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SPRING 2017 COURSE LISTING GRMN0110 Intensive Beginning
SPRING 2017 COURSE LISTING GRMN0110 Intensive Beginning German Jane Sokolosky Students who wish to complete the GRMN 0100-0200 sequence in one semester may do so by enrolling in GRMN 0110 for two semester course credits. There are six hours per week in small drill sections conducted by fluent undergraduate teaching apprentices. Another three hours of class will be conducted by the faculty instructor. Students must register for both the lecture section and one conference. S01 TuTh 9-10:20 C01 MWF 1-2:50 C02 MWF 1-2:50 GRMN0200 Beginning German Jane Sokolosky A course in the language and cultures of German-speaking countries. Four hours per week plus regular computer and listening comprehension work. At the end of the year, students will be able to communicate about everyday topics and participate in the annual film festival. This is the second half of a year-long course. Students must have taken GRMN 0100 to receive credit for this course. The final grade for this course will become the final grade for GRMN 0100. S01 MWF 9-9:50, T 12-12:50 S02 MWF 11-11:50, T 12-12:50 S03 MWF 12-12:50, T 12-12:50 GRMN0400 Intermediate German II Jane Sokolosky An intermediate German course that stresses improvement of the four language skills. Students read short stories and a novel; screen one film; maintain a blog in German. Topics include German art, history, and literature. Frequent writing assignments. Grammar review as needed. Four hours per week. Recommended prerequisite: GRMN 0300. WRIT S01 MWF 10-10:50, Th 12-12:50 S02 MWF 1-1:50, Th 12-12:50 GRMN0600B Was ist Deutsch? Thomas Kniesche In this course we will examine some of the ideas and myths that became entangled with the emerging notion of a "German" identity in the eighteenth and nineteenth centuries. -
Literature and Film of the Weimar Republic (In English Translation) OLLI@Berkeley, Spring 2019 Mondays, April 1—29, 2019 (5 Weeks), 10:00 A.M
Instructor: Marion Gerlind, PhD (510) 430-2673 • [email protected] Literature and Film of the Weimar Republic (in English translation) OLLI@Berkeley, Spring 2019 Mondays, April 1—29, 2019 (5 weeks), 10:00 a.m. — 12:30 p.m. University Hall 41B, Berkeley, CA 94720 In this interactive seminar we shall read and reflect on literature as well as watch and discuss films of the Weimar Republic (1919–33), one of the most creative periods in German history, following the traumatic Word War I and revolutionary times. Many of the critical issues and challenges during these short 14 years are still relevant today. The Weimar Republic was not only Germany’s first democracy, but also a center of cultural experimentation, producing cutting-edge art. We’ll explore some of the most popular works: Bertolt Brecht and Kurt Weill’s musical play, The Threepenny Opera, Joseph von Sternberg’s original film The Blue Angel, Irmgard Keun’s bestseller The Artificial Silk Girl, Leontine Sagan’s classic film Girls in Uniform, Erich Maria Remarque’s antiwar novel All Quiet on the Western Front, as well as compelling poetry by Else Lasker-Schüler, Gertrud Kolmar, and Mascha Kaléko. Format This course will be conducted in English (films with English subtitles). Your active participation and preparation is highly encouraged! I recommend that you read the literature in preparation for our sessions. I shall provide weekly study questions, introduce (con)texts in short lectures and facilitate our discussions. You will have the opportunity to discuss the literature/films in small and large groups. We’ll consider authors’ biographies in the socio-historical background of their work. -
Frank Schirr Macher
FRANK SCHIRR MACHER Die Stunde der Welt SSchirrmacher,DieStundederWelt.inddchirrmacher,DieStundederWelt.indd 1 223.03.173.03.17 114:074:07 SSchirrmacher,DieStundederWelt.inddchirrmacher,DieStundederWelt.indd 2 223.03.173.03.17 114:074:07 FRANK SCHIRR MACHER Die Stunde der Welt FÜNF DICHTER – EIN JAHRHUNDERT George · Hofmannsthal · Rilke · Trakl · Benn BLESSING SSchirrmacher,DieStundederWelt.inddchirrmacher,DieStundederWelt.indd 3 223.03.173.03.17 114:074:07 Der Verlag weist ausdrücklich darauf hin, dass im Text enthaltene externe Links vom Verlag nur bis zum Zeitpunkt der Buchveröffentlichung eingesehen werden konnten. Auf spätere Veränderungen hat der Verlag keinerlei Einfluss. Eine Haftung des Verlags ist daher ausgeschlossen. Verlagsgruppe Random House FSC® N001967 1. Auflage, 2017 Copyright © 2017 by Karl Blessing Verlag, München, in der Verlagsgruppe Random House GmbH, Neumarkter Str. 28, 81673 München © 1996 by Nicolaische Verlagsbuchhandlung Umschlaggestaltung: Geviert, Andrea Hollerieth Umschlagmotiv: Porträt von Hugo von Hofmannsthal, Fotograf: unbekannt (Österreich), 20. Jh. © Bridgeman Images/Privatsammlung Satz: Leingärtner, Nabburg Druck und Einband: GGP Media GmbH, Pößneck Printed in Germany ISBN: 978-3-89667-589-7 www.blessing-verlag.de SSchirrmacher,DieStundederWelt.inddchirrmacher,DieStundederWelt.indd 4 223.03.173.03.17 114:074:07 Inhalt Vorwort .......................................... 7 Einleitung ......................................... 15 DIE EROBERUNG DES MONDES ODER EINE ANEKDOTE ÜBER DEN KUNSTWILLEN Das alte Märchen vom großen Abschied ................. 27 HUGO VON HOFMANNSTHAL ODER EINE JAHRHUNDERTWENDE, DIE NICHT ZU ENDE GING Das Lied von Kaspar Hauser ........................... 57 GEORG TRAKLS STILLE Es schafft der Mann sich eine große Zeit .................. 91 RAINER MARIA RILKE, DER KRIEG UND DIE REVOLUTION SSchirrmacher,DieStundederWelt.inddchirrmacher,DieStundederWelt.indd 5 223.03.173.03.17 114:074:07 Dies ist der Pfeil des Meisters ........................ -
Core Reading List for M.A. in German Period Author Genre Examples
Core Reading List for M.A. in German Period Author Genre Examples Mittelalter (1150- Wolfram von Eschenbach Epik Parzival (1200/1210) 1450) Gottfried von Straßburg Tristan (ca. 1210) Hartmann von Aue Der arme Heinrich (ca. 1195) Johannes von Tepl Der Ackermann aus Böhmen (ca. 1400) Walther von der Vogelweide Lieder, Oskar von Wolkenstein Minnelyrik, Spruchdichtung Gedichte Renaissance Martin Luther Prosa Sendbrief vom Dolmetschen (1530) (1400-1600) Von der Freyheit eynis Christen Menschen (1521) Historia von D. Johann Fausten (1587) Das Volksbuch vom Eulenspiegel (1515) Der ewige Jude (1602) Sebastian Brant Das Narrenschiff (1494) Barock (1600- H.J.C. von Grimmelshausen Prosa Der abenteuerliche Simplizissimus Teutsch (1669) 1720) Schelmenroman Martin Opitz Lyrik Andreas Gryphius Paul Fleming Sonett Christian v. Hofmannswaldau Paul Gerhard Aufklärung (1720- Gotthold Ephraim Lessing Prosa Fabeln 1785) Christian Fürchtegott Gellert Gotthold Ephraim Lessing Drama Nathan der Weise (1779) Bürgerliches Emilia Galotti (1772) Trauerspiel Miss Sara Samson (1755) Lustspiel Minna von Barnhelm oder das Soldatenglück (1767) 2 Sturm und Drang Johann Wolfgang Goethe Prosa Die Leiden des jungen Werthers (1774) (1767-1785) Johann Gottfried Herder Von deutscher Art und Kunst (selections; 1773) Karl Philipp Moritz Anton Reiser (selections; 1785-90) Sophie von Laroche Geschichte des Fräuleins von Sternheim (1771/72) Johann Wolfgang Goethe Drama Götz von Berlichingen (1773) Jakob Michael Reinhold Lenz Der Hofmeister oder die Vorteile der Privaterziehung (1774) -
Lesung Über Gottfried Benn Autoren-Leseabend Mit Holger Hof Am Dienstag, 4
Literatur, Politik&Biographie aus unserer Nachbarschaft Lesungen 2017: Lesung über Gottfried Benn Autoren-Leseabend mit Holger Hof am Dienstag, 4. April 2017, 19.00 Uhr, Wahlkreisbüro Gottfried Benn (1886-1956) gilt als einer der bedeutendsten Dichter der literarischen Moderne des 20. Jahrhunderts. Er schrieb Gedichte, Dramen, Erzählungen und Essays. Besonders bekannt sind seine Gedichtbände (z. B. „Fleisch“ 1917), die stark expressionistisch geprägt sind. Benn hat neben seiner literarischen Tätigkeit immer auch als Arzt gearbeitet. Seit 1904 lebte Benn (mit einigen Unterbrechungen) in Berlin, von 1937 bis zu seinem Tod 1956 befand sich seine Wohnung mit der Arztpraxis in der Bozener Straße 20 in Schöneberg (nah an der Grenze zu Wilmersdorf). Den Gottfried-Benn-Abend gestaltet Holger Hof. Er lebt als freier Autor in Berlin und gilt als einer der kompetentesten Benn-Experten. Über Benn hat er u.a. eine Biografie geschrieben und eine Bildbiografie erstellt, zudem hat er den Briefwechsel mit Ernst Jünger herausgegeben. Über die Lese-Reihe: Der Berliner Westen, von der Kantstraße bis zum Bayerischen Platz, war vor allem in der Weimarer Republik die bevorzugte Wohngegend von Berliner Literaten. Viele Autorinnen und Autoren, die schon berühmt waren oder später berühmt wurden, haben hier gewohnt. Zu nennen sind vor allem Gottfried Benn, Walter Benjamin, Heinrich Mann, Else Lasker-Schüler, Anna Seghers, Kurt Tucholsky und Else Ury. Sie alle wohnten in Wilmersdorf oder Charlottenburg. Hierzu bieten wir bis Ende Mai Lesungen an (siehe Aushänge). Ort: hier im Wahlkreisbüro (Fechnerstraße 6a, 10717 Berlin) Anmeldung erbeten: per E-Mail [email protected] oder telefonisch 863 19 653 oder persönlich hier im Wahlkreisbüro . -
Author, Title Price Notes
Contact: Suriya Prabhakar [email protected] Hey Germanists/Linguists, I’m Suriya, a recent German graduate from Teddy Hall, and I’m looking to sell most of my books that I bought firsthand during my degree. All the books are in extremely good condition, and some of them barely used. You may find the occasional annotation but it will be in pencil and easily erasable (except poetry books where specified). All these prices are half the original price or less (based on Amazon), so I can guarantee you will be saving loads of money (unlike me in first year) on books that you probably won’t use after your degree! They will be sold on a first come first served basis – all you need to do is email me as soon as you’ve decided which ones you want! I’m happy to answer any questions you may have, and am willing to provide details/photos of books if needed. Do get in touch at: [email protected] All the best, Suriya Author, Title Price Notes Georg Kaiser, Von morgens bis 50p Prelims mitternachts (Reclam) Frank Wedekind, Frühlings Erwachen 50p Prelims Arthur Schnitzler, Liebelei (Reclam) 50p Prelims Deutsche Lyrik (Eine Anthologie) £4 Prelims; pencil annotations on set poems Mann, Mario und der Zauberer (Fischer) £3 Prelims Brecht, Die Maßnahme £2 Prelims Erich Maria Remarque, Im Westen nichts £3 Prelims Neues Hartmann von Aue, Gregorius (Reclam) £2 Prelims/Medieval Wolfram von Eschenbach, Parzival £7 VI/IX Medieval; very slight tear on Band 1 + 2 (Reclam) front cover of Band 1 (does not impact text) Parzival Translation (Penguin -
I Urban Opera: Navigating Modernity Through the Oeuvre of Strauss And
Urban Opera: Navigating Modernity through the Oeuvre of Strauss and Hofmannsthal by Solveig M. Heinz A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Germanic Languages and Literatures) in the University of Michigan 2013 Doctoral Committee: Associate Professor Vanessa H. Agnew, Chair Associate Professor Naomi A. André Associate Professor Andreas Gailus Professor Julia C. Hell i For John ii Acknowledgements Writing this dissertation was an intensive journey. Many people have helped along the way. Vanessa Agnew was the most wonderful Doktormutter a graduate student could have. Her kindness, wit, and support were matched only by her knowledge, resourcefulness, and incisive critique. She took my work seriously, carefully reading and weighing everything I wrote. It was because of this that I knew my work and ideas were in good hands. Thank you Vannessa, for taking me on as a doctoral rookie, for our countless conversations, your smile during Skype sessions, coffee in Berlin, dinners in Ann Arbor, and the encouragement to make choices that felt right. Many thanks to my committee members, Naomi André, Andreas Gailus, and Julia Hell, who supported the decision to work with the challenging field of opera and gave me the necessary tools to succeed. Their open doors, email accounts, good mood, and guiding feedback made this process a joy. Mostly, I thank them for their faith that I would continue to work and explore as I wrote remotely. Not on my committee, but just as important was Hartmut. So many students have written countless praises of this man. I can only concur, he is simply the best. -
Institute of Germanic and Romance Studies University of London
Institute of Germanic and Romance Studies University of London Closs / Priebsch Family Papers (reference Closs) To order material, please use the reference (Closs) with the box and file numbers and a description of the item: (eg) Closs box 5 file 1 C.F. Carter – letter, Harrow 1946 and translation of Hoenderlin’s Der Archipelago NB Do not use sub-fonds references (eg Closs/ACT) when ordering material. Table of contents of boxes Acquired material: 1-2, 67 August Closs: 3-36, 51-66, 68 Robert Priebsch: 37-39, 68-9 Hannah Priebsch-Closs: 40-45 Elizabeth Closs-Traugott: 46-49 Alois Closs: 50 1 Box 1 file 1 16th and 17th Century material Hexenprozesse: MSS - 3 folio booklets in originally yellow paper folders, without doubt the original records of the women's trials. Catharina Stroblin, farmer in Schernfeld. Arrested, suspected of witchcraft on Friday 24 November 1617, questioned by the Malefiz Commissarios, and on 26 January 1618 run through with a sword and then burned. Appolonia Nueberin, brewer, 32 years old. Arrested on suspicion of witchcraft on 10 May 1623. On 23 June 1623 she was also executed and burned. Bill put in to cover costs of difficulties caused by and rewards offered for the executed magical persons during the years 1617, 1628 and 1629, by Hans Schoelern. Box1 file 2 Original charter to over 5 hides of land and a farm Sold by Nette, servant of Graf Dieterich von Plesse to a nunnery. Pergament, cut off sharply at the top and torn at the bottom without loss of text. -
The Meaning of War, 1914- 1918,” in Horne (Ed.), State, Society and Mobilization, 21-38
A War of Words The Cultural Meanings of the First World War in Britain and Germany Mark Hewitson To the critic Alfred Kazin, conflicts before the Second World War had regularly been described in ‘traditional literary ways’.1 Likewise, for the historian Jay Winter, it was only Hiroshima and Auschwitz that had – in Julia Kristeva’s words – ‘undermined the very symbols through which meaning – any meaning – could be attached to the “cataclysm” of war’.2 Before that point in time, religious or spiritual redemption had appeared possible, present even in the anti-war novels of Henri Barbusse, Ernest Hemingway and Erich Maria Remarque.3 The heroic tropes of nineteenth-century art and literature helped some contemporaries to contextualize, explain and justify the Great War.4 For others, although heroism had been discredited, writing seemed to allow combatants and civilians to look for meaning and make sense of the conflict. Whereas silence was associated with a transfixed state of fear, meaninglessness or mourning, words offered solace and signification. Here, I examine the ways in which written accounts of war, rather than visual images, served to challenge popular expectations and break taboos.5 Since the mid-nineteenth century, various means had been used to bring ‘news’ of conflicts to public attention. Newspaper reports had been eagerly awaited by readers – above all in the educated, middling strata of towns – during the Revolutionary and Napoleonic Wars.6 Their readership had increased markedly in size during the nineteenth century. War -
Literaturwissenschaft)
Technische Universität Braunschweig Seminar für deutsche Sprache und Literatur BA Germanistik Leseliste (Literaturwissenschaft) I. Deutsche Literatur vom Mittelalter bis zum Barock 1. Hildebrandslied 2. Pfaffe Konrad: Rolandslied 3. Heinrich von Morungen: Minnesang 4. Hartmann von Aue: Erec 5. Hartmann von Aue: Iwein 6. Nibelungenlied 7. Wolfram von Eschenbach: Parzival 8. Gottfried von Straßburg: Tristan 9. Walther von der Vogelweide: Minnesang 10. Walther von der Vogelweide: Politische Spruchdichtung 11. Neidhart: Minnesang 12. Johannes von Tepl: Der Ackermann aus Böhmen 13. Sebastian Brant: Das Narrenschiff 14. Thüring von Ringoltingen: Melusine 15. Hermann Bote: Till Eulenspiegel 16. Hans Sachs: Meisterlieder 17. Hans Sachs: Fastnachtspiele 18. Martin Luther: Von der Freiheit eines Christenmenschen 19. Faustbuch 20. Grimmelshausen: Der abentheuerliche Simplicissimus Teutsch 21. Volker Meid (Hg.): Lyrik des Barock 22. Andreas Gryphius: Papinian II. Deutsche Literatur von der Aufklärung bis zur Klassik 23. Johann Gottfried Schnabel: Die Insel Felsenburg 24. Christian Fürchtegott Gellert: Leben der Schwedischen Gräfin von G. 25. Friedrich Gottlieb Klopstock: Oden 26. Christoph Martin Wieland: Geschichte des Agathon 27. Gotthold Ephraim Lessing: Minna von Barnhelm 28. Gotthold Ephraim Lessing: Emilia Galotti 29. Gotthold Ephraim Lessing: Nathan der Weise 30. Gotthold Ephraim Lessing: Hamburgische Dramaturgie 31. Johann Joachim Winckelmann: Gedanken über die Nachahmung der griechischen Original-Werke 32. Johann Gottfried Herder: Kritische Wälder 33. Johann Gottfried Herder: Journal meiner Reise 1769 34. Jakob Michael Reinhold Lenz: Der Hofmeister 35. Jakob Michael Reinhold Lenz: Die Soldaten 36. Karl Philipp Moritz: Anton Reiser 37. Johann Wolfgang Goethe: Die Leiden des jungen Werthers 38. Johann Wolfgang Goethe: Götz von Berlichingen 39. Johann Wolfgang Goethe: Wilhelm Meisters Lehrjahre 40. -
'Stimulating Our Literature and Deepening Our Culture'
Quærendo 47 (2017) 222-251 brill.com/qua ‘Stimulating our Literature and Deepening our Culture’ Translated Books as Book-of-the-Month Club Selections, 1926 to 1973 Corinna Norrick-Rühl Gutenberg-Institut für Weltliteratur und schriftorientierte Medien Johannes Gutenberg-University Mainz, Germany [email protected] Abstract One of the most prominent book clubs in the US was the Book-of-the-Month Club, established in 1926. The Book-of-the-Month Club marketed books as commodities for consumption, promoting leisurely reading among the growing middle class. But the Book-of-the-Month Club also claimed to be ‘stimulating our literature and deepening our culture’, and in fact, dozens of selected authors went on to receive the Pulitzer Prize or the Nobel Prize for Literature. The body of research on the Book-of-the-Month Club includes Janice A. Radway’s well-known multi-method study A Feeling for Books (1997). But translations among Book-of-the-Month Club selections have not yet been considered. Focusing in particular on books translated into English from German, this paper will present new data on originally foreign-language books that were selected by the Book-of-the-Month Club judges, thereby guaranteeing European authors maximum visibility and exorbitant sales in the US market, which was (and is) usually considered difficult to tap into for non-Anglophone writers. Keywords book sales clubs – Book-of-the-Month Club – translation(s) – German literature Worldwide, millions of readers have accessed their reading material and enter- tainment media through mail-order book sales clubs like Círculo de Lectores, the Nederlandse Boekenclub, Bertelsmann Club or the Book-of-the-Month © koninklijke brill nv, leiden, 2017 | doi 10.1163/15700690-12341383Downloaded from Brill.com09/25/2021 08:08:03PM via free access ‘Stimulating our literature and deepening our culture’ 223 Club. -
From Heinrich Wittenwiler and Hans Jacob Christoffel Von
2021-4078-AJHA – 18 JAN 2021 1 Horrors of War in the History of German Literature: 2 From Heinrich Wittenwiler and Hans Jacob 3 Christoffel von Grimmelshausen to Rainer Maria 4 Remarque. Literary Outcries against Inhumanity 5 from the Fifteenth to the Twentieth Centuries 6 7 As terrible as wars have always been, for the losers as well as for the winners, 8 considering the massive killings, destruction, and general horror resulting from it 9 all, poets throughout time have responded to this miserable situation by writing 10 deeply moving novels, plays, poems, epic poems, and other works. The history of 11 Germany, above all, has been filled with a long series of wars, but those have also 12 been paralleled by major literary works describing those wars, criticizing them, and 13 outlining the devastating consequences, here disregarding those narratives that 14 deliberately idealized the military events. While wars take place on the ground and 15 affect people, animals, and objects, poets have always taken us to imaginary worlds 16 where they could powerfully reflect on the causes and outcomes of the brutal 17 operations. This paper takes into view some major German works from the early 18 fifteenth through the early twentieth century in order to identify a fundamental 19 discourse that makes war so valuable for history and culture, after all. Curiously, as 20 we will recognize through a comparative analysis, some of the worst conditions in 21 human history have produced some of the most aesthetically pleasing and most 22 meaningful artistic or literary texts. So, as this paper will illustrate, the experience 23 of war, justified or not, has been a cornerstone of medieval, early modern, and 24 modern literature.