DOCSLIB.ORG

City of Green River City Council Workshop Agenda Documentation

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
City of Green River City Council Workshop Agenda Documentation City of Green River City Council Workshop Agenda Documentation Preparation Date: October 12, 2012 Department: Parks & Recreation Meeting Date: October 23, 2012 Department Head: Allan Wilson Presenter: Allan Wilson/Jerry Myers Subject: Review of the Draft Feasibility Study on the Union Pacific Depot Background/Alternatives: Through a mutual agreement between the City of Green River and Union Pacific Railroad a feasibility study for the potential acquisition, restoration and usability of the UP Depot was conducted by Myers-Anderson. The feasibility study was funded by the state of Wyoming Community Development Block Grant ($13,950) with a City match ($4,650), for a total cost of $18,600. The scope of the contract provided for the following key elements: 1. Evaluate Existing Building Conditions 2. Evaluate Future/Potential Uses 3. Evaluate Structural Integrity 4. Evaluate existing infrastructure, conditions and connectivity relative to utilities, parking, traffic, City’s Master Plan, tourism, expansion and future uses. 5. Make recommendations for meeting the above while maintaining the historic integrity of the building and meeting the Secretary of the Interior’s Standards for Rehabilitation and using the International Existing Building Code. Attachments: Downtown Depot – Feasibility Study, Myers Anderson Architects Fiscal Impact: Dependent upon direction given by the Governing Body in regards to potential use. Staff Impact: Dependent upon direction given by the Governing Body in regards to potential use. Legal Review: Not applicable at this time, will be required prior to acceptance of land or building donation. Downtown Depot - Administrative Building Feasibility Study Prepared for: City of Green River, Wyoming M y e r s ■ A n d e r s o n Draft Report: ▪ Architecture ▪ Interior Design ▪ Landscape Architecture 17 October 2012 Acknowledgement Completing a project such as this often requires the efforts and support of many; preparation of this Feasibility Study would not have been possible without the hard work and dedication of the following contributors. Your time and effort have been invaluable to this project. City of Green River Mayor Hank Castillion Allan Wilson, Parks and Recreation Director Marty Black, City Administrator City Council Members Tom McCullough Gene Smith Lisa Maes Adam Coppolo Jim Boan Gary Killpack Steering Committee Members Jim Boan – City Council Laura Leigh – Community Development Director Rod Ness – URA / Main Street Lisa Mueller – CIG / Grant Writer Pat Robbins – Wyoming Business Council Andria GrandPre – Arts Council, Chair Karla Leach – WWCC, President Rebecca Briesmaster – Chamber of Commerce Jenissa Bartlett – WY Travel & Tourism Ruth Lauritzen – County History Museum Consulting Team Members Myers Anderson Architects, PLLC Lower & Co. Groathouse Construction Company M y e r s ■ A n d e r s o n Table of Contents 1. Introduction 2. Executive Summary 3. Existing Conditions a. Overview b. Site c. Structural Issues d. Exterior Envelope e. Interior f. Mechanical & Electrical Systems 4. Recommendations a. Options for Future Use b. Site c. Structural Issues d. Exterior Envelope e. Interior f. Mechanical & Electrical Systems g. The Secretary of the Interior’s Standards for Rehabilitation 5. Code Analysis a. Lynch Hall and Depot Building b. Office Building 6. Appendices a. Budget Estimate for Proposed Work b. Existing Plans c. Proposed Plans d. Photographs e. Structural Assessment Report f. The Secretary of the Interior’s Standards for Rehabilitation g. NPS Preservation Briefs M y e r s ■ A n d e r s o n TOC 1. Introduction In July 2012 Myers Anderson was contracted by the City of Green River to provide assistance in the assessment of the Union Pacific Depot and Administration Building at 200 E. Railroad Avenue in Green River, Wyoming. This report is funded by a Community Development Block Grant. The originally suggested scope of work was as follows: 1. Evaluate Existing Building Conditions 2. Evaluate Future/Potential Uses 3. Evaluate Structural Integrity 4. Evaluate existing infrastructure, conditions and connectivity relative to utilities, parking, traffic, City’s Master Plan, tourism, expansion and future uses. 5. Make recommendations for meeting the above while maintaining the historic integrity of the building and meeting the Secretary of the Interior’s Standards for Rehabilitation and using the International Existing Building Code. This report is organized into six basic parts. First, this project introduction; second, an executive summary of findings and recommendations; third, an overview of the existing building; fourth, recommendations for reuse and rehabilitation; fifth, a code analysis; and sixth, appendices including a budget estimate for the proposed work, existing plans, proposed plans, photographs, a structural assessment report, and preservation guidelines. Myers Anderson Architects is very pleased to assist in this review of an important landmark building. We commend the City of Green River in the proactive efforts towards acquisition of this important historic icon. Your efforts honor the past contributions of this facility to the City of Green River and secure the potential social and economic benefits yet to be realized. Green River is setting a great example of stewardship in preserving this great landmark facility. It contributes to the social and economic viability of the City while following sound planning principles of smart growth and sustainability. M y e r s ■ A n d e r s o n 2 2. Executive Summary The Union Pacific Depot is a very substantial historic structure comprised of three separate buildings with a long history of serving Green River. It has, however, deteriorated somewhat over the years and has undergone extensive interior remodeling that has left none of the original configurations, finishes, or windows and doors throughout most of the buildings. Structurally it is in good condition and the exterior envelope of the building requires only moderate cleaning and repairs along with the replacement of exterior windows and doors. The interior, except for the upper level of the central Depot building, should have all walls and finishes removed and replaced with new construction. There are no original or historic materials remaining. The site is in fair condition but is underdeveloped and will require reconfiguration and improvements in order to support new building uses. A Steering Committee representing several interested local organizations was formed to help determine future uses of the buildings and gave the following recommendations. Lynch Hall should be converted to a public event center including outdoor space and a connection to the west lawn, while the office building would be well used as an art center with gallery, studio and support spaces. The upper level of the Depot should be retained as offices with the main level to include restrooms (to serve Lynch Hall as well as the Depot) and elevator access to the upper level. There was not a clear use identified for the main level of the Depot by the Steering Committee, but it seems very well suited to a restaurant which would benefit from the location and character of the space as well as provide a draw for activity and greatly enhance and complement the projects’ other uses. A rehabilitation project to provide these uses and address the issues listed above should include the following primary elements. Modify and reconfigure site with sidewalks, planting areas, and new building entrances and parking. Accessibility is a key consideration. Repair and repoint exterior masonry where needed, preserving all original openings in exterior walls. Replace exterior windows and doors with historically appropriate, materials (i.e. proper glazing, profiles and appearance). Clean clay tile roof and repair damaged areas, along with minor repair and repainting of metal fascia, soffit, gutters and downspouts. Restore upper level of main Depot building for office use. Demolish interior partitions and finishes in Lynch Hall, the Office Building, and the main level of the Depot building and replace with new construction to accommodate the uses described above. Provide new sewer and water connections to meet code requirements for proposed uses. Provide new electrical services to buildings and completely remove and replace existing mechanical and electrical systems with new construction. A budget estimate including each of these items has been prepared by Groathouse Construction and totals $5,850,000. The complete budget estimate, with phasing alternatives, is included in Appendix A. The Union Pacific Depot is a landmark in downtown Green River. It is a fine building for reuse, although its size and age will require significant reinvestment in exterior repair and interior remodeling to bring it back into active use. Reinvesting in its rehabilitation will provide the community with a functional and beautiful building contributing to the social, cultural, and economic future of Green River for many years to come. M y e r s ■ A n d e r s o n 3 3. Existing Conditions a. Overview The historic Union Pacific Depot is comprised of three connected masonry structures on a large site between East Railroad Avenue and the active Union Pacific rail lines. The three structures are the Depot, Lynch Hall, and the Office Building. All three buildings are constructed of brick masonry bearing walls resting on concrete grade beams and driven piles with timber roof trusses supporting interlocking French style clay roof tiles over 1x board sheathing. The structural report included in Appendix E details further the materials and assemblies of the structures. The Depot, completed by 1910, is centrally located between the other two buildings and is largest of the three. Originally it was a traditional depot with passenger services having administrative office space in the upper level. When passenger service was discontinued the main level was remodeled to house the offices and the upper level was “moth‐balled”. The main building is a two‐story structure 105’‐0” wide by 48’‐10” deep, giving each floor an area of approximately 5,145 sq. ft. On its east side is a single‐story baggage area measuring 29’‐0” by 31’‐0”, which adds approximately 900 sq.
Load more

Recommended publications
  • Hayles & Howe Ornamental Plasterwork & Scagliola Established 1978
    Uniclass EPIC L556:P234 E:X252 CI/SfB Xf7 © Hayles & Howe April 2013 Issue 1 Hayles & Howe Limited Hayles & Howe, Inc Templegate Park 2700 Sisson Street Mead Rise Baltimore MD 21211 Bristol USA BS3 4RP UK t: +44 (0)117 972 7200 t: +1 410 462 0986 f: +44 (0)117 971 2232 f: +1 410 462 0989 [email protected] [email protected] www.haylesandhowe.co.uk www.haylesandhowe.com Hayles & Howe Ornamental Plasterwork & Scagliola Established 1978 © Hayles & Howe UK USA Hayles & Howe Limited Hayles & Howe, Inc Templegate Park 2700 Sisson Street Mead Rise Baltimore Bristol MD 21211 BS3 4RP USA UK Hayles and Howe have won many awards for their t: +44 (0)117 972 7200 t: +1 410 462 0986 scagliola work including work at Buckingham Palace, f: +44 (0)117 971 2232 f: +1 410 462 0989 Tusmore House, Windsor Castle and Goodwood House. The company was also awarded the Queen’s [email protected] [email protected] Award for International Trade in 2003. www.haylesandhowe.co.uk www.haylesandhowe.com Copyright © Hayles and Howe Ltd and Hayles and Howe, Inc 2013 All rights reserved including the right of reproduction in whole or in part in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the permission of Hayles and Howe Ltd or Hayles and Howe, Inc. The rights for this brochure have been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988. SCAGLIOLA PROVIDES A BEAUTIFUL AND DISTINCTIVE FINISH TO A RANGE OF SCHEMES IN ESTABLISHMENTS WORLDWIDE.
    [Show full text]
  • “A Man of Sense”: Thomas Gibson's Portrait of Antonio Niccolini
    Notes & QUERIES Miles Barton, ‘“A Man of Sense”: Thomas Gibson’s portrait of Antonio Niccolini (1701– 1769)’, The Georgian Group Journal, Vol. XXI, 2013, pp. 199–202 John Harris, ‘An Ashley Park Discovery’, The Georgian Group Journal, Vol. XXI, 2013, pp. 203 Will Hawkes, ‘Walpole Right or Wrong? More on No. 18 Arlington Street’, The Georgian Group Journal, Vol. XXI, 2013, pp. 204–211 Sue Berry, ‘The Castle Inn Assembly Room, Brighton and John Crunden’, The Georgian Group Journal, Vol. XXI, 2013, pp. 212–216 Barry Kennerk, ‘A House in the Barley Fields: Nos. 14 and 15 Upper Temple Street Dublin before the Act of Union’, The Georgian Group Journal, Vol. XXI, 2013, pp. 217–222 Andrew Byrne, ‘The Georgian Mews’, The Georgian Group Journal, Vol. XXI, 2013, pp. 223–225 TEXT © THE AUTHORS 2013 ‘A MAN OF SENSE’: THOMAS GIBSON’S PORTRAIT OF ANTONIO NICCOLINI ( – ) MILES BARTON ften born out of the desire by the family to Oemphasise political connections or filial relationships, portraits have always played an important role in the English country house. For hundreds of years the aristocratic landed families of England wanted images of themselves, and their powerful or famous friends, rendered for posterity, underlining and giving credence to their status and dynastic influence. Due to this, large collections have been amassed, resulting in spectacular displays that see them hang high and long around the walls of corridors, stairways and halls. Such accumulations can be a burden to later generations, where recognition and identity can represent a problem: a fact that did not go unobserved by Horace Walpole who noted of one family, careless in their record keeping, that ‘they are only sure that they have so many pounds of ancestors in the lump’.
    [Show full text]
  • Robert Adam's Revolution in Architecture Miranda Jane Routh Hausberg University of Pennsylvania, [email protected]
    University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2019 Robert Adam's Revolution In Architecture Miranda Jane Routh Hausberg University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the History of Art, Architecture, and Archaeology Commons Recommended Citation Hausberg, Miranda Jane Routh, "Robert Adam's Revolution In Architecture" (2019). Publicly Accessible Penn Dissertations. 3339. https://repository.upenn.edu/edissertations/3339 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/3339 For more information, please contact [email protected]. Robert Adam's Revolution In Architecture Abstract ABSTRACT ROBERT ADAM’S REVOLUTION IN ARCHITECTURE Robert Adam (1728-92) was a revolutionary artist and, unusually, he possessed the insight and bravado to self-identify as one publicly. In the first fascicle of his three-volume Works in Architecture of Robert and James Adam (published in installments between 1773 and 1822), he proclaimed that he had started a “revolution” in the art of architecture. Adam’s “revolution” was expansive: it comprised the introduction of avant-garde, light, and elegant architectural decoration; mastery in the design of picturesque and scenographic interiors; and a revision of Renaissance traditions, including the relegation of architectural orders, the rejection of most Palladian forms, and the embrace of the concept of taste as a foundation of architecture.
    [Show full text]
  • A Treatise on the Decorative Part of Civil Architecture
    >» >t V»» >:« m» y.:>>. > >^»~>» r>-». _>">»03»r> >>TS»3J*> "»> a-v»» :>•> »-> »2soe> ••>» > X>> »>* >"' S3H»!X»-2» > ^N0»">rf 5> » »>.Ty:>»/>i3JB*TS»s> :> T»> 3»s>->» »> g»T>->» .:»:>~36**ap B^-^ > > >j >5SS£X»' >> > O >J> i>> J* > > -> » » - '> _>JB»> «S > 7 >' 3 v,; - SHB£>- -> >> 3* v>"53 . €» >3«tee> > 1> ^«?5^ ~~ < < «< <• ««< ; < «« <: «c < «Sf<*«*5, «<,<; '5 5<<<* U( <t« - - - r«<*i<"' . «*< , *¥i << Co, <-.<*»««*• i£ £^ • • « <* 5 <sc at x « « ^^; . .^ ^ c«s « « am Si<<* ^^S« t fi ' ,«;.< < £1 «« >,«s«ats&<: «*e<«: OS rcc«HH§Si <"2oc: jg ««««?« «H; Sit «st i«c - ;sa^W IS -ftr< =; tt<r gac*sc Sg- ^^^L< «.C< <«* SS.. Ci^ i '<« gr«: c**^*.,;?. «c^ <"<g: ^c<, > ess «:<:<< <£» ;«'«:< 3G ^ co<«• CStE «: «: 5<J C CC <C CC<3 5SE <: «<L -„<'«: ;S<f C i <r<z ^<S<L c ijatx <K Z<C c •OP -c. 2^- C2i< «• <3C "' «r t<<t-'> «r c '^ < ft *£& ; ^SSs® .,c.<. eg:*: < ^sr ^^«88< SCO JSCC«3(: < cc<ar r <xccr ** r Digitized by the Internet Archive in 2011 wittn funding from Research Library, The Getty Research Institute http://www.archive.org/details/treatiseondecora01cham <^_v E St N. A TREATISE OX THE DECORATIVE PART OF CIVIL ARCHITECTURE, ETC. VOL. I. G. WOODKALL. ANCEI. COIRT, SKINNER STREET, I.OSDON. : TREATISE DECORATIVE PART CIVIL ARCHITECTURE, BY SIR WILLIAM CHAMBERS, K.P.S. F.R.S. F.S.A. F.S.S.S. ILLUSTRATIONS, NOTES, AND AN EXAMINATION OF GRECIAN ARCHITECTURE, BY JOSEPH GWILT, Architect, F.S.A. LONDON PRIESTLEY AND WEALE. MDCCCXXV. CONTENTS. PAGE Dedication ™ List of Subscribers xm Preface to this Edition xxxv Life of Sir William Chambers 3 Of the Elements of Beauty in Architecture 14 Of the Origin of Grecian Architecture Architecture 34 Of the Progress and Perfection of Grecian ...
    [Show full text]
  • Conservation Bulletin 33
    Conservation Bulletin, Issue 33, January 1998 Editorial: a new regional focus 1 Our world heritage 2 What matters and why 8 Mosaicing the mosaic 11 A clay roof over one’s head 12 Williamsburg resolutions on architectural fragments 14 Shimizu: the consequences 15 Conserving collections 17 Archaeology in local government 18 Books 20 Notes 21 A new home for `ruinettes’ 22 A greater London authority 24 (NB: page numbers are those of the original publication) Onward with a stronger regional focus Landmarks of the regions, which will benefit from the restructuring of English Heritage. This will create a stronger regional presence and greater accessibility Pam Alexander, Chief Executive of English Heritage, explains the restructuring of English Heritage into nine regions which will correspond to the boundaries of the Government Offices for the Regions and the proposed Regional Development Agencies The Government’s regional policy is developing quickly. We have already seen proposals for Regional Development Agencies, a new elected authority for London and an integrated Department of the Environment, Transport and the Regions. English Heritage has long held this government’s view that decision-making should be decentralised as far as possible to the regional and local levels. Our 211 successful conservation area partnerships, 31 London borough agreements and 130 local management agreements are evidence of this. But the new government’s emerging priorities also provide us with a real challenge: to prove that ‘heritage’ is no backward-looking concept, but an essential part of our future, and that conservation-led regeneration is successful and sustainable regeneration. We need to take action if we are to ensure that conservation of the quality of the historic environment remains at the heart of planning decisions and regeneration projects across England.
    [Show full text]
  • Stowe, a Description of the House and Gardens of His Grace the Duke of Buckingham and Chandos, K.G., &C &C. at Stowe, In
    IJMLikJ v/i-Vll. .1. lv/ii STOWfc fiEMNA EDMONDS M« B. A. DESCRIPTION OP THE HOUSE AND GARDENS AT STOWE. Digitized by the Internet Archive in 2015 https://archive.org/details/stowedescriptionOOunse STOWE. A DESCRIPTION OF THE HOUSE AND GARDENS OF HIS GRACE THE DUKE OF BUCKINGHAM AND CHANDOS, K.G., &c. &c. AT STOWE, IN THE COUNTY OF BUCKINGHAM. LONDON: PUBLISHED BY CALKIN AND BUDD, 130Ofe0iUir$ to igtr ifHajeflty, PALL MALL. MDCCCXXXVIII. : LONDON PUINTKI) BY T. BRETTELL RUPERT STREET, HAYMARKET. THt 6£ CONTENTS. DESCRIPTION OF THE GARDENS. Corinthian Arch — Pavilion — Congreves Monu- ment —Lord Chatham s Urn— The Temple of Venus—Boycott Pavilions— Temple of Bacchus —Flower Gardens—Museum—Rotunda—Doric Arch— Temple of Ancient Virtue—Captain Grenville^s Monument 1 —15 Urn to the Marquess of Buckingham— Temple of British Worthies— Captain Cook'« Monument— Altar erected by Louis XVIII.— The Fountain — The Grotto— The Temple of Concord and Victory— The Obelisk to General Wolfe— The Fane of Pastoral Poetry—Lord Cohhains Pillar — The Bourbon Tower— The Queen's Building — The Gothic Temple— The Palladian Bridge — The Temple of Friendship— The Pebble Alcove 17—84 vi CONTENTS. DESCRIPTION OF THE HOUSE. Page The Portico — The Saloon— The Entrance Hall— The Egyptian Hall— The North Portico— The Clarence Rooms — The West Corridor and Staircase— The East Corridor and Staircase— The Wyndham Dressing Room — The Anti- Room and Vestibule— The Chapel— The Billiard Room — The Buckingham Bed and Dressing- Rooms 35—60 The Rembrandt Room— The Breakfast and Small Dining Parlour — The Anti-Library — The Library— The Music Room— The State Drawing Room— The State Dining Room— The State Dressing Room— The State Bed Chamber— The State Closet— The Jewel Closet— The Armoury — The Manuscript Library— The Summer Din- ing Room, fyc 61 —96 ; ;; : ; : TO RICHARD GRENVILLE, FIRST EARL TEMPLE.
    [Show full text]
  • Restoration and Adaptive Use of a Historic English Country Estate: a Learning History
    Graduate Theses, Dissertations, and Problem Reports 2012 Restoration and Adaptive Use of a Historic English Country Estate: A Learning History Anna D. Phoenix West Virginia University Follow this and additional works at: https://researchrepository.wvu.edu/etd Recommended Citation Phoenix, Anna D., "Restoration and Adaptive Use of a Historic English Country Estate: A Learning History" (2012). Graduate Theses, Dissertations, and Problem Reports. 513. https://researchrepository.wvu.edu/etd/513 This Dissertation is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Dissertation has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. Restoration and Adaptive Use of a Historic English Country Estate: A Learning History Anna D. Phoenix Dissertation submitted to the Davis College of Agriculture, Natural Resources and Design at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Human and Community Development Kathryn Burton, Ph.D., Chair Cindy Beacham, Ph.D. Melissa Bingmann, Ph.D. Anna McEvoy Barbara McFall, Ph.D. Division of Design and Merchandising Division of Resource Management Morgantown, West Virginia 2012 Keywords: Historic Site Management, Adaptive Use, Restoration, England, Learning History Copyright 2012 Anna D.
    [Show full text]
  • The J. Paul Getty Museum Journal Volume 21 1993
    The J. Paul Getty Museum JOURNAL Volume 21/1993 Including Acquisitions /1992 EDITORIAL BOARD BARBARA C. ANDERSON Collections Projects Administrator BURTON B. FREDERICKSEN Senior Research Curator PETER FUSCO Curator of Sculpture and Works of Art GEORGE R. GOLDNER Curator of Drawings Curator of Paintings DEBORAH GRIBBON Associate Director and Chief Curator THOMAS KREN Curator of Manuscripts Adjunct Curator of Paintings WESTON NAEF Curator of Photographs MARION TRUE The J. Paul Getty Museum Journal is published Curator of Antiquities annually in December. Manuscripts should be submitted no later than October i for JOHN WALSH consideration for the next year's issue. Director For more information about the Journal, GILLIAN WILSON contact the editor, The J. Paul Getty Museum Curator of Decorative Arts Journal, P.O. Box 2112, Santa Monica, California 90407-2112. Subscription and back- issue requests should be sent to the J. Paul CHRISTOPHER HUDSON Getty Museum Distribution Center at the Publisher same address. JOHN HARRIS The paper and binding in this book meet the Editor guidelines for permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council on Library Resources. Abbreviation: GettyMusJ Unless otherwise specified, all photographs are courtesy of the institution owning the work illustrated. © 1993 The J. Paul Getty Museum 17985 Pacific Coast Highway Malibu, California 90265-5799 (310) 459-7611 ISBN 0-89236-256-1 ISSN 0362-1979 Contents THE Introduction: The Collections and the Year's Activities 5 J. PAUL GETTY MUSEUM JOHN WALSH JOURNAL pift-eenth.Centuj-y Illumination and the Work of Pedro de Toledo 11 BARBARA C.
    [Show full text]
  • 'Russian Mosaic' and Its Italian Connection: Malachite in The
    ‘Russian Mosaic’ and Its Italian Connection: Malachite in the Decorative Arts in the 1780s-1800s Yelena V. Grant Submitted in partial fulfillment of the requirements for the degree Master of Arts in the History of Decorative Arts Masters Program in the History of Decorative Arts The Smithsonian Associates and the Corcoran College of Art + Design 2011 © 2011 Yelena V. Grant All rights reserved TABLE OF CONTENTS List of Illustrations . ii Acknowledgements. .xvi Introduction . .1 Chapter 1. Malachite Objects Before the 1830s – the Material Body of Evidence . 4 Chapter 2. Terminology: “Russian Mosaic” . .22 Chapter 3. Malachite and Natural History Collecting: from Enlightened Study to Status Symbol . 31 Chapter 4. The Pursuit of Taste: Traveling to Italy and Bringing Italy Home . 47 Chapter 5. The Hidden History: Russian Patronage and Italian Artistic Expertise in the Rise of Malachite as Decorative Material . .58 Conclusion . 75 Epilogue . 77 Appendices. 79 Notes . 94 Bibliography. 117 Illustrations . .126 i LIST OF ILLUSTRATIONS 0.1. Ormolu Mounted Malachite Table, Demidov Manuractory (St. Petersburg, Russia) (?), ca. 1848-1853. Hillwood Museum, Washington, DC. Photograph reproduced from Sotheby‟s website: “Lot 454: Property from a Private Collection, England. An Ormolu Mounted Malachite Table, the Top circa 1860, The Base Late 19th Century.” The Russian Sale, Sale L06111, Session 2, 28 November 2006: http://www.sothebys.com/app/live/lot/LotDetail.jsp?lot_id=159296117. 0.2. Detail of Ormolu-mounted malachite table showing curvilinear seams between the tiles of malachite made according to the method patented by Leonard Joffriand in 1848. Hillwood Museum, Washington, DC. Photograph by author, January 2010.
    [Show full text]
  • Concrete & Stucco
    ABPL90085 CULTURE OF BUILDING concrete & stucco COMMONWEALTH OF AUSTRALIA Copyright Regulations 1969 Warning This material has been reproduced and communicated to you by or on behalf of the University of Melbourne pursuant to Part VB of the Copyright Act 1968 (the Act). The material in this communication may be subject to copyright under the Act. Any further copying or communication of this material by you may be the subject of copyright protection under the Act. do not remove this notice the lime cycle shell lime mortar, former inn, 31-33 North Street Windsor, NSW, 1840s Donald Ellsmore traditional lime kiln at Phoca, Campania, Italy Jean-Pierre Adam [translated Anthony Matthews], Roman Building Materials and Techniques (Indiana UP, Bloomington [Indiana] 1994), p 68 lime kiln described in Cato’s De Agricultura, XLIV, De Fornace Calcaria Adam, Roman Building, p 70 ‘D’ lime kiln, King's Dale, NSW Miles Lewis conical lime kiln, Portsea, Victoria Miles Lewis lime kiln types according to Michael Pearson perpetual kilns, USA Q A Gillmore, Practical Treatise on Limes, Hydraulic Cements, and Mortars (8th ed, New York 1886 [1863]), p 128 lime kiln, Guarda, Switzerland, closed 1933 Miles Lewis slaking pit, Sarah Island, Macquarie Harbour, Tasmania, ?1830s Miles Lewis cement and concrete in antiquity lime plaster floor, Ayn Ghazal, Jordan, c 8100 BC floor surface mix of baked red limestone, sand and gravel at Lepenski Vir, Serbia, c 5000 BC wall plaster was at Catal Hoyuk, Turkey, c 5000 BC Mud-bound concrete in tombs at Ur, Mesopotamia, c 3300
    [Show full text]
  • Effect of Animal Glue on Mineralogy, Strength and Weathering Resistance of Calcium Sulfate-Based Composite Materials
    Cement and Concrete Composites 96 (2019) 274–283 Contents lists available at ScienceDirect Cement and Concrete Composites journal homepage: www.elsevier.com/locate/cemconcomp Effect of animal glue on mineralogy, strength and weathering resistance of T calcium sulfate-based composite materials ∗ Kerstin Elert , Cristina Benavides-Reyes, Carolina Cardell Department of Mineralogy and Petrology, Faculty of Science, University of Granada, Avenida Fuentenueva s/n, 18071, Granada, Spain ARTICLE INFO ABSTRACT Keywords: Calcium sulfate (gypsum, bassanite, and anhydrite) has been widely used since ancient times as decorative Gypsum plaster and painting grounds, often mixed with organic additives (e.g., animal glue). In order to evaluate the Bassanite effect of organic additives on gypsum setting and on the product's final properties, calcium sulfate-based plaster Anhydrite samples, with and without the addition of animal glue, were subjected to accelerated weathering and mechanical Flexural strength testing. Test results were related to the samples' mineralogical composition. Animal glue improved mechanical Compressive strength properties and weathering resistance, but retarded gypsum setting and resulted in long-term stabilization of metastable bassanite and anhydrite. Accelerated weathering (wetting/drying cycles) resulted in changes in mineral phases and micro-texture, affecting mechanical properties and facilitating deterioration due to phase transition-related volume changes. Findings are discussed with respect to applications of calcium sulfate-based materials in conservation and rehabilitation interventions. 1. Introduction Organic additives have also been used to retard gypsum setting and re- duce shrinkage and cracking [9]. Furthermore, it is known that organics Calcium sulfate exists in a variety of hydration states which include affect the gypsum's mechanical strength [9,11–13].
    [Show full text]
  • DISTRICT of COLUMBIA INVENTORY of HISTORIC SITES ALPHABETICAL VERSION September 30, 2009
    DISTRICT OF COLUMBIA INVENTORY OF HISTORIC SITES ALPHABETICAL VERSION September 30, 2009 The District of Columbia Inventory of Historic Sites is the District government’s list of officially designated historic properties. Properties in the Inventory are deemed worthy of recognition and protection for their contribution to the cultural heritage of one of the nation’s most beautiful and historic cities. 2009 Inventory The D.C. Inventory originated in 1964, with 289 listings. The 2009 version of the Inventory contains more than 700 designations encompassing nearly 25,000 properties. Included in the Inventory are: 500 historic landmark designations covering more than 800 buildings 150 historic landmark designations of other structures, including parks, engineering structures, monuments, building interiors, artifacts, and archaeological sites 50 historic districts, including 28 neighborhood historic districts. Properties in the Inventory properties are protected by both local and federal historic preservation laws. The D.C. Historic Preservation Review Board (HPRB) designates properties for inclusion in the Inventory, and the D.C. Historic Preservation Office (HPO) maintains the Inventory and supporting documentation. A component of the D.C. Office of Planning, HPO is both the staff to the Review Board and the State Historic Preservation Office (SHPO) for the District of Columbia. Searching the Inventory The 2009 version of the D.C. Inventory is presented in multiple formats for convenience. Each of these formats is available on the HPO website and may be obtained in an electronic copy. The main or thematic version of the Inventory is arranged to promote understanding of significant properties within their historic context. Designations are grouped by historical period and theme (see the Table of Contents).
    [Show full text]