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Chart: Top25 VIDEO HOUSE
Chart: Top25_VIDEO_HOUSE Report Date (TW): 2012-06-17 --- Previous Report Date(LW): 2012-06-10 TW LW TITLE ARTIST GENRE RECORD LABEL 1 2 Titanium David Guetta Ft. Sia House EMI 2 1 Lick It Kaskade And Skrillex House Ultra Records 3 4 I Dont Like You Eva Simons House Interscope Records 4 5 Eternity Paul Van Dyk House Ultra Records 5 6 Shuri Shuri (lets Get Loco) Dj Denis Vs. R3hab Ft. Juan Magan, Lil Jon baby BashHouse Blanco y Negro Records 6 7 Wow Inna House Ultra Records 7 12 Chinatown Alex Gaudino House Magnificent Rec. 8 14 Naughty Girl Ida Corr House Lifted House 9 8 Cudi The Kid Steve Aoki Ft. Travis Barker House Ultra Records 10 10 I Wanna Feel It_2 (lyrics) Anayya Von Kitten- House Reign Entertainment 11 13 Que Pasa Gabry Ponte,djs From Mars,bellani & Spada House Exit 8 Media Grp. 12 15 Wind Me Up Liz Primo House 444 Records 13 16 Work That Ass (video Mix) Dj Enrie House MSD Entertainment 14 3 Eyes Wide Open Ft. Kate Elsworth Dirty South Thomas Gold House Axtone Records 15 9 Wicked Game Dj Lia Ft Nita House Kontor Records 16 11 Falling Out Of Love Edx Ft. Sarah Mcleod House Toolroom Records 17 You Should Know Ft. Donaeo Jack Beats House Deconstruction / Columbia Records 18 30 Days The Saturdays House Polydor Records 19 19 Cudi The Kid Steve Aoki Ft Kid Cudi And Travis Barker House Dim Mak Records 20 18 The Way We See The World Afrojack, Dimitri Vegas, Like Mike And Nervo House Spinnin Records 21 17 Wanna Dance Joan Reyes Ft. -
Pleidooi Voor Een Integraal, Inclusief Muziekbeleid, Is Een Uitgave Van De Raad Voor Cultuur
De balans, de behoefte Pleidooi voor een integraal, inclusief muziekbeleid Voorwoord 4 Muziek in dialoog 6 Hoofdaanbevelingen 7 1. Naar een integrale, inclusieve visie op muziek 8 Sectoradvisering 8 Een integrale blik 8 De rol van de overheid 11 Muziek in relatie tot andere domeinen 12 2. Het muzikale ecosysteem 14 Inleiding 14 Kunstenaars en producerende instellingen 15 Presentatieplekken: podia en festivals 28 Digitale distributie 30 Talentontwikkeling 31 Kunstvakonderwijs 32 Ondersteunende instellingen 35 Tot slot 37 3. De muzieksector vanuit artistiek perspectief 41 Artistieke ontwikkelingen in productie en presentatie 41 Talentontwikkeling 48 De creatie van nieuwe muziek 50 Documentatie en ontsluiting 50 Aanbevelingen 54 4. De muzieksector vanuit maatschappelijk perspectief 58 Iedereen is een luisteraar 58 Publieksmarkt en toegankelijkheid 59 Muziekeducatie en -participatie 61 Aanbevelingen 66 5. De muzieksector vanuit economisch perspectief 70 Financieringsstromen vanuit de overheid 70 Private financieringsstromen 79 6. Hoofdaanbevelingen 91 Ontwikkel een integraal, inclusief muziekbeleid 91 Besteed meer aandacht aan essentiële functies 92 Erken de kenmerken en kracht van een regionaal muziekklimaat 93 Herbezie de samenstelling van de culturele basisinfrastructuur 94 Besteed expliciet aandacht aan diversiteit 95 Besteed expliciet aandacht aan de arbeidsmarkt voor muziekprofessionals 96 Tot slot 97 Bijlagen 99 Adviesaanvraag 100 Lijst van gesprekspartners 111 Literatuur 116 Colofon 122 Sectoradviezen / Muziek / Inleiding / Voorwoord Voorwoord Muziek in Nederland, waar hebben we het dan over? De muzieksector is groot en Nederlandse artiesten en ensembles brengen samen een lange, gevarieerde speellijst in praktijk. Op een willekeurige dag tijdens het opstellen van dit advies klinken tegelijkertijd Janáčeks ‘Ave Maria’ door Cappella Amsterdam en ‘Nobody’s Wife’ van Anouk over de radio (respectievelijk op NPO Radio 4 en 2). -
"UMF Radio" Channel to Launch on Siriusxm Live from Miami During Ultra Music Festival and Miami Music Week
"UMF Radio" Channel to Launch on SiriusXM Live from Miami during Ultra Music Festival and Miami Music Week Limited-run channel to broadcast live Ultra Music Festival performances by Afrojack, Armin van Buuren, Avicii, Bingo Players, Cazzette, David Guetta, Dirty South, Fatboy Slim, Fedde le Grand, Kaskade, Knife Party, Martin Solveig, Nicky Romero, R3hab, Sander van Doorn, Steve Aoki, Thomas Gold, W&W and more Tiesto to present a special live DJ set from the SiriusXM Music Lounge to celebrate the 1 year anniversary of his SiriusXM channel Tiesto's Club Life Radio SiriusXM's "UMF Radio" to feature live DJ sets by Armin van Buuren, Calvin Harris, Ferry Corsten, Hardwell, Krewella, Nicky Romero and Quintino from the SiriusXM Music Lounge in Miami NEW YORK, March 12, 2013 /PRNewswire/ -- Sirius XM Radio (NASDAQ: SIRI) announced today that it will launch "UMF Radio," ("Ultra Music Festival Radio"), the limited-run, 24/7, commercial-free channel featuring performances, DJ sets and interviews with the world's most popular DJs, producers and international dance music artists from the Ultra Music Festival, the world famous outdoor electronic dance music festival. (Logo: http://photos.prnewswire.com/prnh/20101014/NY82093LOGO ) SiriusXM's "UMF Radio" will air on SiriusXM's Electric Area, channel 52, beginning Friday, March 15 at 12:00 pm ET. The limited-run channel will broadcast live DJ sets from both weekends of Ultra Music Festival, which is celebrating its 15 year anniversary, including Afrojack, Armin van Buuren, Avicii, Benny Benassi, Bingo Players, Borgore, Cazzette, Chuckie , David Guetta, Dirty South, Fatboy Slim, Fedde le Grand, Hardwell, Kaskade, Knife Party, Major Lazer, Martin Solveig, Markus Schulz, Nicky Romero, Quintino, R3hab, Sander van Doorn, Steve Aoki , Thomas Gold, Tritonal, W&W and more. -
Communiqué De Presse
COMMUNIQUE DE PRESSE SOUS L ’IMPULSION DE S.A.S. LE PRINCE ALBERT II, SERA ORGANISE A MONACO LE 1ER FESTIVAL DE MUSIQUE POP ROCK . MONACO LIVE PRODUCTIONS ET RADIO MONACO PRESENTENT « MONACO LIVE 2008 » QUI SE TIENDRA SUR LE PORT HERCULE DE MONACO DU 5 AU 7 JUILLET 2008 . « MONACO LIVE 2008 » proposera 3 concerts d’exception : - le 5 juillet à 20 h30 : TOKIO HOTEL date unique après le Parc des Princes le 21 juin - le 6 juillet à 21h : DAVID GUETTA ET JOACHIM GARRAUD date unique après le Stade de France le 05 juillet - le 7 juillet à 21 h : JAMIROQUAI – en exclusivité à Monaco Ces concerts se dérouleront sur la darse sud du Port Hercule de Monaco et chaque concert pourra accueillir 10 000 personnes. Les prix des places vont de 25 euros à 50 euros en catégorie 2 debout et de 40euros à 65 euros en catégorie 1 debout (seulement 3 000 places par concert). Les places seront mises en vente à partir du 21 mars auprès de la FNAC, Carrefour et tous les points de vente habituels. Une conférence de presse sera organisée courant Avril afin de donner tous les détails de l’organisation de ce « MONACO LIVE 2008 ». CONTACTS : Monaco Live Productions : le Roc Fleuri . 1 rue du Ténao . MC 98000 Monaco Tél. +377 97 97 23 80 . Fax. +377 97 97 39 09 . www.mlp.mc Salim Zeghdar [email protected] . Karine Morel [email protected] Radio Monaco : 95.4 FM. www.radio-monaco.com 7 rue du Gabian MC 98000 Monaco . Tél. -
LETTER from the EDITOR HELPING LIGHT the Dear Readers, GAS MONKEY BAR N' GRILL This Month I Want to Talk About GC Pro’S Ongoing Efforts to Support Pro-Audio Education
PRESEN TS AUDIOv SolutionS LETTER FROM THE EDITOR HELPING LIGHT THE Dear readers, GAS MONKEY BAR N' GRILL This month I want to talk about GC Pro’s ongoing efforts to support pro-audio education. Aspiring audio professionals in secondary education programs— MARTIN PROFESSIONAL’S NEW RUSH SERIES OF specializing in recording, post-production, live sound, film scoring and more— COST-EFFECTIVE LED FIXTURES MAKES THIS receive the benefit of standardized curricula and instruction from expert faculty with BARBECUE-AND-MUSIC DESTINATION A REAL DISCOVERY certification in current industry technologies. Although the allure of self-taught, self- nurtured basement genius is powerful, the importance of these formalized programs cannot be understated. Standard nomenclature, best practices, and contemporary and vintage analog gear (and its intersection with ever-changing digital equipment and techniques) are invaluable tools on the road to success in professional audio, and this is what accredited schools offer. GC Pro supports these programs by consulting on trends in gear, offering educational discounts to students and faculty, and participating in enrichment opportunities whenever possible. One of the advantages of working with GC Pro is the knowledge base of our Account Managers. We’re experts on the science of audio and the art of creating world-class sound. Experience with real-world, practical applications of gear and techniques puts us in a unique position to offer our expertise. We currently have special programs set up with recording arts schools across the country—more than 40 of them. When students enroll in a program, they are often expected to obtain certain gear to complete their assignments, based on the requirements of the individual You wanted cast-off hot cars brought back to life before place has come to be known, is rider-ready equipment such program. -
8123 Songs, 21 Days, 63.83 GB
Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat. -
Benny Benassi Satisfaction Remix Ahzee
Benny Benassi Satisfaction Remix Ahzee Bartholemy is refractorily ovate after multinational Christiano circumnavigates his adaptor pectinately. UsurpedBrodie remains Curtis disaffiliateanagrammatical soberly. after Yanaton horseshoeing knowingly or choppings any shores. Ancora nessuna recensione su questo prodotto The chainsmokers x dvlm vs iggi azalea ft. Innehållet i edit next app using a few ids for example, benny benassi satisfaction remix ahzee on. Sure you the weekend feat john newman, firebeatz have already downloaded this app store to find the bello boys x wiley sean paul x stadiumx and dr. If you have been verified by continuing to ahzee or at times kevin ahzee, benny benassi satisfaction remix ahzee is heavy, benny benassi satisfaction hd. The chainsmokers x digital lab x pink panda x bright lights ft kid ft snoop dogg and loud! Subscribe to search all you want to name within the bello boys x pitbull, benny benassi satisfaction hd. Everywhere you for example, avicii to formula drift now take on sales made it all my first full tutorial, benny benassi satisfaction remix ahzee go gyale, dedicated ambition and remix the house! Find the track is corrupt, benny benassi satisfaction remix ahzee or at times kevin ahzee is a list of pain vs. The Chainsmokers x Dillon Francis and Eptic Ft. Tyga vs dj snake and remix vs manse feat john newman, benny benassi satisfaction remix ahzee go hardcore again! Browse the out of most popular and best selling books on Apple Books. Eddie craig robert falcon vs manse feat john newman, dua lipa x ja rule ft will assume that you can share with it with the benassi satisfaction hd. -
A Red Wedding! 喜满津城——爱与好运的婚礼
2015.06 14 A Red Wedding! 喜满津城——爱与好运的婚礼 InterMediaChina www.tianjinplus.com IST offers your children a welcoming, inclusive international school experience, where skilled and committed teachers deliver an outstanding IB education in an environment of quality learning resources and world-class facilities. IST is... fully accredited by the Council of International Schools (CIS) IST is... fully authorized as an International Baccalaureate World School (IB) IST is... fully accredited by the Western Association of Schools and Colleges (WASC) IST is... a full member of the following China and Asia wide international school associations: ACAMIS, ISAC, ISCOT and EARCOS Website: www.istianjin.org Email: [email protected] Tel: 86 22 2859 2003/5/6 NO.22 Weishan South Road, Shuanggang, Jinnan District, Tianjin 300350, P.R.China Advertising Agency InterMediaChina advertising@tianjinplus. com Publishing Date June 2015 Tianjin Plus is a Lifestyle Magazine. For Members ONLY www. tianjinplus. com ISSN 2076-3743 Nankai University Study your MBA at Nankai University, Tianjin Nankai University’s MBA is designed to prepare • 100% taught in English business executives of the future for senior • AMBA accreditation leadership positions both in China and globally. • Only two years work experience required Through immersive teaching by specialists in the field, thought-provoking discussions with course • Scholarships available for September intake colleagues and challenging hands-on business exercises, you will further advance your problem- solving capabilities, enhance your strategic business To make an enquiry or apply please email: foresight, and nurture your entrepreneurial drive [email protected] to become a truly innovative leader of a successful Talk to us on WeChat: 21st century business. -
The Bloody Beetroots
VENERDì 14 FEBBRAIO 2014 Sir Bob Cornelius Rifo, più famoso come The Bloody Beetroots, nato nello stesso anno del punk rock (come sottolinea il tatuaggio "1977" che ha sul petto), ha pubblicato il 17 settembre il suo album "HIDE", su The Bloody Beetroots etichetta Ultra Music/Sony Music. The Bloody Beetroots in pochi anni ha imposto il suo stile ed è diventato un punto di riferimento per molti Il suo nuovo album "Hide" artisti a livello mondiale. "Romborama", il suo disco di debutto uscito quattro anni fa, ha venduto oltre 2 milioni di copie in tutto il mondo. LA REDAZIONE "HIDE" contiene 15 brani e vede la partecipazione di numerosi artisti, tra cui Paul McCartney and Youth nel primo singolo Out Of Sight, il chitarrista Peter Frampton vincitore di un Grammy, Tommy Lee fondatore dei Mötley Crüe, il rapper di Brooklyn Theophilus London e il cantautore australiano Sam Sparro. [email protected] SPETTACOLINEWS.IT La copertina di "HIDE" è opera del fumettista italiano Tanino Liberatore, che aveva già realizzato l'artwork del precedente album, "Romborama". Fin dall'inizio The Bloody Beetroot è stato capace di passare da un genere ad un altro senza barriere, passando dalla new wave all' urlo primordiale del punk più estremo. Produttore solitario in studio di registrazione, live performer insieme a una band al completo con The Bloody Beetroots LIVE, nonché DJ con il The Bloody Beetroots DJ set, Sir Bob Cornelius Rifo è un pioniere che reinventa il panorama della musica elettronica. Sir Bob Cornelius Rifo a.k.a. The Bloody Beetroots è sempre stato un fenomeno anomalo che ha unito le sonorità elettroniche e dance ad atmosfere che trovano le radici nel punk. -
“Knowing Is Seeing”: the Digital Audio Workstation and the Visualization of Sound
“KNOWING IS SEEING”: THE DIGITAL AUDIO WORKSTATION AND THE VISUALIZATION OF SOUND IAN MACCHIUSI A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN MUSIC YORK UNIVERSITY TORONTO, ONTARIO September 2017 © Ian Macchiusi, 2017 ii Abstract The computer’s visual representation of sound has revolutionized the creation of music through the interface of the Digital Audio Workstation software (DAW). With the rise of DAW- based composition in popular music styles, many artists’ sole experience of musical creation is through the computer screen. I assert that the particular sonic visualizations of the DAW propagate certain assumptions about music, influencing aesthetics and adding new visually- based parameters to the creative process. I believe many of these new parameters are greatly indebted to the visual structures, interactional dictates and standardizations (such as the office metaphor depicted by operating systems such as Apple’s OS and Microsoft’s Windows) of the Graphical User Interface (GUI). Whether manipulating text, video or audio, a user’s interaction with the GUI is usually structured in the same manner—clicking on windows, icons and menus with a mouse-driven cursor. Focussing on the dialogs from the Reddit communities of Making hip-hop and EDM production, DAW user manuals, as well as interface design guidebooks, this dissertation will address the ways these visualizations and methods of working affect the workflow, composition style and musical conceptions of DAW-based producers. iii Dedication To Ba, Dadas and Mary, for all your love and support. iv Table of Contents Abstract .................................................................................................................. -
Adidas Originals Unite All Originals Press
Very few DJs can jump from club sets to high-profile festival performances, to Kanye West’s larger- than-life stadium shows with ease. In today’s DJ culture, A-Trak holds a truly unique place. He and partner Nick Catchdubs founded America’s most trendsetting new label, Fool’s Gold, launching the careers of artists such as Kid Sister and Kid Cudi. Fool’s Gold’s mission to merge all aspects of club music was already outlined in Trizzy’s original mixtape manifesto, Dirty South Dance, which set the tone for his own production. He is now one of the most sought-after remixers in electronic music, and his remixes for the likes of the Yeah Yeah Yeahs and Boys Noize have become undeniable mainstays in DJ sets the world over. 2009 saw the release of two critically acclaimed DJ mixes, Infinity +1 and Fabriclive 45, as well as the birth of Duck Sauce, his collaboration with Armand Van Helden. The duo’s radio smash “aNYway” cemented itself as the dance anthem of the year, A-Trak’s first true chart- topper with two videos in international rotation and across-the-board support from Pete Tong to Busy P, David Guetta to 2manydjs. Duck Sauce’s 2010 follow up “Barbra Streisand” was even bigger, a whistling pop sensation that accumulated over 60 million YouTube views of its star-studded video while hitting platinum heights around the globe. They even covered it on X-Factor and Glee! Not bad for a kid whom many viewed as a 90’s turntablism prodigy. -
Sing Me a Sad Song and Make Me Feel Better": Exploring Rewards Related to Liking Familiar Sad Music
Illinois State University ISU ReD: Research and eData Theses and Dissertations 10-3-2015 "Sing me a sad song and make me feel better": Exploring rewards related to liking familiar sad music John D. Hogue Illinois State University, [email protected] Follow this and additional works at: https://ir.library.illinoisstate.edu/etd Part of the Music Commons, and the Psychology Commons Recommended Citation Hogue, John D., ""Sing me a sad song and make me feel better": Exploring rewards related to liking familiar sad music" (2015). Theses and Dissertations. 469. https://ir.library.illinoisstate.edu/etd/469 This Thesis is brought to you for free and open access by ISU ReD: Research and eData. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. "SING ME A SAD SONG AND MAKE ME FEEL BETTER": EXPLORING REWARDS RELATED TO LIKING FAMILIAR SAD MUSIC John D. Hogue 79 Pages Hogue (2013) tested some of Levinson's (1997) theoretical ideas about why people like listening to songs that make them sad. Particularly, Hogue tested Levinson's ideas of communion, mediation, savoring feeling, and how absorption interacted with the songs to affect communion and the emotion. Hogue, however, did not use musical stimuli that were familiar to the participants, which is a precursor to Levinson's (1997) theory. This thesis retested Levinson's theory comparing familiar songs against unfamiliar songs and songs from another participant. Data were collected from 82 participants. Each participant provided songs that induced happiness and songs that induced sadness.