The Trouble with Archie: Locating and Accessing Primary Sources for the Study of the 1970S US Sitcom, All in the Family
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King, Michael Patrick (B
King, Michael Patrick (b. 1954) by Craig Kaczorowski Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2014 glbtq, Inc. Reprinted from http://www.glbtq.com Writer, director, and producer Michael Patrick King has been creatively involved in such television series as the ground-breaking, gay-themed Will & Grace, and the glbtq- friendly shows Sex and the City and The Comeback, among others. Michael Patrick King. He was born on September 14, 1954, the only son among four children of a working- Video capture from a class, Irish-American family in Scranton, Pennsylvania. Among various other jobs, his YouTube video. father delivered coal, and his mother ran a Krispy Kreme donut shop. In a 2011 interview, King noted that he knew from an early age that he was "going to go into show business." Toward that goal, after graduating from a Scranton public high school, he applied to New York City's Juilliard School, one of the premier performing arts conservatories in the country. Unfortunately, his family could not afford Juilliard's high tuition, and King instead attended the more affordable Mercyhurst University, a Catholic liberal arts college in Erie, Pennsylvania. Mercyhurst had a small theater program at the time, which King later learned to appreciate, explaining that he received invaluable personal attention from the faculty and was allowed to explore and grow his talent at his own pace. However, he left college after three years without graduating, driven, he said, by a desire to move to New York and "make it as an actor." In New York, King worked multiple jobs, such as waiting on tables and unloading buses at night, while studying acting during the day at the famed Lee Strasberg Theatre Institute. -
Tandem Productions & Bernero Productions in Coproduction With
Tandem Productions & Bernero Productions in coproduction with TF1 Production and in association with Sony Pictures Television Networks present A WORLD WITHOUT BORDERS NEEDS JUSTICE WITHOUT BORDERS WILLIAM FICHTNER MARC LAVOINE GABRIELLA PESSION TOM WLASCHIHA RICHARD FLOOD is CARL HICKMAN is LOUIS DANIEL is EVA VITTORIA is SEBASTIAN BERGER is TOMMY MCCONNELL (Teenage Mutant Ninja Turtles, (The Good Thief, Deception) (Rossella, Capri) (Game of Thrones, Brideshead Revisited) (Titanic: Blood & Steel, Three Wise Women) Prison Break) Introducing new recurring guest stars in Season 2 LARA ROSSI and DONALD SUTHERLAND CARRIE-ANNE MOSS and RAY STEVENSON is ARABELA SEEGER is MICHEL DORN as AMANDA ANDREWS as MILES LENNON (Life of Crime, Murder: Joint Enterprise) (The Hunger Games, (Vegas, Matrix, Chocolat) (Dexter, The Book of Eli) The Pillars of the Earth, Path to War) THE STORY THE FACTS Crossing Lines is a unique, global action/crime series that taps into the charter of the International TITLE: CROSSING LINES Criminal Court (ICC), to mandate a special crime unit functioning as a European-based FBI, to GENRE: ACTION CRIME DRAMA investigate serialized crimes that cross over European borders and to hunt down and bring criminals to justice. FORMAT: 22 x APPROX. 45 MIN. SERIES BUDGET: USD 3 MILLION/EPISODE It is also a story of redemption and revenge. CARL HICKMAN, a wounded and disgraced New York cop, pulled from the edge by a group of unlikely saviors – LOUIS DANIEL, heading an elite cross PRODUCTION COMPANIES: border police unit, hunting down the world’s most brutal criminals, but ultimately seeking revenge for TANDEM PRODUCTIONS his son’s murder. -
Toni Basil Concerts/Tours/Events
Toni Basil Concerts/Tours/Events: Tina Turner Live 2008/2009 Associate Dir./Choreographer Tour Tina Turner "What's Love Got Choreographer To Do With It" Tour Bette Midler "Divine Co-Director/Choreographer Intervention" Bette Midler "The Showgirl Choreographer Caesars Palace, Las Vegas Must Go On" Bette Midler / Grand Opening Choreographer Harrah's Casino / Hammond, of Harrah's Casino Indiana Bette Midler "Kiss My Brass" Choreographer Tour Bette Midler "Miss Millennium" Dance Dir./Choreographer Tour Bette Midler "Experience the Dance Dir./Choreographer Divine" Tour Bette Midler "Experience the Dance Dir./Choreographer Divine" '93-'94 Tour Bette Midler "Detour" Co-Director/Choreographer Bette Midler "Tour For New Co-Director/Choreographer Depression" Valora at the Troubadour 2010 Choreographer Lee Ann Womack 2002 Tour Director/Choreographer Erv Woolsey Company Enrique Iglesias "Escape" Director/Choreographer Tour Matchbox 20 1998 World Tour Choreographer Menudo "Reencuentro" Tour Choreographer Mi Bondo Toca David Lee Roth 1995 Road Choreographer Show Tour The Manhattan Transfer 1995 Choreographer Multi-Media Interactive Concept Show Shockin' The House at LA Director/Choreographer Festival Frankie Valli Las Vegas Show Choreographer Bolshoi Circus Japanese Tour Director/Choreographer 1993 David Bowie "Glass Spider" Co-Director/Choreographer Tour David Bowie "Diamond Dogs" Co-Director/Choreographer Tour Toni Basil at The Kitchen "A Director/Choreographer Decade in Street Dance" Toni Basil at The Roxy (Dir./Chor./Prod.) Toni Basil at The Fox Venice (Dir./Chor./Prod.) The Lockers at Radio City Director/Choreographer Music Hall Manhattan Transfer 1991 Tour Director/Choreographer Pee-Wee Herman at J.C. Co-Director/Choreographer J.C. Penny Fashion Show Penny Fashion Show Film: House Bunny Choreographer Dir. -
Rebooting Roseanne: Feminist Voice Across Decades
Home > Vol 21, No 5 (2018) > Ford Rebooting Roseanne: Feminist Voice across Decades Jessica Ford In recent years, the US television landscape has been flooded with reboots, remakes, and revivals of “classic” nineties television series, such as Full/er House (1987-1995, 2016- present), Will & Grace (1998-2006, 2017-present), Roseanne (1988-1977, 2018), and Charmed (1998-2006, 2018-present). The term “reboot” is often used as a catchall for different kinds of revivals and remakes. “Remakes” are derivations or reimaginings of known properties with new characters, cast, and stories (Loock; Lavigne). “Revivals” bring back an existing property in the form of a continuation with the same cast and/or setting. “Revivals” and “remakes” both seek to capitalise on nostalgia for a specific notion of the past and access the (presumed) existing audience of the earlier series (Mittell; Rebecca Williams; Johnson). Reboots operate around two key pleasures. First, there is the pleasure of revisiting and/or reimagining characters that are “known” to audiences. Whether continuations or remakes, reboots are invested in the audience’s desire to see familiar characters. Second, there is the desire to “fix” and/or recuperate an earlier series. Some reboots, such as the Charmed remake attempt to recuperate the whiteness of the original series, whereas others such as Gilmore Girls: A Life in the Year (2017) set out to fix the ending of the original series by giving audiences a new “official” conclusion. The Roseanne reboot is invested in both these pleasures. It reunites the original cast for a short-lived, but impactful nine-episode tenth season. -
The Norman Conquest: the Style and Legacy of All in the Family
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Boston University Institutional Repository (OpenBU) Boston University OpenBU http://open.bu.edu Theses & Dissertations Boston University Theses & Dissertations 2016 The Norman conquest: the style and legacy of All in the Family https://hdl.handle.net/2144/17119 Boston University BOSTON UNIVERSITY COLLEGE OF COMMUNICATION Thesis THE NORMAN CONQUEST: THE STYLE AND LEGACY OF ALL IN THE FAMILY by BAILEY FRANCES LIZOTTE B.A., Emerson College, 2013 Submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts 2016 © 2016 by BAILEY FRANCES LIZOTTE All rights reserved Approved by First Reader ___________________________________________________ Deborah L. Jaramillo, Ph.D. Assistant Professor of Film and Television Second Reader ___________________________________________________ Michael Loman Professor of Television DEDICATION This thesis is dedicated to Jean Lizotte, Nicholas Clark, and Alvin Delpino. iv ACKNOWLEDGMENTS First, I’m exceedingly thankful for the guidance and patience of my thesis advisor, Dr. Deborah Jaramillo, whose investment and dedication to this project allowed me to explore a topic close to my heart. I am also grateful for the guidance of my second reader, Michael Loman, whose professional experience and insight proved invaluable to my work. Additionally, I am indebted to all of the professors in the Film and Television Studies program who have facilitated my growth as a viewer and a scholar, especially Ray Carney, Charles Warren, Roy Grundmann, and John Bernstein. Thank you to David Kociemba, whose advice and encouragement has been greatly appreciated throughout this entire process. A special thank you to my fellow graduate students, especially Sarah Crane, Dani Franco, Jess Lajoie, Victoria Quamme, and Sophie Summergrad. -
Affordability Now This Is the Second in a Three-Part Series
TODAY PRESIDENT’SMESSAGE “...Where to now, St. Peter?” Affordability Now This is the second in a three-part series. The original article was published in the May 2014 issue of Crop Insurance TODAY ®. Laurie Langstraat, Editor Many of us recall the Seinfeld television series Hannah Wiebelhaus, Assistant Editor which aired for 10 years with 180 episodes. In sitting down to share my thoughts for this President’s Mes- TODAY® IS PROVIDED AS A SERVICE OF NATIONAL CROP INSURANCE SERVICES® sage, I was reminded of Episode #159 “The Serenity TO EDUCATE READERS ABOUT THE RISK Now” (aired October 9, 1997). In this particular ep- MANAGEMENT TOOLS PRODUCERS USE isode, George’s father was “prescribed” to utter the TO PROTECT THEMSELVES FROM phrase “Serenity Now” when he felt his blood pressure THE RISKS ASSOCIATED WITH spiking. PRODUCTION AGRICULTURE. Here is an excerpt from the transcript of that episode: Industry-leading crop insurance reporting TODAY is published quarterly–February, May, Frank Costanza: “Serenity Now! Serenity Now!” August, and November by George Costanza: “What is that?” tools to connect you and your customers National Crop Insurance Services Frank: “Doctor gave me a relaxation cassette. When 8900 Indian Creek Parkway, Suite 600 my blood pressure gets too high, the man on the tape tells Overland Park, Kansas 66210 Tom Zacharias, NCIS President me to say, ‘Serenity Now!’” GAIN EFFICIENCIES WITH THE RCIS PRECISION FARMING TOOL www.ag-risk.org George: “Are you supposed to yell it?” Frank: “The man on the tape wasn’t specific.” If you move, or if your address is incorrect, please Okay, enough levity and stream of consciousness. -
Scriptedpifc-01 Banijay Aprmay20.Indd 2 10/03/2020 16:54 Banijay Rights Presents… Bäckström the Hunt for a Killer We Got This Thin Ice
Insight on screen TBIvision.com | April/May 2020 Television e Interview Virtual thinking The Crown's Andy Online rights Business Harries on what's companies eye next for drama digital disruption TBI International Page 10 Page 12 pOFC TBI AprMay20.indd 1 20/03/2020 20:25 Banijay Rights presents… Bäckström The Hunt For A Killer We Got This Thin Ice Crime drama series based on the books by Leif GW Persson Based on a true story, a team of police officers set out to solve a How hard can it be to solve the world’s Suspense thriller dramatising the burning issues of following the rebellious murder detective Evert Bäckström. sadistic murder case that had remained unsolved for 16 years. most infamous unsolved murder case? climate change, geo-politics and Arctic exploitation. Bang The Gulf GR5: Into The Wilderness Rebecka Martinsson When a young woman vanishes without a trace In a brand new second season, a serial killer targets Set on New Zealand’s Waiheke Island, Detective Jess Savage hiking the famous GR5 trail, her friends set out to Return of the riveting crime thriller based on a group of men connected to a historic sexual assault. investigates cases while battling her own inner demons. solve the mystery of her disappearance. the best-selling novels by Asa Larsson. banijayrights.com ScriptedpIFC-01 Banijay AprMay20.indd 2 10/03/2020 16:54 Banijay Rights presents… Bäckström The Hunt For A Killer We Got This Thin Ice Crime drama series based on the books by Leif GW Persson Based on a true story, a team of police officers set out to solve a How hard can it be to solve the world’s Suspense thriller dramatising the burning issues of following the rebellious murder detective Evert Bäckström. -
Panelist Bios
PANELIST BIOGRAPHIES CATE ADAIR Catherine Adair was born in England, spent her primary education in Switzerland, and then returned to the UK where she earned her degree in Set & Costume Design from the University of Nottingham. After a series of apprenticeships in the London Theater, Catherine immigrated to the United States where she initially worked as a costume designer in East Coast theater productions. Her credits there include The Kennedy Center, Washington Ballet, Onley Theater Company, The Studio and Wolf Trap. Catherine then moved to Los Angeles, joined the West Coast Costume Designers Guild, and started her film and television career. Catherine’s credits include The 70s mini-series for NBC; The District for CBS; the teen film I Know What You Did Last Summer and Dreamworks’ Win a Date with Tad Hamilton. Currently Catherine is the costume designer for the new ABC hit series Desperate Housewives. ROSE APODACA As the West Coast Bureau Chief for Women's Wear Daily (WWD) and a contributor to W, Rose Apodaca and her team cover the fashion and beauty industries in a region reaching from Seattle to Las Vegas to San Diego, as well as report on the happenings in Hollywood and the culture-at-large. Apodaca is also instrumental in the many events and related projects tied to WWD and the fashion business in Los Angeles, including the establishment of LA Fashion Week, and has long been a champion of the local design community. Before joining Fairchild Publications in June 2000, Apodaca covered fashion and both popular and counter culture for over a decade for the Los Angeles Times, USA Today, Sportswear International, Detour, Paper and others. -
A Covert Case Study of Bouncers in the Manchester Night-Time Economy
6 A COVERT CASE STUDY OF BOUNCERS IN THE MANCHESTER NIGHT-TIME ECONOMY 6.1 Manchester as a case study: my biographical and experiential backyard 124 6.2 Covert passing in a demonized subculture: body capital and interaction rituals 126 6.3 The door order and door code: folklore, stories, trust, fictive kinship, masculinity, dirty work and private policing 129 6.4 Managing situated ‘ethical moments’ on the door 138 6.5 An optic on violence 142 6.6 Emotionality, embodiment and risk-taking in ethnography 145 6.7 Conclusions: the post-fieldwork self in a study that never quite finishes 147 6.8 Learning exercise 149 07_Calvey_Ch_06.indd 123 2/28/2017 10:53:56 AM Covert research This chapter focuses on a covert retrospective participant observation case study of bouncers in the night-time economy of Manchester in the United Kingdom. I will discuss my case study, comparing it to the work of other researchers who have explored this specific area, as well as others who might echo my research journey. 6.1 Manchester as a case study: my biographical and experiential backyard The location of Manchester, the UK, for the case study, which is where I live and work, is highly strategic. The city is saturated in popular culture, being named Gunchester, Gangchester and Madchester in the past, and has been well documented by a range of popular journalists and commentators (Haslam, 1999; Swanton, 1997, 1998; Walsh, 2005; Wilson, 2002). The development of club cul- tures in Manchester has been specifically linked to urban regeneration (Lovatt, 1996). -
The Lily- White Boys
The Library of America • Story of the Week From William Maxwell: Later Novels & Stories (The Library of America, 2008 ), pages 726 –730 . Originally published in The Paris Review , Summer/Fall 1986 . Reprinted in All the Days and Nights: The Collected Stories of William Maxwell (1995) . Copyright © 1995 by William Maxwell. Used by permission of Alfred A. Knopf, a division of Random House, Inc. The Lily- White Boys he Follansbees’ Christmas party was at teatime on Christ - T mas Day, and it was for all ages. Ignoring the fire laws, the big Christmas tree standing between the two front windows in the living room of the Park Avenue apartment had candles on it. When the last one was lit, somebody flipped a light switch, and in the hush that fell over the room the soft yellow candle - light fell on the upturned faces of the children sitting on the floor in a ring around the base of the tree, bringing tears to the eyes of the susceptible. The tree was strung with loops of gold and silver tinsel and popcorn and colored paper, and some of the glass ornaments— the hardy tin soldier, the drum, the nut - meg, and the Man in the Moon— went all the way back to Beth Follansbee’s childhood. While the pres ents were being distributed, Mark Follansbee stood by with a bucket of water and a broom. The room smelled of warm wax and balsam. The big red candles on the mantelpiece burned down slowly in their nest of holly. In the dining room, presiding over the cut- glass punch bowl, Beth Follansbee said, “You let the peaches sit all day in a quart of vodka, and then you add two bottles of white wine and a bottle of champagne— be a little careful, it isn’t as innocuous as you might think,” and with her eyebrows she signaled to the maid that the plate of water - cress sandwiches needed refilling. -
TELEVISION and VIDEO PRESERVATION 1997: a Report on the Current State of American Television and Video Preservation Volume 1
ISBN: 0-8444-0946-4 [Note: This is a PDF version of the report, converted from an ASCII text version. It lacks footnote text and some of the tables. For more information, please contact Steve Leggett via email at "[email protected]"] TELEVISION AND VIDEO PRESERVATION 1997 A Report on the Current State of American Television and Video Preservation Volume 1 October 1997 REPORT OF THE LIBRARIAN OF CONGRESS TELEVISION AND VIDEO PRESERVATION 1997 A Report on the Current State of American Television and Video Preservation Volume 1: Report Library of Congress Washington, D.C. October 1997 Library of Congress Cataloging-in-Publication Data Television and video preservation 1997: A report on the current state of American television and video preservation: report of the Librarian of Congress. p. cm. þThis report was written by William T. Murphy, assigned to the Library of Congress under an inter-agency agreement with the National Archives and Records Administration, effective October 1, 1995 to November 15, 1996"--T.p. verso. þSeptember 1997." Contents: v. 1. Report - ISBN 0-8444-0946-4 1. Television film--Preservation--United States. 2. Video tapes--Preservation--United States. I. Murphy, William Thomas II. Library of Congress. TR886.3 .T45 1997 778.59'7'0973--dc 21 97-31530 CIP Table of Contents List of Figures . Acknowledgements. Preface by James H. Billington, The Librarian of Congress . Executive Summary . 1. Introduction A. Origins of Study . B. Scope of Study . C. Fact-finding Process . D. Urgency. E. Earlier Efforts to Preserve Television . F. Major Issues . 2. The Materials and Their Preservation Needs A. -
The Transom Review February, 2003 Vol
the transom review February, 2003 Vol. 3/Issue 1 Edited by Sydney Lewis Gwen Macsai’s Topic About Gwen Macsai Gwen Macsai is an award winning writer and radio producer for National Public Radio. Her essays have been heard on All Things Considered, Morning Edition and Weekend Edition Saturday with Scott Simon since 1988. Macsai is also the creator of "What About Joan," starring Joan Cusack and author of "Lipshtick," a book of humorous first person essays published by HarperCollins in February of 2000. Born and bred in Chicago (south shore, Evanston), Macsai began her career at WBEZ-FM and then moved to Radio Smithsonian at the Smithsonian Institution in Washington, DC. After working for NPR for eight years she moved to Minneapolis, MN where "Lipshtick" was born, along with the first of her three children. Then, one day as she tried to wrangle her smallish-breast-turned-gigantic- snaking-fire-hose into the mouth of her newborn babe, James L. Brooks, (Producer of the Mary Tyler Moore Show, Taxi, The Simpsons and writer of Terms of Endearment, Broadcast News and As Good As It Gets), called. He had just heard one of her essays on Morning Edition and wanted to base a sitcom on her work. In 2000, "What About Joan" premiered. The National Organization for Women chose "What About Joan" as one of the top television shows of that season, based on its non- sexist depiction and empowerment of women. Macsai graduated from the University of Illinois and lives in Evanston with her husband and three children. Copyright 2003 Atlantic Public Media Transom Review – Vol.