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Museological Review, Issue 12
Department of Museum Studies Museological Review, Issue 12. 2007 Museological Review, Museological Review, 12: 2007 Contents Preface ...................................................p. iii Introduction .............................................p. iv Catherine Pearson ................................p. 1 Museums and Cultural Life in the Second World War Charlotte Andrews ..............................p. 17 Bermuda’s underwater cultural heritage Prof. Susan Pearce .............................p. 44 The Strange Story of the Thing, or The Material World in the Contemporary Novel Lisa M. Binder .....................................p. 57 Contemporary African Art and the Politics of Representation MUSEOLOGICAL Emma Poulter .....................................p. 71 Gelede masks at the Manchester Museum Effie Komninou ..................................p. 94 Illness in Contemporary Arts: Metonymic REVIEW Representations and the Politics of Recognition Dr. Richard Sandell ...........................p.109 Museums and the Combating of Prejudice (Extended abstract) A Journal edited by Students of Dr. Yuka Shimamura-Wilcocks ........p. 114 the Department of Museum Studies Social Inclusion and Museums: Celebration of ‘Difference’, Understanding ‘Self’ and ‘Other’ (Extended abstract) Heather Hollins .................................p. 123 Conference Proceedings Emancipatory Research Methodologies: the Road to Social Justice Tobias Metzler ....................................p.141 Issue 12: 2007 The Anglo-Jewish Historical Exhibition and the formation -
5 July 2013 Page 1 of 17 SATURDAY 29 JUNE 2013 Thinking 'Is That It?', and Stayed in India for a Further 18 Months
Radio 4 Listings for 29 June – 5 July 2013 Page 1 of 17 SATURDAY 29 JUNE 2013 thinking 'is that it?', and stayed in India for a further 18 months. how we make it. Today 100 hours of video are uploaded onto YouTube every minute... six billion hours of video are watched SAT 00:00 Midnight News (b02ypklq) On this walk, around Cannock Chase in Staffordshire, Tara is every month. And by the time you finish reading this The latest national and international news from BBC Radio 4. accompanied by his son, Clive, Clive's wife, Jodie, and their description, those figures may already be out of date. Followed by Weather. two children. The BBC Arts Editor, Will Gompertz, in searching for the next Producer: Karen Gregor. generation of cultural Zeitgeisters, meets the people who are SAT 00:30 Book of the Week (b02ymgwl) moving YouTube up to the next level: 'YouTubers' like David Mitchell - The Reason I Jump Benjamin Cook, who posts regular episodes of 'Becoming SAT 06:30 Farming Today (b0366wml) YouTube' on his channel Nine Brass Monkeys; Andy Taylor, Episode 5 Farming Today This Week who's 'Little Dot Studios' aims to bridge the gap between television and YouTube; and Ben McOwen Wilson who is By Naoki Higashida A third of people living in rural areas face poverty, despite the Director of Content Partnerships for YouTube in Europe. Translated by David Mitchell and KA Yoshida, and introduced fact that most of them are in work. by David Mitchell And that's not all that's worrying. People in their thirties are Producer: Paul Kobrak. -
Ehira Pulloui
issue 28 Winter 2008 extra pullout - including pullout with Lament for the day hospital by brenda williams Architecture and poetry in the city - from correspondent Dave Russell art and conflict - a uk first exhibition new poems from Mario Petrucci K e v i n C o y n e M a n & A r t 1 promoting poetry, prose, plays, art and music by survivors’ of mental distress coming soon from Survivors’ Press James walker was born in the north-east of England in the mid-1960s. His education was rudimentary but after leaving school he became something of an autodidact, studying a range of disciplines including philosophy, psychology, literature, and theology. He suffers from a form of schizophrenia, and passionately believes that the mentally distressed should be able to express their creativity without having it pathologised by others. His themes are often based around confinement, guilt, a search for personal identity and freedom. Walker has written several novels, short stories, essays, and a five act play, but his first love is poetry. His natural world poems are an expression of existential themes and a link to a childhood in the North Yorkshire moors and draw much inspiration from Ted Hughes and John Clare, the latter with whom Walker also shares a life of psychiatric institutionalisation. Walker has had poems published in small magazines, in addition to winning prizes in the Koestler Creative Arts Scheme. This is his first published collection. Neil Hopkins was born in 1970. His poems have appeared in various poetry magazines and journals including The Rialto, Acumen, Staple, The Interpreters House, Haiku Quarterly and Other Poetry. -
Iain Sinclair
Iain Sinclair: An Inventory of His Papers at the Harry Ransom Center Descriptive Summary Creator: Sinclair, Iain, 1943- Title: Iain Sinclair Papers Dates: 1882-2009 (bulk 1960s-2008) Extent: 135 document boxes, 8 oversize boxes (osb) (56.7 linear feet), 23 oversize folders (osf), 15 computer disks Abstract: The papers of British writer Iain Sinclair consist of drafts of works, research material, juvenilia, notebooks, personal and professional correspondence, business files, financial files, works by others, ephemera, and electronic files. They document Sinclair’s prolific and diverse career, from running his own press to his wide range of creative output including works of poetry, fiction, non-fiction, edited anthologies, screenplays, articles, essays, reviews, and radio and television contributions. Call Number: Manuscript Collection MS-4930 Language: English; some French, German, and Italian Access: Open for research. Researchers must register and agree to copyright and privacy laws before using archival materials. Some materials restricted due to condition and conservation status. Use Policies: Ransom Center collections may contain material with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in the collections without the consent of those individuals may have legal ramifications (e.g., a cause of action under common law for invasion of privacy may arise if facts concerning an individual's private life are published that would be deemed highly offensive to a reasonable person) for which the Ransom Center and The University of Texas at Austin assume no responsibility. -
Biography Cast in Irony: Caveats, Stylization, and Indeterminacy in the Biographical History Plays of Tom Stoppard and Michael Frayn, Written by Christopher M
BIOGRAPHY CAST IN IRONY: CAVEATS, STYLIZATION, AND INDETERMINACY IN THE BIOGRAPHICAL HISTORY PLAYS OF TOM STOPPARD AND MICHAEL FRAYN by CHRISTOPHER M. SHONKA B.A. Creighton University, 1997 M.F.A. Temple University, 2000 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Doctor of Philosophy Department of Theatre 2010 This thesis entitled: Biography Cast in Irony: Caveats, Stylization, and Indeterminacy in the Biographical History Plays of Tom Stoppard and Michael Frayn, written by Christopher M. Shonka, has been approved for the Department of Theatre Dr. Merrill Lessley Dr. James Symons Date The final copy of this thesis has been examined by the signatories, and we Find that both the content and the form meet acceptable presentation standards Of scholarly work in the above mentioned discipline. iii Shonka, Christopher M. (Ph.D. Theatre) Biography Cast in Irony: Caveats, Stylization, and Indeterminacy in the Biographical History Plays of Tom Stoppard and Michael Frayn Thesis directed by Professor Merrill J. Lessley; Professor James Symons, second reader Abstract This study examines Tom Stoppard and Michael Frayn‘s incorporation of epistemological themes related to the limits of historical knowledge within their recent biography-based plays. The primary works that are analyzed are Stoppard‘s The Invention of Love (1997) and The Coast of Utopia trilogy (2002), and Frayn‘s Copenhagen (1998), Democracy (2003), and Afterlife (2008). In these plays, caveats, or warnings, that illustrate sources of historical indeterminacy are combined with theatrical stylizations that overtly suggest the authors‘ processes of interpretation and revisionism through an ironic distancing. -
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CORNELL UNIVERSITY LIBRARY BOUGHT WITH THE INCOME OF THE SAGE ENDOWMENT FUND GIVEN IN 1 89 1 BY HENRY WILLIAMS SAGE Date Due -ARR-l 9 1 'mmm -^iU. tiiV'Sc.i'isf IrotT ri j; mr f]It ¥. r NOV 1 4 959 BS $KP2 6 mQE§ •^^N 2 -^Tre^ fV! ah M si p;^^^^ ^HLZ^um Z 32 3 3 G Cornell University Library F7.A21 F7 The founding of New England 3 1924 030 933 927 olin Cornell University Library The original of tiiis bool< is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924030933927 THE FOUNDING OF NEW ENGLAND New England in i 640. (Inset shows Labrador Current) THE FOUNDING OF NEW ENGLAND BY JAMES TRUSLOW ADAMS Illustrated THE ATLANTIC MONTHLY PRESS BOSTON ^ K >/ Copyright, 1921 By JAMES TRUSLOW ADAMS '^ To A. L. A. 3 One duty that was always incumbent on the historian has now become a duty of deeper significance and stronger obli- gation. Truth, and Truth only, is our aim. We are bound as historians to examine and record facts without favor or affection to our own nation or to any other. Lord Bryce, Presidential Address, at the International Congress of Historical Studies, 191 PREFACE The following account of the founding of New England is intended to serve as an introduction to the later history of that section, and to the study of its relations with other por- tions of the Empire and with the mother-country, as well as of the section's influence upon the nation formed from such of the colonies as subsequently revolted. -
Bloomsbury New Titles
BLOOMSBURY NEW TITLES NEW BLOOMSBURY Bloomsbury Publishing Plc 50 Bedford Square, London WC1B 3DP JANU Tel: +44 (0) 20 7631 5600 Fax: +44 (0) 20 7631 5800 ARY –JUNE 2015 Bloomsbury www.bloomsbury.com @bloomsburybooks For Australia & New Zealand enquiries: Tel: +61 2 8820 4900 New Titles www.bloomsbury.com/au @bloomsburysyd January–June 2015 Prices, publication dates and jackets are subject to change and may vary To view the online version of this catalogue please visit: http://bloomsbury.com/uk/catalogues/ TradeAdult_cover.indd 1 27/08/2014 13:36 January – June 2015 2 Original Fiction 17 Original Non-fiction 33 Nature & Outdoors 36 Food 41 Business 43 Sport & Sailing 52 Religion 54 Paperback Fiction 65 Paperback Non-fiction 80 Bloomsbury Contact List & International Sales 82 Index 86 Social Media Contacts export information OME open market edition, A format (dimensions 178 mm x 111 mm) PB B format paperback (dimensions 198 mm x 129 mm) TPB trade paperback, original titles only HB hardback published under the Bloomsbury Circus imprint TradeAdult_6.0.indd 1 28/08/2014 12:43 Wallflowers Eliza Robertson January – June 2015 A delicate and startling debut collection from the winner of the 2013 Commonwealth Short Story Prize small boy and his grandmother set sail for China in the mud of her back yard; A a supermarket car park becomes a graveyard of strewn blueberries; migratory 2 Original Fiction birds fly over a marshland ringing with the sound of wooden spoons on kitchen pots; and the breaking of a silence between two roommates leads to disquieting 17 Original Non-fiction revelations. -
Davis Umn 0130E 10471.Pdf (3.294Mb
From Hawthorne to History: The Mythologizing of John Endecott A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY Abigail F. Davis IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Edward M. Griffin June 2009 copyright Abigail F. Davis 2009 i DEDICATION This dissertation is dedicated to Dr. Edward M. Griffin advisor, mentor, friend ii ABSTRACT Since the Revolutionary War, American historians, literary artists, and social commentators have undertaken a retroactive search for an acceptable myth of origin predating the Revolution. While the war itself has been endlessly and successfully deployed as a sterling founding moment, that claim alone has proved insufficient for several reasons. First, Americans have long been ambivalent about their pre-Revolution Puritan heritage. The new republic emerging from the revolutionary effort rested on ground previously inhabited by British colonists (and others) since the 1620s, but the colonial past did not readily speak to the feisty, independent, and distinctively AAmerican” self-image that mythologized during and after the war . Additionally, by the 19 th century, when the writing of New England history came prominently into vogue, quite a few pages of the Puritan chapter had become embarrassing. Something else was needed: an event earlier than the shot heard round the world in 1775, and a governing image more manly than the standard figure of the pious Puritans. When Nathaniel Hawthorne =s stories AEndicott and the Red Cross @ and AThe May- Pole of Merry Mount @ entered the nubile world of American literature in the 1830s, Hawthorne seemed to have answered that call. -
THE UNIVERSITY of HULL the Creative Writer in the Public Sphere
THE UNIVERSITY OF HULL The Creative Writer in the Public Sphere being a Thesis submitted for the Degree of Doctor of Philosophy in the University of Hull by Mary Aherne, B.A., M.A. October, 2013 Summary This thesis provides an analysis of the creative writer in contemporary Britain, using both literary and cultural theory to define and understand the roles available to the writer. It explores how these roles are interpreted by writers. The thesis offers new research and insights into the scope of current patronage practices, examines how the writer engages with these new roles, and assesses the potential impact on the writer, the reader and literature. Based on research conducted in the UK, this thesis focuses on four major contexts: the writer in residence, the prize culture, the literary festival, and the writer in the blogosphere. It considers how the writer’s role has been reconstructed in different social and cultural contexts. In addition, this study highlights writers’ perception of their public role and their position in society; the multiple and complex power relations inherent in these roles; the increasingly public presence of the writer; the reader-writer relationship, and the impact on the literature produced. Reflecting my own literary interests and practices, it focuses on the work and experiences of poets and novelists, rather than on those of dramatists and non- fiction writers. This study contributes to the as yet limited body of research into contemporary patronage practices. Furthermore, the thesis contributes to the historicising and theorisation of the creative writer which links the individual experience of writers with social and cultural structures and processes, making reference to the theories of Theodor Adorno, Roland Barthes, Pierre Bourdieu, Terry Eagleton and Jürgen Habermas. -
Saturday 22Nd to Sunday 30Th March 2014 at the Sheldonian Theatre and Christ Church OXFORD LITERARY FESTIVAL2014 LITERARY OXFORD
Saturday 22nd to Sunday 30th March 2014 at the Sheldonian Theatre and Christ Church OXFORD OXFORD LITERARY 2014FESTIVAL Featuring Margaret Atwood Philip Pullman John Banville Orhan Pamuk Melvyn Bragg Michael Morpurgo Anita Shreve Ian McEwan Antonio Carluccio Lucy Worsley Kevin Crossley-Holland Jan Morris James Naughtie Ben Okri Jeremy Paxman Robert Harris Simon Jenkins Hanif Kureishi Madhur Jaffrey Eleanor Catton Jancis Robinson Alfred Brendel Alexander McCall Smith Mark Tully Jonathan Aitken Jewell Parker Rhodes Margaret Drabble Claudia Roden A C Grayling Lionel Barber Ben Macintyre Alan Titchmarsh Malorie Blackman Kirsty Wark Edward Stourton Andrew Graham-Dixon Jim Al-Khalili Joanne Harris Virginia McKenna Ahmed Kathrada Peter Snow Joan Bakewell Atul Kochhar Brian Sewell Gavin Hewitt Jesmyn Ward Subscribe to FT Weekend today Michael Caines Taiye Selasi From great interviews to arts and property; travel advice to where to invest. It’s all in FT Weekend. • L ife & Arts – a comprehensive blend of style, travel, arts, books and television • FT Weekend Magazine – exclusive interviews, outstanding photo-stories and fabulous food & drink • F T Money – Personal Finance Consumer Title of the Year providing readers with investment strategies and personal finance advice • House & Home – a definitive weekly guide to property, architecture, interiors and gardens • Ho w To Spend It – an award-winning monthly magazine on life’s luxuries Subscribe now, visit ft.com/weekendsub Box Office 0870 343 1001 Bodleian Libraries UNIVERSITY OF OXFORD www.oxfordliteraryfestival.org Festival Cultural Partner Front cover: Radcliffe Camera, Bodleian Library (photo: KT Bruce) This page: Statue of Sir Thomas Bodley, Old Schools Quad, Old Bodleian Library (photo: Oxford Picture Library) 2015 FESTIVAL DATES Saturday 21st March to Sunday 29th March WELCOME Director’s welcome We are delighted that FT Weekend is the new title HSBC have renewed their exceptional foundation sponsor of the Oxford Literary Festival. -
LSE Literary Festival 2014
Reflections Monday 24 February – Saturday 1 March 2014 1 March Saturday lse.ac.uk/spaceforthought Welcome We are delighted to be hosting LSE’s 6th Literary Festival in 2014, with the kind support of the LSE Institute of Public Affairs. With this year’s theme, Reflections, we are exploring the distinctive qualities of the social sciences’ and the arts’ approaches to understanding both the world around us and our place within it. An important strand of this theme is reflections on the First World War centenary and the value of remembering, but we are also reflecting on the contemporary world and the new generation. As in previous years, the Festival includes talks, readings, panel discussions and film screenings, as well as creative writing workshops and children’s events. We are proud to offer a space for thought, discussion and analysis that is unique in London, encouraging interaction between authors and academics on a global stage. We hope you enjoy this year’s programme. Further details on all events, as well as updates to the programme, can be found at lse.ac.uk/spaceforthought or by following @lsepublicevents #LSElitfest on Twitter. Please do check the website to see the latest information about the events you wish to attend, as details may change. Louise Gaskell Literary Festival Organiser Media Partner We are delighted to be working in partnership with the Times Literary Supplement. Ticket Information All events in the Festival are free to attend and open to all. E-tickets will be available to request after 10am on Tuesday 4 February. For the majority of Festival events there will also be an allocation of seats available on the day of the event, offered on a first come first served basis. -
Samuel Shattuck
FRIEND SAMUEL SHATTUCK 1594 In about this year, in the vicinity of Dorsetshire in England, Samuel Shattuck was born. 1627 The man who would become stepfather to Samuel Shattuck settled in at Naumkeeg (would become Salem). 1638 Samuel Shattuck arrived at Salem in the company of his parents. 1657 Early in the year: Mary Dyer and Ann Burden arrived in Boston by ship from England, Mary as a former Bostonian relocated to Rhode Island who was returning after a trip to England (begun in 1650), and Ann as a Boston widow who was returning home to settle her dead husband’s estate. However, it was learned that while in England the two women had been converted to Quakerism.1 Unexpectedly, instead of a warm homecoming, they were carted off to jail. This would be the year in which: “Christopher Holder and John Copeland, Quakers, were whipped through town with knotted cords, with all the strength the hangman could command. The prisoners were gagged with a stick in the mouth, to prevent their outcries.” What had happened with Friend Christopher Holder was that he had caused a disruption by attempting to speak 1. In the quite numerous Dyer family, only Mary Dyer and her son William, Jr. (Will) would ever be converts to Quakerism. HDT WHAT? INDEX SAMUEL SHATTUCK SAMUEL SHATTUCK in church in Salem after the Sunday sermon (it was during this year, incidentally, that Quaker meetings for worship were beginning locally). A guard there had brought him to the floor and stuffed his glove and handkerchief into Holder’s mouth.