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Rhetoric in the New Writings by Jia Yi
Extrême-Orient Extrême-Occident 34 | 2012 Political Rhetoric in Early China “People as Root” (min ben) Rhetoric in the New Writings by Jia Yi (200-168) La rhétorique de la « Primauté du peuple » (min ben) dans les Nouveaux Écrits de Jia Yi (200-168) “民本”:論賈誼(前200年-前168年)《新書》之修辭 Elisa Sabattini Electronic version URL: http://journals.openedition.org/extremeorient/261 DOI: 10.4000/extremeorient.261 ISSN: 2108-7105 Publisher Presses universitaires de Vincennes Printed version Date of publication: 1 November 2012 Number of pages: 167-194 ISBN: 978-2-84292-352-5 ISSN: 0754-5010 Electronic reference Elisa Sabattini, « “People as Root” (min ben) Rhetoric in the New Writings by Jia Yi (200-168) », Extrême- Orient Extrême-Occident [Online], 34 | 2012, Online since 01 November 2015, connection on 01 May 2019. URL : http://journals.openedition.org/extremeorient/261 ; DOI : 10.4000/extremeorient.261 © PUV Extrême-Orient, Extrême-Occident, 34 – 2012 “People as Root” (min ben) Rhetoric in the New Writings by Jia Yi (200-168) Elisa Sabattini 1 The origins of the question The ancient Chinese expression min ben sixiang, usually translated as “the idea of the people as root,” 2 experienced a revival in China starting from the early twentieth century, when it was introduced into the debate on democracy, and later into that on human rights, as a useful tool in the context of a modern political discourse. 3 Seeking democratic seeds 4 in past Chinese political thought, modern- day reformers and revolutionaries reinterpreted the idea of good government derived from “the people as root” (min ben) concept. -
Xunzi and Early Han Philosophy Author(S): Paul R
Harvard-Yenching Institute Xunzi and Early Han Philosophy Author(s): Paul R. Goldin Source: Harvard Journal of Asiatic Studies, Vol. 67, No. 1 (Jun., 2007), pp. 135-166 Published by: Harvard-Yenching Institute Stable URL: http://www.jstor.org/stable/25066840 . Accessed: 06/01/2014 01:27 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Harvard-Yenching Institute is collaborating with JSTOR to digitize, preserve and extend access to Harvard Journal of Asiatic Studies. http://www.jstor.org This content downloaded from 165.123.34.86 on Mon, 6 Jan 2014 01:27:31 AM All use subject to JSTOR Terms and Conditions Xunzi and Early Han Philosophy PAUL R. GOLDIN University ofPennsylvania cultural prestige of the philosopher Xunzi (third century b.c.) The has reached extreme highs and lows over the centuries. In his own day, he was revered as "the most senior of the masters" (zui wei some lao shi ?SUii?fl?)1 and numbered among his students of themost influential men in the Chinese world, including Han Fei (d. 233 b.c.) and Li Si $|ft (d. 208 b.c.). He was stillwidely celebrated in theWest ern Han dynasty, when Dong Zhongshu ?#af (fl. -
Mirror, Death, and Rhetoric: Reading Later Han Chinese Bronze Artifacts Author(S): Eugene Yuejin Wang Source: the Art Bulletin, Vol
Mirror, Death, and Rhetoric: Reading Later Han Chinese Bronze Artifacts Author(s): Eugene Yuejin Wang Source: The Art Bulletin, Vol. 76, No. 3, (Sep., 1994), pp. 511-534 Published by: College Art Association Stable URL: http://www.jstor.org/stable/3046042 Accessed: 17/04/2008 11:17 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=caa. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit organization founded in 1995 to build trusted digital archives for scholarship. We enable the scholarly community to preserve their work and the materials they rely upon, and to build a common research platform that promotes the discovery and use of these resources. For more information about JSTOR, please contact [email protected]. http://www.jstor.org Mirror, Death, and Rhetoric: Reading Later Han Chinese Bronze Artifacts Eugene Yuejin Wang a 1 Jian (looking/mirror), stages of development of ancient ideograph (adapted from Zhongwendazzdian [Encyclopedic dictionary of the Chinese language], Taipei, 1982, vi, 9853) History as Mirror: Trope and Artifact people. -
Resaerch on the Creation and Booming of Bird Fu in the Han Dynasty
2021 4th International Conference on Arts, Linguistics, Literature and Humanities (ICALLH 2021) Resaerch on the Creation and Booming of Bird Fu in the Han Dynasty Qunyi Ma ,Shinian Ma* Northwest Normal University, Lanzhou, Gansu, 730070, China *corresponding author:Shinian Ma Keywords: Poems on birds in the han dynasty, General situation of creation, Reasons for rise, Ideological connotation Abstract: The literature with birds as the subject has gone through the profound literary accumulation in the pre-Qin period. In the Han Dynasty, the subject of birds and the Han Fu achieved a perfect combination, forming a unique style of the Han Fu. This unique style is manifested in profound cultural accumulation, profound ideological connotation and distinctive artistic achievements. Bird Fu can be greatly developed in the Han Dynasty. On the one hand, it is related to the prosperity of Fu style literature. On the other hand, the unified and stable social environment of the Han Dynasty, the preference of the rulers for Fu, the frequent banquet activities and the interaction between writers Influence has a very important driving effect. The bird poetry of the Han Dynasty showed rich ideological connotation through the ways of embedding Taoism into things, borrowing things to chanting virtue, and entrusting things to express their will. 1. Introduction As early as the “Book of Songs” in the pre-Qin Dynasty, “birds” have entered literary works as a literary image. By the time of the Han Dynasty, the subject of birds had already entered the vision of fu masters, for example, when Jia Yi lived in Changsha, Wang Taifu wrote “Fu on the Birds. -
Foreigners and Propaganda War and Peace in the Imperial Images of Augustus and Qin Shi Huangdi
Foreigners and Propaganda War and Peace in the Imperial Images of Augustus and Qin Shi Huangdi This thesis is presented by Dan Qing Zhao (317884) to the School of Historical and Philosophical Studies in total fulfilment of the requirements for the degree of Master of Arts in the field of Classics in the School of Historical and Philosophical Studies Faculty of Arts University of Melbourne Principal Supervisor: Dr Hyun Jin Kim Secondary Supervisor: Associate Professor Frederik J. Vervaet Submission Date: 20/07/2018 Word Count: 37,371 TABLE OF CONTENTS Acknowledgements i Translations and Transliterations ii Introduction 1 Current Scholarship 2 Methodology 7 Sources 13 Contention 19 Chapter One: Pre-Imperial Attitudes towards Foreigners, Expansion, and Peace in Early China 21 Western Zhou Dynasty and Early Spring and Autumn Period (11th – 6th century BCE) 22 Late Spring and Autumn Period (6th century – 476 BCE) 27 Warring States Period (476 – 221 BCE) 33 Conclusion 38 Chapter Two: Pre-Imperial Attitudes towards Foreigners, Expansion, and Peace in Rome 41 Early Rome (Regal Period to the First Punic War, 753 – 264 BCE) 42 Mid-Republic (First Punic War to the End of the Macedonian Wars, 264 – 148 BCE) 46 Late Republic (End of the Macedonian Wars to the Second Triumvirate, 148 – 43 BCE) 53 Conclusion 60 Chapter Three: Peace through Warfare 63 Qin Shi Huangdi 63 Augustus 69 Conclusion 80 Chapter Four: Morality, Just War, and Universal Consensus 82 Qin Shi Huangdi 82 Augustus 90 Conclusion 104 Chapter Five: Victory and Divine Support 106 Qin Shi Huangdi 108 Augustus 116 Conclusion 130 Conclusion 132 Bibliography 137 ACKNOWLEDGEMENTS I would like to offer my sincerest thanks to Dr Hyun Jin Kim. -
Tao Yuanming's Perspectives on Life As Reflected in His Poems on History
Journal of chinese humanities 6 (2020) 235–258 brill.com/joch Tao Yuanming’s Perspectives on Life as Reflected in His Poems on History Zhang Yue 張月 Associate Professor of Department of Chinese Language and Literature, University of Macau, Taipa, Macau, China [email protected] Abstract Studies on Tao Yuanming have often focused on his personality, reclusive life, and pas- toral poetry. However, Tao’s extant oeuvre includes a large number of poems on history. This article aims to complement current scholarship by exploring his viewpoints on life through a close reading of his poems on history. His poems on history are a key to Tao’s perspectives with regard to the factors that decide a successful political career, the best way to cope with difficulties and frustrations, and the situations in which literati should withdraw from public life. Examining his positions reveals the connec- tions between these different aspects. These poems express Tao’s perspectives on life, as informed by his historical predecessors and philosophical beliefs, and as developed through his own life experience and efforts at poetic composition. Keywords Tao Yuanming – poems on history – perspectives on life Tao Yuanming 陶淵明 [ca. 365–427], a native of Xunyang 潯陽 (contem- porary Jiujiang 九江, Jiangxi), is one of the best-known and most-studied Chinese poets from before the Tang [618–907]. His extant corpus, comprising 125 poems and 12 prose works, is one of the few complete collections to survive from early medieval China, largely thanks to Xiao Tong 蕭統 [501–531], a prince of the Liang dynasty [502–557], who collected Tao’s works, wrote a preface, and © ZHANG YUE, 2021 | doi:10.1163/23521341-12340102 This is an open access article distributed under the terms of the CC BY 4.0Downloaded license. -
THE INDIVIDUAL and the STATE: STORIES of ASSASSINS in EARLY IMPERIAL CHINA by Fangzhi Xu
THE INDIVIDUAL AND THE STATE: STORIES OF ASSASSINS IN EARLY IMPERIAL CHINA by Fangzhi Xu ____________________________ Copyright © Fangzhi Xu 2019 A Thesis Submitted to the Faculty of the DEPARTMENT OF EAST ASIAN STUDIES In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2019 Xu 2 Xu 3 Contents Abstract ...................................................................................................................................... 4 Introduction ................................................................................................................................ 5 Chapter 1: Concepts Related to Assassins ............................................................................... 12 Chapter 2: Zhuan Zhu .............................................................................................................. 17 Chapter 3: Jing Ke ................................................................................................................... 42 Chapter 4: Assassins as Exempla ............................................................................................. 88 Conclusion ............................................................................................................................... 96 Bibliography .......................................................................................................................... 100 Xu 4 Abstract In my thesis I try to give a new reading about the stories of assassins in the -
The Stage Art of Ng Kwan Lai
A Synthesis of Lyrical Excellence & Martial Agility – The Stage Art of Ng Kwan Lai Learning From Great Masters Born Ng Wan, a native of Zhongshan in the province of Guangdong, Ng Kwan Lai grew up in Shanghai, and it was while she was being educated there that she became fascinated by traditional dramatic performances. Arriving in Hong Kong with her family in 1952, she enrolled at the Hong Kong Academy of Cantonese Opera the following year to study under the renowned performer Chan Fei Nung. A hard-working student who realized that the martial arts and acrobatic performances of Beijing Opera held a greater appeal, she went on to learn stage martial arts under the father-and-son team of Kay Choi Fun and Kay Yuk Kun, the well-known Beijing Opera masters. Her concentrated efforts quickly bore fruit as her performances gained in skill and credibility. To improve her vocal presentation, she turned to Cantonese Opera singing coaches Wan Chi Chung and Lam Siu Lau and then took lessons in ancient melodies from Lui Man Shing. The tutelage of these famous musicians introduced her to the art of singing, and her voice began to take on a memorable brilliance and resonance. Guided by these great masters, Ng received balanced training in stylistic and vocal performance, and this paved the way for her success in the roles of the dou ma dan (the female martial role), the tsing yi (the gentle young woman who suffers a distressing fate and ends up destitute) and the kwei mun dan (the girl from an affluent and respectable family). -
CHINESE GLOSSARY an Bai Ju Yi Bao Pu Zi
CHINESE GLOSSARY an Bai Ju Yi Bao Pu Zi - Nei Pian Bao Shu Ya ba yu jiao yang Bei Ji Qian Jin Yao Fang Beijing ben cao Ben Cao Gang Mu Ben Cao Shi Yi bi guan bian tong bie Bo Yi bu yi cang chang sheng bu si Chen Cang Qi Chen Cun Chen Guang Lei Chen Liang Chen Liang Ji Chen Qian Chu Xian Sheng Mu Zhi Ming Chen Que Chen Tian Hua Cheng Cheng-Chung Shu Chu Cheng Hao Cheng I Cheng Shu De Ruiping Fan (ed.), Confucian Bioethics, 285-291. © 1999 Kluwer Academic Publishers. Printed in Great Britain. 286 CHINESE GLOSSARY Cheng Ying Cheng-Zhu Chou Fu Chu Chu Ci Ji Zhu Chuang Tzu (Zhuang Zi) Chuang Tzu (Zhuang Zi) Chun Qiu Fan Lu Chun Qiu Fan Lu -Xun Tian Zhi Dao ci Da Kuang Da Qing Lu Li - Ming Li da ti da tong Da Xue Da Zheng Xin Xiu Da Zang Jing dao (tao) dao bu yuan ren dao jia dao li dao xue dao yi de de xing Diao Qu Yuan Fu dong Dong Zhong Shu Du Si Shu Da Chuan Shuo DuanWu Du Shu Er Ya fan guan CHINESE GLOSSARY 287 Fan Li Sao feng, han, shu, shi, zao, huo Fu Lei fu zuo Fun You-lan Gao Seng Zhuan Ge Hong ge wu, zhi zhi, cheng yi, zheng xin, xiu shen, qi jia, zhi guo, ping tian xia Gong Ting Xian gu dai zhong guo ren de jia zhi guan: Jia zhi qu xiang de chong tu ji qi jie xiao Gu Yan Wu Gu Zhu guan xing Guan Yu Guan Zhong Guan Zi Guan Zi - Nei Ye Pian gui shen Guo Dai Dong Han Han Xue Yan Jiu Zhong Xin Han Yu he He Xian Ming Hua Shan Wen Yi Hua Wen Shu Ju Hua Zhong Li Gong Da Xue Huang Di Nei Jing Su Wen Huang Jun Jie Huang Ru Cheng Huang Zhong Mo 288 CHINESE GLOSSARY Huang Zi Ping Huang Zong Xi jen (ren) Jia Yi Jiao Xun jie cao jie lie jinga -
The Hundred Surnames: a Pinyin Index
names collated:Chinese personal names and 100 surnames.qxd 29/09/2006 12:59 Page 3 The hundred surnames: a Pinyin index Pinyin Hanzi (simplified) Wade Giles Other forms Well-known names Pinyin Hanzi (simplified) Wade Giles Other forms Well-known names Ai Ai Ai Zidong Cong Ts’ung Zong Cong Zhen Ai Ai Ai Songgu Cui Ts’ui Cui Jian, Cui Yanhui An An An Lushan Da Ta Da Zhongguang Ao Ao Ao Taosun, Ao Jigong Dai Tai Dai De, Dai Zhen Ba Pa Ba Su Dang Tang Dang Jin, Dang Huaiying Bai Pai Bai Juyi, Bai Yunqian Deng Teng Tang, Deng Xiaoping, Bai Pai Bai Qian, Bai Ziting Thien Deng Shiru Baili Paili Baili Song Di Ti Di Xi Ban Pan Ban Gu, Ban Chao Diao Tiao Diao Baoming, Bao Pao Bao Zheng, Bao Shichen Diao Daigao Bao Pao Bao Jingyan, Bao Zhao Ding Ting Ding Yunpeng, Ding Qian Bao Pao Bao Xian Diwu Tiwu Diwu Tai, Diwu Juren Bei Pei Bei Yiyuan, Bei Qiong Dong Tung Dong Lianghui Ben Pen Ben Sheng Dong Tung Dong Zhongshu, Bi Pi Bi Sheng, Bi Ruan, Bi Zhu Dong Jianhua Bian Pien Bian Hua, Bian Wenyu Dongfang Tungfang Dongfang Shuo Bian Pien Bian Gong Dongguo Tungkuo Dongguo Yannian Bie Pieh Bie Zhijie Dongmen Tungmen Dongmen Guifu Bing Ping Bing Yu, Bing Yuan Dou Tou Dou Tao Bo Po Bo Lin Dou Tou Dou Wei, Dou Mo, Bo Po Bo Yu, Bo Shaozhi Dou Xian Bu Pu Bu Tianzhang, Bu Shang Du Tu Du Shi, Du Fu, Du Mu Bu Pu Bu Liang Du Tu Du Yu Cai Ts’ai Chai, Cai Lun, Cai Wenji, Cai Ze Du Tu Du Xia Chua, Du Tu Du Qiong Choy Duan Tuan Duan Yucai Cang Ts’ang Cang Xie Duangan Tuankan Duangan Tong Cao Ts’ao Tso, Tow Cao Cao, Cao Xueqin, Duanmu Tuanmu Duanmu Guohu Cao Kun E O E -
The First Emperor and His Army in Imagery and Sculpture 255
254 After the First Emperor The First Emperor and His Army in Imagery and Sculpture 255 opportunity to save the good old days. However, It was not until the middle of the last centu- The First Emperor and His Army in Imagery and Sculpture the representations carved into stone are sche- ry that monumental sculpture became more matic and facial features are not discernible. widespread in China as a means to root the Maria Khayutina Following all the disruptions and periods memories of historical events or significant peo- of fragmentation, the Chinese Empire, neverthe- ple in public spaces without a connection to re- less, proved to be surprisingly stable over ligion. Initially, statues of Mao and groups of the next millennia. Although Qin Shi Huangdi figures of the People ’ s Liberation Army found was mostly viewed with criticism by intellec- their way into the cities. Since the 1980s, role tuals influenced by Confucianism for his tough models in earlier phases of Chinese history have In modern-day China, the First Emperor of Qin erary sources are, for the most part, trivial and back and his subordinates stand bewildered methods of government, admiration for this been sought. Made of stone, bronze or concrete, is encountered in many different places : in the unreliable. During his lifetime, his enemies as- ( see fig. 21 ). Even Sima Qian ( ca. 145 – 90 BC ), controversial character gradually became more they are erected in newly created squares as streets of various cities, on the pages of school cribed to him “ a high nose, long eyes, the chest the famous historian, was not sure whether the widespread ( see Chapter 4 for more details ). -
The Contingency of China's Imperial Unity: Assassins Attack the First King Of
THE CONTINGENCY OF CHINA’S IMPERIAL UNITY Assassins Attack the First King of Qin by Emily M. Hill The First Emperor of China Co-directed by Tony Ianzelo and Liu Haoxue Qin and his achievements, each also highlights the costs and condi- Distributed by Slingshot Entertainment (www.slingshotent.com) tions of the founder’s conquests by featuring failed attempts to 1988. 40 Minutes assassinate him. The Emperor’s Shadow During one of the first classes of the course, students watch The First Emperor of China (1988). An informative dramatized docu- Directed by Zhou Xiaowen mentary, the film lacks aesthetic appeal but is an engaging starting Distributed by Fox Lorber Films (www.foxlorber.com) point for exploration of early Chinese history. Certain inaccuracies 1996. 123 Minutes should be pointed out in the course of class discussion; the Great The Emperor and the Assassin Wall as it stands today, for instance, is not the same as the system of Directed by Chen Kaige fortifications constructed of pressed earth that existed in Qin times. Distributed by Sony Pictures Classics (www.sonyclassics.com) Moreover, there is no good evidence for the legend that in 212 BCE 1999. 161 Minutes the First Emperor of Qin flew into a rage and ordered that 460 Hero learned men be buried alive. A highlight of The First Emperor of Directed by Zhang Yimou China is the dramatization of the attempt by Jing Ke to assassinate Distributed by Edko Films Ltd. (www.herothemovie.com) the King of Qin. The failed attempt, which occurred in 227 BCE, is 2002 (US release in August of 2004).