The D.A.P. Catalog Spring 2019 Au/Nz
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The Worth Directory
Innovation Fusion Collaboration THE WORTH DIRECTORY 152275_TEXT_AW_AMENDS.indd 1 29/10/2015 11:12 Funded by the European Commission to develop competitive- ness in small fashion businesses, the Worth project specialises in cross border creative and manufacturer collaborations, aiming to innovate new fashion and lifestyle products in order to maximise assets derived from the resource and skill base of Europe. With an express aim of creating innovative products to prototype stage, the result is 34 unique European enterprising partnerships managed jointly by Centre for Fashion Enterprise at London Col- lege of Fashion and Institut Français de la Mode: fusions of tra- dition and invention; craft and technology; hand and machine; history and modernisation across fashion, textiles, jewellery, eye- wear, footwear, furniture, fur and leather lifestyle product catego- ries. WORTH facilitates connections between factories, designers and manufacturers across the regions to access and cross fertilise the broad range of skills and know-how that define Europe as a high-level fashion industry resource base. CREATIVES & DESIGNERS CREATIVES & DESIGNERS CREATIVES & DESIGNERS COMPANY NAME Company type Country Email Ana Rajcevic Artist UK [email protected] Andrea Crews Fashion & France [email protected] Creative Brand Anne Sofie Madsen Fashion Denmark [email protected] Designer Apologie Footwear France [email protected] Designer Bonnie Kirkwood Ltd Textile UK [email protected] Designer Boulezar Fashion Germany [email protected] -
DOWNLOAD PDF BUILDINGS PROJECTS Size
Arch. Piero Castiglioni Via Presolana 5 20135 Milano, Italia Tel. (+39)025513223 e-mail: [email protected] pec: [email protected] web site: www.pierocastiglioni.com BUILDINGS 1975 Italy, Island of Elba Marina di Campo - Iselba Residence - general lighting coll. Arch. R. Menghi 1975 Spain, Bilbao - Mosel Showroom - general lighting coll. Arch. C. Boeri 1975 Spain, Bilbao - Missoni Boutique - general lighting coll. Arch. Gregotti Associati 1976 Italy, Milan - Marisa Boutique - general lighting coll. Arch. Gregotti Associati 1977 Saudi Arabia, Jeddah - Meridien Hotel - general lighting coll. Arch. C. Casati 1978 Italy, Monte Argentario - Nursery School - general lighting coll. Arch. G. Aulenti 1978 Italy, Rome - Tivoli Leathers Showroom - general lighting coll. G. Marotta, P. Bassanin, G. Gentilucci 1980 Italy, Foligno - Town Hall - lighting for some operative rooms coll. Arch. D. Ripa di Meana 1980 Italy, Lenno - The Municipal Library - general lighting coll. Arch. R. Menghi 1981 Italy, Cascia - S. Rita Sanctuary - general lighting coll. Arch. Scrinieri 1981 Italy, Cesano Maderno - Mariani Showroom - general lighting coll. Arch. G. Azzarello 1982 Italy, Milan - Naj Oleari Boutique - general lighting 1982 Syria, Damascus - Al Cham Hotel - common parts and outdoor lighting 1983 Italy, Milan - Morassuti Showroom - general lighting coll. Arch. D. Puppa, B. Raggi 1983 Italy, Turin - Chaplin Cinema - general lighting coll. Arch. Gatti 1983 Italy, Milan - Gran Ciclismo Cinelli Showroom - general lighting coll. Arch. D. Puppa, B. Raggi 1983 Italy, Milan - Misani Jewelery - general lighting coll. Arch. De Pas, D’Urbino, Lomazzi 1983 Italy, Saint Vincent - Casinò de la Vallée e Hotel - common parts and restaurant lighting coll. Studio D. A. 1983 France, Nanterre, Paris - Théatre des Amadiers - general lighting coll. -
Spring 19 – Global Fashion Industry: Italy PRACT-UG 9200 Wednesdays, 9:00 A.M
Spring 19 – Global Fashion Industry: Italy PRACT-UG 9200 Wednesdays, 9:00 a.m. - 11:45 a.m. Classroom Location: Villa Ulivi – Aula Firenze Class Description: Prerequisites: none. Global Fashion Industry: Italy will provide students with a deep understanding of the contemporary fashion industry in Italy, as well as of Italy's position in the global fashion arena. The course will drive students through the entire lifecycle of the fashion business, from forecasting trends to retailing, through design, sourcing, product development and production. P articular attention will be dedicated to different marketing aspects of the process, such as: identity building, brand positioning, merchandising, buying, costing, communication. All levels of retail, from luxury to mass market will be covered. The course will end with an analysis of the new challenges, such as sourcing globalization, emerging markets, sustainability and growing significance of technology. A strong effort will be put into organizing site visits to studios, showrooms and factories, as well as meeting with professional players. Each session will be structured to give students an overview of a particular stage of the Industry, through a mix of lectures from the course leader and visiting professionals, studio and showroom visits, walking tours, reading assignments and practical projects. Instructor Details: Name: Marco Semeghini NYUGlobalHome Email Address: [email protected] Office Hours: Wednesdays, 9:00 a.m. – 11:45 a.m. Villa Ulivi Office Location:SAMPLE top floor Villa Ulivi Phone Number: +39 055 5007 300 Desired Outcomes: On completion of this course, students should: ● Have improved their ability to think critically, engage in complex reasoning and express their thoughts clearly through their written work. -
ALICE ATTIE We Are Delighted to Present a Selection of Alice Attie’S Series of Drawings at the Kabinett of Our Booth at Art Basel Miami Beach 2017
Art | Basel | Miami Beach | 7–10 | 12 | 17 Kabinett | Booth B12 ALICE ATTIE We are delighted to present a selection of Alice Attie’s series of drawings at the Kabinett of our booth at Art Basel Miami Beach 2017. Alice Attie’s ink drawings involve the minuscule. They often explore the territory between writing and drawing, where the two over- lap. Her drawings are meditations in ink that allow tiny marks to accumulate over long sustained periods of time. Engaging repetition, rhythm and gradual change, she allows these minuscule words, figures, numbers and marks to accrue and grow on the paper. When presenting a landscape of numbers or letters or of a language that is not real, she is inspi- red to push and suspend meaning, allowing it to slip into visual abstraction. In the last lectures that Michel Foucault gave at the College de France, from 1982 to1984, he addressed the practices and disciplines surrounding the care of the self. In these lectures, given while Foucault himself was dying of AIDS, he pondered Socrates’ last utterance to his disciple Crito: Take Care of Yourself. From that statement, Foucault embarked on a study of the idea of care: care of the body, care of the other, Alice Attie, Take Care of Yourself - Series Foucault, 2014 care of the spirit and specifically, care of the freedom to speak freely, from a place of truth. The drawings in this series are comprised of repetitions of the phrase Take Care of Yourself. They become contemplative sites of linguistic ambiguity and transgression. For Attie, language can be thought of as a large opening through which we advance, a space where meaning may unravel, be dissembled or itself dissolve. -
80S 90S FACING BEAUTIES. Italian Fashion and Japanese Fashion at a Glance
80s 90s FACING BEAUTIES. Italian Fashion and Japanese Fashion at a Glance. Museo della Città - Ala Nuova Rimini 11 ottobre - 8 dicembre 2013 Considerations After a Fashion Exhibit by Simona Segre Reinach. (Associate Professor of Fashion Studies, University of Bologna, Rimini Campus). Fashion curation has become a central preoccupation within fashion studies. Several articles have been written on the subject - illustrating the development, ambivalences and controversies that such a practice entails: the controversy about Diana Vreeland (Steele 2008), the role of exhibitions within the “new fashion history” (M. Riegels 2011, C. Breward 2008), the theoretical (and visual) ambivalences in representing West and East in fashion (Fukai 2010). Nowadays curation seems to be a particularly hot issue in fashion theory. The popularity of fashion in museums goes hand in hand with a new broader reception of what constitutes art, as well as a growing interest in fashion studies. (Fukai 2010b, Riegels 2011). Moving from dress museology to fashion museology entails a change into the practice and methodologies of curation (M. Riegels 2011). This is because fashion exhibits are more and more attracting people in museums and because, for both scholars and students, it is a way of experimenting with the materiality of fashion. It can be argued that there is a continuum, rather than a separation, between different ways in which fashion is exposed: retail, catwalk shows, fashion blogs are all involved in curation - that is in choosing the ways in which to transfomr cloths and garments into specific fashion statements. On the other hand, the experience of professional fashion curators is totally crucial in deciding what is a real exhibit, and what it is just a communication device. -
Chicago Chicago Fall 2015
UNIV ERSIT Y O F CH ICAGO PRESS 1427 EAST 60TH STREET CHICAGO, ILLINOIS 60637 KS OO B LL FA CHICAGO 2015 CHICAGO FALL 2015 FALL Recently Published Fall 2015 Contents General Interest 1 Special Interest 50 Paperbacks 118 Blood Runs Green Invisible Distributed Books 145 The Murder That Transfixed Gilded The Dangerous Allure of the Unseen Age Chicago Philip Ball Gillian O’Brien ISBN-13: 978-0-226-23889-0 Author Index 412 ISBN-13: 978-0-226-24895-0 Cloth $27.50/£19.50 Cloth $25.00/£17.50 E-book ISBN-13: 978-0-226-23892-0 E-book ISBN-13: 978-0-226-24900-1 COBE/EU Title Index 414 Subject Index 416 Ordering Inside Information back cover Infested Elephant Don How the Bed Bug Infiltrated Our The Politics of a Pachyderm Posse Bedrooms and Took Over the World Caitlin O’Connell Brooke Borel ISBN-13: 978-0-226-10611-3 ISBN-13: 978-0-226-04193-3 Cloth $26.00/£18.00 Cloth $26.00/£18.00 E-book ISBN-13: 978-0-226-10625-0 E-book ISBN-13: 978-0-226-04209-1 Plankton Say No to the Devil Cover illustration: Lauren Nassef Wonders of the Drifting World The Life and Musical Genius of Cover design by Mary Shanahan Christian Sardet Rev. Gary Davis Catalog design by Alice Reimann and Mary Shanahan ISBN-13: 978-0-226-18871-3 Ian Zack Cloth $45.00/£31.50 ISBN-13: 978-0-226-23410-6 E-book ISBN-13: 978-0-226-26534-6 Cloth $30.00/£21.00 E-book ISBN-13: 978-0-226-23424-3 JESSA CRISPIN The Dead Ladies Project Exiles, Expats, and Ex-Countries hen Jessa Crispin was thirty, she burned her settled Chica- go life to the ground and took off for Berlin with a pair of W suitcases and no plan beyond leaving. -
The Studio Museum in Harlem Winter/Spring 2011 Where Black Art
THE S T UDIO MUS UDIO E UM IN HARLE IN UM The Studio Museum in Harlem M W INTER/SP R IN G 2011 G WHERE BLACK ART ART BLACK WHERE THE CONVERSATION ISSUE Featuring Perspectives from: Mark Bradford Stephen Burks 2010-11 Artists in Residence Dr. Lowery Stokes Sims Sharifa Rhodes-Pitts And more! WINTER/SPRING 2011 THE S T UDIO MUS UDIO E UM IN IN UM HARLE The Studio Museum in Harlem M W IN TER/ SP R IN G 2011 G WHERE BLACK ART ART BLACK WHERE THE CONVERSATION ISSUE Featuring Perspectives from: Mark Bradford Stephen Burks 2010-11 Artists in Residence Dr. Lowery Stokes Sims Sharifa Rhodes-Pitts And more! WINTER/SPRING 2011 STUDIO MAGAZINE ON THE COVER Editor-in-chief BOARD OF TRUSTEES This issue of Studio is underwritten, in Elizabeth Gwinn Chairman part, with support from Bloomberg Raymond J. McGuire Creative Director Thelma Golden Vice-Chair The Studio Museum in Harlem is Carol Sutton Lewis supported, in part, with public funds Managing Editor provided by the following government Treasurer agencies and elected representatives: Allison Channing Jones The New York City Department of Rodney M. Miller Cultural Affairs; Assemblyman Keith L. Associate Editor T. Wright, 70th A.D.; New York State Dominic Hackley Secretary Council on the Arts, a state agency; Teri Trotter Institute of Museum and Library Editor-at-Large Services; National Endowment for the Arts; The City of New York; Council Lea K. Green Jacqueline L. Bradley Member Inez E. Dickens, 9th C.D. and Valentino D. Carlotti Speaker Christine Quinn and the New Contributing Editors Kathryn C. -
First Position Dance-Inspired Looks Were All Over the Runways
The Inside: Specialty Store Margins Pg. 28 INDITEX NET UP 15%/3 CHANEL’S NEW POD/3 WWD WWDWomen’s Wear Daily • The Retailers’THURSDAY Daily Newspaper • September 21, 2006 • $2.00 List Sportswear First Position Dance-inspired looks were all over the runways. Michael Kors offered languid, sporty styles featuring fl uid jerseys and slinky Ts. Here, his cashmere cardigan, silk dress and cotton pullover, all layered over leggings. For more, see pages 6 and 7. LVMH’s Inside Track: Lalonde Named Head Of Louis Vuitton U.S. By Miles Socha PARIS — Once again drawing on its deep management reserves, LVMH Moët Hennessy Louis Vuitton has tapped an internal key player to head its vital and fast-growing Vuitton business in America. Daniel Lalonde, president and chief executive officer in North America of LVMH Watch & Jewelry, is to become Vuitton’s new North American president, effective in January. He will report to Philippe Schaus, Vuitton’s international senior vice president. “He has an excellent track record,” Schaus told WWD Wednesday. “We See LVMH’s, Page 29 PHOTO BY THOMAS IANNACCONE PHOTO BY WWD.COM WWDTHURSDAY Sportswear FASHION ™ Whether inspired by the Bolshoi or Broadway, New York designers 6 featured dance-inspired fare perfect for warming up or cooling down. A weekly update on consumer attitudes and behavior based on ongoing research from Cotton Incorporated GENERAL Daniel Lalonde, president and ceo in North America of LVMH Watch & 1 Jewelry, will become Louis Vuitton’s North American president. SPRING FLING EYE: Michael Kors hosted a lunch on Tuesday in La Duree at Harrods in Women Are Sure to Take a Shine to Next Season’s Fashions 4 London, where the luscious goodies on the dessert tray got his attention. -
Cities Without Citizens Edited by Eduardo Cadava and Aaron Levy
Cities Without Citizens Edited by Eduardo Cadava and Aaron Levy Contributions by: Giorgio Agamben, Arakawa + Gins, Branka Arsic, Eduardo Cadava, Joan Dayan, Gans & Jelacic Architecture, Thomas Keenan, Gregg Lambert, Aaron Levy, David Lloyd, Rafi Segal Eyal Weizman Architects, Gayatri Chakravorty Spivak. Slought Books, Philadelphia with the Rosenbach Museum & Library Theory Series, No. 1 Copyright © 2003 by Aaron Levy and Eduardo Cadava, Slought Foundation. All rights reserved, including the right to reproduce this book, or parts thereof, in any form, without written permission from Slought Books, a division of Slought Foundation. No part may be stored in a retrieval system, or transmitted, in any form or by any means electronic, mechanical, photocopying, recording, or otherwise, without prior written permission, except in the case of brief quotations in reviews for inclusion in a magazine, newspaper, or broadcast. This project was made possible through the Vanguard Group Foundation and the 5-County Arts Fund, a Pennsylvania Partners in the Arts program of the Pennsylvania Council on the Arts, a state agency. It is funded by the citizens of Pennsylvania through an annual legislative appropriation, and administered locally by the Greater Philadelphia Cultural Alliance. The Pennsylvania Council on the Arts is supported by the National Endowment for the Arts, a federal agency. Additional support for the 5-County Arts Fund is provided by the Delaware River Port Authority and PECO energy. We also acknowledge the financial support of the Memorial Foundation for Jewish Culture, NY for Aaron Levy’s Kloster Indersdorf series, and the International Artists’ Studio Program in Sweden (IASPIS) for Lars Wallsten’s Crimescape series. -
80S 90S FACING BEAUTIES ITALIAN FASHION and JAPANESE FASHION at a GLANCE
80s 90s FACING BEAUTIES ITALIAN FASHION AND JAPANESE FASHION AT A GLANCE 80s 90s FACING BEAUTIES ITALIAN FASHION AND JAPANESE FASHION AT A GLANCE Rimini Museo della Città - Ala Nuova 11 ottobre - 8 dicembre 2013 Mostra a cura di Simona Segre Reinach La mostra 80s-90s FACING BEAUTIES Italian Fashion and Japanese Fashion at a Glance esplora le innovazioni estetiche, culturali, comunicative dei due importanti sistemi della moda al loro apice negli anni Ottanta e Novanta dello scorso secolo: il prêt-à-porter degli stilisti italiani, tra cui Armani, Versace, Ferré, Moschino, Coveri e la moda radicale degli stilisti giapponesi rappresentata soprattutto da Miyake, Kawakubo e Yamamoto a partire dalla celebre sfilata parigina del 1981. Negli anni Ottanta e Novanta del Novecento la moda è diventata un fenomeno di massa, si è affermata come importante settore produttivo, come industria culturale e come uno dei principali strumenti di comunicazione. Moda giapponese e moda italiana rappresentano i due sistemi principali di questa era del- la moda moderna, che si affiancano al tradizionale predominio della moda francese. Pur nella diversità di storia e tradizioni i due sistemi della moda condividono alcuni aspetti basilari in un’epoca caratterizzata da varie forme di “emancipazione” da Parigi: il sovver- timento dei codici sartoriali tradizionali e della regole della couture classica, la revisione dell’identità maschile e femminile, la sperimentazione sui materiali, l’esplorazione di nuo- ve modalità progettuali, produttive, distributive e di consumo. I designer italiani e giapponesi hanno rivoluzionato in quegli anni il panorama della moda, ciascuno secondo il proprio stile e secondo le proprie tradizioni, talvolta recuperandole, più spesso “tradendole” e ribaltandole, in modi talvolta simili, sovente completamente diversi, a volte complementari. -
Letter from the Director
Letter From the Director the historical and contemporary Romare Bearden’s centennial cel- significance of “crossroads” and the ebration, this fall we celebrate value of “collaboration.” Caribbean: the hundredth anniversary of the Crossroads is the culmination of birth of noted photographer, writer almost a decade of research and and filmmaker Gordon Parks with dialogue about a region that is— Gordon Parks: A Harlem Family like Harlem—complex, culturally 1967. This exhibition features Parks’s diverse and full of art and artists. photographs of the Fontanelle family As I write this, the Museum galleries from his iconic Life magazine feature, are abuzz with Harlemites and A Harlem Family, alongside never- visitors from around the world enjoy- before-seen images from the same ing Caribbean: Crossroads, Primary series, providing unique insight Sources: Artists in Residence 2011– into Parks’s creative process. 12 and Illuminations: Expanding And with the help of my camera the Walls 2012, while our staff is phone, I’m taking my own impromptu planning an amazing slate of exhibi- photographs! You can see my snap- Photo: Timothy Greenfield-Sanders tions and programs for this shots of Harlem life and details of fall and winter. works of art that inspire me on my Today, the Studio Museum is at I’m always being asked when new Instagram feed. Search for a crossroads—literally and figura- the Studio Museum will add a new thelmagolden to check out some tively. We are located on the main chapter to our beloved series of of my latest images and let me know thoroughfare of a neighborhood “F” exhibitions. -
I Writeto Draw, I Drawto Write
SPECIALE A BCDEF GHIJKLM NOPQRS TUVWXYZ Alice Attie aliceattie.com I WRITE to draw, I DRAW to write ACCANTO A UN PERCORSO ARTISTICO NEL CAMPO DELLA FOTOGRAFIA, DI ALICE ATTIE SONO ANCHE A destra e sotto MOLTO APPREZZATI I DISEGNI E I LAVORI SU CARTA “Take Care of Yourself - Series Foucault", 2014, inchiostro su CHE NASCONO SOPRATTUTTO DALLE LUNGHE E carta, 76,5 x 57,5 cm. ATTENTE LETTURE DI TESTI LETTERARI E FILOSOFICI. Courtesy: Galerie nächst St. Stephan Rosemarie Schwarzwälder, Vienna di Fabio Muggia 86 086-091_Parole-AliceAttie.indd 86 14/09/19 13:17 086-091_Parole-AliceAttie.indd 87 14/09/19 13:17 SPECIALE A BCDEF GHIJKLM NOPQRS TUVWXYZ lice Attie non ha una formazione artistica. Ha studiato letteratura e poesia francese a New York, completando un dottorato in letterature comparate, focalizzando la sua ricerca sull’elegia moderna e sull’incontro tra il linguaggio A e l’ineffabile: come possiamo parlare di ciò che è inaccessibile al linguaggio? Da studiosa di letteratura ha sempre avuto interesse per quegli autori che hanno cercato di esprimere l’ineffabile utilizzando gli strumenti del linguaggio, cercando, quindi, una via d’uscita da questo, un allargamento, passando, però, all’interno del linguaggio stesso. Uno degli esempi che l’hanno sempre colpita è Franz Kafka, con la sua scrittura che si muove sul confine fra due mondi, uno descrittivo delle parole, l’altro non definito e non definibile, ma solo lambito dal linguaggio. Conosciuta per le sue fotografie, Alice Attie però disegna anche su carta. Questo tipo di opere nascono grazie all'attività di lettura ma anche dal confronto con la pagina bianca, uno spazio vuoto da fare proprio.