGE PRESS Newport, Rhode Island meyers$:___WIPfrom C 032812:_Newport Papers:_NP_41 Rubel:_InDesign:000 NP_41 Rubel-FrontMatter.indd January 31, 2014 10:06 AM Naval War College The Newport Papers are extended research projects that Newport, Rhode Island the Director, the Dean of Naval Warfare Studies, and the Center for Naval Warfare Studies President of the Naval War College consider of particular Newport Paper Forty-One interest to policy makers, scholars, and analysts. -
Greatestvoters, and That's All Lowercase
Note: This show periodically replaces their ad breaks with new promotional clips. Because of this, both the transcription for the clips and the timestamps after them may be inaccurate at the time of viewing this transcript. 00:00:00 Sound Effect Transition [Computer beeps.] 00:00:01 Promo Clip Enterprise Computer (TNG): Incoming transmission. 00:00:02 Music Music Sweeping orchestral background music. 00:00:03 Ben Harrison Promo Hey, the stakes have never been higher for the election on November 3rd. And we're encouraging Friends of DeSoto to take four steps to make sure your voice is heard. 00:00:11 Adam Promo First, register to vote, or confirm your voter registration, at Vote.org. Pranica 00:00:16 Ben Promo Make a plan to vote safely and securely, and vote early if you can in your area. 00:00:22 Adam Promo Volunteer for a voter outreach campaign, or organization that helps people vote. 00:00:26 Ben Promo And donate to organizations that mobilize voters in every state. 00:00:31 Adam Promo Ben and I have set up a web page where you can find out more, so go to Bit.ly/greatestvoters, and that's all lowercase. Make sure your vote is counted. So together, we can all make sure history never forgets the name Enterprise. [Music stops.] 00:00:45 Sound Effect Transition [Computer beeps.] 00:00:46 Music Transition Dark Materia’s “The Picard Song,” record-scratching into a Sisko- centric remix by Adam Ragusea. Picard: Here’s to the finest crew in Starfleet! Engage. -
STAR TREK the TOUR Take a Tour Around the Exhibition
R starts CONTents STAR TREK THE TOUR Take a tour around the exhibition. 2 ALL THOSE WONDERFUL THINGS.... More than 430 items of memorabilia are on show. 10 MAGIC MOMENTS A gallery of great Star Trek moments. 12 STAR TREK Kirk, Spock, McCoy et al – relive the 1960s! 14 STAR TREK: THE NEXT GENERATION The 24th Century brought into focus through the eyes of 18 Captain Picard and his crew. STAR TREK: DEEP SPACE NINE Wormholes and warriors at the Alpha Quadrant’s most 22 desirable real estate. STAR TREK: VOYAGER Lost. Alone. And desperate to get home. Meet Captain 26 Janeway and her fearless crew. STAR TREK: ENTERPRISE Meet the newest Starfleet crew to explore the universe. 30 STARSHIP SPECIAL Starfleet’s finest on show. 34 STAR TREK – THE MOVIES From Star Trek: The Motion Picture to Star Trek Nemesis. 36 STAR trek WELCOMING WORDS Welcome to Star TREK THE TOUR. I’m sure you have already discovered, as I have, that this event is truly a unique amalgamation of all the things that made Star Trek a phenomenon. My own small contribution to this legendary story has continued to be a source of great pride to me during my career, and although I have been fortunate enough to have many other projects to satisfy the artist in me, I have nevertheless always felt a deep and visceral connection to the show. But there are reasons why this never- ending story has endured. I have always believed that this special connection to Star Trek we all enjoy comes from the positive picture the stories consistently envision. -
Greatest Generation: Deep Space Nine
Note: This show periodically replaces their ad breaks with new promotional clips. Because of this, both the transcription for the clips and the timestamps after them may be inaccurate at the time of viewing this transcript. 00:00:00 Music Transition Dark Materia’s “The Picard Song,” record-scratching into a Sisko- centric remix by Adam Ragusea. Picard: Here’s to the finest crew in Starfleet! Engage. [Music begins. A fast-paced techno beat.] Picard: Captain Jean-Luc Picard, the USS Enterprise! [Music slows, record scratch, and then music speeds back up.] Sisko: Commander Benjamin Sisko, the Federation starbase... Deep Space 9. [Music ends.] 00:00:14 Music Music Record scratch back into "The Picard Song," which plays quietly in the background. 00:00:15 Adam Host Welcome to The Greatest Generation: Deep Space Nine. It's a Star Pranica Trek podcast by... a couple of guys who are just a little bit embarrassed about having a Star Trek podcast. I'm Adam Pranica. 00:00:26 Ben Harrison Host I'm Ben Harrison. And it's a MaxFunDrive episode. [Music fades out.] And it's also... a drunkisode. 00:00:34 Adam Host You shouldn't believe that those things are related in any way but luck. Like, we don't have to drink our way through a MaxFunDrive episode. That's not what anyone's saying. 00:00:44 Ben Host Yeah. And I mean I guess, like, in the past, our MaxFunDrive episodes, we've edited out the pledge breaks. 00:00:50 Adam Host Mm-hm. -
Warrior Culture and Science Fiction TV
Copyright rests with Florilegium. The contents of the journal may not be copied, reprinted, or posted electronically without the editor's express written permission, although users are welcome to download and print articles for individual use. High-Tech Feudalism: Warrior Culture and Science Fiction TV Graham Knight and Jennifer Smith "Richard ΠΙ with aliens" is how Cornell (102) describes "Sins of the Father," an episode of Star Trek: The Next Generation (hereafter TNG) in which the Klingon warrior Worf, son of Mogh, seeks to restore his family's honour by exposing and challenging those responsible for falsely accusing his dead father of treason to the Klingon Empire. Worf is only partly successful in his quest, and he remains a perpetually marginal figure whose identity is divided by his Klingon heritage, his childhood as a Klingon orphan raised by humans., and his current status as the only Klingon in Starflect, the military arm of the Federation of Planets, an alliance of Earth and other worlds whose relationship with the Klingon Empire is marked by tension, suspicion and, at times, open hostility. As a result of these divisions and struggles, Worf s family is e'ventually stripped of its wealth and rank on the Klingon home-world, and Worfs brother Kurn seeks a ritual death as the only way to absolve his own and his family's disgrace. Historical and cross-cultural motifs are common in TNG, and resonate throughout the secondary texts that have sprung up around the television series— comics, reference books, novelisations of the TV episodes, fan conventions, and numerous Internet sites where devotees debate the minutiae of an imaginary future. -
TRADING CARDS 2016 STAR TREK 50Th ANNIVERSARY
2016 STAR TREK 50 th ANNIVERSARY TRADING CARDS 1995-96 30 Years of Star Trek 1995-96 30 Years of Star Trek Registry Plaques A6b James Doohan (Lt. Arex) 50.00 100.00 A7 Dorothy Fontana 15.00 40.00 COMPLETE SET (9) 100.00 200.00 COMMON CARD (R1-R9) 12.00 30.00 STATED ODDS 1:72 2003 Complete Star Trek Animated Adventures INSERTED INTO PHASE ONE PACKS Captain Kirk in Motion COMPLETE SET (9) 12.50 30.00 1995-96 30 Years of Star Trek Space Mural Foil COMMON CARD (K1-K9) 1.50 4.00 COMPLETE SET (9) 25.00 60.00 STATED ODDS 1:20 COMMON CARD (S1-S9) 4.00 10.00 STATED ODDS 1:12 2003 Complete Star Trek Animated Adventures Die- COMPLETE SET (300) 15.00 40.00 INSERTED INTO PHASE THREE PACKS Cut CD-ROMs PHASE ONE SET (100) 6.00 15.00 COMPLETE SET (5) 10.00 25.00 PHASE TWO SET (100) 6.00 15.00 1995-96 30 Years of Star Trek Undercover PHASE THREE SET (100) 6.00 15.00 COMMON CARD 2.50 6.00 COMPLETE SET (9) 50.00 100.00 STATED ODDS 1:BOX UNOPENED PH.ONE BOX (36 PACKS) 40.00 50.00 COMMON CARD (L1-L9) 6.00 15.00 UNNUMBERED SET UNOPENED PH.ONE PACK (8 CARDS) 1.25 1.50 STATED ODDS 1:18 UNOPENED PH.TWO BOX (36 PACKS) 40.00 50.00 INSERTED INTO PHASE TWO PACKS UNOPENED PH.TWO PACK (8 CARDS) 1.25 1.50 2003 Complete Star Trek Animated Adventures James Doohan Tribute UNOPENED PH.THREE BOX (36 PACKS) 40.00 50.00 1995-96 30 Years of Star Trek Promos UNOPENED PH.THREE PACK (8 CARDS) 1.25 1.50 COMPLETE SET (9) 2.50 6.00 PROMOS ARE UNNUMBERED COMMON CARD (JD1-JD9) .40 1.00 PHASE ONE (1-100) .12 .30 1 NCC-1701, tricorder; 2-card panel STATED ODDS 1:4 PHASE TWO (101-200) -
Beyond the Final Frontier: Star Trek, the Borg and the Post-Colonial
Beyond the Final Frontier: Star Trek, the Borg and the Post-colonial Lynette Russell and Nathan Wolski Over the last three decades, Star Trek has become, to use Bernardi's term, a "mega-text" (1998: 11). Star Trek's mega-text consists of much more than the various studio-produced television series and films - it also includes (among other things) novels, Internet chat groups, conventions and fanzines. That Star Trek's premise of space exploration is a thinly disguised metaphor for colonialism has been extensively analysed (see Bernardi, 1998; Hastie, 1996; Ono 1996; Richards, 1997). Boyd describes the utopian future presented in Star Trek the Next Generation (STNG) as based on "nineteenth-century essentialist definitions of human nature, building ... on faith in perfection, progress, social evolution, and free will" (1996: 96-97). Exploration, colonisation and assimilation are never far from the surface of the STNG text. Less apparent, however, are aspects of the series which challenge the hegemonic view of this narrative and which present a post-colonial critique. In this paper we will explore a range of post-colonial moments and an emerging self reflexivity in the second generation series, focusing on those episodes of Star Trek: the Next Generation (STNG) and Star Trek: Voyager which feature an alien race known as the Borg. Others in space Much has been written about the role of the alien in science fiction as a means of exploring issues of otherness. As Wolmark notes: "Science fiction provides a rich source of metaphors for the depiction of otherness and the 'alien' is one of the most familiar: it enables difference to be constructed in terms of binary oppositions which reinforce relations of domination and subordination" (1994: 2).