NJWS April 2018 Concert

Total Page:16

File Type:pdf, Size:1020Kb

NJWS April 2018 Concert Season 35, Concert 4 - April 13, 2018 2017-18 CONTRIBUTORS The New Jersey Wind Symphony gratefully acknowledges the support of our donors and subscribers whose generous support makes these programs possible. BENEFACTOR ($3,000 and above) Jerry, Mary, Leah, & Brendan Meyer Thomas & Victoria Price Dorothy Neff Bank of America/Merrill Lynch Wealth Marcella Phelan Management Eddie & Mary Romeau Bergen County Division of Cultural and Historic Jean Roughgarden Affairs Steven & Ida Steiner Jason & Jennifer Stier PATRON ($2,000 to $2,999) Kathleen & Harold Sylvester Carolyn & Howard Crumb Dr. Richard & Katherine Wise Lindsay Gallagher Nancy Zweil Judy & Roger Widicus Blue Moon Mexican Cafe Dr. Christian Wilhjelm & Jacqueline Sarracco BNY Mellon Community Partnership SPONSOR ($1,000 to $1,999) FRIEND ($1 to $99) Nancy Crumb Ricciardi Thomas Alexander Michael & Darel-Ann DePompeo Barbaralee Berté & Ron Buchichio In Memory of Gunther Schuller June Blauvelt Daiichi Sankyo, Inc. Joan Dolder PVH Corporation Goldie Easse Delbert & Anne Eisch SUPPORTER ($500 to $999) Margarita & Paul Elkin Barbara Abney Bolger Frances Ferraro Lawrence & Donna Friedman Mark & Arlene Glauber In Memory of Aquilina Lim Katherine Grasso Jeffrey & Kathryn Mantell Lois Hicks-Wozniak John & Marilyn Wagner Janet Johnston Fred & Patricia Yosca Dr. Lisa Lutter Lawrence Miloscia ASSOCIATE ($250 to $499) Thelma Peres Johan de Meij / Amstel Music USA Walter & Diana Perog Elaine Douvas Larry & Barbara Roshon Naomi Freshwater Michael & Dawn Russo Paul Goldberg Albert Schagen Marie Kane Rachel Schulman Paul & Carolyn Kirby Ann Sirinides Michael Kokola Kathryn Smith Deloss Schertz & Rose Kraybill Christina Stier Thomas & Kristen Siebenhuhner Alexander & Debra Taylor Richard & Karen Summers Paul Van Ness & Wanlun Esther Tsai James & Mary Welton Carl & Alice Wilhjelm Helaine & Alan Wohl Janet Williams Mark & Andrea Zettler AFFILIATE ($100 to $249) Amazon Smile Foundation Ginny Baird Balloonacy, LLC Ruth & Robert Barton John & Louise Butler If you are a recent subscriber or donor, David & Jacalyn Bychek we may have received your name too late Suzanne Coletta & Seth Glasser to include in this program and we Kenneth & Linda Dutcher Sally Fillmore & David Appel apologize for that, but you will be in Annette & Andy Lieb subsequent programs. Thank you. James & Cheryl Mallen Marks Family Dr. Christian Wilhjelm, Music Director Solid Brass FEATURED GUESTS Joseph Alessi, Trombone Philip Smith, Cornet/Trumpet PRELUDE CONCERT - 7:30 PM Northern Highlands High School Wind Ensemble Ms. Theodora Sotiropoulos, Director Friday, April 13, 2018 - 8:00 PM West Side Presbyterian Church, Ridgewood, NJ Konica Minolta Business Solutions U.S.A. is a Proud Sponsor of the New Jersey Wind Symphony About the New Jersey Wind Symphony Dr. Chris Wilhjelm, community leaders, and musicians founded the Ridgewood Concert Band (RCB) in 1983 with the idea of providing high quality performing venues for the many accomplished wind and percussion players living in the New York metropolitan area. On July 1, 2017, the Ridgewood Concert Band formally changed its name to the New Jersey Wind Symphony (NJWS) to better reflect the identity of the organization. Through the years, consistently high level performances have led to the production of two commercially released CDs, performances on the East Coast, and peer recognition through the Printing of this program generously underwritten by awarding of the John Philip Sousa Foundation’s coveted Sudler Silver Scroll Award in 1996. Konica Minolta Business Solutions. The NJWS performs an annual series of concerts presenting the very finest in wind band literature for capacity audiences. Ranging from light classics and famous marches to cutting edge ________________________________________________________________________ compositions by today’s brilliant composers, the band’s programming has drawn critical attention for its variety and depth. Originally launched as the Ridgewood Community Concert Band, an early review praising the band’s fine performance proclaimed this is no “Community” band. The Board of Directors decided to incorporate as the Ridgewood Concert Band. Funding has been made possible in part by the New Jersey State Council on the The members of the New Jersey Wind Symphony come from all walks of life. The musicians and board members are drawn together by a common dedication to the study, performance and Arts/Department of State, through grant support of great music. funds administered by the Bergen County The quality of NJWS performances has attracted world-class soloists from the New York Philharmonic Orchestra, the Metropolitan Opera Orchestra, radio and television personalities and Department of Parks, Division of other nationally renowned performers and conductors. The New Jersey Wind Symphony has also been active in the commission and performance of new works. Cultural and Historic Affairs. The New Jersey Wind Symphony is actively engaged with area schools, offering opportunities for ________________________________________________________________________ talented school musicians to perform with the band. In 2006, the band launched a scholarship program that reaches a large network of high schools in the region, inviting musicians who plan to seek a career in music to compete for scholarship funds. Winners showcase their talent as a The New Jersey Wind Symphony would like to featured soloist with the band. The competition and concert is one of the highlights of each season. thank all of the many volunteers who have made Each year the NJWS performs a subscription series of concerts at their performance home in the this concert possible. West Side Presbyterian Church in Ridgewood, New Jersey. ________________________________________________________________________ The NJWS has also obtained world-wide recognition through international touring: 1998 – Central Europe: Czech Republic, Slovakia, Hungary, Austria 2003 – Southern France: The Riviera Reeds Festival, La Croix Valmer; Le Pradet 2008 – China: Shanghai, Hangzhou, Xian, Beijing The New Jersey Wind Symphony would like to give 2009 – Brazil: Sao Paolo, Santos, Novo Friburgo, Rio de Janeiro, Ouro Preto a special “thank you” to David Marks and the 2010 – Germany, Austria, Italy: Garmisch, Munich, Salzburg, Schladming Festival, Venice Midland Park School District. The Midland Park High School band room is our weekly rehearsal site. ________________________________________________________________________ For additional NJWS information, please visit our website or scan our QR code: WWW.NJWINDSMPHONY.ORG NEW JERSEY WIND SYMPHONY MEET THE NJWS OARD OF RUSTEES B T Thomas A. Abbate, a member of the trombone section, is a musician by night and a PRESIDENT: lawyer by day who practices as a litigation partner in the 70-lawyer firm of DeCotiis, Deloss Schertz FitzPatrick, Cole & Giblin, LLP, located in Teaneck. Tom’s practice focuses on complex IMMEDIATE PAST PRESIDENT: civil, regulatory and commercial litigation on behalf of business and government entities in Mark Zettler the trial and appellate courts. VICE PRESIDENT: Tom has represented business entities in many different litigation matters through his 16-year Lawrence Friedman career practicing law. Of local interest, he was lead counsel in a series of lawsuits in the state and federal courts, all the way up to the New Jersey RECORDING SECRETARY: Supreme Court, which culminated in the successful re-launch and re- opening of the former Pascack Valley Hospital in Westwood, in June Annette Lieb 2013. Tom also defends government entities against a variety of matters including employment discrimination, civil and constitutional rights, CORRESPONDING SECRETARY: public bidding, environmental contamination, and public records access. He has also lectured and written on subjects including public James Mallen procurement and bidding, public records access, and police liability. TREASURER: Prior to attending law school at Fordham University School of Law, where he graduated in 2002 with a Juris Doctor degree, in 1999 Tom Neil Sheehan obtained his Bachelor’s degree in music from the Frost School of Music at the University of Miami in Coral Gables, Florida, where he studied MEMBERS AT LARGE: trombone with Professor Timothy Conner. Prior to that, Tom was a trombone student of James A. Biddlecome, of the New York City John Butler Opera Orchestra. The New Jersey Wind Symphony’s Music Director, Mike DePompeo Dr. Chris Wilhjelm, was Tom’s high school school band director at Pascack Hills High School from 1991-1995. In order to maintain his David Marks sanity after being around lawyers all day, Tom keeps an active schedule Beth Seavers performing with various groups in the area, including as principal trombone with the Ridgewood Symphony Orchestra, and with the New John & Marilyn Wagner Jersey Wind Symphony, which he first joined in 1994 at the age of 17. Joseph Alessi was appointed Principal Trombone of the New York Philharmonic, The Gurnee F. and Marjorie L. Hart Chair, in the spring of 1985. He began musical studies in his native California with his father, Joseph Alessi, Sr., as a high school student in San Rafael, California, and was a soloist with the San Francisco Symphony before continuing his musical training at the Curtis Institute of Music. Before joining the Philharmonic, Mr. Alessi was second trombone of The Philadelphia Orchestra for four seasons, and principal trombone of the Montreal Symphony Orchestra for one season. He has performed as guest principal trombonist
Recommended publications
  • FOR IMMEDIATE RELEASE November 16, 2016 Contact: Katherine E
    FOR IMMEDIATE RELEASE November 16, 2016 Contact: Katherine E. Johnson (212) 875-5718; [email protected] ALAN GILBERT AND THE NEW YORK PHILHARMONIC WORLD PREMIERE–NEW YORK PHILHARMONIC COMMISSION of Wynton MARSALIS’s The Jungle (Symphony No. 4) With the Jazz at Lincoln Center Orchestra with Wynton Marsalis First of THE NEW YORK COMMISSIONS William BOLCOM’s Trombone Concerto with Principal Trombone JOSEPH ALESSI COPLAND’s Quiet City with Principal Trumpet CHRISTOPHER MARTIN and English Horn Player GRACE SHRYOCK in Her Philharmonic Solo Debut December 28, 2016–January 3, 2017 Music Director Alan Gilbert will conduct the New York Philharmonic in the World Premiere of Pulitzer Prize winner Wynton Marsalis’s The Jungle (Symphony No. 4), commissioned by the Philharmonic as the first of The New York Commissions, with the Jazz at Lincoln Center Orchestra with Wynton Marsalis; William Bolcom’s Trombone Concerto with Principal Trombone Joseph Alessi as soloist; and Copland’s Quiet City, featuring Principal Trumpet Christopher Martin and English horn player Grace Shryock in her Philharmonic solo debut. The performances take place Wednesday, December 28, 2016, at 7:30 p.m.; Thursday, December 29 at 7:30 p.m.; Friday, December 30 at 8:00 p.m.; and Tuesday, January 3 at 7:30 p.m. Wynton Marsalis’s The Jungle is the first of The New York Commissions, in which the Philharmonic is celebrating its long history as an active commissioner and New York City cultural institution by commissioning works on New York–inspired themes from New York– based composers with strong ties to the Orchestra, on the occasion of the Philharmonic’s 175th anniversary season.
    [Show full text]
  • From the Violin Studio of Sergiu Schwartz
    CoNSERVATORY oF Music presents The Violin Studio of Sergiu Schwartz SPOTLIGHT ON YOUNG VIOLIN VIRTUOSI with Tao Lin, piano Saturday, April 3, 2004 7:30p.m. Amamick-Goldstein Concert Hall de Hoernle International Center Program Polonaise No. 1 in D Major ..................................................... Henryk Wieniawski Gabrielle Fink, junior (United States) (1835 - 1880) Tambourin Chino is ...................................................................... Fritz Kreisler Anne Chicheportiche, professional studies (France) (1875- 1962) La Campanella ............................................................................ Niccolo Paganini Andrei Bacu, senior (Romania) (1782-1840) (edited Fritz Kreisler) Romanza Andaluza ....... .. ............... .. ......................................... Pablo de Sarasate Marcoantonio Real-d' Arbelles, sophomore (United States) (1844-1908) 1 Dance of the Goblins .................................................................... Antonio Bazzini Marta Murvai, senior (Romania) (1818- 1897) Caprice Viennois ... .... ........................................................................ Fritz Kreisler Danut Muresan, senior (Romania) (1875- 1962) Finale from Violin Concerto No. 1 in g minor, Op. 26 ......................... Max Bruch Gareth Johnson, sophomore (United States) (1838- 1920) INTERMISSION 1Ko<F11m'1-za from Violin Concerto No. 2 in d minor .................... Henryk Wieniawski ten a Ilieva, freshman (Bulgaria) (1835- 1880) llegro a Ia Zingara from Violin Concerto No. 2 in d minor
    [Show full text]
  • A Cd Recording Project of Underrepresented Works For
    A CD RECORDING PROJECT OF UNDERREPRESENTED WORKS FOR EUPHONIUM by CHRISTOPHER ALLEN LESLIE (Under the Direction of David Zerkel) ABSTRACT The solo repertoire for the euphonium is small in size, reflecting the fact that the repertoire was written almost exclusively in the 20th and 21st centuries. As a result of this limited repertoire in addition to the relatively small number of performers creating professional recordings, the discography is incomplete. This project seeks to address this issue by creating a CD recording of both original works for euphonium as well as repertoire borrowed from other instruments: Concerto, Op. 114 by Derek Bourgeois; Sonata for Euphonium and Piano by John Hennecken; Five Portraits from Middle Earth by Rodney Newton; Cascades by Allen Vizzutti; The Morning Song by Roger Kellaway; and Someone to Watch Over Me by George Gershwin, arranged by Joseph Turrin. This document discusses the background of the compositions and composers as well as the existing recordings and academic literature, provides justification for why these works have been included in the project, and provides discussion and analysis of the musical characteristics of the works as a resource for performers. INDEX WORDS: Euphonium, recording, CD, Derek Bourgeois, John Hennecken, Rodney Newton, Allen Vizzutti, Roger Kellaway, George Gershwin, Joseph Turrin A CD RECORDING PROJECT OF UNDERREPRESENTED WORKS FOR EUPHONIUM by CHRISTOPHER ALLEN LESLIE BM, St. Olaf College, 2011 MM, Indiana University, 2013 A Dissertation Submitted to the Graduate Faculty
    [Show full text]
  • Current Professional Affiliations Are Listed Below Each Player's Name
    Peter McGuire Jessica Guideri Minnesota Orchestra Los Angeles Opera Orchestra, Gustavus Adolphus College, faculty Associate Concertmaster Eastern Music Festival, Associate Kurt Nikkanen Concertmaster New York City Ballet Orchestra, Concertmaster Jonathan Magness Minnesota Orchestra, Associate Leonid Sigal Principal Second Violin Hartford Symphony Orchestra, Bravo Music Festival, faculty Concertmaster University of Hartford, faculty Yevgenia Strenger Current professional affiliations are The Hartt School, faculty New York City Opera, Concertmaster listed below each player’s name. ( ) = previous affiliation. Eric Wyrick Na Sun New Jersey Symphony Orchestra, New York Philharmonic Concertmaster First Violins Orpheus Chamber Orchestra Alisa Wyrick Bard Music Festival New York City Opera Orchestra David Kim - Concertmaster The Philadelphia Orchestra, Elizabeth Zeltser Concertmaster New York Philharmonic Violas University of Texas at Austin, faculty Yulia Ziskel Rebecca Young - Principal Jeffrey Multer New York Philharmonic New York Philharmonic, Associate The Florida Orchestra, (New Jersey Symphony) Principal Concertmaster Host of the NY Philharmonic Very Eastern Music Festival, Young People's Concerts Concertmaster Second Violins Robert Rinehart Emanuelle Boisvert Marc Ginsberg - Principal New York Philharmonic Dallas Symphony Orchestra, New York Philharmonic, Principal Ridge String Quartet Associate Concertmaster Second Violin The Curtis Institute, faculty (Detroit Symphony Orchestra, Concertmaster) Kimberly Fisher – Co-Principal Danielle
    [Show full text]
  • ABC Program Link
    AmericanSam Houston State University’s Band CollegeSummer 2017 Ashland, Oregon Joseph Alessi, Trombone Soloist with the London He was featured in the 1997 International Symphony Trombone Festival in Feldkirch, Austria, Orchestra in and the International Meeting of Brass Carnegie Hall led Instruments in Lille, France. He is a by Pierre Boulez. founding member of the Summit Brass ensemble at the Rafael Mendez Brass Mr. Alessi has been a Institute in Tempe, Arizona. In 2002 guest soloist with the Mr. Alessi was awarded an International Lincoln Symphony, Trombone Association Award for his National Repertory contributions to the world of trombone Orchestra, music and trombone playing. Colorado Symphony Orchestra, Mr. Alessi is currently on the faculty of Syracuse Symphony Orchestra, Virginia The Juilliard School; his students now Joseph Alessi was appointed Principal Symphony, Alabama Symphony Orchestra, occupy posts with many major symphony Trombone of the New York Philharmonic Santa Barbara Symphony, South Dakota orchestras in the U.S. and internationally. in the spring of 1985. He began musical Symphony, New Japan Philharmonic, As a clinician for the Edwards Instrument studies in his native California with his Seoul Philharmonic, Orchestra of Teatro Co., he has also given master classes father, Joseph Alessi, Sr. While a high Massimo Bellini in Catania, Sicily, throughout the world and has toured school student in San Rafael, California, Mannheim National Theater Orchestra, Europe extensively as a master teacher and he was a soloist with the San Francisco National Symphony of Taiwan, Puerto recitalist. He has performed as soloist with Symphony before continuing his musi- Rico Symphony, Hague Philharmonic, several leading concert bands, including cal training at Philadelphia’s Curtis Helsinki Philharmonic, and the Hartford the U.S.
    [Show full text]
  • Guest Artist Recital: Tim Buzbee, Tuba
    Illinois State University ISU ReD: Research and eData School of Music Programs Music Spring 2-15-2018 Guest Artist Recital: Tim Buzbee, Tuba Tim Buzbee Tuba Illinois State University Jessica Buzbee Trombone Illinois State University Lu Witzig Piano Illinois State University Follow this and additional works at: https://ir.library.illinoisstate.edu/somp Part of the Music Performance Commons Recommended Citation Buzbee, Tim Tuba; Buzbee, Jessica Trombone; and Witzig, Lu Piano, "Guest Artist Recital: Tim Buzbee, Tuba" (2018). School of Music Programs. 3631. https://ir.library.illinoisstate.edu/somp/3631 This Concert Program is brought to you for free and open access by the Music at ISU ReD: Research and eData. It has been accepted for inclusion in School of Music Programs by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. ILLINOIS STATE UNIVERSITY Illinois State University SCHOOL OF MUSIC College of Fine Arts UPCOMING EVENTS School of Music FRIDAY, FEBRUARY 16 ISU Symphonic Winds 8:00 pm CPA Guest Artist Recital Series SUNDAY, FEBRUARY 18 Choral Showcase 3:00 pm CPA Twin Cicy Honor Band Festival Concert 7:00pm CPA Tim Buzbee, Tuba Illinois State Universicy \Vind Symphony Concert with Jessica Buzbee, Trombone 7:00pm Lu Witzig, Piano CPA MONDAY, FEBRUARY 19 Charles W. Bolen Faculcy Recital: Adriana Ransom, cello 7:30 pm Kemp TUESDAY, FEBRUARY 20 Charles W. Bolen Faculty Recital: Faculcy String Quartet 7:30 pm Kemp WEDNESDAY, FEBRUARY 21 Jazz Ensemble I and II 8:00 pm CPA TUESDAY, FEBRUARY 27 Performance Convocation Hour 11:00 am CPA Kemp Recital Hall February 15, 2018 Thursday Evening 7:30p.m.
    [Show full text]
  • Ithaca College Wind Ensemble Stephen Peterson, Conductor Joseph Alessi, Trombone
    Ithaca College Wind Ensemble Stephen Peterson, conductor Joseph Alessi, trombone Ford Hall Thursday, March 8, 2012 8:15 p.m. Program Dragon Rhyme (2010) Chen Yi I. Mysteriously - Harmoniously (b. 1953) II. Energetically 15' Rumpelstilzchen "A Fairy Tale for Symphonic Wind Jess Turner Ensemble"(2009) (b. 1983) I. Spinning Straw into Gold 17' II. Night (The Maiden's Lament) III. Rumpelstilzchen's Furiant (Moto Perpetuo) Winner: 2010 Walter Beeler Memorial Composition Prize Intermission Second Suite for Military Band in F (1911) Gustav Holst I. March (1874-1934) II. Song Without Words 11' III. Song of the Blacksmith IV. Fantasia on the 'Dargason' The Alcotts from Piano Sonata No.2 (1915) Charles Ives (1874-1954) Trans. Richard Thurston 5' Harvest: Concerto for Trombone (2009) John Mackey (b. 1973) 18' Joseph Alessi, trombone Notes Dragon Rhyme Born April 4, 1953, in Guangzhou, China, into a family of doctors with a strong interest in classical music, Chen Yi started studying violin and piano at age three with Zheng Rihua and Li Suxin, and music theory with Zheng Zhong. Dr. Chen has received music degrees from the Beijing Central Conservatory (BA and MA) and Columbia University in the City of New York (DMA). She is the recipient of the prestigious Charles Ives Living Award from the American Academy of Arts and Letters (2001-04), and has served as the Lorena Searcey Cravens/Millsap/Missouri Distinguished Professor in Music Composition at the Conservatory of the University of Missouri-Kansas City since 1998. Commissioned by the National Wind Ensemble Consortium Group, and premiered by the Hart Wind Ensemble at Carnegie Hall, Chen Yi's Dragon Rhyme for symphonic band is in two movements.
    [Show full text]
  • July 18, 2002, 8:00 P.M
    LIVE FROM LINCOLN CENTER July 18, 2002, 8:00 p.m. on PBS Lincoln Center Festival/New York Philharmonic Kurt Masur's 75th Birthday & Farewell "Thank you, Kurt Masur" has been the season-long motto of the New York Philharmonic. Indeed, there is much for which to thank Mr. Masur. His 11 seasons as the Orchestra's Music Director have seen a dramatic improvement in the Philharmonic's performance standards as well as a discipline in its playing that have laid to rest the one-time canard that the players of the New York Philharmonic are an unruly bunch. Concert after concert during the Masur years the Philharmonic has shown that it can stand comparison with the greatest orchestras anywhere in the world. The 2001-2002 season has been Mr. Masur's final one as Music Director, though he will return for a number of weeks next season as a Guest Conductor. To put the seal on the Masur tenure, as well as to celebrate the Maestro's 75th birthday, a special concert by the New York Philharmonic has been scheduled in Avery Fisher Hall for Thursday evening, July 18. Characteristically, Mr. Masur has devised a program that beams a spotlight on a number of the orchestra's principal players. Happily, we'll be in Avery Fisher Hall that evening with our cameras and microphones to bring that concert to you live in our continuing Live From Lincoln Center series. The concert will begin with a demonstration of the corporate excellence of the players-the Overture to Candide by Leonard Bernstein (himself a former Music Director of the Philharmonic), performed by the orchestra without conductor! I remember a similar conductorless Candide Overture performance as a memorial to Bernstein in Carnegie Hall with musicians from several of the orchestras with whom he had particularly close associations, among them the Philharmonic, of course, as well as the Boston Symphony, the London Symphony, the Concertgebouw Orchestra of Amsterdam, and the Vienna Philharmonic.
    [Show full text]
  • By Aaron Jay Kernis
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2016 “A Voice, A Messenger” by Aaron Jay Kernis: A Performer's Guide and Historical Analysis Pagean Marie DiSalvio Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation DiSalvio, Pagean Marie, "“A Voice, A Messenger” by Aaron Jay Kernis: A Performer's Guide and Historical Analysis" (2016). LSU Doctoral Dissertations. 3434. https://digitalcommons.lsu.edu/gradschool_dissertations/3434 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. “A VOICE, A MESSENGER” BY AARON JAY KERNIS: A PERFORMER’S GUIDE AND HISTORICAL ANALYSIS A Written Document Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music by Pagean Marie DiSalvio B.M., Rowan University, 2011 M.M., Illinois State University, 2013 May 2016 For my husband, Nicholas DiSalvio ii ACKNOWLEDGEMENTS I would like to thank my committee, Dr. Joseph Skillen, Prof. Kristin Sosnowsky, and Dr. Brij Mohan, for their patience and guidance in completing this document. I would especially like to thank Dr. Brian Shaw for keeping me focused in the “present time” for the past three years. Thank you to those who gave me their time and allowed me to interview them for this project: Dr.
    [Show full text]
  • Rouse Program Notes
    04-17 Americans:Layout 1 4/10/13 11:53 AM Page 25 Notes on the Program By James M. Keller, Program Annotator The Leni and Peter May Chair Prospero’s Rooms by the Orchestra and Principal Trombone Joseph Alessi. In that same year Rouse was Christopher Rouse honored with an American Academy of Arts and Letters Award in Music, and in 2002 the Christopher Rouse, who this season is fulfilling Academy elected him to its membership. Also the first of two years as The Marie-Josée Kravis in 2002, Rouse’s Concert de Gaudí, a guitar Composer-in-Residence at the New York Phil- concerto, won the Grammy Award for Best harmonic, is among the most respected com- Classical Contemporary Composition. He was posers of his generation, noted for works of named Musician of the Year (2009) by Musi- compulsive rhythm, vivid color, and catholicity in cal America, which particularly noted his skill bringing together the traditions of classical and as a composer of symphonic scores. He has popular music. He graduated from the Oberlin served as composer-in-residence for the In- College Conservatory of Music in 1971, and 25 dianapolis, Baltimore, and Pittsburgh sym- years later his alma mater also awarded him an phony orchestras, as well as at the Santa honorary doctorate. He studied privately with Cecilia and Schleswig-Holstein Festivals (both George Crumb for two years and then pursued of these at the invitation of Leonard Bern- composition studies with Karel Husa and stein), the Tanglewood festival, Pacific Music Robert Palmer at Cornell University, which Festival, and the Aspen Music Festival.
    [Show full text]
  • February 22, 2012 SUPPLEMENT CHRISTOPHER ROUSE
    FOR RELEASE: February 22, 2012 SUPPLEMENT CHRISTOPHER ROUSE THE 2012–13 MARIE-JOSÉE KRAVIS COMPOSER-IN-RESIDENCE First Season of Two-Year Term: WORLD PREMIERE, SEEING, PHANTASMATA Advisory Role on CONTACT!, with WORLD, U.S., AND NEW YORK PREMIERES, Led by JAYCE OGREN and ALAN GILBERT _____________________________________ “I just love the Philharmonic musicians: I love working with them, and they play my music with incredible commitment. As a kid in Baltimore I grew up with their recordings, and then, of course, I also heard them on the Young People’s Concerts on television. I’ve always had a special feeling for the Philharmonic because the musicians have always played like they really meant it, with such energy and commitment; and when I got older and wrote music that they played, they did it the same way. I’m thrilled to be able to work with them more closely.” — Christopher Rouse _______________________________________ Christopher Rouse has been named The Marie-Josée Kravis Composer-in-Residence at the Philharmonic, and will begin his two-year tenure in the 2012–13 season. He is the second composer to hold this title, following the tenure of Magnus Lindberg. The Pulitzer Prize- and Grammy Award-winning American composer will be represented by three works with the Philharmonic this season in concerts conducted by Alan Gilbert: Phantasmata, February 21 and 22, 2013; a World Premiere–New York Philharmonic Commission, April 17–20, 2013, which will also be taken on the EUROPE / SPRING 2013 tour; and the reprise of Seeing for Piano and Orchestra (commissioned by the Philharmonic and premiered in 1999), June 20–22, 2013, performed by Emanuel Ax, the 2012–13 Mary and James G.
    [Show full text]
  • Festival Artists
    Festival Artists Cellist OLE AKAHOSHI (Norfolk competitions. Berman has authored two books published by the ’92) performs in North and South Yale University Press: Prokofiev’s Piano Sonatas: A Guide for the Listener America, Asia, and Europe in recitals, and the Performer (2008) and Notes from the Pianist’s Bench (2000; chamber concerts and as a soloist electronically enhanced edition 2017). These books were translated with orchestras such as the Orchestra into several languages. He is also the editor of the critical edition of of St. Luke’s, Symphonisches Orchester Prokofiev’s piano sonatas (Shanghai Music Publishing House, 2011). Berlin and Czech Radio Orchestra. | 27th Season at Norfolk | borisberman.com His performances have been featured on CNN, NPR, BBC, major German ROBERT BLOCKER is radio stations, Korean Broadcasting internationally regarded as a pianist, Station, and WQXR. He has made for his leadership as an advocate for numerous recordings for labels such the arts, and for his extraordinary as Naxos. Akahoshi has collaborated with the Tokyo, Michelangelo, contributions to music education. A and Keller string quartets, Syoko Aki, Sarah Chang, Elmar Oliveira, native of Charleston, South Carolina, Gil Shaham, Lawrence Dutton, Edgar Meyer, Leon Fleisher, he debuted at historic Dock Street Garrick Ohlsson, and André-Michel Schub among many others. Theater (now home to the Spoleto He has performed and taught at festivals in Banff, Norfolk, Aspen, Chamber Music Series). He studied and Korea, and has given master classes most recently at Central under the tutelage of the eminent Conservatory Beijing, Sichuan Conservatory, and Korean National American pianist, Richard Cass, University of Arts.
    [Show full text]