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FOR IMMEDIATE RELEASE November 16, 2016 Contact: Katherine E
FOR IMMEDIATE RELEASE November 16, 2016 Contact: Katherine E. Johnson (212) 875-5718; [email protected] ALAN GILBERT AND THE NEW YORK PHILHARMONIC WORLD PREMIERE–NEW YORK PHILHARMONIC COMMISSION of Wynton MARSALIS’s The Jungle (Symphony No. 4) With the Jazz at Lincoln Center Orchestra with Wynton Marsalis First of THE NEW YORK COMMISSIONS William BOLCOM’s Trombone Concerto with Principal Trombone JOSEPH ALESSI COPLAND’s Quiet City with Principal Trumpet CHRISTOPHER MARTIN and English Horn Player GRACE SHRYOCK in Her Philharmonic Solo Debut December 28, 2016–January 3, 2017 Music Director Alan Gilbert will conduct the New York Philharmonic in the World Premiere of Pulitzer Prize winner Wynton Marsalis’s The Jungle (Symphony No. 4), commissioned by the Philharmonic as the first of The New York Commissions, with the Jazz at Lincoln Center Orchestra with Wynton Marsalis; William Bolcom’s Trombone Concerto with Principal Trombone Joseph Alessi as soloist; and Copland’s Quiet City, featuring Principal Trumpet Christopher Martin and English horn player Grace Shryock in her Philharmonic solo debut. The performances take place Wednesday, December 28, 2016, at 7:30 p.m.; Thursday, December 29 at 7:30 p.m.; Friday, December 30 at 8:00 p.m.; and Tuesday, January 3 at 7:30 p.m. Wynton Marsalis’s The Jungle is the first of The New York Commissions, in which the Philharmonic is celebrating its long history as an active commissioner and New York City cultural institution by commissioning works on New York–inspired themes from New York– based composers with strong ties to the Orchestra, on the occasion of the Philharmonic’s 175th anniversary season. -
From the Violin Studio of Sergiu Schwartz
CoNSERVATORY oF Music presents The Violin Studio of Sergiu Schwartz SPOTLIGHT ON YOUNG VIOLIN VIRTUOSI with Tao Lin, piano Saturday, April 3, 2004 7:30p.m. Amamick-Goldstein Concert Hall de Hoernle International Center Program Polonaise No. 1 in D Major ..................................................... Henryk Wieniawski Gabrielle Fink, junior (United States) (1835 - 1880) Tambourin Chino is ...................................................................... Fritz Kreisler Anne Chicheportiche, professional studies (France) (1875- 1962) La Campanella ............................................................................ Niccolo Paganini Andrei Bacu, senior (Romania) (1782-1840) (edited Fritz Kreisler) Romanza Andaluza ....... .. ............... .. ......................................... Pablo de Sarasate Marcoantonio Real-d' Arbelles, sophomore (United States) (1844-1908) 1 Dance of the Goblins .................................................................... Antonio Bazzini Marta Murvai, senior (Romania) (1818- 1897) Caprice Viennois ... .... ........................................................................ Fritz Kreisler Danut Muresan, senior (Romania) (1875- 1962) Finale from Violin Concerto No. 1 in g minor, Op. 26 ......................... Max Bruch Gareth Johnson, sophomore (United States) (1838- 1920) INTERMISSION 1Ko<F11m'1-za from Violin Concerto No. 2 in d minor .................... Henryk Wieniawski ten a Ilieva, freshman (Bulgaria) (1835- 1880) llegro a Ia Zingara from Violin Concerto No. 2 in d minor -
Anders Hillborg Catalogue of Works
ANDERS HILLBORG CATALOGUE OF WORKS ‘Hillborg creates pools of liquid sound... The sounds are strange and captivating... That is to say, his is a science fiction of our time – we recognize the strangeness.‘ LA TIMES (MARK SWED) ANDERS HILLBORG Abbreviations WOODWIND picc piccolo fl flute afl alto flute bfl bass flute ob oboe bob bass oboe ca cor anglais acl alto clarinet Ebcl clarinet (Eb) cl clarinet bcl bass clarinet cbcl contra bass clarinet bsn bassoon cbsn contra bassoon ssax soprano saxophone asax alto saxophone tsax tenor saxophone bsax baritone saxophone BRASS hn horn fl.hn flugel horn ptpt piccolo trumpet (Bb) tpt trumpet trbn trombone btrbn bass trombone Widely regarded as Sweden’s leading composer, Anders Hillborg is that rare artist whose music scrt soprano cornet crts cornets strikes a chord across many different countries and cultures. Born in Sweden in 1954, an early rcrt repiano cornet interest in electronic music developed from a beginning as a keyboard improviser in a pop band, btuba bass tuba euph euphonium but contact with Ferneyhough, and the music of Ligeti quickly led to a fascination with counterpoint bar baritone and orchestral writing. Since then, Hillborg’s love of pure sound and the energy that he gives it, has appealed to many major conductors including Alan Gilbert, Sakari Oramo, Kent Nagano, and PERCUSSION ant.cym antique cymbals Gustavo Dudamel. BD bass drum c.bell cow bell Peacock Tales, Hillborg’s theatrical clarinet concerto for Martin Fröst, displays another strand of cast castanets ch.bl chinese block his large and varied output: a sense of humour and the absurd. -
The Natural Learning Process and Its Implications for Trombone Pedagogy
THE NATURAL LEARNING PROCESS AND ITS IMPLICATIONS FOR TROMBONE PEDAGOGY Shane Robert Reider, B.M. Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS May 2012 APPROVED: Lynn Eustis, Major Professor and Director of Graduate Studies in Music Nathan Kruse, Committee Member Warren Henry, Committee Member and Associate Dean for Academic Affairs in Music James Scott, Dean of the College of Music James D. Meernik, Acting Dean of the Toulouse Graduate School Reider, Shane Robert, The Natural Learning Process and Its Implications for Trombone Pedagogy. Master of Arts (Music), May 2012, 28 pp., references, 18 titles. This thesis considers the natural learning process as defined by Timothy Gallwey and Daniel Kohut. This learning theory is examined and applied to trombone pedagogy while also considering physiological attributes to trombone performance. A brief synopsis of the history and lineage of the trombone is considered in order to understand the current setting of the trombone medium. Copyright 2012 by Shane Robert Reider ii TABLE OF CONTENTS Page CHAPTER 1 INTRODUCTION ........................................................................................ 1 CHAPTER 2 BACKGROUND ......................................................................................... 3 History of the Trombone ....................................................................................... 4 CHAPTER 3 THE NATURAL LEARNING PROCESS..................................................... 9 NLP in Trombone Applied Teaching .................................................................. -
Current Professional Affiliations Are Listed Below Each Player's Name
Peter McGuire Jessica Guideri Minnesota Orchestra Los Angeles Opera Orchestra, Gustavus Adolphus College, faculty Associate Concertmaster Eastern Music Festival, Associate Kurt Nikkanen Concertmaster New York City Ballet Orchestra, Concertmaster Jonathan Magness Minnesota Orchestra, Associate Leonid Sigal Principal Second Violin Hartford Symphony Orchestra, Bravo Music Festival, faculty Concertmaster University of Hartford, faculty Yevgenia Strenger Current professional affiliations are The Hartt School, faculty New York City Opera, Concertmaster listed below each player’s name. ( ) = previous affiliation. Eric Wyrick Na Sun New Jersey Symphony Orchestra, New York Philharmonic Concertmaster First Violins Orpheus Chamber Orchestra Alisa Wyrick Bard Music Festival New York City Opera Orchestra David Kim - Concertmaster The Philadelphia Orchestra, Elizabeth Zeltser Concertmaster New York Philharmonic Violas University of Texas at Austin, faculty Yulia Ziskel Rebecca Young - Principal Jeffrey Multer New York Philharmonic New York Philharmonic, Associate The Florida Orchestra, (New Jersey Symphony) Principal Concertmaster Host of the NY Philharmonic Very Eastern Music Festival, Young People's Concerts Concertmaster Second Violins Robert Rinehart Emanuelle Boisvert Marc Ginsberg - Principal New York Philharmonic Dallas Symphony Orchestra, New York Philharmonic, Principal Ridge String Quartet Associate Concertmaster Second Violin The Curtis Institute, faculty (Detroit Symphony Orchestra, Concertmaster) Kimberly Fisher – Co-Principal Danielle -
ABC Program Link
AmericanSam Houston State University’s Band CollegeSummer 2017 Ashland, Oregon Joseph Alessi, Trombone Soloist with the London He was featured in the 1997 International Symphony Trombone Festival in Feldkirch, Austria, Orchestra in and the International Meeting of Brass Carnegie Hall led Instruments in Lille, France. He is a by Pierre Boulez. founding member of the Summit Brass ensemble at the Rafael Mendez Brass Mr. Alessi has been a Institute in Tempe, Arizona. In 2002 guest soloist with the Mr. Alessi was awarded an International Lincoln Symphony, Trombone Association Award for his National Repertory contributions to the world of trombone Orchestra, music and trombone playing. Colorado Symphony Orchestra, Mr. Alessi is currently on the faculty of Syracuse Symphony Orchestra, Virginia The Juilliard School; his students now Joseph Alessi was appointed Principal Symphony, Alabama Symphony Orchestra, occupy posts with many major symphony Trombone of the New York Philharmonic Santa Barbara Symphony, South Dakota orchestras in the U.S. and internationally. in the spring of 1985. He began musical Symphony, New Japan Philharmonic, As a clinician for the Edwards Instrument studies in his native California with his Seoul Philharmonic, Orchestra of Teatro Co., he has also given master classes father, Joseph Alessi, Sr. While a high Massimo Bellini in Catania, Sicily, throughout the world and has toured school student in San Rafael, California, Mannheim National Theater Orchestra, Europe extensively as a master teacher and he was a soloist with the San Francisco National Symphony of Taiwan, Puerto recitalist. He has performed as soloist with Symphony before continuing his musi- Rico Symphony, Hague Philharmonic, several leading concert bands, including cal training at Philadelphia’s Curtis Helsinki Philharmonic, and the Hartford the U.S. -
The Impact of Arnold Jacobs's Teaching on Canadian Tuba
Song and Wind in Canada: The Impact of Arnold Jacobs’s Teaching on Canadian Tuba Pedagogues by Jonathan David Rowsell A thesis submitted in conformity with the requirements for the degree of Doctor of Musical Arts Faculty of Music University of Toronto © Copyright by Jonathan David Rowsell 2018 Song and Wind in Canada: The Impact of Arnold Jacobs’s Teaching on Canadian Tuba Pedagogues. Jonathan David Rowsell Doctor of Musical Arts Faculty of Music University of Toronto 2018 Abstract The purpose of this study is to investigate the impact of Arnold Jacobs on the pedagogical approaches of prominent tuba teachers in Canada. Nine tuba teachers from different Canadian universities participated in this study. Each participant was interviewed digitally using Skype or FaceTime and asked nine questions designed to understand their personal pedagogical approach and how it relates to Arnold Jacobs. These questions cover important pedagogical ideas including sound concept, breathing, articulation, and embouchure. Arnold Jacobs is considered to be one of the most influential brass pedagogues in history. His method of teaching, referred to as Song and Wind, is a pedagogical concept frequently implemented in contemporary applied tuba teaching. The interview findings of this study demonstrate that the Arnold Jacobs legacy is very present in Canadian tuba pedagogy. The approaches to articulation and sound concept demonstrated by the interview subjects are consistently Jacobs inspired. The approaches to breathing and embouchure, however, are much more varied. Although these elements are not as tightly embedded in the Jacobs pedagogical ii approach, the results of the study demonstrate that the majority of the interview subjects are fully aware of the ways in which their current approaches have been adapted. -
Linda Yeo Leonard Recordings and Critical Listening Masterclass
Linda Yeo Leonard Recordings and Critical Listening Masterclass “World class players do not just happen – their talents are forged in the dual furnaces of determination and diligence.” -Edward Kleinhammer, former bass trombonist of the Chicago Symphony Orchestra (1940-1985) Becoming the best player you can will take hard work and determination. But if you work to become 1%-3% better every week you play your horn, just think how much better you could be in 6 months . a year. Wow- that would be exciting! I can’t stress the importance of listening to great recordings- I picked up many things from my father playing trombone in my house growing up. Many of you probably don’t have a parent who plays an instrument professionally. That’s fine- there are many excellent recordings out there of great musicians playing your instruments. Trombone: A Gala Festival (the Canadian Staff band, with Alain Trudel, Canadian trombone virtuoso- the best and fastest “Blue Bells of Scotland” I’ve ever heard! Proclamation, Two of a Mind, The Essential Rochut, Cornerstone, Take 1, and the New England Brass Band recordings on my dad’s website: www.yeodoug.com. Bass trombone solos and trombone duets with brass band, solos, recordings of him playing when he was younger, and rocking brass band recordings with him conducting) A New At Home and Experiments in Music, by Norman Bolter, my dad’s co-worker- former 2nd trombonist in the BSO At the End of the Century- Joe Alessi, principal trombonist of the NY Philharmonic Fancy Free, by Blair Bollinger, bass trombonist in the Philadelphia Symphony Orchestra Trombones De Costa Rica- rocking trombone 4ets Bonetown with Michael Davis and Bill Reichenbach The Legacy of Emory Remington and the Eastman Trombone Choir Euphonium: World of the Euphonium 5 by Stephen Mead CDs by the Childs Brothers American Variations by Brian Bowman Leonard Falcone and His Baritone Volumes 1-4 (Euphonium CDs suggested by Mr. -
FRENCH SYMPHONIES from the Nineteenth Century to the Present
FRENCH SYMPHONIES From the Nineteenth Century To The Present A Discography Of CDs And LPs Prepared by Michael Herman NICOLAS BACRI (b. 1961) Born in Paris. He began piano lessons at the age of seven and continued with the study of harmony, counterpoint, analysis and composition as a teenager with Françoise Gangloff-Levéchin, Christian Manen and Louis Saguer. He then entered the Paris Conservatory where he studied with a number of composers including Claude Ballif, Marius Constant, Serge Nigg, and Michel Philippot. He attended the French Academy in Rome and after returning to Paris, he worked as head of chamber music for Radio France. He has since concentrated on composing. He has composed orchestral, chamber, instrumental, vocal and choral works. His unrecorded Symphonies are: Nos. 1, Op. 11 (1983-4), 2, Op. 22 (1986-8), 3, Op. 33 "Sinfonia da Requiem" (1988-94) and 5 , Op. 55 "Concerto for Orchestra" (1996-7).There is also a Sinfonietta for String Orchestra, Op. 72 (2001) and a Sinfonia Concertante for Orchestra, Op. 83a (1995-96/rév.2006) . Symphony No. 4, Op. 49 "Symphonie Classique - Sturm und Drang" (1995-6) Jean-Jacques Kantorow/Tapiola Sinfonietta ( + Flute Concerto, Concerto Amoroso, Concerto Nostalgico and Nocturne for Cello and Strings) BIS CD-1579 (2009) Symphony No. 6, Op. 60 (1998) Leonard Slatkin/Orchestre National de France ( + Henderson: Einstein's Violin, El Khoury: Les Fleuves Engloutis, Maskats: Tango, Plate: You Must Finish Your Journey Alone, and Theofanidis: Rainbow Body) GRAMOPHONE MASTE (2003) (issued by Gramophone Magazine) CLAUDE BALLIF (1924-2004) Born in Paris. His musical training began at the Bordeaux Conservatory but he went on to the Paris Conservatory where he was taught by Tony Aubin, Noël Gallon and Olivier Messiaen. -
Ithaca College Wind Ensemble Stephen Peterson, Conductor Joseph Alessi, Trombone
Ithaca College Wind Ensemble Stephen Peterson, conductor Joseph Alessi, trombone Ford Hall Thursday, March 8, 2012 8:15 p.m. Program Dragon Rhyme (2010) Chen Yi I. Mysteriously - Harmoniously (b. 1953) II. Energetically 15' Rumpelstilzchen "A Fairy Tale for Symphonic Wind Jess Turner Ensemble"(2009) (b. 1983) I. Spinning Straw into Gold 17' II. Night (The Maiden's Lament) III. Rumpelstilzchen's Furiant (Moto Perpetuo) Winner: 2010 Walter Beeler Memorial Composition Prize Intermission Second Suite for Military Band in F (1911) Gustav Holst I. March (1874-1934) II. Song Without Words 11' III. Song of the Blacksmith IV. Fantasia on the 'Dargason' The Alcotts from Piano Sonata No.2 (1915) Charles Ives (1874-1954) Trans. Richard Thurston 5' Harvest: Concerto for Trombone (2009) John Mackey (b. 1973) 18' Joseph Alessi, trombone Notes Dragon Rhyme Born April 4, 1953, in Guangzhou, China, into a family of doctors with a strong interest in classical music, Chen Yi started studying violin and piano at age three with Zheng Rihua and Li Suxin, and music theory with Zheng Zhong. Dr. Chen has received music degrees from the Beijing Central Conservatory (BA and MA) and Columbia University in the City of New York (DMA). She is the recipient of the prestigious Charles Ives Living Award from the American Academy of Arts and Letters (2001-04), and has served as the Lorena Searcey Cravens/Millsap/Missouri Distinguished Professor in Music Composition at the Conservatory of the University of Missouri-Kansas City since 1998. Commissioned by the National Wind Ensemble Consortium Group, and premiered by the Hart Wind Ensemble at Carnegie Hall, Chen Yi's Dragon Rhyme for symphonic band is in two movements. -
100 Years of Extraordinary Historical Highlights from the Baltimore Symphony Orchestra Archives
100 Years of Extraordinary Historical Highlights from the Baltimore Symphony Orchestra Archives 1910s 1915 – Through a $6,000 grant from the city of Baltimore, the Baltimore Symphony Orchestra is founded as a branch of the city’s Department of Municipal Music, making it the only major American orchestra to be fully funded as a municipal agency. 1916 – On February 11, the Baltimore Symphony Orchestra performs its inaugural concerts to a standing- room-only crowd at The Lyric, under the direction of Music Director Gustav Strube. All three concerts comprising the first season at the Lyric are sold out. 1920s 1924 – On February 16, the BSO hosts its first children’s concert. The Baltimore Symphony youth concert series is the first to be established by an American orchestra. 1926 – The Baltimore Symphony makes its initial broadcast performance on WBAL Radio. 1930s 1930 - George Siemonn becomes the second music director of the orchestra. He conducts his opening concert, with the musicians now numbering 83, on November 23. 1935 - In late February, George Siemonn reluctantly resigns as music director and is replaced by Ernest Schelling. Forty-four musicians apply for the position. Schelling is well-known for his children’s concert series at Carnegie Hall. 1937 - Sara Feldman and Vivienne Cohn become the first women to join the Baltimore Symphony. The older members of the orchestra are supportive, but union members picket the hall with signs saying, “Unfair to Men,” which is reported in the New York Times. 1937 - Ernest Schelling becomes ill and is replaced by Werner Janssen. The dynamic young conductor and his wife, the celebrated film star Ann Harding, receive an enthusiastic response when they arrive in Baltimore. -
July 18, 2002, 8:00 P.M
LIVE FROM LINCOLN CENTER July 18, 2002, 8:00 p.m. on PBS Lincoln Center Festival/New York Philharmonic Kurt Masur's 75th Birthday & Farewell "Thank you, Kurt Masur" has been the season-long motto of the New York Philharmonic. Indeed, there is much for which to thank Mr. Masur. His 11 seasons as the Orchestra's Music Director have seen a dramatic improvement in the Philharmonic's performance standards as well as a discipline in its playing that have laid to rest the one-time canard that the players of the New York Philharmonic are an unruly bunch. Concert after concert during the Masur years the Philharmonic has shown that it can stand comparison with the greatest orchestras anywhere in the world. The 2001-2002 season has been Mr. Masur's final one as Music Director, though he will return for a number of weeks next season as a Guest Conductor. To put the seal on the Masur tenure, as well as to celebrate the Maestro's 75th birthday, a special concert by the New York Philharmonic has been scheduled in Avery Fisher Hall for Thursday evening, July 18. Characteristically, Mr. Masur has devised a program that beams a spotlight on a number of the orchestra's principal players. Happily, we'll be in Avery Fisher Hall that evening with our cameras and microphones to bring that concert to you live in our continuing Live From Lincoln Center series. The concert will begin with a demonstration of the corporate excellence of the players-the Overture to Candide by Leonard Bernstein (himself a former Music Director of the Philharmonic), performed by the orchestra without conductor! I remember a similar conductorless Candide Overture performance as a memorial to Bernstein in Carnegie Hall with musicians from several of the orchestras with whom he had particularly close associations, among them the Philharmonic, of course, as well as the Boston Symphony, the London Symphony, the Concertgebouw Orchestra of Amsterdam, and the Vienna Philharmonic.