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Tenor Saxophone Mouthpiece When
MAY 2014 U.K. £3.50 DOWNBEAT.COM MAY 2014 VOLUME 81 / NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, -
The Rolling Stones Zijn the Rolling Stones
DAMES EN HEREN, ZET DE RADIO GOED HARD, HIER ON AIR IN THE SIXTIES THE STONES ROLLING THE ROLLING STONES ZIJN THE ROLLING STONES. IN THE SIXTIES ACHTER DE SCHERMEN BIJ EEN BAND IN OPKOMST NUR 661 Kosmos Uitgevers, www.kosmosuitgevers.nl Utrecht/Antwerpen Rolling_Stones_NL-Cover.indd 1 31-05-17 16:08 INHOUD 8 DIT IS GEEN ROCK-’N-ROLLBAND 20 1963 62 1964 178 1965 238 1966 260 1967-1969 315 REGISTER 319 DANKWOORD EN VERANTWOORDING 001_061_Rolling_Stones_On_Air.inddRolling_Stones_NL.indb 5 5 18/05/201726-05-17 10:5022:37 001_061_Rolling_Stones_On_Air.inddRolling_Stones_NL.indb 2 2 18/05/201726-05-17 10:5022:16 001_061_Rolling_Stones_On_Air.inddRolling_Stones_NL.indb 3 3 18/05/201726-05-17 10:5022:16 DIT IS GEEN ROCK-’N-ROLLBAND The Rolling Stones waren oorlogskinderen. Keith Richards, de jongste van de oorspronkelijke bandleden, werd geboren in december 1943, op de dag dat de Mills Brothers de Amerikaanse hitlijsten aanvoerden; ze waren de eerste Afro- Amerikaanse artiesten aan wie die eer ten deel viel na de lancering van de eerste officiële Billboard-lijst in januari 1940. Het Verenigd Koninkrijk moest nog bijna dertien jaar wachten voordat de New Musical Express de eerste ‘singleslijst’ publiceerde. Mick Jagger is vijf maanden ouder dan Keith en werd in juli 1943 geboren, op de dag dat de geallieerden Palermo veroverden op het eiland Sicilië, de bakermat van de familie van Frank Sinatra, Dean Martin en Frankie Laine. Van de originele leden was Brian Jones de middelste qua leeftijd; hij werd geboren in februari 1942, een periode waarin de oorlog slecht verliep voor de geallieerden in het Verre Oosten na de Japanse inname van Singapore. -
Keith Talks to Dave Travis John Howard Gets Really Saucy TFTW
August 2014 80 ALL ARTICLES/IMAGES ARE COPYRIGHT OF THEIR RESPECTIVE AUTHORS. FOR REPRODUCTION, PLEASE CONTACT ALAN LLOYD VIA TFTW.ORG.UK Vaneese Thomas and Quincy Avenue Rhythm Band at Porretta © Paul Harris Keith talks to Dave Travis John Howard gets really saucy TFTW meets the Sandal Vandal Dave Carroll’s view of Porretta 2014 A happy upcoming birthday to Dorothy Papard And more... 1 Another useful book for record collectors from this specialist book company; this time the author, who is a Woodie, had no qualms about getting his work accepted - since he is also the publisher. EPs and statistics have always been desirable to the record collector, and no definitive book on every EP issued has ever been published. Vintage Records did issue the long deleted “Collectable EPs” (published in 1982) of British EPs, but this was a personal selection chosen by the long gone London record shop, but does contain what they consider over 3700 vintage obscurities. The “British Hit EPs” book I consider as a bolt-on reference book to “Collectable EPs” which focuses on the hit EPs only. The source gleaned from the Record Retailer, Music Week, Record Mirror and New Record Mirror, therefore the combination of the two books does provide a comprehensive guide for the EP researcher. “British Hit EPs” contains a brief history of the EP which is interesting reading, but the “Technical Notes” and the “How The Information is Presented” do need some digesting before ploughing into the data. The EPs are listed per artist in alpha order showing all their releases, issue dates and track listing, and every page has photos, this section finishes at page 132. -
30Th Birmingham International Jazz & Blues Festival July
Photo by Merlin Daleman WWW.BIRMINGHAMJAZZFESTIVAL.COM [email protected] HOTLINE: 0121 454 7020 WWW.BIRMINGHAMJAZZFESTIVALTV.COM TWITTER: @birmjazzfest #brumjazzfest FacebooK.com/birminghamjazzfestival/ www.birminghamjazzfestival.com COUNCILLOR IAN WARD "It is with great pleasure that Birmingham is welcoming the Birmingham International Jazz and Blues Festival for a landmark 30th consecutive year. To mark this occasion the festival is again hosting big names from across the world with 175 performances at over 80 venues across the City. It is particularly impressive to see the festival increasingly attracting musicians from across Europe with France, Hungary, Czech Republic, Italy, Lithuania, Luxembourg, Slovakia and Spain all represented. The festival is an important event in Birmingham’s event calendar and is an opportunity for everyone to see live music and events at different venues making the festival accessible to all. I always enjoy the event and I am looking forward to it again this year. The breadth of Jazz and Blues on offer make this year’s event a must go festival for residents and visitors alike. Let’s hope the Jazz and Blues Festival brings the summer to Birmingham." Ian Ward Deputy Leader of Birmingham City Council Funded by 2 30TH BIRMINGHAM INTERNATIONAL JAZZ & BLUES FESTIVAL 2014 30TH BIRMINGHAM INTERNATIONAL JAZZ & BLUES FESTIVAL 2014 3 ACKNOWLEDGMENTS www.birminghamjazzfestival.com ACKNOWLEDGMENTS Festival Patron: Digby Fairweather Advisory Board: John Hemming MP, Derek Inman, John James, Danny Longstaff, Cllr. Phillip Parkin, John Patrick, THE JAZZ FESTIVAL BOARD Cllr. Rob Sealey Behind this short, sharp celebration of jazz, blues and related music lies many months Festival Director: Jim Simpson Find us on Commercial and Development Director: Tim Jennings facebook.com/birminghamjazzfestival/ of planning and organisation. -
Dickie Tapp Goes to Worthing Keith Talks to A
December 2015 December 88 In association with "AMERICAN MUSIC MAGAZINE" ALL ARTICLES/IMAGES ARE COPYRIGHT OF THEIR RESPECTIVE AUTHORS. FOR REPRODUCTION, PLEASE CONTACT ALAN LLOYD VIA TFTW.ORG.UK In readiness for her appearance for TFTW in January, we catch P.P. Arnold strolling in the woods © Gerard Mankovitch Dickie Tapp goes to Worthing Keith talks to a load of Dominoes We take a wistful look back at nostalgia We “borrow” more stuff from Nick Cobban Soul Kitchen, Jazz Junction, Blues Rambling And more... 1 Copies of the December issue of American Music Magazine (issue #140) are now available. The main feature is on Ral Donner; it's a fascinating story and shows that Donner was far more than an artist who hung on Elvis's coattails. He was a major talent in his own right. As always, the feature is lavishly illustrated with artist photos, a full discography, and countless label shots. The magazine also includes, inter-alia, articles about Dennis Herrold (Hip Hip Baby) and an update on the Buck Trail story. There is a gig review of October's Hemsby weekender. These features are all in English. Woodies in the UK or Eire wanting a copy should contact Dickie Tapp: [email protected]. (the cost of a single issue inc. p&p = £9) otherwise contact AMM direct: [email protected] Dickie will have copies at the TFTW Borderline extravaganza in January so copies free of p&p will be available there for those attending - you can pre-order with Dickie to be sure of getting a copy there. -
Review for the BIG BLUES FESTIVAL @ the Atkinson, Southport, Merseyside - Oct 2017
Review for THE BIG BLUES FESTIVAL @ The Atkinson, Southport, Merseyside - Oct 2017 https://www.theatkinson.co.uk/special-event/big-blues-festival-2017/ Another excellent 'Big Blues Festival' this year, at the highly acclaimed Atkinson Arts Centre in the centre of Southport. Held over two days, it gave a good variety of blues based artists on three stages. Friday Young and talented 'Benjamin Bassford' from Mansfield opened the Festival on the Theatre Stage. Ben earned his place on the main stage after winning the vote from last year's Little Blues Acoustic Stage, sponsored by Blues Matters magazine. Playing a mix of excellent self penned numbers of blues and acoustic roots, he showcased his guitar skills on resonator and acoustic guitar as well as his superb vocal talent. The audience were well entertained and he is an ambassador for the youth of blues roots. Benjamin Bassford - photo courtesy of Jan Fialkowski https://www.benjaminbassford.com/ Upping the tempo on the Theatre Stage were the brilliant jump jive rockers 'The Revolutionaires', a high energy six piece band from the Northeast. Fronting the band on vocals, guitar and harmonica was the charismatic, full on performer, Ed Stephenson. With plenty of brass input from trumpets, excellent keys and upright bass, they gave their own individual take on 1950's rhythm and blues and rock and roll, and played a mix of classics from Chuck Berry, Little Richard, Etta James, Big Joe Turner and more. They certainly were a crowd pleasers and it was a great way to finish the evening. The Revolutionaires - photo courtesy of Jan Fialkowski http://www.the-revolutionaires.co.uk/ Saturday Opening on the Little Blues Acoustic Stage in the foyer was 'Stoney Broke'. -
Louis Armstrong 'All Stars' Just Didn't Seem As Interesting As He Came to Be More and More a Solo Artist with a (1901-1971) Backing Group
Newsletter No. 8 August 2001 BUMPER The voices of our past are still our greatest teachers SUMMER ISSUE out of interest after the 'Hot Seven' days and his Louis Armstrong 'All Stars' just didn't seem as interesting as he came to be more and more a solo artist with a (1901-1971) backing group. A Personal Recollection by Denis Cooper But, not withstanding, when he came to the Empire Hall in 1956 (I think) I was there dragging editor Keith's sister along. After what seemed an eternity of dreary warm-up acts the band came on and started to play 'When it's sleepy time down South’. Suddenly a small smartly dressed figure in a blue suit ran up from under the stage and joined in, immediately drowning everyone else. The audience erupted with cheers and whistles even though the acoustics were dreadful - imagine sitting in an oversized cooking pot with the lid ajar! I went to Macs, 100 Oxford Street later that week to see Chris Barber where Louis came in and It was in 1950 that I first heard of jazz - there used played quite a few numbers with them and that to be a program called Jazz Hour on the radio with was a lot better. I can't remember all the titles but a bit of Duke Ellington as an intro. I thought it was 'Basin St Blues' and 'Way Down Yonder in New great but a schoolmate told me it was slush! Then Orleans' were in there. I heard Jelly Roll Morton's 'Dr Jazz' and I was struck all of a heap – “sent” they called it. -
Julian Dawson
Julian Dawson NICKY HOPKINS EINE ROCK-LEGENDE DDawson_Nickyawson_Nicky Hopkins.inddHopkins.indd 1 117.03.107.03.10 008:028:02 DDawson_Nickyawson_Nicky Hopkins.inddHopkins.indd 2 117.03.107.03.10 008:028:02 Julian Dawson NICKY HOPKINS EINE ROCK-LEGENDE Aus dem Englischen von Kristian Lutze Edition Elke Heidenreich bei C. Bertelsmann DDawson_Nickyawson_Nicky Hopkins.inddHopkins.indd 3 117.03.107.03.10 008:028:02 Verlagsgruppe Random House fsc-deu-0100 Das für dieses Buch verwendete fsc-zertifizierte Papier EOS liefert Salzer, St. Pölten, Austria. Die Bücher der Edition Elke Heidenreich erscheinen im C. Bertelsmann Verlag, einem Unternehmen der Verlagsgruppe Random House. 1. Auflage © der deutschen Erstausgabe 2010 by Edition Elke Heidenreich bei C. Bertelsmann, München, in der Verlagsgruppe Random House GmbH © der Originalausgabe 2010 by Julian Dawson Satz: Uhl + Massopust, Aalen Druck und Bindung: GGP Media GmbH, Pößneck Printed in Germany ISBN: 978-3-570-58001-1 www.edition-elke-heidenreich.de DDawson_Nickyawson_Nicky Hopkins.inddHopkins.indd 4 117.03.107.03.10 008:028:02 »Nicky war ein sehr ruhiger Typ, aber er hatte auch eine manische Seite. Hinter dieser ungemein stillen, eifrigen Persönlichkeit lauerte ein unartiger, kleiner Teufel.« KEITH RICHARDS DDawson_Nickyawson_Nicky Hopkins.inddHopkins.indd 5 117.03.107.03.10 008:028:02 Für Hanne DDawson_Nickyawson_Nicky Hopkins.inddHopkins.indd 6 117.03.107.03.10 008:028:02 Inhalt Vorwort von Klaus Voormann . 9 Einleitung . 11 Baby’s House . 21 Nickys Kindheit Flip Flop & Bop Till You Drop . 40 Savage, Rebel Rouser, All Star Wing And A Prayer . 71 Im Krankenhaus All Day . 80 Die Londoner Jahre (Teil I) And All Of The Night . -
Mr Angry Is Really Angry Ian Wallis Reunites
December 2016 December 94 In association with "AMERICAN MUSIC MAGAZINE" ALL ARTICLES/IMAGES ARE COPYRIGHT OF THEIR RESPECTIVE AUTHORS. FOR REPRODUCTION, PLEASE CONTACT ALAN LLOYD VIA TFTW.ORG.UK Mr Angry is really angry Ian Wallis reunites the rockers Neil Foster continues his attempted takeover We “borrow” more stuff from Nick Cobban Soul Kitchen, Jazz Junction, Blues Rambling And more.... 1 2 Nigel Farage is pretty much unemployable in Britain these days but Keith took pity on him and told him he could say: “ HOLD THE THIRD PAGE! ” Welcome to the Christmas edition, yet another splendidly diverse issue; 50 plus pages of news, reviews, enough information to keep you settled in front of your screens (or on your armchairs for our hard copy folks) for a day or three. As you may recall me mentioning in my Buzz column in our last issue on page 55, we are fast approaching our 100th issue. Maybe you feel that our longevity, almost sixteen years, is proof enough of our popularity. Well I think all of us here at the magazine need to have evidence a little more substantial. With conventional magazines it's simple, be it glossy form on newsagent’s shelves or on-line, popularity or lack of it is gauged by paid subscriptions. Here at Tales From The Woods, we as you would quite rightly expect, do things a little differently from other folks. The magazine is free as part of the generous perks of becoming a member along with reductions on gigs, merchandise, automatic invitations to all our social events and so forth. -
SLAP Mag Issue 34 (February 2014)
Issue 34 Feb 2014 FREE SLAP Supporting Local Arts &Performers • Authorised Fender, Gretsch & Takamine Dealer • Take it Away 0% Finance Scheme available • Credit finance on any item over £350 available to all • 10% Discount on Sheet Music for Teachers • Regular Instrument Demo Day’s • Guitar School • Repairs on all instruments available VOX AMPLIFIER STOCKIST MARTIN GUITAR CO. STOCKIST Hello everyone and welcome to issue 34 of SLAP. We’re already a 12th of the way through the year and with all those new year resolutions out the window, we turn our attention to what’s coming up around these parts. There’s certainly plenty to get your teeth into with something for everyone and Andy O’Hare at least thinks 2014 is going to be ‘awesome’! Lets hope he’s right. Feb 2104 Lots of good stuff happening in local arts including Clik Clik Collective, the re-branding of Kidderminster Creative, The Boars Head Gallery and of course the Worcester Arts Workshop. Do check out their websites SLAP MAGAZINE for up to date information on Spring term courses and Unit 3a, Lowesmoor Wharf, events. Worcester WR1 2RS We bring you news of C@tch, a brand new comedy Telephone: 01905 26660 [email protected] festival in Stourport-on-Severn, which looks well worth a visit, more information on page 23. For advertising enquiries, please contact: Paul Robinson on 07852 247 970 Another good news story is the re-opening of the [email protected] Railway Inn, Evesham which has been a great servant EDITORIAL Mark Hogan to the local live music scene over the years. -
Macari's Musical Exchange – Part of Wembley's Pop Music History
Macari’s Musical Exchange – part of Wembley’s Pop Music history. This article only came about because of an enquiry to Wembley History Society. What were the name and address of a music shop in Ealing Road run by the Macari family around the 1960s, and could we provide a photograph of it? The first part was quite easy, Macari’s Musical Exchange was at 46b Ealing Road. But we can’t find a photograph of it. If anyone reading this has one, please share a copy of it with us (c/o Brent Archives)! 1. An old postcard of Ealing Road, with the shop's location arrowed. (Brent Archives online image 8823) Along with the shop’s address, we did receive a number of memories of the Macari family and the shop from the Society’s members and friends. Some of these were quite detailed. As they help to tell the story of those times, I decided to put them together in this article, both for general interest and for anyone who might like to know more about Wembley’s music history. 2. 1960s street map of Wembley, with shop's location marked. (G.I. Barnett street plan / courtesy Zerine Tata) 46 Ealing Road is on the corner of Chaplin Road, at the northern end of a small parade of shops (numbers 46 to 60). The Macari shop is not shown in the 1958 edition of Curley’s Directory of Wembley, but it probably opened soon afterwards, and appears in the 1962 and 1968 editions. There were two shops at number 46. -
Oct Ratmag.Pdf
MAD RAT MAG editor costs no more or less than getting flyers done, that maybe get lost or thrown very few Wow Wow Baby ! people will throw a magazine away. So come on, we haven't got time to chase you Well what a response we have had, you lot up, get those ads and gigs in and quick, are just brilliant. We’ve had loads of you space is limited. Use it or lose it, you’ve contact us to say what a great quality mag heard that before I know, but we are here and what a good read we’ve created. to promote a scene that we are very proud to be a part of. END OF MOAN ! Thank you to everyone who has contributed this month and many thanks to all the adver- Thanks for reading and enjoy October's tisers and those of you round the country edition of the world famous, Mad Rat that are willingly distributing; you’re stars all Mag...it’s stonkin’!!! of you. Til the next time A very special thank you to Mike Cookson who has been an incredible one man adver- Rockin regards tising campaign on behalf of the mag, thanks and hurry up and get well soon. SPIKE Oh boy I’ve been having fun this month, I have been up hill and down dale delivering mags to the waiting hauds and i am loving it! Gently coaxing those who can write their name to write reviews and articles and fea- tures, a bit of chinese torture here and there to extract the gossip and the news its been brill! I cannot begin to tell you how excited the Mad Rat team are about the response, so I wont, I’ll shut up now!!! Yeah right that’ll be the day! Well you can guess I’m about to moan so let’s get on with it.