The Studio Museum in Harlem Winter/Spring 2011 Where Black Art
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Complete Peanuts Volume I by Charles M. Schulz
NACAE National Association of Comics Art Educators STUDY GUIDE: THE COMPLETE PEANUTS by Charles M. Schulz Volume One: 1950-1952 Study guide written by Art Baxter Introduction America was in the throes of post-war transition in 1950. Soldiers had returned home, started families and abandoned the cities for the sprawling green lawns of newly constructed suburbia. They had sacrificed during the Great Depression and subsequent war effort and this was their reward. Television was beginning to replace the picture-less radio not to mention live theater, supper clubs and dance halls, as Americans stayed home and raised families. Despite all this “progress” an empty feeling still resided in the pit of the American soul. Psychology, that new science that had recently gone mainstream, tried to explain why. Then, Charles M. Schulz’s little filler comic strip, Peanuts, appeared in the funny pages. Schulz was born in 1922, the solitary child of a barber and his wife, in St. Paul, Minnesota. Sparky, his lifelong nickname, was given to him when he was an infant, by an uncle, after the comic strip character Barney Google’s racehorse Spark Plug. Schulz had an early love and talent for drawing. He enjoyed famous comic strips like Roy Crane’s Wash Tubbs/Captain Easy (1924- 1943), the prototype of the adventure strip; E. C. Segar’s Thimble Theater (1919-1938), and its diverse cast of colorful characters going in and out rollicking adventures; and Percy Crosby’s Skippy (1925-1945) with its wise-for-his-age perceptive child protagonist. Schulz was a bright student and skipped several grades, making him the youngest and smallest in his class. -
KEHINDE WILEY Bibliography Selected Publications 2020 Drew
KEHINDE WILEY Bibliography Selected Publications 2020 Drew, Kimberly and Jenna Wortham. Black Futures. New York: One World, 2020. 2016 Robertson, Jean and Craig McDaniel. Themes of Contemporary Art: Visual Art after 1980, Fourth Edition. Oxford: Oxford University Press, 2016. 2015 Tsai, Eugenie and Connie H. Choi. Kehinde Wiley: A New Republic. New York: Brooklyn Museum, 2015. Sans, Jérôme. Kehinde Wiley: The World Stage: France 1880-1960. Paris: Galerie Daniel Templon, 2015. 2014 Crutchfield, Margo Ann. Aspects of the Self: Portraits of Our Times. Virginia: Moss Arts Center, Virginia Tech Center for the Arts, 2014. Oliver, Cynthia and Rogge, Mike. Kehinde Wiley: The World Stage: Haiti. Culver City, California: Roberts & Tilton, 2014. 2013 Eshun, Ekow. Kehinde Wiley, The World Stage: Jamaica. London: Stephen Friedman, 2013. Kandel, Eric R. Eye to I: 3,000 Years of Portraits. New York: Katonah Museum of Art, 2013. Kehinde Wiley, Memling. Phoenix: Phoenix Art Museum, 2013. 2012 Golden, Thelma, Robert Hobbs, Sara E. Lewis, Brian Keith Jackson, and Peter Halley. Kehinde Wiley. New York: Rizzoli, 2012. Haynes, Lauren. The Bearden Project. New York: The Studio Museum in Harlem, 2012. Weil, Dr. Shalva, Ruth Eglash, and Claudia J. Nahson. Kehinde Wiley, The World Stage: Israel. Culver City: Roberts & Tilton, 2012. 2010 Wiley, Kehinde, Gayatri Sinha, and Paul Miller. Kehinde Wiley, The World Stage: India, Sri Lanka. Chicago: Rhona Hoffman Gallery, 2011. 2009 Wiley, Kehinde, Brian Keith. Jackson, and Kimberly Cleveland. Kehinde Wiley, The World Stage: Brazil = O Estágio Do Mundo. Culver City: Roberts & Tilton, 2009. Jackson, Brian Keith, and Krista A. Thompson. Black Light. Brooklyn: Powerhouse Books, 2009. -
Reportfrom the Capital
REPORTfrom the Capital BJC weighs in on proposed faith-based regulations, affirms progress On October 5, the BJC, working with a government funding of “inherently religious broad coalition of dozens of organizations, activities” to prevent government funding of submitted comments on proposed regula- religion, a violation of the First Amendment. tions that would govern partnerships be- This phrase has proved confusing for some tween the government and faith-based social faith-based providers because the services service providers. These regulations from provided (such as operating a food pantry) nine federal agencies demonstrate a move were motivated by religious directives (for toward sound resolution of a church-state example, Matthew 25:35). The proposed reg- conflict that has been bitterly contested for ulations change the terminology to prohibit Magazine of the more than two decades. government funding of “expressly religious Baptist Joint Committee In early August, the Obama administration activities.” Faith-based providers may not took a significant step to strengthen part- use government funding to pay for overtly nerships between the federal government religious activities such as worship, religious Vol. 70 No. 8 and religious organizations that provide instruction or proselytization. The proposed services for those in need. The issuance of the regulatory changes clarify that activities must September/October proposed rule changes is part of a complex be offered at a different time or in a different administrative process that will continue location from any federally funded program- 2015 over the next few months. The breadth of this ming. development, and its potential to provide A second — and arguably the most import- consistency and protect government benefi- ant — improvement is the requirement that INSIDE: ciaries, is welcome news for religious liberty. -
Dick Tracy.” MAX ALLAN COLLINS —Scoop the DICK COMPLETE DICK ® TRACY TRACY
$39.99 “The period covered in this volume is arguably one of the strongest in the Gould/Tracy canon, (Different in Canada) and undeniably the cartoonist’s best work since 1952's Crewy Lou continuity. “One of the best things to happen to the Brutality by both the good and bad guys is as strong and disturbing as ever…” comic market in the last few years was IDW’s decision to publish The Complete from the Introduction by Chester Gould’s Dick Tracy.” MAX ALLAN COLLINS —Scoop THE DICK COMPLETE DICK ® TRACY TRACY NEARLY 550 SEQUENTIAL COMICS OCTOBER 1954 In Volume Sixteen—reprinting strips from October 25, 1954 THROUGH through May 13, 1956—Chester Gould presents an amazing MAY 1956 Chester Gould (1900–1985) was born in Pawnee, Oklahoma. number of memorable characters: grotesques such as the He attended Oklahoma A&M (now Oklahoma State murderous Rughead and a 467-lb. killer named Oodles, University) before transferring to Northwestern University in health faddist George Ozone and his wild boys named Neki Chicago, from which he was graduated in 1923. He produced and Hokey, the despicable "Nothing" Yonson, and the amoral the minor comic strips Fillum Fables and The Radio Catts teenager Joe Period. He then introduces nightclub photog- before striking it big with Dick Tracy in 1931. Originally titled Plainclothes Tracy, the rechristened strip became one of turned policewoman Lizz, at a time when women on the the most successful and lauded comic strips of all time, as well force were still a rarity. Plus for the first time Gould brings as a media and merchandising sensation. -
Around Town 2015 Annual Conference & Meeting Saturday, May 9 – Tuesday, May 12 in & Around, NYC
2015 NEW YORK Association of Art Museum Curators 14th Annual Conference & Meeting May 9 – 12, 2015 Around Town 2015 Annual Conference & Meeting Saturday, May 9 – Tuesday, May 12 In & Around, NYC In addition to the more well known spots, such as The Metropolitan Museum of Art, Museum of Modern Art, , Smithsonian Design Museum, Hewitt, Solomon R. Guggenheim Museum, The Frick Collection, The Morgan Library and Museum, New-York Historical Society, and the Whitney Museum of American Art, here is a list of some other points of interest in the five boroughs and Newark, New Jersey area. Museums: Manhattan Asia Society 725 Park Avenue New York, NY 10021 (212) 288-6400 http://asiasociety.org/new-york Across the Fields of arts, business, culture, education, and policy, the Society provides insight and promotes mutual understanding among peoples, leaders and institutions oF Asia and United States in a global context. Bard Graduate Center Gallery 18 West 86th Street New York, NY 10024 (212) 501-3023 http://www.bgc.bard.edu/ Bard Graduate Center Gallery exhibitions explore new ways oF thinking about decorative arts, design history, and material culture. The Cloisters Museum and Garden 99 Margaret Corbin Drive, Fort Tyron Park New York, NY 10040 (212) 923-3700 http://www.metmuseum.org/visit/visit-the-cloisters The Cloisters museum and gardens is a branch oF the Metropolitan Museum oF Art devoted to the art and architecture oF medieval Europe and was assembled From architectural elements, both domestic and religious, that largely date from the twelfth through fifteenth century. El Museo del Barrio 1230 FiFth Avenue New York, NY 10029 (212) 831-7272 http://www.elmuseo.org/ El Museo del Barrio is New York’s leading Latino cultural institution and welcomes visitors of all backgrounds to discover the artistic landscape of Puerto Rican, Caribbean, and Latin American cultures. -
Eighteen Major New York Area Museums Participate in Instagram Swap
EIGHTEEN MAJOR NEW YORK AREA MUSEUMS PARTICIPATE IN INSTAGRAM SWAP THE FRICK COLLECTION PAIRS WITH NEW-YORK HISTORICAL SOCIETY In a first-of-its-kind collaboration, eighteen major New York City area institutions have joined forces to celebrate their unique collections and spaces on Instagram. All day today, February 2, the museums will post photos from this exciting project. Each participating museum paired with a sister institution, then set out to take photographs at that institution, capturing objects and moments that resonated with their own collections, exhibitions, and themes. As anticipated, each organization’s unique focus offers a new perspective on their partner museum. Throughout the day, the Frick will showcase its recent visit to the New-York Historical Society on its Instagram feed using the hashtag #MuseumInstaSwap. Posts will emphasize the connections between the two museums and libraries, both cultural landmarks in New York and both beloved for highlighting the city’s rich history. The public is encouraged to follow and interact to discover what each museum’s Instagram staffer discovered in the other’s space. A complete list of participating museums follows: American Museum of Natural History @AMNH The Museum of Modern Art @themuseumofmodernart Intrepid Sea, Air & Space Museum @intrepidmuseum Cooper Hewitt, Smithsonian Design Museum @cooperhewitt Museum of the City of New York @MuseumofCityNY New Museum @newmuseum 1 The Museum of Arts and Design @madmuseum Whitney Museum of American Art @whitneymuseum The Frick Collection -
The Studio Museum in Harlem Partners with the Metropolitan Museum of Art to Present We Found Us, the 2019 Exhibition of the Expanding the Walls Photography Program
MEDIA RELEASE The Studio Museum in Harlem 144 West 125th Street New York, NY 10027 studiomuseum.org/press THE STUDIO MUSEUM IN HARLEM PARTNERS WITH THE METROPOLITAN MUSEUM OF ART TO PRESENT WE FOUND US, THE 2019 EXHIBITION OF THE EXPANDING THE WALLS PHOTOGRAPHY PROGRAM Sixx Teague, EMPOWERMENT, 2019. Digital chromogenic print. Courtesy the artist. NEW YORK, NY, July 9, 2019— From July 19, 2019 through August 30, 2019, We Found Us: Expanding the Walls 2019 will present work by the fifteen artists in the 2018–19 cohort of The Studio Musuem in Harlem’s annual residencey program Expanding the Walls: Making Connections Between Photography, History, and Community. During their eight months in the program, the partcipants from New York City–area high schools explore the history and techniques of photography. We Found Us will be on view in The Metropolitan Museum of Art’s Ruth and Harold D. Uris Center for Education while the Studio Museum constructs a new building on the site of their longtime home on West 125th Street. We Found Us reflects on the personal and collective development of the fifteen artists in this year’s program, capturing what they find significant in their daily lives. The exhibition demonstrates their shared interest in storytelling, technical experimentation, and the possibilities of photography as a channel for expression. We Found Us is a declaration born as the artists’, grappling throughout the residency with themes of selfhood, found new perspectives on the world through their cameras and one another. The artists are: Aisha Hashmi, Anthony Trowner, Sixx Teague, Belen Vanesa Bautista, Bryam Franco, Charles Etuk, David Mills, Kenny Peña, Leila Annah Fuentes, Michelle Morocho, Sadia Zaman, Saiida Powell, Skye Mayo, Emmanuel Lugo, and Steeve Hedouville. -
Loac Essentials Volume 1 Baron Bean (Library of American Comics Essentials) Pdf, Epub, Ebook
LOAC ESSENTIALS VOLUME 1 BARON BEAN (LIBRARY OF AMERICAN COMICS ESSENTIALS) PDF, EPUB, EBOOK George Herriman | 328 pages | 04 Dec 2012 | Idea & Design Works | 9781613774427 | English | United States Loac Essentials Volume 1 Baron Bean (Library Of American Comics Essentials) PDF Book Add links. This comic strip —related article is a stub. This book reprints the entire first year of daily comics. In The Family Upstairs the artist used the bottom part of each panel to narrate the stories of the Dingbats' pet, Krazy Kat, and a mouse named Ignatz, whose adventures were unrelated to those of the Dingbats. The unfortunate feline is in love with Ignatz, who does not reciprocate his feelings or her? Included inthis volume is the first year. In the late s, Sidney Smith developed a formula of the daily strip thatwould make The Gumps one of the most popular comics of thes and himself one of the richest …. Please update this article to reflect recent events or newly available information. The adventures take place in the kingdom of Moo, featuring Oop, his girlfriend Oola, and Dinny the dinosaur. Utgiven This item is not in stock. The strip's subtleties and surrealism never made it very popular with the public en masse, but it had an enthusiastic following among artistic and intellectual circles. The Amazing Spider-Man. But the artist's most ardent supporter was William Randolph Hearst. Here for the first time since the story made headlines across America in the spring of we reprint the saga that Hogan's Alley magazine called "One of the Ten Biggest Events in Comics History"-a tale that has lost none of its power to captivate readers in the 21st Century. -
The Studio Museum in Harlem Magazine Summer/Fall 2012 Studio Magazine Board of Trustees This Issue of Studio Is Underwritten, Editor-In-Chief Raymond J
The Studio Museum in Harlem Magazine Summer/Fall 2012 Studio Magazine Board Of Trustees This issue of Studio is underwritten, Editor-in-Chief Raymond J. McGuire, Chairman in part, with support from Bloomberg Elizabeth Gwinn Carol Sutton Lewis, Vice-Chair Creative Director Rodney M. Miller, Treasurer The Studio Museum in Harlem is supported, Thelma Golden in part, with public funds provided by Teri Trotter, Secretary Managing Editor the following government agencies and elected representatives: Dominic Hackley Jacqueline L. Bradley Valentino D. Carlotti Contributing Editors The New York City Department of Kathryn C. Chenault Lauren Haynes, Thomas J. Lax, Cultural A"airs; New York State Council Joan Davidson Naima J. Keith on the Arts, a state agency; National Gordon J. Davis Endowment for the Arts; Assemblyman Copy Editor Reginald E. Davis Keith L. T. Wright, 70th A.D. ; The City Samir Patel Susan Fales-Hill of New York; Council Member Inez E. Dr. Henry Louis Gates, Jr. Dickens, 9th Council District, Speaker Design Sandra Grymes Christine Quinn and the New York City Pentagram Joyce K. Haupt Council; and Manhattan Borough Printing Arthur J. Humphrey, Jr. President Scott M. Stringer. Finlay Printing George L. Knox !inlay.com Nancy L. Lane Dr. Michael L. Lomax The Studio Museum in Harlem is deeply Original Design Concept Tracy Maitland grateful to the following institutional 2X4, Inc. Dr. Amelia Ogunlesi donors for their leadership support: Corine Pettey Studio is published two times a year Bloomberg Philanthropies Ann Tenenbaum by The Studio Museum in Harlem, Doris Duke Charitable Foundation John T. Thompson 144 W. 125th St., New York, NY 10027. -
Finding Aid to the Historymakers ® Video Oral History with Thelma Golden
Finding Aid to The HistoryMakers ® Video Oral History with Thelma Golden Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Golden, Thelma Title: The HistoryMakers® Video Oral History Interview with Thelma Golden, Dates: August 9, 2016 Bulk Dates: 2016 Physical 13 uncompressed MOV digital video files (6:10:28). Description: Abstract: Museum director and curator Thelma Golden (1965 - ) became the director and chief curator of the Studio Museum in Harlem in 2005, having served as a curator at the Whitney Museum of American Art in the 1990s. Golden was interviewed by The HistoryMakers® on August 9, 2016, in New York, New York. This collection is comprised of the original video footage of the interview. Identification: A2016_006 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Museum director and curator Thelma Golden was born on September 22, 1965 in Queens, New York. In 1983, she graduated from the New Lincoln School, where she trained as a curatorial apprentice at the Metropolitan Museum of Art in her senior year. In 1987, she earned her B.A. degree in art history and African American studies from Smith College. Golden worked first as a curatorial intern at the Studio Museum in Harlem in 1987, then as a curatorial assistant at the Whitney Museum of American Art in 1988. From 1989 to 1991, she worked as the visual arts director for the Jamaica Arts Center in Queens, New York, where she curated eight shows. Golden was then appointed branch director of the Whitney Museum of American Art’s Philip Morris branch in 1991 and curator of the Whitney Museum of American Art in 1996. -
Call for Strike Fails As Polish Arrests Widen WARSAW, Poland (AP) -Factoriesin War- Factories Throughout the Country
Monday Church dedicated Special yule Giants remain Specials in Ocean, page 5 series, page 8 alive: Sports The Daily Monmouth County's Great Home Newspaper VOL. 104 NO. 145 SHREWSBURY, N.J. MONDAY, DECEMBER 14, 1981 25 CENTS Call for strike fails as Polish arrests widen WARSAW, Poland (AP) -Factoriesin War- factories throughout the country. "If the work- saw were operating today despite a call by ers go to their work places on Monday, there Solidarity militants for a general strike in re- will be occupations or a general strike," said taliation for the Communist government's Stefan A. Trzclnski, deputy press spokesman for crackdown on the Independent labor movement. the big Warsaw local. Initial checks of large factories in some But Poland's Roman Catholic primate, districts of the capital found no strikes or pro- Archbishop Josef Glemp, appealed to the work- tests by members of the temporarily suspended ers In a broadcast sermon: "Do not start a fight union, many of whose leaders were seized Sun- between Poles. Do not give your lives away." day when the government imposed martial law. There was no information immediately available on the situation outside the Warsaw Western leaders doubt area. Solidarity sources said as many as 3,000 Russia will move, page 2 members of the union may have been rounded NEW YORK POLISH RALLY — People from the Polish American in front of the Polish consulate in Manhattan yesterday. They are up in the capital alone. Earlier estimates put the Congress and the Social Democrats, U.S.A., organizations march supporting the Solidarity movement in Poland. -
Cast of King Hedley II by Sherri Randolph WELCOME ABOUT the PLAY
Cast of King Hedley II by Sherri Randolph WELCOME ABOUT THE PLAY In August of 1998, I had the extreme pleasure of sharing August Wilson’s the stage with August Wilson at the Edward Albee Theatre Festival in Valdez Alaska. That KING HEDLEY II year, the festival was honoring Mr. Wilson for his many Directed by Mark Clayton Southers, theatrical achievements. Along with actors Ella Joyce, Monteze Freeland, and Dennis Robinson Jr. Derrick Sanders, Javon TONYA Karla Payne (through May 13) Johnson, Delroy Lindo and August Wilson himself, we Dominique Briggs (beginning May 18) performed stage readings of RUBY Etta Cox* several of Mr. Wilson’s plays. ELMORE Wali Jamal For our finale, we did a reading of a new play that Mr. Wilson was working on: King Hedley II. We sat KING Leslie Ezra Smith on stools in front of an audience in excess of three hundred people. I was so excited to be onstage MISTER Sam Lothard and actually reading with Mr. Wilson that I can’t remember the dialogue, but I do remember that STOOL PIGEON Sala Udin during these characters’ conversations in the back yard of a Hill District home, we were throwing *Appears courtesy of Actors’ Equity Association darts as we talked. It was during this time that I started to take a liking to playwriting. With this massive first-hand exposure to August Wilson, anyone who loved theatre would have. KING HEDLEY II is produced by special arrangement with Samuel French. Fast forward to the world premiere of King Hedley II at the Pittsburgh Public’s O’Reilly Theater.