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A Thesis Submitted for the Degree of PhD at the University of Warwick Permanent WRAP URL: http://wrap.warwick.ac.uk/ 84893 Copyright and reuse: This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. For more information, please contact the WRAP Team at: [email protected] warwick.ac.uk/lib-publications Culture is a Weapon: Popular Music, Protest and Opposition to Apartheid in Britain David Toulson A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in History University of Warwick Department of History January 2016 Table of Contents Acknowledgements………………………………………………………………...iv Declaration………………………………………………………………………….v Abstract…………………………………………………………………………….vi Introduction………………………………………………………………………..1 ‘A rock concert with a cause’……………………………………………………….1 Come Together……………………………………………………………………...7 Methodology………………………………………………………………………13 Research Questions and Structure…………………………………………………22 1)“Culture is a weapon that we can use against the apartheid regime”……...25 The Cultural Boycott and the Anti-Apartheid Movement…………………………25 ‘The Times They Are A Changing’………………………………………………..34 ‘Culture is a weapon of struggle’………………………………………………….47 Rock Against Racism……………………………………………………………...54 ‘We need less airy fairy freedom music and more action.’………………………..72 2) ‘The Myth -
Tenor Saxophone Mouthpiece When
MAY 2014 U.K. £3.50 DOWNBEAT.COM MAY 2014 VOLUME 81 / NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, -
ANDERTON Music Festival Capitalism
1 Music Festival Capitalism Chris Anderton Abstract: This chapter adds to a growing subfield of music festival studies by examining the business practices and cultures of the commercial outdoor sector, with a particular focus on rock, pop and dance music events. The events of this sector require substantial financial and other capital in order to be staged and achieve success, yet the market is highly volatile, with relatively few festivals managing to attain longevity. It is argued that these events must balance their commercial needs with the socio-cultural expectations of their audiences for hedonistic, carnivalesque experiences that draw on countercultural understanding of festival culture (the countercultural carnivalesque). This balancing act has come into increased focus as corporate promoters, brand sponsors and venture capitalists have sought to dominate the market in the neoliberal era of late capitalism. The chapter examines the riskiness and volatility of the sector before examining contemporary economic strategies for risk management and audience development, and critiques of these corporatizing and mainstreaming processes. Keywords: music festival; carnivalesque; counterculture; risk management; cool capitalism A popular music festival may be defined as a live event consisting of multiple musical performances, held over one or more days (Shuker, 2017, 131), though the connotations of 2 the word “festival” extend much further than this, as I will discuss below. For the purposes of this chapter, “popular music” is conceived as music that is produced by contemporary artists, has commercial appeal, and does not rely on public subsidies to exist, hence typically ranges from rock and pop through to rap and electronic dance music, but excludes most classical music and opera (Connolly and Krueger 2006, 667). -
A Companion to Nineteenth- Century Britain
A COMPANION TO NINETEENTH- CENTURY BRITAIN Edited by Chris Williams A Companion to Nineteenth-Century Britain A COMPANION TO NINETEENTH- CENTURY BRITAIN Edited by Chris Williams © 2004 by Blackwell Publishing Ltd 350 Main Street, Malden, MA 02148-5020, USA 108, Cowley Road, Oxford OX4 1JF, UK 550 Swanston Street, Carlton South, Melbourne, Victoria 3053, Australia The right of Chris Williams to be identified as the Author of the Editorial Material in this Work has been asserted in accordance with the UK Copyright, Designs and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs and Patents Act 1988, without the prior permission of the publisher. First published 2004 by Blackwell Publishing Ltd Library of Congress Cataloging-in-Publication Data A companion to nineteenth-century Britain / edited by Chris Williams. p. cm. – (Blackwell companions to British history) Includes bibliographical references and index. ISBN 0-631-22579-X (alk. paper) 1. Great Britain – History – 19th century – Handbooks, manuals, etc. 2. Great Britain – Civilization – 19th century – Handbooks, manuals, etc. I. Williams, Chris, 1963– II. Title. III. Series. DA530.C76 2004 941.081 – dc22 2003021511 A catalogue record for this title is available from the British Library. Set in 10 on 12 pt Galliard by SNP Best-set Typesetter Ltd., Hong Kong Printed and bound in the United Kingdom by TJ International For further information on Blackwell Publishing, visit our website: http://www.blackwellpublishing.com BLACKWELL COMPANIONS TO BRITISH HISTORY Published in association with The Historical Association This series provides sophisticated and authoritative overviews of the scholarship that has shaped our current understanding of British history. -
Using Green Man Festival As a Case Study
An Investigation to identify how festivals promotional techniques have developed over the years – using Green Man Festival as a case study Victoria Curran BA (hons) Events Management Cardiff Metropolitan University April 2018 i Declaration “I declare that this Dissertation has not already been accepted in substance for any degree and is not concurrently submitted in candidature for any degree. It is the result of my own independent research except where otherwise stated.” Name: Victoria Curran Signed: ii Abstract This research study was carried out in order to explore the different methods of marketing that Green Man Festival utilises, to discover how successful they are, and whether they have changed and developed throughout the years. The study intended to critically review the literature surrounding festivals and festival marketing theories, in order to provide conclusions supported by theory when evaluating the effectiveness of the promotional strategies. It aimed to discover how modern or digital marketing affected Green Man’s promotional techniques, to assess any identified promotional techniques and identify any connections with marketing theory, to investigate how they promote the festival towards their target market, and to finally provide recommendations for futuristic methods of promotion. The dissertation was presented coherently, consisting of five chapters. The first chapter was the introduction, providing a basic insight into the topics involved. The second contains a critical literature review where key themes were identified; the third chapter discussed the methodology used whilst the fourth chapter presents the results that were discovered, providing an analysis and discussion. The final chapter summarises the study, giving recommendations and identifying any limitations of the study. -
British Sea Power Sea of Brass Mp3, Flac, Wma
British Sea Power Sea Of Brass mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Sea Of Brass Country: UK Released: 2015 Style: Indie Rock MP3 version RAR size: 1233 mb FLAC version RAR size: 1830 mb WMA version RAR size: 1916 mb Rating: 4.2 Votes: 421 Other Formats: VOC MPC MMF TTA AUD TTA AAC Tracklist A1 Heavenly Waters A2 Once More Now A3 Albert's Eyes A4 Atom B1 A Light Above Descending B2 Machineries Of Joy B3 When A Warm Wind Blows Through The Grass B4 The Great Skua C1 Waving Flags C2 No Need To Cry C3 The Smallast Church In Sussex C4 Lights Out For Darker Skies D1 Wooden Horse D2 Lately Companies, etc. Phonographic Copyright (p) – Golden Chariot Records Ltd. Copyright (c) – Golden Chariot Records Ltd. Mastered At – Fluid Mastering Credits Arranged By – Peter Wraight Conductor – Peter Wraight Mastered By – Nick Watson Sleeve Notes – Roy Wilkinson Notes printed inner sleeves Barcode and Other Identifiers Barcode: 5 060091557635 Label Code: LC 49047 Matrix / Runout (A side): GCR015V A MPO Matrix / Runout (B side): GCR015V B2 MPO Matrix / Runout (C side): GCR015V C MPO Matrix / Runout (D side): GCR015V D MPO Other versions Category Artist Title (Format) Label Category Country Year Sea Of Brass (3xCD, British Sea Golden GCR015BX Album + DVD-V + GCR015BX UK 2015 Power Chariot Box, Dlx, Ltd) Sea Of Brass Live British Sea Golden GCR015CDL(DVD) (CD, Album + DVD- GCR015CDL(DVD) UK 2015 Power Chariot V) British Sea Sea Of Brass (CD, Golden GCR015CD GCR015CD US 2015 Power Album, Dig) Chariot British Sea Sea Of Brass (CD, Golden -
FED National Education Consultation Report 2021
foundation for education development National Education Consultation Report 2021. Building forward together. Building forward together. Contents. 3 Executive Summary. 4 Foreword. 6 Introduction. 7 Definitions and scope. Why we need a long-term plan for our education system. 8 – Inside the English education system. – Short-termism prevents our education system from addressing its big issues. Dealing with the consequences of COVID-19. 13 – Being ready for the big challenges of the future 16 How has the FED gone about its work so far? 17 Summary findings from 2019-2021 consultation events: 20 Next steps. Appendices. 21 a. Organisations who have engaged with the work of the FED b. Findings from the initial round of consultations (Dec 2019-March 2020) c. FED Advisory Council & Trustees d. FED Education Leaders Council e. FED National Ambassadors f. FED Events and Videos 2019 – 2021 Where you see this symbol, remember to click to view video evidence. 2 National Education Consultation Report 2021. Executive Summary. This short report makes the case for education to Without a long-term plan, our education system is be one of the key driving forces for the long-term prevented from addressing its big issues and from economic and social success of our country. being ready for the big challenges of the future: There is a widely held view that urgent work must be • The Future World of Work undertaken to ensure that the foundations of our • Productivity; Climate Change education system allow all children, young people and • Globalisation vs localism lifelong learners of the next decade to flourish. A long- • Increased Global Competition term vision and plan for the English education system • Post-Brexit Britain is now seen as a priority if our education system is to successfully recover from the impact of COVID-19. -
AP ENSEMBLE 4Wk List Extend5
A n d r e w P o p p y PERFORMANCE BIOGRAPHY DISCOGRAPHY WORKS LIST SCORES PRESS CONTACT “Bewitching, beautifully crafted and highly addictive.” The Wire “Gloriously abundant in cascading cycles of notes and noises” The Guardian solo performance at Chelsea Theatre and Lewis Arts Lab 2009 Since the late 70s composer Andrew Poppy has made solo performances and devised different sized ensembles to perform his music. From recent solo club dates at Lewis Arts Lab and a salon in Düsseldorf to the large scale performance installations at Museum of Science & Technology in Paris these events explore different ways of presenting a unique brand of contemporary concert music. As a solo performer he plays piano and keyboards, supported by speaking parts, electronics and video projection. Sustaining Ensemble is the most recent version of work with other musicians which toured UK in the autumn of 2009 Andrew Poppy’s SUSTAINING ENSEMBLE is Andrew Poppy: piano, keyboard, bass guitar and voice Genevieve Wilkins: marimba, vibs, glock and percussion Jez Wiles: vibraphone, glock and percussion Kate Halsall piano and keyboard Martin Langthorne: Lighting Julia Bardsley video Oxford Contemporary Music Oxford Dec 09 performance and CD ‘. a n d t h e S h u f f l e o f T h i n g s ’ is inspired by Francis Bacon’s thoughts about the urge to collect things. Dark ambient grooves, Schubert and the funk, classical piano and some oscillators accompanied by enigmatic stories of lost submarines and the head of Orpheus as a football. Compositions, improvisations and songs without singing. -
SLAP MAGAZINE Although We Are Beginning to Move Indoors for a Few of Them
Issue 73 Sep2017 FREE SLAP Supporting Local Arts & Performers WORCESTER’S NEW INDEPENDENT ITALIAN RESTAURANT Traditional Italian food, cooked the Italian way! We create all dishes in our kitchen, using only the finest quality fresh ingredients. 01905 729 415 [email protected] SUGO at The Lamb & Flag 30 The Tything Worcester WR1 1JL f. t. i. Hello everyone, August has come and gone in a flash it seems, as the festivals all blurred into one big crazy party, one which the inclement weather couldn’t spoil. In this issue we take a look back at just a few of those wonderful weekends such as the fabulous Jinney Ring Blues Festival, the hugely successful Drunken Monkey Rock Festival which raised a staggering £14K for Air Ambulance, the incredible Lakefest at Eastnor of course, and finally the Old Bush Blues Festival, where we took our front cover image of Sep 2017 performer Lorna from Northsyde. We’re not quite at the end of the festival season just yet, there’s still plenty to look forward to. Take a look at the local festival guide on page 36 and see what takes your fancy. SLAP MAGAZINE Although we are beginning to move indoors for a few of them... The big one, outside of Birmingham, is of course the Unit 3a, Lowesmoor Wharf, Worcester Music Festival which celebrates its 10th year this Worcester WR1 2RS September. It’s bigger and better than ever before with new Telephone: 01905 26660 venues getting involved and exciting new features such as Spoken Word & Comedy events. Please check out the guide on [email protected] the centre spread for sneaky overview of what to expect in a For advertising enquiries, please contact: couple of weeks.. -
Blackadder Goes Forth Audition Pack
Blackadder Goes Forth Audition Pack Key Dates Audition Dates: • Tuesday 8 th May – 6:00 – 10:00pm (Everyman Clubroom) • Saturday 12 th May – 10.30am – 5.00pm • Sunday 13 th May – 10:00am – 3.00pm Recalls (if required): • Friday 18 th May – 6:00 – 10:00pm (Everyman Clubroom) • Saturday 19 th May – 10:00am – 1:00pm (Everyman Clubroom) Actors who are successfully cast need to understand that they MUST be available for all the following key dates • Technical Rehearsal: Sunday 11 th November (cast need to be available all day) • Dress Rehearsal: Monday 12 th November (evening) • Performance Dates: Tuesday 13 th – Saturday 17 th November; Evening Performances at 7.30pm, Saturday matinee at 2.30pm Rehearsal Nights Rehearsals will begin w/c Monday 3 rd September. Exact rehearsal nights will be confirmed nearer the time but are quite likely to be Tuesdays, Thursdays and Sundays. Not all cast will be required for every rehearsal. Plot Blackadder Goes Forth is set in 1917 on the Western Front in the trenches of World War I. Captain Edmund Blackadder is a professional soldier in the British Army who, until the outbreak of the Great War, has enjoyed a relatively danger-free existence fighting natives who were usually "two feet tall and armed with dried grass". Finding himself trapped in the trenches with another "big push" planned, his concern is to avoid being sent over the top to certain death. The show thus chronicles Blackadder's attempts to escape the trenches through various schemes, most of which fail due to bad fortune, misunderstandings and the general incompetence of his comrades. -
Deutsche Nationalbibliografie
Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2015 T 05 Stand: 20. Mai 2015 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main) 2015 ISSN 1613-8945 urn:nbn:de:101-ReiheT05_2015-7 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie sche Katalogisierung von Ausgaben musikalischer Wer- auf der Sachgruppenübersicht angegeben, entsprechend ke (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD (PM)“ zugrunde. -
TEXT-PS-122-Anthology.Pdf
Teachers & Writers Collaborative Spring 2018 T&W Collaborative Teaching Artist: Olaya Barr NYU Education Associate: India Gonzalez PS/IS 122Q Academy for the Intellectually Gifted Principal: Anna Aprea Assistant Principals: Alba Carlucci & Michael Pascarelli 6th-Grade ELA Teacher (Classes 506, 501, 509 & 504): Irene Pappas 1 To see your young author published in our magazine please visit teachersandwritersmagazine.org. TEACHERS & WRITERS COLLABORATIVE (T&W) partners with New York City schools and community-based organizations to offer dynamic creative writing programs led by professional writers. Since 1967, T&W has worked with more than 750,000 K-12 students and more than 25,000 teachers at schools throughout New York City; published more than 80 books and an online magazine about creative writing education; and provided free resources for students, teachers, and writers on our website (www.twc.org). ACKNOWLEDGMENTS This residency was sponsored by New York City Department of Education, E.H.A. Foundation, and Teachers & Writers Collaborative (T&W). T&W programs are made possible in part by the National Endowment for the Arts, the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature, and public funds from the New York City Department of Cultural Affairs in partnership with the City Council. T&W is also grateful for support from the following: Amazon.com, Aroha Philanthropies, Bay and Paul Foundations, Bydale Foundation, Cerimon Fund, Charles Lawrence Keith and Clara Miller Foundation, Con Edison, E.H.A. Foundation, Hans and Ruth Cahnmann Family Fund, ING Financial Services, Jerome Foundation, Kenneth Koch Literary Estate, Laura B.