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Kinoprogramm März 2020 KINOPROGRAMM MÄRZ 2020 DEUTSCHES FILMINSTITUT FILMMUSEUM DEUTSCHES FILMINSTITUT FILMMUSEUM ** ALLES IST FILM EVERYTHING IS FILM FILME IN ORIGINALFASSUNG DIE BLECHTROMMEL VOLKER SCHLÖNDORFF S.9 ORIGINAL LANGUAGE PROGRAM March highlights Aus dem DFF 2 Ausstellung: Maximilian Schell 4 Das Kino des DFF zeigt Filme grundsätzlich in Originalfassung und nach Verfügbarkeit deutsch Filmprogramm oder englisch untertitelt. The DFF cinema shows films in their original Close-up: Mario Adorf 6 language version and subtitled in German if The Act of Filming – Reflexionen über 10 available (look for the abbreviations OF or Kino und Politik OmU). For our international guests we mark ver- 250 Jahre Friedrich Hölderlin 16 sions subtitled in English with the abbreviation Werkschau Marina de Van 18 OmeU. Klassiker & Raritäten: Maximilian Schell 20 Late Night Kultkino 22 • German actor Mario Adorf in „Close-up“: selec- ted films in Italian with English subtitles p. 7 TAXICHAUFFEUR BÄNZ WERNER DÜGGELIN S. 20 LONE WOLF MCQUADE STEVE CARVER S. 22 • Series „The Act of Filming“ on political cinema with English subtitles & guest Tamer El Said p. 10 • Discover French director Marina de Van’s most important works with English subtitles p. 18 • Maximilian Schell in his key roles, including screenings in English p. 20 Further highlights include: • Late Night Cult Films in English p. 22 • Ang Lee‘s early work XI YAN in Mandarin and English p. 23 • CHARLES MORT OU VIF in French p. 26 • Silent films from Uzbekistan: landmarks of Central Asian cinema p. 27 Language versions can be found in the film descriptions and in the monthly calendar in the middle of this brochure, with expla- nations for abbreviations in English. Did you know? On Instagram we keep you posted on ‚everything film‘ in English. Follow us today! DIE BLECHTROMMEL VOLKER SCHLÖNDORFF S.9 AKHER AYAM EL MEDINA TAMER EL SAID S. 10 HÄLFTE DES LEBENS HERRMANN ZSCHOCHE S. 16 Filmprogramm Service Filmclub Treppe 41 23 Programmübersicht 14 Das Archivgespräch: Beat Presser 24 Tickets & Info 29 Special: Werner Fritsch 25 Special: Quatuor Ébène 25 Was tut sich – im deutschen Film? 26 Special: Feier der französischen Sprache 26 Special: Stummfilme aus Usbekistan 27 Kinderkino 28 UmweltKinoTag/Vorschau 15 LONE WOLF MCQUADE STEVE CARVER S. 22 PETTERSSON UND FINDUS ALI SAMADI AHADI S. 28 2 AUS DEM DFF Das besondere Datum Seit 20 Jahren bringt goEast aktuelles Filmschaffen Mittel- und Osteuropas nach Wiesbaden 13.03. und Frankfurt. Die Jubiläumsausgabe des DFF-Filmfestivals findet UmweltKinoTag bei den hessenweiten vom 5. bis 11. Mai statt. SchulKinoWochen! Mit Kinovorstellungen und Fachgesprächen gibt der Aktionstag Gelegenheit zur Beschäftigung mit dem Thema Umweltschutz. 24 S. 15 verschiedene Bewegungsphasen von Balu, dem Bären aus DAS DSCHUNGELBUCH, zeigt 55 Porträts die originale Figurenstudie aus den 1960er Jahren, die das DFF kürzlich erworben hat. von Filmschaffenden finden sich im neuen Vom 21. Mai an ist sie in unserer Sonderaus- Bildband Vor der Klappe ist Chaos – stellung The Sound of Disney zu sehen. Hommage an den Neuen Deutschen Film des Fotografen Beat Presser. Am Montag, 30. März, kommt er für ein Archivgespräch ins Archiv- und Studienzentrum des DFF. S. 24 Filmtipp Team DFF cm 94 groß ist Oskar Matzerath, der Protagonist in DIE BLECHTROMMEL, der beschlossen hat, nicht mehr zu wachsen, um so gegen Blick ins Heft mit Christine Kopf, Leiterin die Welt der Erwachsenen zu protestieren. Filmbildung und -vermittlung Das Filmrequisit ist in der Ausstellung zu sehen, der Film im März im Kino. „Tamer El Saids intensives, vielschichtiges Kairo- S. 9 Porträt IN DEN LETZTEN TAGEN DER STADT habe ich 2016 bei der Berlinale gesehen. Die poetischen Bilder, der ausgefeilte Ton, vor allem aber die Szenen, die die fünf Freunde zeigen, sind mir bis heute in Erinnerung. Mir fällt dazu Milan Kunderas Die unerträgliche Leichtigkeit des Seins ein.“ S. 10 AUS DEM DFF 3 SATOURDAY: NAH UND FERN – ZWERGE UND RIESEN Wie entstehen Größenverhältnisse im Film? An diesem Samstag kann die ganze Familie mehr über Perspektive im Film erfahren. Termin: Samstag, 28. März, 12–18 Uhr Offenes Angebot für Familien mit Kindern von 6 Jahren an. Teilnehmer/innen haben freien Eintritt in die Dauerausstellung. JURYKIDS GESUCHT! BEWERBUNG BIS 19. MÄRZ LUCAS – Internationales Festival für junge Filmfans sucht Mitglieder für die Jurys 8+ und 13+! Wer in der Festivalwoche zwischen zehn und 18 Jahre alt ist und Lust hat, zusammen mit Branchenprofis inten- siv Filme zu schauen, darüber zu diskutieren und die Gewinnerfilme auszuzeichnen, bewirbt sich bis zum 19. März mit einer Filmkritik für eine der beiden Jurys. Bewerbungsbogen und weitere Infos: lucas-filmfestival.de [email protected] 069 961 220 – 673 AUFTAKT DER 14. SCHULKINOWOCHEN HESSEN am Montag, 9. März, um 9:30 Uhr im Kino des DFF Mit Agnès Vardas DIE SAMMLER UND DIE SAMM- LERIN eröffnen die diesjährigen SchulKinoWochen (9.–20. März) das Programm und die Fokus-Reihe „Film im Film“ im Kino des DFF. In dem Film geht es um das Sammeln von Bildern der Überbleibsel anderer. Auch das Filmgespräch mit Gästen dreht FILMARCHIV KAUFT FRANKFURT-FILME AN sich ums Sammeln: von Food-Sharing bis zum Bil- dersammeln beim Filmemachen. Das Filmarchiv des DFF hat kürzlich mit finanziel- ler Unterstützung der Stadt Frankfurt eine private Infos und Anmeldung: Filmsammlung mit 3.300 analogen Filmkopien er- schulkinowochen-hessen.de werben können, deren besonderer Schwerpunkt 069 961220 – 681 auf Filmen aus Hessen und Frankfurt am Main liegt. Einige dieser Filme, darunter STADION-EINWEI- HUNG von 1925 und EINWEIHUNG DER ALTEN BRÜCKE von 1926, werden nun digitalisiert. DFF / Nachlass Maximilian Schell. Foto: William Claxton Öffentliche Führungen durch die Sonderausstellung: Immer samstags um 15 Uhr DFF after work: Eine Führung, ein Glas Wein und ein exklusiver Blick auf die abendliche Skyline Freitag, 13. März, 19 Uhr AUSSTELLUNG 5 Maximilian Schells Anfänge in Hollywood Von Isabelle Louise Bastian Maximilian Schells Image in Hollywood wurde durch gemacht werden (…) – auf keinen Fall soll Schell als PR-Strategen sorgfältig und kalkulierend aufgebaut. typischer »Deutscher« wahrgenommen werden. Als Zum einen war es wichtig, eine Beziehung des New- musischer, intellektueller Europäer schon eher. Auch comers (…) zum US-amerikanischen Publikum zu wird versucht, Schell amerikanische Vorzüge zu ver- etablieren. Dazu pries man Tugenden und persönli- leihen. So sei er begeisterter Sportler und habe in sei- che Interessen wie Pflichtbewusstsein, Fleiß, sport- nem Land den Militärdienst und jährlich seine Pflicht- liche Betätigung sowie eine generelle Liebe zu Land übungen abgeleistet. (…) und Leuten an. Gleichzeitig bauten die publicists ein Image als europäischer Intellektueller auf, der in einer Blendend weiße Zähne und dichte schwarze Künstlerfamilie groß wurde, die vor den Nazis fliehen Haare musste. Das Talent der Geschwister wird erwähnt, aber nicht überbetont – schließlich galt es, Maximili- Als Vorlage für die Biografie in der Pressemappe von an Schell als eigenständige »Marke« aufzubauen, um JUDGMENT AT NUREMBERG diente ein Dossier von ihn vor allem von der erfolgreichen Schwester Maria Rogers & Cowan der großen US-Marketingagentur abzuheben. Schells vielfältige künstlerische Bega- (…) Auffällig an dieser »Biografie« ist, dass hier Schells bungen und Interessen standen dabei ebenso im Vor- körperliche Vorzüge angepriesen werden: seine Kör- dergrund wie sein ›Wandern zwischen den Welten‹ als pergröße, die athletische Statur, blendend weiße mehrsprachiger Kosmopolit. (…) Zähne, seine dichten schwarzen Haare, in Summa: attraktiv für Männer und Frauen gleichermaßen. Zu- Der künstlerische Sportler dem sei Schell noch Junggeselle. Seine persönlichen Stärken: Bescheidenheit, Intelligenz, Neugier, Humor. Ein Blick in Schells Biografie für die Pressemappe von JUDGMENT AT NUREMBERG (US 1961, R: Stan- „Amerikas größter Fan“ ley Kramer) zeigt: Es wird zunächst auf seinen New- comer-Status verwiesen; darauf, dass er vor JUDG- Was vorher noch subtile Anlehnung an amerikani- MENT in nur einem anderen US-Kinofilm zu sehen sche Tugenden ist, wird zur regelrechten Anbiede- gewesen sei – in THE YOUNG LIONS (US 1958, R: Ed- rung, wenn Schell mit der Aussage zitiert wird, Ameri- ward Dmytryk) an der Seite von Marlon Brando. (…) kas größter Fan zu sein, gefolgt von einer Aufzählung, Viel Wert wird darauf gelegt, die künstlerische Bega- was ihm an Land und Leuten besonders gefalle: vor bung Maximilian Schells und seiner Familie herauszu- allem das Essen (»especially corn flakes«) und Jazz- arbeiten. Der Öffentlichkeit soll eine klare Trennung Musik. Kaum wiederzukennen ist hier der klassisch vom Schauspieler Schell und seinen Rollen bewusst gebildete, europäische Mozart-Liebhaber. Gekürzter und überarbeiteter Auszug aus: Ausstellung gefördert von: „»The most fascinating European actor since Boyer«. Maximilian Schells Anfänge in Hollywood“ im Begleitband zur Ausstellung Maximilian Schell Deutsch: ISBN 978-3-88799-105-0 39,80 € Englisch: ISBN 978-3-88799-110-4 39,80 € Medienpartner: 6 Close-up: Mario Adorf Mario Adorf zu Gast am Sonntag, 8. März Einer der bedeutendsten deutschen Filmschau- im Foyer des DFF eröffnet, die noch bis 26. April spieler kommt ins DFF: Ein halbes Jahr vor seinem anhand von Fotos und anderen Exponaten die 90. Geburtstag wünschte sich Mario Adorf, jene besondere Mimik und Wandlungsfähigkeit Adorfs Kinowerke im Kino des DFF zeigen zu dürfen, die präsentiert. Am Sonntag, 8. März, spricht Urs
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