DOCSLIB.ORG

Analysis of Coverage Linking Phish to the Grateful Dead

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Analysis of Coverage Linking Phish to the Grateful Dead MEDIA FRAMING AS BRAND POSITIONING: ANALYSIS OF COVERAGE LINKING PHISH TO THE GRATEFUL DEAD A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Department of Mass Media and Communication School of Communications and Theater By Jordan McClain May, 2011 Committee Members: Michael Maynard (chair), Ph.D., Associate Professor, Mass Media & Communication Fabienne Darling-Wolf, Ph.D., Associate Professor, Mass Media & Communication Cornelius Pratt, Ph.D., Professor, Mass Media & Communication Paul D’Angelo (external reader), Ph.D., Associate Professor, Communication Studies ! i! © by Jordan McClain 2011 All Rights Reserved ! ii! ABSTRACT This dissertation uses mass communication research about framing and positioning to explore media framing as brand positioning and analyze coverage that links the band Phish to the Grateful Dead. Based on content analysis, textual analysis, and interviews, this dissertation explores the framing of Phish—formed in Vermont in 1983 and often compared or connected to the Grateful Dead, a band formed in California in 1965— in a popular mainstream music magazine and beyond, placing particular interest in how this framing intersects with positioning the band vis-à-vis the Grateful Dead. By exploring framing of a commercially-oriented subject that media coverage regularly constructs in terms of or in relation to another more recognizable subject, this project aims to contribute to mass communication theory and our understanding of media in society. Through comprehension of media about Phish and Phish/Grateful Dead connections, this dissertation studies how, why, and with what result stories are told through such associative coverage. After reviewing previous works regarding Phish, positioning, and framing, media content is closely examined and discussed. A case study of Phish coverage employed a three-pronged multi-method approach focusing on content (Part A) and context (Part B). Part A1 is a content analysis of all Phish album reviews from Rolling Stone. This included 12 album reviews spanning from 1995-2009 and written by eight authors. Findings showed that the majority of reviews connected Phish to the Grateful Dead, that the connections were constructed through various link forms, and that Phish were connected most to the Grateful Dead. Part A2 is a textual analysis of all Rolling Stone coverage of Phish. This included coverage from 1992-2010 and 305 items such as magazine covers, articles, and letters to the editor. Findings identified five frames and four subframes used to portray Phish. Part B is a series of interviews involving a ! iii! primary group of 19 individuals who have significantly written, edited, and/or published content about Phish; and a secondary group of five individuals who added valuable context for understanding the issues. Findings included discussion of media conventions in general (journalistic) and specific (Phish) terms, and interpretation of the Phish/Grateful Dead link as a powerful, oversimplified reference point. About Phish, the project found they are an entity that innately defies standard molds and thus makes for an extraordinary and fruitful case study. Their naturally complex nature and paradoxical success makes them a potentially perplexing challenge for people in media to understand and address. Media often use the Grateful Dead motif in Phish coverage as a potent method of information assimilation to reconceive simply Phish’s unusual combination of characteristics via something more familiar and accessible. In terms of the literature, the collection of media content illustrates framing of the band via socially shared and persistent organizing principles that symbolically structure Phish’s character (Reese, 2003). The collection of content also illustrates positioning of Phish through portrayals that are often oversimplified and relate new information to familiar knowledge. The combination of literature on framing and positioning offers a productive explanation of media coverage about Phish, since both processes overlap in their tendency to oversimplistically relate X to Y. Thus, this dissertation’s findings suggest a new way of thinking about cumulative media framing’s ability to result in and serve as brand positioning, which may happen out of a brand’s design. ! iv! ACKNOWLEDGEMENTS Endless thanks to my entire committee—Professors Michael Maynard, Fabienne Darling- Wolf, Cornelius Pratt, and Paul D’Angelo—for being so generous with your feedback and time. Without your guidance and open minds this project would not be what it is. Extra thanks to Fabienne Darling-Wolf: for your comments, instruction on qualitative research, and helpful chats. Extra thanks also to Michael Maynard: for your tireless work as my chair, constant availability, thorough and swift reviews, teaching advice, and humor. Thank you to Matthew Lombard: for your work in my comprehensive exams and instruction on quantitative research. Thank you to Nancy Morris: for your instruction on social science writing and feedback on my textual analysis. Thank you to the many other MM&C and SCT faculty I've had the pleasure of learning from. Thank you to Denise Lannon, Dolores Stanley, Nicole McKenna, and Gayle Conley. Thank you to all my MM&C peers, especially Mary Beth Ray, Byron Lee, and Katrina Flener. Thank you to the Temple University InterLibrary Loan employees: for all your hunting. Thank you also to Kristina DeVoe: for your expert help. Thanks to my entire family for your support: Dad, Mom, Barbara, Herman, Dave, Anne, and many others. Extra thanks to my amazing wife, Amanda: for your unlimited kindness and brilliance; you’re wonderful. Thank you to all my friends. Thank you to Ben Morgan and Jebney Lewis: for your help. Extra thanks to Robert Klein: for the tips. Extra thanks to Justin Carey: for sharing your love of Phish. Extra thanks to Adam and Nicole Spector, Kevin and Karen Hattrup, Scott and Tricia Chambley, Doug Sell, and Andrew Repasky McElhinney: for your interest. ! v! Thank you to the Deadwood Society of Grateful Dead studies scholars: for your hard work, inspiration, and being so welcoming. Thank you to all interviewees: for speaking to me, being pleasant to speak with, and allowing me to learn from you and share that knowledge with others. These individuals include (in alphabetical order): Andy Bernstein, Jnan Blau, Dean Budnick, Dave Calarco, Josh Clark, Brian Cohen, Anthony DeCurtis, Benjy Eisen, David Fricke, Andy Gadiel, Richard Gehr, Ellis Godard, Mike Greenhaus, Brent Hallenbeck, Jesse Jarnow, Jason Kaczorowski, Aron Magner, Kevin O’Donnell, Jon Pareles, Jim Pollock, Parke Puterbaugh, Paul Robicheau, Peter Shapiro, Lockhart Steele. Extra thanks to those interviewees who kindly helped connect with me other potential interviewees. Extra thanks also to Mike Greenhaus for inviting me to examine the Relix archives. Thank you to the Phish employees I consulted about this project: Tavi Black, Dave Heard, and Nichole Nierman. Thank you to Becky Holt at the Burlington Free Press: for compiling and sharing all of the BFP’s Phish coverage. Thank you to the many people who have written articles and books about Phish that take the band seriously. Thank you to the Phish.net/Mockingbird Foundation contributors: for your efforts in creating such a useful and important resource. Thank you to Phish archivist Kevin Shapiro and Phish managers Patrick Jordan and Jason Colton: for your work, kind emails, and not making it impossible for me to interview people. ! vi! Thank you to the unrivaled community of Phish fans: for your fun spirit and critical music appreciation. Thank you to Phish: for all the phenomenal music. ! vii! Dedicated to Ernest Appel and Laura McClain ! viii! TABLE OF CONTENTS PAGE ABSTRACT…………………………………………………………………………...................iii ACKNOWLEDGEMENTS…………………………………………………….............................v DEDICATION…………….…………………………………………………….........................viii LIST OF TABLES…………………………………………………………………………….......x CHAPTER 1. INTRODUCTION………………………………………………………………………….1 2. PHISH…………………………...……………………………………….……………......11 3. POSITIONING…………………………………………………………………………....34 4. FRAMING………………..……………………………………………………..………...54 5. METHODS…………………………………….……………………………….….….......71 6. CASE STUDY PART A1, “BIRDS OF A FEATHER”: CONTENT ANALYSIS OF PHISH ALBUM REVIEWS FROM ROLLING STONE…………………………............90 7. CASE STUDY PART A2, “ALL THINGS RECONSIDERED”: TEXTUAL ANALYSIS OF ALL PHISH COVERAGE IN ROLLING STONE……………………………….…..98 8. CASE STUDY PART B, “THE CONNECTION”: INTERVIEWS WITH WRITERS, EDITORS, AND PUBLISHERS……………………………................................…......119 9. CONCLUSION……………………………………………………………………...….165 REFERENCES………………………………………………………………………………..183 APPENDICES A. CONTENT ANALYSIS MANUAL…………………………………………………...208 B. INTERVIEWEE BIOGRAPHIES……………………………………………….……..212 ! ix! LIST OF TABLES Table Page 1. Three-Pronged Approach to the Case Study of Phish Coverage..…………………………....71 2. Grateful Dead References in Phish Album Reviews………………………………………....92 3. Five Frames and Four Subframes Characterizing Phish in Rolling Stone…….………...........99 4. Link Forms and Contexts in Coverage of Phish………………………………………….....169 5. Linked Positioning Ladders of the Grateful Dead and Phish…………….……………..…..171 ! x! CHAPTER ONE INTRODUCTION Using a three-pronged multi-method approach to a case study of Phish, this dissertation uses mass communication research about framing and positioning to explore media framing
Load more

Recommended publications
  • Adult Contemporary Radio at the End of the Twentieth Century
    University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century Saesha Senger University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2020.011 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Senger, Saesha, "Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century" (2019). Theses and Dissertations--Music. 150. https://uknowledge.uky.edu/music_etds/150 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known.
    [Show full text]
  • Read Ebook {PDF EPUB} Rocking My Life Away Writing About Music and Other Matters by Anthony Decurtis Rock Critic Lectures on Music
    Read Ebook {PDF EPUB} Rocking My Life Away Writing about Music and Other Matters by Anthony DeCurtis Rock critic lectures on music. 'Rolling Stone' editor Anthony DeCurtis visited Kelly Writers House, but got mixed reviews. By Rebecca Blatt The Daily Pennsylvanian February 22, 2002. Another acclaimed writer visited the Kelly Writers House this week. But this one was not there to discuss poetry or prose -- he was there for rock and roll. On Tuesday afternoon, music critic Anthony DeCurtis spoke to about 25 people in the front room of the Writers House. The crowd included Penn students, professors and local music lovers. DeCurtis is an editor of Rolling Stone magazine, host of an internet music show and the author of Rocking My Life Away: Writing About Music and Other Matters. He won a Grammy Award for his essay accompanying Eric Clapton's Crossroads box set and contributes to many other publications as well. DeCurtis appeared very prepared for the lecture. He took the podium armed with a pad of notes and a pitcher of water. However, some felt that DeCurtis's speech lacked focus. College sophomore Daniel Kaplan was so disappointed with DeCurtis that he left the event early. "He was a writer so pleased with himself and his accomplishments that he seemed to forget that speeches are supposed to be coherent," Kaplan said. Philadelphia resident Hop Wechsler, however, was a little bit more forgiving. "I guess I was expecting more about how he got where he is," Wechsler said. "But what I got was fun for what it was." English Department Chairman David Wallace introduced DeCurtis.
    [Show full text]
  • Download This List As PDF Here
    QuadraphonicQuad Multichannel Engineers of 5.1 SACD, DVD-Audio and Blu-Ray Surround Discs JULY 2021 UPDATED 2021-7-16 Engineer Year Artist Title Format Notes 5.1 Production Live… Greetins From The Flow Dishwalla Services, State Abraham, Josh 2003 Staind 14 Shades of Grey DVD-A with Ryan Williams Acquah, Ebby Depeche Mode 101 Live SACD Ahern, Brian 2003 Emmylou Harris Producer’s Cut DVD-A Ainlay, Chuck David Alan David Alan DVD-A Ainlay, Chuck 2005 Dire Straits Brothers In Arms DVD-A DualDisc/SACD Ainlay, Chuck Dire Straits Alchemy Live DVD/BD-V Ainlay, Chuck Everclear So Much for the Afterglow DVD-A Ainlay, Chuck George Strait One Step at a Time DTS CD Ainlay, Chuck George Strait Honkytonkville DVD-A/SACD Ainlay, Chuck 2005 Mark Knopfler Sailing To Philadelphia DVD-A DualDisc Ainlay, Chuck 2005 Mark Knopfler Shangri La DVD-A DualDisc/SACD Ainlay, Chuck Mavericks, The Trampoline DTS CD Ainlay, Chuck Olivia Newton John Back With a Heart DTS CD Ainlay, Chuck Pacific Coast Highway Pacific Coast Highway DTS CD Ainlay, Chuck Peter Frampton Frampton Comes Alive! DVD-A/SACD Ainlay, Chuck Trisha Yearwood Where Your Road Leads DTS CD Ainlay, Chuck Vince Gill High Lonesome Sound DTS CD/DVD-A/SACD Anderson, Jim Donna Byrne Licensed to Thrill SACD Anderson, Jim Jane Ira Bloom Sixteen Sunsets BD-A 2018 Grammy Winner: Anderson, Jim 2018 Jane Ira Bloom Early Americans BD-A Best Surround Album Wild Lines: Improvising on Emily Anderson, Jim 2020 Jane Ira Bloom DSD/DXD Download Dickinson Jazz Ambassadors/Sammy Anderson, Jim The Sammy Sessions BD-A Nestico Masur/Stavanger Symphony Anderson, Jim Kverndokk: Symphonic Dances BD-A Orchestra Anderson, Jim Patricia Barber Modern Cool BD-A SACD/DSD & DXD Anderson, Jim 2020 Patricia Barber Higher with Ulrike Schwarz Download SACD/DSD & DXD Anderson, Jim 2021 Patricia Barber Clique Download Svilvay/Stavanger Symphony Anderson, Jim Mortensen: Symphony Op.
    [Show full text]
  • September 1995
    Features CARL ALLEN Supreme sideman? Prolific producer? Marketing maven? Whether backing greats like Freddie Hubbard and Jackie McLean with unstoppable imagination, or writing, performing, and producing his own eclectic music, or tackling the business side of music, Carl Allen refuses to be tied down. • Ken Micallef JON "FISH" FISHMAN Getting a handle on the slippery style of Phish may be an exercise in futility, but that hasn't kept millions of fans across the country from being hooked. Drummer Jon Fishman navigates the band's unpre- dictable musical waters by blending ancient drum- ming wisdom with unique and personal exercises. • William F. Miller ALVINO BENNETT Have groove, will travel...a lot. LTD, Kenny Loggins, Stevie Wonder, Chaka Khan, Sheena Easton, Bryan Ferry—these are but a few of the artists who have gladly exploited Alvino Bennett's rock-solid feel. • Robyn Flans LOSING YOUR GIG AND BOUNCING BACK We drummers generally avoid the topic of being fired, but maybe hiding from the ax conceals its potentially positive aspects. Discover how the former drummers of Pearl Jam, Slayer, Counting Crows, and others transcended the pain and found freedom in a pink slip. • Matt Peiken Volume 19, Number 8 Cover photo by Ebet Roberts Columns EDUCATION NEWS EQUIPMENT 100 ROCK 'N' 10 UPDATE 24 NEW AND JAZZ CLINIC Terry Bozzio, the Captain NOTABLE Rhythmic Transposition & Tenille's Kevin Winard, BY PAUL DELONG Bob Gatzen, Krupa tribute 30 PRODUCT drummer Jack Platt, CLOSE-UP plus News 102 LATIN Starclassic Drumkit SYMPOSIUM 144 INDUSTRY BY RICK
    [Show full text]
  • Feature Guitar Songbook Series
    feature guitar songbook series 1465 Alfred Easy Guitar Play-Along 1484 Beginning Solo Guitar 1504 The Book Series 1480 Boss E-Band Guitar Play-Along 1494 The Decade Series 1464 Easy Guitar Play-Along® Series 1483 Easy Rhythm Guitar Series 1480 Fender G-Dec 3 Play-Along 1497 Giant Guitar Tab Collections 1510 Gig Guides 1495 Guitar Bible Series 1493 Guitar Cheat Sheets 1485 Guitar Chord Songbooks 1494 Guitar Decade Series 1478 Guitar Play-Along DVDs 1511 Guitar Songbooks By Notation 1498 Guitar Tab White Pages 1499 Legendary Guitar Series 1501 Little Black Books 1466 Hal Leonard Guitar Play-Along® 1502 Multiformat Collection 1481 Play Guitar with… 1484 Popular Guitar Hits 1497 Sheet Music 1503 Solo Guitar Library 1500 Tab+: Tab. Tone. Technique 1506 Transcribed Scores 1482 Ultimate Guitar Play-Along Please see the Mixed Folios section of this catalog for more2015 guitar collections. 1464 EASY GUITAR PLAY-ALONG® SERIES The Easy Guitar Play-Along® Series features 9. ROCK streamlined transcriptions of your favorite SONGS FOR songs. Just follow the tab, listen to the CD or BEGINNERS Beautiful Day • Buddy Holly online audio to hear how the guitar should • Everybody Hurts • In sound, and then play along using the back- Bloom • Otherside • The ing tracks. The CD is playable on any CD Rock Show • Use Somebody. player, and is also enhanced to include the Amazing Slowdowner technology so MAC and PC users can adjust the recording to ______00103255 Book/CD Pack .................$14.99 any tempo without changing the pitch! 10. GREEN DAY Basket Case • Boulevard of Broken Dreams • Good 1.
    [Show full text]
  • P E R F O R M I N G
    PERFORMING & Entertainment 2019 BOOK CATALOG Including Rowman & Littlefield and Imprints of Globe Pequot CONTENTS Performing Arts & Entertainment Catalog 2019 FILM & THEATER 1 1 Featured Titles 13 Biography 28 Reference 52 Drama 76 History & Criticism 82 General MUSIC 92 92 Featured Titles 106 Biography 124 History & Criticism 132 General 174 Order Form How to Order (Inside Back Cover) Film and Theater / FEATURED TITLES FORTHCOMING ACTION ACTION A Primer on Playing Action for Actors By Hugh O’Gorman ACTION ACTION Acting Is Action addresses one of the essential components of acting, Playing Action. The book is divided into two parts: A Primer on Playing Action for Actors “Context” and “Practice.” The Context section provides a thorough examination of the theory behind the core elements of Playing Action. The Practice section provides a step-by-step rehearsal guide for actors to integrate Playing Action into their By Hugh O’Gorman preparation process. Acting Is Action is a place to begin for actors: a foundation, a ground plan for how to get started and how to build the core of a performance. More precisely, it provides a practical guide for actors, directors, and teachers in the technique of Playing Action, and it addresses a niche void in the world of actor training by illuminating what exactly to do in the moment-to-moment act of the acting task. March, 2020 • Art/Performance • 184 pages • 6 x 9 • CQ: TK • 978-1-4950-9749-2 • $24.95 • Paper APPLAUSE NEW BOLLYWOOD FAQ All That’s Left to Know About the Greatest Film Story Never Told By Piyush Roy Bollywood FAQ provides a thrilling, entertaining, and intellectually stimulating joy ride into the vibrant, colorful, and multi- emotional universe of the world’s most prolific (over 30 000 film titles) and most-watched film industry (at 3 billion-plus ticket sales).
    [Show full text]
  • A Special Night for Panthers Sports | Page 7 UWM Student's Experience at Brewers' Internship
    News | page 4 Union House Party in­ cludes human bowling uwMrOSl ball, ice cream The Student-Run Independent Newspaper at the University of Wisconsin-Milwaukee Tomato fight held on North Ave. A special night for Panthers Sports | page 7 UWM student's experience at Brewers' internship Women's soccer loses to Minnesota 2-3 fringe | page 11 Pantherfest review and interview with Common Pantherfest offered up a variety of entertainment Friday evening. Post photos by Chris Furston By Marly Fink number of tickets available to and Pepsi. Campus organiza­ Gore said. Whitney Houston's Asst. News Editor faculty, staff and alumni were tions and athletics were also well UWM junior and Pantherfest comeback album [email protected] reduced, in hopes of increas­ represented. attendee Bridget Williquette disappoints ing student presence at the Dashboard Confessional, an thought this year's event was bet­ The Marcus Amphitheater was event. Although total attendance alternative band, hit the stage ter than last year. packed Friday night with an ex­ dropped, the number of students around8:30p.m.RapperCommon "It's awesome! There are a lot Editorial | page 19 cited crowd of UW-Milwaukee increased. followed around 10 p.m. more booths and they have the students and staff as Dashboard Forecourt festivities began at Gore worked closely with Euro bungee," Williquette said. Confessional and Common head­ 5 p.m., with complimentary food Bob Babisch, vice president of In recent years, alcohol has Obama perpetuates lined Pantherfest 2009. This for students and staff from Whole entertainment for Summerfest, been available at Pantherfest. myth of self-made man climactic end to a long week Foods and a wide range of ac­ with additional input from UWM However, Gore said in light of the of Campus Kickoff activities tivities, including Euro bungee alumni to secure the two head- recent drug and alcohol tragedies UWM residence hall liners.
    [Show full text]
  • Hoerle-Guggenheim Gallery
    HOERLE-GUGGENHEIM GALLERY FOR IMMEDIATE RELEASE Hoerle-Guggenheim Gallery 527 West 23rd Street New York, NY 10011 www.hoerle-guggenheim.com www.welkershow.com Tuesday-Saturday: 11AM-6PM T. 212 366 4490 David Welker, RIFT, 1993 Oil on Canvas 20 x 35 inches DAVID WELKER | SUBCONSCIOUS NARRATIVES November 19 - January 7, 2016 Opening Reception: Thursday, November 19, 6-9PM HOERLE-GUGGENHEIM GALLERY presents David Welker: Subconscious Narratives, the artist’s first solo show in New York City. Welker has followed a path of experimentation and genre jumping taking him from the top of the landscape mural scene to the top of the concert poster scene in just a few years. Welker is now setting his sights on the gallery world as he continues to express all of his varied influences in a unified visual aesthetic which combines his deep appreciation of early 20th century Surrealism with his love of pervasive pop culture. With Subconscious Narratives Welker depicts a thought before it becomes a word, concept, story or tangible form. These studies are not isolated to one brief instant but instead capture the turmoil of forms transitioning in the mind from moment to moment. By getting in tune with his minds eye Welker has noticed that the periphery of each thought has edges fading into others. His imagination hovers in a space devoid of temporal constraints or physical permanence. This is the conceptual DNA of Subconscious Narratives - an exploration of the cloudy impressions leading up to and receding from a fabricated instance. While the center of the pieces may be a conceptual focus, the edges form building blocks for dreams not yet depicted.
    [Show full text]
  • University of Vermont, College of Medicine Bulletin University of Vermont
    University of Vermont ScholarWorks @ UVM University of Vermont College of Medicine University Libraries Catalogs 1991 University of Vermont, College of Medicine Bulletin University of Vermont Follow this and additional works at: https://scholarworks.uvm.edu/dmlcatalog Part of the Medicine and Health Sciences Commons Recommended Citation University of Vermont, "University of Vermont, College of Medicine Bulletin" (1991). University of Vermont College of Medicine Catalogs. 121. https://scholarworks.uvm.edu/dmlcatalog/121 This Book is brought to you for free and open access by the University Libraries at ScholarWorks @ UVM. It has been accepted for inclusion in University of Vermont College of Medicine Catalogs by an authorized administrator of ScholarWorks @ UVM. For more information, please contact [email protected]. Vt . Med . Hi st. w 19 . 5 U58c 1991 / 92 The University of Vermont COII.EGE OF MEDICINE Catalogue 1991-1992 Although its legal title is T/u• University of Vermon t and State Agricu.llu.ml College, the University is known to ils students and alumni as UVM. This popula·r abbreviation is dmived from the Latin Univer itas Viridis Montis, University of the Green Mountains. The University of Vemzont reserves the right lo make changes in the course offmings, degree requirements, ch.mges, and regulations and procedures contained herein as educational and financial considerations requi·re, subject to and consistf/lt with established procedures and authorizations for making such changes. Students at The University of Vennont a>"!' resj;onsible for knowing and complying with all requirements for their respective degrees. Mission The University of Vermont and State Ag•·icultural College blends the academic heritage of a private uni­ versity with se rvice missions in the land-grant u·adition.
    [Show full text]
  • Zerohack Zer0pwn Youranonnews Yevgeniy Anikin Yes Men
    Zerohack Zer0Pwn YourAnonNews Yevgeniy Anikin Yes Men YamaTough Xtreme x-Leader xenu xen0nymous www.oem.com.mx www.nytimes.com/pages/world/asia/index.html www.informador.com.mx www.futuregov.asia www.cronica.com.mx www.asiapacificsecuritymagazine.com Worm Wolfy Withdrawal* WillyFoReal Wikileaks IRC 88.80.16.13/9999 IRC Channel WikiLeaks WiiSpellWhy whitekidney Wells Fargo weed WallRoad w0rmware Vulnerability Vladislav Khorokhorin Visa Inc. Virus Virgin Islands "Viewpointe Archive Services, LLC" Versability Verizon Venezuela Vegas Vatican City USB US Trust US Bankcorp Uruguay Uran0n unusedcrayon United Kingdom UnicormCr3w unfittoprint unelected.org UndisclosedAnon Ukraine UGNazi ua_musti_1905 U.S. Bankcorp TYLER Turkey trosec113 Trojan Horse Trojan Trivette TriCk Tribalzer0 Transnistria transaction Traitor traffic court Tradecraft Trade Secrets "Total System Services, Inc." Topiary Top Secret Tom Stracener TibitXimer Thumb Drive Thomson Reuters TheWikiBoat thepeoplescause the_infecti0n The Unknowns The UnderTaker The Syrian electronic army The Jokerhack Thailand ThaCosmo th3j35t3r testeux1 TEST Telecomix TehWongZ Teddy Bigglesworth TeaMp0isoN TeamHav0k Team Ghost Shell Team Digi7al tdl4 taxes TARP tango down Tampa Tammy Shapiro Taiwan Tabu T0x1c t0wN T.A.R.P. Syrian Electronic Army syndiv Symantec Corporation Switzerland Swingers Club SWIFT Sweden Swan SwaggSec Swagg Security "SunGard Data Systems, Inc." Stuxnet Stringer Streamroller Stole* Sterlok SteelAnne st0rm SQLi Spyware Spying Spydevilz Spy Camera Sposed Spook Spoofing Splendide
    [Show full text]
  • Your Pretty Face Is Going to Hell the Dangerous Glitter of David Bowie, Iggy Pop,And Lou Reed
    PF00fr(i-viii;vibl) 9/3/09 4:01 PM Page iii YOUR PRETTY FACE IS GOING TO HELL THE DANGEROUS GLITTER OF DAVID BOWIE, IGGY POP,AND LOU REED Dave Thompson An Imprint of Hal Leonard Corporation New York PF00fr(i-viii;vibl) 9/16/09 3:34 PM Page iv Frontispiece: David Bowie, Iggy Pop, and Lou Reed (with MainMan boss Tony Defries laughing in the background) at the Dorchester Hotel, 1972. Copyright © 2009 by Dave Thompson All rights reserved. No part of this book may be reproduced in any form, with- out written permission, except by a newspaper or magazine reviewer who wishes to quote brief passages in connection with a review. Published in 2009 by Backbeat Books An Imprint of Hal Leonard Corporation 7777 West Bluemound Road Milwaukee, WI 53213 Trade Book Division Editorial Offices 19 West 21st Street, New York, NY 10010 Printed in the United States of America Book design by David Ursone Typography by UB Communications Library of Congress Cataloging-in-Publication Data Thompson, Dave, 1960 Jan. 3- Your pretty face is going to hell : the dangerous glitter of David Bowie, Iggy Pop, and Lou Reed / Dave Thompson. — 1st paperback ed. p. cm. Includes bibliographical references and discography. ISBN 978-0-87930-985-5 (alk. paper) 1. Bowie, David. 2. Pop, Iggy, 1947-3. Reed, Lou. 4. Rock musicians— England—Biography. 5. Punk rock musicians—United States—Biography. I. Title. ML400.T47 2009 782.42166092'2—dc22 2009036966 www.backbeatbooks.com PF00fr(i-viii;vibl) 9/3/09 4:01 PM Page vi PF00fr(i-viii;vibl) 9/3/09 4:01 PM Page vii CONTENTS Prologue .
    [Show full text]
  • Robert Walser Published Titles My Music by Susan D
    Running With the Devil : Power, Gender, title: and Madness in Heavy Metal Music Music/culture author: Walser, Robert. publisher: Wesleyan University Press isbn10 | asin: 0819562602 print isbn13: 9780819562609 ebook isbn13: 9780585372914 language: English Heavy metal (Music)--History and subject criticism. publication date: 1993 lcc: ML3534.W29 1993eb ddc: 781.66 Heavy metal (Music)--History and subject: criticism. Page i Running with the Devil Page ii MUSIC / CULTURE A series from Wesleyan University Press Edited by George Lipsitz, Susan McClary, and Robert Walser Published titles My Music by Susan D. Crafts, Daniel Cavicchi, Charles Keil, and the Music in Daily Life Project Running with the Devil: Power, Gender, and Madness in Heavy Metal Music by Robert Walser Subcultural Sounds: Micromusics of the West by Mark Slobin Page iii Running with the Devil Power, Gender, and Madness in Heavy Metal Music Robert Walser Page iv WESLEYAN UNIVERSITY PRESS Published by University Press of New England, Hanover, NH 03755 © 1993 by Robert Walser All rights reserved Printed in the United States of America 5 4 3 2 1 CIP data appear at the end of the book Acknowledgments for song lyrics quoted: "Electric Eye": Words and music by Glenn Tipton, Rob Halford, and K. K. Downing, © 1982 EMI APRIL MUSIC, INC. / CREWGLEN LTD. / EBONYTREE LTD. / GEARGATE LTD. All rights controlled and administered by EMI APRIL MUSIC, INC. International copyright secured. All rights reserved. Used by permission. "Suicide Solution": Words and music by John Osbourne, Robert Daisley, and Randy Rhoads, TRO© Copyright 1981 Essex Music International, Inc. and Kord Music Publishers, New York, N.Y.
    [Show full text]