CHINESE GLOSSARY an Bai Ju Yi Bao Pu Zi
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Medicine Buddha Sutra
Medicine Buddha Sutra 藥師琉璃光如來本願功德經 Fo Guang Shan International Translation Center b c © 2002, 2005 Buddha’s Light Publishing © 2015 Fo Guang Shan International Translation Center Table of Contents Published by the Fo Guang Shan International Translation Center 3456 Glenmark Drive Hacienda Heights, CA 91745 U.S.A. Tel: (626) 330-8361 / (626) 330-8362 Incense Praise 3 Fax: (626) 330-8363 www.fgsitc.org Sutra Opening Verse 5 Protected by copyright under the terms of the International Copyright Medicine Buddha Sutra 7 Union; all rights reserved. Except for fair use in book reviews, no part of this book may be reproduced for any reason by any means, including any method of photographic reproduction, without permission of the publisher. Triple Refuge 137 Printed in Taiwan. Dedication of Merit 139 A Paryer to Medicine Buddha 141 2 3 Lu Xiang Zan 爐 香 讚 Incense Praise Lu Xiang Zha Ruo Incense burning in the censer, 爐 香 乍 爇 Fa Jie Meng Xun All space permeated with fragrance. 法 界 蒙 熏 Zhu Fo Hai Hui Xi Yao Wen The Buddhas perceive it from every direction, 諸 佛 海 會 悉 遙 聞 Sui Chu Jie Xiang Yun Auspicious clouds gather everywhere. 隨 處 結 祥 雲 With our sincerity, Cheng Yi Fang Yin 誠 意 方 殷 The Buddhas manifest themselves in their entirety. Zhu Fo Xian Quan Shen 諸 佛 現 全 身 Nan Mo Xiang Yun Gai Pu Sa 南 無 香 雲 蓋 菩 薩 Mo He Sa We take refuge in the Bodhisattvas-Mahasattvas. 摩 訶 薩 4 5 Kai Jing Ji 開 經 偈 Sutra Opening Verse Wu Shang Shen Shen Wei Miao Fa 無 上 甚 深 微 妙 法 The unexcelled, most profound, and exquisitely Bai Qian Wan Jie Nan Zao Yu wondrous Dharma, 百 千 萬 劫 難 遭 遇 Is difficult to encounter throughout hundreds of Wo Jin Jian Wen De Shou Chi thousands of millions of kalpas. -
Cataloguing Chinese Art in the Middle and Late Imperial Eras
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations Spring 2010 Tradition and Transformation: Cataloguing Chinese Art in the Middle and Late Imperial Eras YEN-WEN CHENG University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian Art and Architecture Commons, Asian History Commons, and the Cultural History Commons Recommended Citation CHENG, YEN-WEN, "Tradition and Transformation: Cataloguing Chinese Art in the Middle and Late Imperial Eras" (2010). Publicly Accessible Penn Dissertations. 98. https://repository.upenn.edu/edissertations/98 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/98 For more information, please contact [email protected]. Tradition and Transformation: Cataloguing Chinese Art in the Middle and Late Imperial Eras Abstract After obtaining sovereignty, a new emperor of China often gathers the imperial collections of previous dynasties and uses them as evidence of the legitimacy of the new regime. Some emperors go further, commissioning the compilation projects of bibliographies of books and catalogues of artistic works in their imperial collections not only as inventories but also for proclaiming their imperial power. The imperial collections of art symbolize political and cultural predominance, present contemporary attitudes toward art and connoisseurship, and reflect emperors’ personal taste for art. The attempt of this research project is to explore the practice of art cataloguing during two of the most important reign periods in imperial China: Emperor Huizong of the Northern Song Dynasty (r. 1101-1125) and Emperor Qianlong of the Qing Dynasty (r. 1736-1795). Through examining the format and content of the selected painting, calligraphy, and bronze catalogues compiled by both emperors, features of each catalogue reveal the development of cataloguing imperial artistic collections. -
Master Thesis
MASTER THESIS Titel der Master Thesis „ A Broken Generation – The Social Implications of the One Child Policy, and its Place in China’s Human Rights Development “ verfasst von Jake Mendrik angestrebter akademischer Grad Master of Arts (MA) Wien, 2016 Studienkennzahl lt. Studienblatt: A 992 884 Universitätslehrgang: Universitätslehrgang Master of Arts in Human Rights Betreut von: Univ. -Prof. Dr. Susanne Weigelin-Schwiedrzik 1 Freedom is priceless, My life is a limited dream, I prefer to be jade broken, To save China in martyrdom. Lin Zhao (1932-1968) 2 Contents My Last Farewell Verse – A Poem ................................................................................................................................................... 2 Acknowledgements ................................................................................................................... 5 Abbreviations ............................................................................................................................ 7 Introduction ............................................................................................................................... 8 Chapter One – Origins of the One Child Policy ...................................................................... 12 Introduction ......................................................................................................................... 12 1.1 Population control in Chinese history – the eugenics movement ............................ 13 1.2 Mao’s China ........................................................................................................... -
Atmosphere Bibliography
™ FUSION SELECT Pchips BIBLIOGRAPHY — JOURNAL ARTICLES Quantifiably Better™ Title Authors Citations Web Link Karim, Abdul;Guan, Chaoshuai;Chen, Bin;Li, Yong;Zhang, Junwei;Zhu, Dynamic observation of Joule heating- Karim, Abdul;Guan, Chaoshuai;Chen, Bin;Li, Yong;Zhang, Liu;Deng, Xia;Hu, Yang;Bi, Kaiqi;Li, Hongli;Peng, Yong;Li, Lingwei , Dynamic induced structural and domain http://www.sciencedirect.com/science/article/ Junwei;Zhu, Liu;Deng, Xia;Hu, Yang;Bi, Kaiqi;Li, observation of Joule heating-induced structural and domain transformation transformation in smart shape-memory pii/S1359645420300203 Hongli;Peng, Yong;Li, Lingwei in smart shape-memory alloy, 2020, Acta Materialia, 10.1016/j. alloy actamat.2020.01.006 Inani, Heena;Shin, Dong Hoon;Madsen, Jacob;Jeong, HyunJeong;Kwon, Min Inani, Heena;Shin, Dong Hoon;Madsen, Jacob;Jeong, Step-By-Step Atomic Insights into Hee;McEvoy, Niall;Susi, Toma;Mangler, Clemens;Lee, Sang Wook;Mustonen, HyunJeong;Kwon, Min Hee;McEvoy, Niall;Susi, https://onlinelibrary.wiley.com/doi/abs/10.1002/ Structural Reordering from 2D to 3D Kimmo;Kotakoski, Jani , Step-By-Step Atomic Insights into Structural Toma;Mangler, Clemens;Lee, Sang Wook;Mustonen, adfm.202008395 MoS2 Reordering from 2D to 3D MoS2, -, Advanced Functional Materials, https:// Kimmo;Kotakoski, Jani doi.org/10.1002/adfm.202008395 Song, Jung-Hwan;Raza, Søren;van de Groep, Jorik;Kang, Ju-Hyung;Li, Nanoelectromechanical modulation of Song, Jung-Hwan;Raza, Søren;van de Groep, Jorik;Kang, Qitong;Kik, Pieter G.;Brongersma, Mark L. , Nanoelectromechanical -
A Method of Teaching English Speaking Learners to Produce Mandarin-Chinese Tones
Graduate Theses, Dissertations, and Problem Reports 2018 A Method of Teaching English Speaking Learners to Produce Mandarin-Chinese Tones Hui Shi Follow this and additional works at: https://researchrepository.wvu.edu/etd Recommended Citation Shi, Hui, "A Method of Teaching English Speaking Learners to Produce Mandarin-Chinese Tones" (2018). Graduate Theses, Dissertations, and Problem Reports. 6633. https://researchrepository.wvu.edu/etd/6633 This Dissertation is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Dissertation has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. A Method of Teaching English Speaking Learners to Produce Mandarin-Chinese Tones Hui Shi Dissertation submitted to the College of Education and Human Services at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Curriculum & Instruction/ Literacy Studies Sam Stack, Ph.D., Chair Ugur Kale, Ph.D. Heiko Everwien ter Haseborg, Ph.D. Joy Faini Saab, Ed.D. Xiangying Jiang, Ph.D. Department of Curriculum & Instruction/ Literacy Studies Morgantown, West Virginia University 2018 Keywords: Mandarin-Chinese Tones, tonal and non-tonal language, pedagogy, tonal production Copyright 2018 Hui Shi ABSTRACT A Method of Teaching English Speaking Learners to Produce Mandarin-Chinese Tones Hui Shi Learning Mandarin Chinese tones is a big challenge for English speaking learners. -
Rhetoric in the New Writings by Jia Yi
Extrême-Orient Extrême-Occident 34 | 2012 Political Rhetoric in Early China “People as Root” (min ben) Rhetoric in the New Writings by Jia Yi (200-168) La rhétorique de la « Primauté du peuple » (min ben) dans les Nouveaux Écrits de Jia Yi (200-168) “民本”：論賈誼（前200年-前168年）《新書》之修辭 Elisa Sabattini Electronic version URL: http://journals.openedition.org/extremeorient/261 DOI: 10.4000/extremeorient.261 ISSN: 2108-7105 Publisher Presses universitaires de Vincennes Printed version Date of publication: 1 November 2012 Number of pages: 167-194 ISBN: 978-2-84292-352-5 ISSN: 0754-5010 Electronic reference Elisa Sabattini, « “People as Root” (min ben) Rhetoric in the New Writings by Jia Yi (200-168) », Extrême- Orient Extrême-Occident [Online], 34 | 2012, Online since 01 November 2015, connection on 01 May 2019. URL : http://journals.openedition.org/extremeorient/261 ; DOI : 10.4000/extremeorient.261 © PUV Extrême-Orient, Extrême-Occident, 34 – 2012 “People as Root” (min ben) Rhetoric in the New Writings by Jia Yi (200-168) Elisa Sabattini 1 The origins of the question The ancient Chinese expression min ben sixiang, usually translated as “the idea of the people as root,” 2 experienced a revival in China starting from the early twentieth century, when it was introduced into the debate on democracy, and later into that on human rights, as a useful tool in the context of a modern political discourse. 3 Seeking democratic seeds 4 in past Chinese political thought, modern- day reformers and revolutionaries reinterpreted the idea of good government derived from “the people as root” (min ben) concept. -
Journal of Current Chinese Affairs
China Data Supplement March 2008 J People’s Republic of China J Hong Kong SAR J Macau SAR J Taiwan ISSN 0943-7533 China aktuell Data Supplement – PRC, Hong Kong SAR, Macau SAR, Taiwan 1 Contents The Main National Leadership of the PRC ......................................................................... 2 LIU Jen-Kai The Main Provincial Leadership of the PRC ..................................................................... 31 LIU Jen-Kai Data on Changes in PRC Main Leadership ...................................................................... 38 LIU Jen-Kai PRC Agreements with Foreign Countries ......................................................................... 54 LIU Jen-Kai PRC Laws and Regulations .............................................................................................. 56 LIU Jen-Kai Hong Kong SAR ................................................................................................................ 58 LIU Jen-Kai Macau SAR ....................................................................................................................... 65 LIU Jen-Kai Taiwan .............................................................................................................................. 69 LIU Jen-Kai ISSN 0943-7533 All information given here is derived from generally accessible sources. Publisher/Distributor: GIGA Institute of Asian Studies Rothenbaumchaussee 32 20148 Hamburg Germany Phone: +49 (0 40) 42 88 74-0 Fax: +49 (040) 4107945 2 March 2008 The Main National Leadership of the -
Xunzi and Early Han Philosophy Author(S): Paul R
Harvard-Yenching Institute Xunzi and Early Han Philosophy Author(s): Paul R. Goldin Source: Harvard Journal of Asiatic Studies, Vol. 67, No. 1 (Jun., 2007), pp. 135-166 Published by: Harvard-Yenching Institute Stable URL: http://www.jstor.org/stable/25066840 . Accessed: 06/01/2014 01:27 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Harvard-Yenching Institute is collaborating with JSTOR to digitize, preserve and extend access to Harvard Journal of Asiatic Studies. http://www.jstor.org This content downloaded from 165.123.34.86 on Mon, 6 Jan 2014 01:27:31 AM All use subject to JSTOR Terms and Conditions Xunzi and Early Han Philosophy PAUL R. GOLDIN University ofPennsylvania cultural prestige of the philosopher Xunzi (third century b.c.) The has reached extreme highs and lows over the centuries. In his own day, he was revered as "the most senior of the masters" (zui wei some lao shi ?SUii?fl?)1 and numbered among his students of themost influential men in the Chinese world, including Han Fei (d. 233 b.c.) and Li Si $|ft (d. 208 b.c.). He was stillwidely celebrated in theWest ern Han dynasty, when Dong Zhongshu ?#af (fl. -
Fuzzy Flexible Flow Shops on More Than Two Machine Centers
The Subtle Path to Heterodoxy: Reflections on the Concept of ‘Yiduan’ in the Jinsilu Milan Hejtmanek1 ARTICLE INFO ABSTRACT Available Online October 2013 Neo-Confucian philosophy in - Key words: partook of a moral discourse that drew extensively on Song Chinese Heterodoxy; texts from the 11th and 12theth centuries. Korean Chosǒn Among period these, (1392 the Jinsilu1910) Korea; ; 1175 proved especially influential. This paper examines in detail a Neo-Confucianism; central(Reflections theme on of Things the Jinsilu: at Hand), heterodoxy compiled or by yiduan, Zhu Xi situatingand LüZuqian it both in Jinsilu.Chosǒn dynasty within the broader traditions of earlier Confucianism and as well as within the context of Neo-Confucian thought or daoxue as it was developed the 11th century, by the brothers Cheng Yi and Cheng Hao. It identifies three distinct, if overlapping conceptions of heterodoxy in the Jinsilu. The paper argues that the most pessimistic and aggressive attitude toward the danger of straying from the orthodox way and the condemning of those who had done so derived from Cheng Yi. His thought and sense of near dread concerning heterodoxy would prove highly influential in Chosǒn Korea. Introduction It is a remarkable feature of recorded human civilization that discourse drawn from a wide variety of times and places displays fierce struggles over what constitutes proper moral behavior and correspondingly what should be castigated as wrong and evil. Moral traditions in the West as diverse as Judaism, Islam, and in the East Buddhism, Hinduism, and Confucianism ha rhetorical strategies to argue both sides of complex ethical issues. The production and reproduction of dogma and its antithesis, heresy or heterodoxy, isve a bequeathed central activity prolific of any discourses system of deploying moral thought. -
Raiding the Garden and Rejecting the Family
Raiding the Garden and Rejecting the Family A Narratology of Scene in The Dream of the Red Chamber Zhonghong Chen Department of Culture Studies and Oriental Languages UNIVERSITETET I OSLO Autumn 2014 II Raiding the Garden and Rejecting the Family: A Narratology of Scene in the Dream of Red Chamber A Master Thesis III © Zhonghong Chen 2014 Raiding the Garden and Rejecting the Family: A Narratology of Scene in the Dream of Red Chamber Zhonghong Chen http://www.duo.uio.no/ Printed by Reprosentralen, Universitetet i Oslo IV Summary By conducting a close reading and a structural analysis, this thesis explores a narratology of “scene” in the novel Dream of the Red Chamber(Honglou meng《红楼梦》). The terminology of “scene” in the Western literary criticism usually refers to “a structual unit in drama” and “a mode of presentation in narrative”. Some literature criticists also claim that “scene” refers to “a structural unit in narrative”, though without further explanation. One of the main contributions of this theis is to define the term of “scene”, apply it stringently to the novel, Honglou meng, and thus make a narratology of “scene” in this novel. This thesis finds that “scene” as a structural unit in drama is characterized by a unity of continuity of characters, time, space and actions that are unified based on the same topic. “Topic” plays a decisive role in distinguishing “scenes”. On the basis of the definition of the term of “scene”, this theis also reveals how “scenes” transfer from each other by analyzing “scene transitions”. This thesis also finds that the characteristic of the narration in Honglou meng is “character-centered” ranther than “plot-centered”, by conducting research on the relationship between “scene”, “chapter” and “chapter title”. -
Unveil the Mystery of Medical Chi Gong by Dr. Kevin Chen
SPORTS / RECREATION / GENERAL RECREATION Unveil the mystery of Medical Chi Gong by Dr. Kevin Chen January 27, 2010 9:18 PM MST The ancient healing art Chi Gong (Qigong) was practiced by many cultures, i.e. Indian Prana, Japaness Ki, Germany OD, and Hawaiian Mana. In China, the written evidence of Chi Gong practice was dated back to 600 BCE on a jade pendant. To the majority of the world’s population, Chi Gong remains a mystery, even in the eyes of many Chinese. The medical Chi Gong is even more difficult to comprehend. Dr. Kevin Chen on Chi Gong (copied from the speech video) Professor Kevin Chen of University of Maryland School of Medicine, a veteran Chi Gong practitioner and science researcher, was invited to deliver an overview on the Medical Chi Gong at the National Institutes of Health (NIH) in Oct 2009. With his profound knowledge on Chi Gong, the Traditional Chinese Medicine (TCM), and modern scientific Chi Gong research, the speech was fascinating. With the long history of Chi Gong practices, Chinese have developed thousands of Chi Gong styles and forms. The other names for Chi Gong are Tu-na, Dao-yin, An-qiao, Xiu-lian, Jing-zuo, Yang-sheng, Cun-si, Guan-xiang, and Xing-qi. Dr. Chen classified all Chinese Chi Gong practices into 5 different categories: Confucian, Buddhist, Daoism (Taoism), Medical, and Martial-arts (e.g. Taichi). Citing from a Chinese university textbook Chinese Medical Qigong, Dr. Chen defines Chi Gong as “ Body-Mind exercise or techniques that integrated body, breathe and mind adjustment into Oneness “. -
Resaerch on the Creation and Booming of Bird Fu in the Han Dynasty
2021 4th International Conference on Arts, Linguistics, Literature and Humanities (ICALLH 2021) Resaerch on the Creation and Booming of Bird Fu in the Han Dynasty Qunyi Ma ,Shinian Ma* Northwest Normal University, Lanzhou, Gansu, 730070, China *corresponding author:Shinian Ma Keywords: Poems on birds in the han dynasty, General situation of creation, Reasons for rise, Ideological connotation Abstract: The literature with birds as the subject has gone through the profound literary accumulation in the pre-Qin period. In the Han Dynasty, the subject of birds and the Han Fu achieved a perfect combination, forming a unique style of the Han Fu. This unique style is manifested in profound cultural accumulation, profound ideological connotation and distinctive artistic achievements. Bird Fu can be greatly developed in the Han Dynasty. On the one hand, it is related to the prosperity of Fu style literature. On the other hand, the unified and stable social environment of the Han Dynasty, the preference of the rulers for Fu, the frequent banquet activities and the interaction between writers Influence has a very important driving effect. The bird poetry of the Han Dynasty showed rich ideological connotation through the ways of embedding Taoism into things, borrowing things to chanting virtue, and entrusting things to express their will. 1. Introduction As early as the “Book of Songs” in the pre-Qin Dynasty, “birds” have entered literary works as a literary image. By the time of the Han Dynasty, the subject of birds had already entered the vision of fu masters, for example, when Jia Yi lived in Changsha, Wang Taifu wrote “Fu on the Birds.