DOCSLIB.ORG

Vienna Album

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Vienna Album VIEN NA MIDGE URE WARREN CANN CHRIS CROSS BILLY CURRIE CHRX 1296 5099923436558 NEW EUROP EANS PRIVATE LI VES PASS ING STRANGERS In a quiet street washed by the rain All the boys are wearing blue tonight We were so young, we were too vain Marooned within the home We’ll thrive, we’ll dive, how can we lose? Dance in the dark, sing in the rain A lonely man sits cheek to cheek All the strangers walk like you tonight Time on our hands, hope in our hearts With unique designs in chrome So tall, we fall for every move The mellow years have long gone by We were talking, passing strangers But now he sits alone We’ll laugh and talk Moments caught across an empty room He has a brand new radio Don’t stop for breath Wasted whispers, faded secrets But never turns it on In these our private lives Quickly passes, time goes, time goes by too soon We dance ’til dawn New Europeans As they beat the drums We stood alone, silent and proud Young Europeans For all our private lives Moments unknown, lost in a crowd New Europeans Running through memories like thieves in the night Close your eyes and here’s the melody Clutching emotions, holding too tight A photograph of lovers lost Who cares, who stares under the light? Hope turns to dust, shattered by light Lies pressed in magazines See the shadow tailing me again Her eyes belong to a thousand girls It shows, it glows in a crowd so bright We were talking, passing strangers She’s the wife who’s never seen Moments caught across an empty room Their educated son has left Wasted whispers, faded secrets In search of borrowed dreams It quickly passes, time goes, time goes by too soon His television’s in his bed He’s frozen to the screen We were talking, passing strangers Moments caught across an empty room New Europeans Wasted whispers, faded secrets Young Europeans It quickly passes, time goes, time goes by too soon New Europeans We were talking, passing strangers On a crowded beach washed by the sun Moments caught across an empty room He puts his headphones on Wasted whispers, faded secrets His modern world revolves around The synthesizer’s song Full of future thoughts and thrills His senses slip away He’s a European legacy A culture for today New Europeans Young Europeans New Europeans Young Europeans SLEEP WAL K MR. X Sleepwalk I found the perfect picture of a perfect stranger Sleepwalk It looked as if it were taken in the Forties sometime Sleepwalk Judging by the style Rolling and falling, I’m choking and calling He could be a killer, or a blind man with a cane Name after name after name Perhaps he died in a car crash years ago Right now, it’s impossible to tell Sleepwalk Sleepwalk I almost thought I saw him standing whistling on a bridge Sleepwalk I asked him the time , bu t when he turned around I saw it wasn’t him at all Naked and bleeding, the street lights rain by me Hurting my eyes with their glare I’m still searching I’m still searching Sleepwalk Sleepwalk I saw him at an airport while he was sitting on a wing Sleepwalk I waved to him, but I don’t think he noticed me I’ve got a funny feeling I know who he is Helplessly braking, exchanging my faces Destined, we had to collide Mr. X Mr. X Sleepwalk! Mr. X Caught on the outside, I’m crumbling and crawling Mr. X Watching the day drag away Mr. X Spiralling deeper, I can’t feel my fingers Mr. X Grip round my throat as I dream Mr. X Mr. X Dream dream dream dream dream dream dream Mr. X Mr. X Sleepwalk Mr. X Sleepwalk Mr. X Sleepwalk Mr. X Sleepwalk Mr. X Sleepwalk Sleepwalk Sleepwalk Sleepwalk Sleepwalk Sleepwalk Sleepwalk Sleepwalk WESTE RN PR OM I SE VIE NNA Hai! We walked in the cold air Freezing breath on a window pane Oh mystical East, on old postcards Lying and waiting Your childhood dreams and energies A man in the dark in a picture frame Your temples, gardens, old world charm So mystic and soulful An ancient culture, torn and scarred A voice reaching out in a piercing cry It stays with you until This is my Western promise The feeling has gone, only you and I Oh mystical East, you’ve lost your way It means nothing to me Your rising sun shall rise again This means nothing to me My Western world gives out her hand Oh, Vienna A victor’s help to your fallen land The music is weaving This is my Western promise Haunting notes, pizzicato strings The rhythm is calling Hai! Alone in the night as the daylight brings A cool empty silence Mystical East, all taxi-cabs The warmth of your hand and a cold grey sky All ultra-neon, sign of the times It fades to the distance Your Buddha Zen and Christian man All minions to messiah Pepsi can The image has gone, only you and I It means nothing to me This is my Western promise This means nothing to me Oh, Vienna This means nothing to me This means nothing to me Oh, Vienna ALL STOOD ST ILL The lights went out The black box failed The last fuse blew The codes got crossed The clocks all stopped And the jails decayed It can’t be true The keys got lost The program’s wrong Everyone kissed What can we do? We breathe exhaust The printout’s blocked In the new arcade It relied on you Of the holocaust The turbine cracked up The turbine cracked up The buildings froze up The buildings froze up The system choked up The system choked up What can we do? What can we do? Please remember to mention me Please remember to mention me In tapes you leave behind In tapes you might leave behind We stood still We stood still We all stood still We all stood still Still stood still Still stood still We’re standing still We’re standing still The screen shut down We stood still There’s no reply We all stood still The lifts all fall Still stood still A siren cries We’re standing still And the radar fades A pilot sighs As the countdowns stall The readout lies The turbines cracked up The buildings froze up The system choked up What can we do? Please remember to mention me In tapes you leave behind We stood still We all stood still Still stood still We’re standing still WAIT ING FACE TO FACE Waiting There’s nothing left Waiting The system’s gone Waiting It’s taking over, over, over Waiting Right before our eyes Move on as we step in time It’s all over Strange words from the other line Hear them cry Edging forward, feeling strong It’s all over Syncopate with the marching song Hear them sigh It’s all over Thoughts and dreams flick across your mind Nothing but time, time Fade away as you wait for your time to go Time was all we had You’re waiting Face to face, room to room Waiting It’s taking over Waiting Waiting The streets are bare Waiting There’s nothing there It’s all gone now, gone now, gone now Looking back as you head for home Right before our eyes Unsure if you walk alone Friends call from an open door It’s all over Strange voice as you cross the floor We daren’t cry It’s all over Thoughts of home flick across your mind And she daren’t die Slip away as you wait for your time to go It’s all over You’re waiting Nothing but time, time Time was all I had Waiting Waiting Face to face, room to room Waiting It’s taking over Waiting Waiting It’s all over We hear them cry It’s all over We hear them die It’s all over Nothing but time, time Time was all we had Face to face, room to room We’re taking over PASSIO NATE REP LY HERR X Suddenly you find Ich fand ein vollkommenes Bild Yourself waiting for a long time Von einem vollkommenen Fremden Your back’s to the wall Nach der Mode auf dem Bild But now you must go Müsste es in den Vierzigern aufgenommen sein Painting scenes from magazines Er könnte ein Mörder sein Sucking breath from nicotine Oder ein Blinder mit einem Stock Standing tall against the crowd we sigh Vielleicht starb er vor Jahren in einem Autounfall Taking turns on telephones Heute kann man es unmöglich wissen Living lives in other homes Listening for the passionate reply Beinahe glaubte ich Ich hätte ihn pfeifend auf einer Brücke stehen gesehen Suddenly we find Ich fragte ihn nach der Zeit, aber als er sich umdrehte Ourselves talking for a long time Sah ich, dass er es gar nicht war Our voices are low But now we must know Ich suche immer noch Ich suche immer noch Giving all you hope to give Taking all you’ve got to live Ich sah ihn am Flughafen Plotting all mistakes along the way Wo er auf einem Flügel saß Find it hard to take it all Ich winkte ihm, aber ich glaube nicht, dass er mich bemerkte Reading names on other walls Ich habe das komische Gefühl, dass ich weiß wer er ist Writing down the words we tried to say Herr X Suddenly you find Herr X Yourself waiting for a long time Your back’s to the wall Herr X But now you must go Herr X Herr X Suddenly we find Herr X Ourselves talking for a long time Herr X Our voices are low Herr X But now we must know DISC ONE DISC TWO REL EASE CREDITS COPYRIGHT & PUBLISHING Vienna Further Listening All lyrics reproduced by kind permission.
Load more

Recommended publications
  • Live Among the White Trash: a History of Nono----Manman on Stage
    Live Among the White Trash: A history of nono----manman on stage “There are no No-Man concerts scheduled for the foreseeable future.” (from the official no-man website) Anyone who has followed no-man’s career over the previous ten years or so will be acutely aware that the band does not play live. If no-man “exist” as a band at all – and their infrequent releases mean they are more an ongoing understanding between two men rather than an active unit – it is only in the studio. Over a series of uncompromising albums no-man’s music has become ever more complex, yet ironically, “live sounding” than the release which proceeded it. But this organic “liveness” is mainly an illusion; the feeling of spontaneity often the result of numerous edits and takes which only the precision of studio work can produce. Others have tried to perform equally difficult music live: Radiohead ambitiously thrusting their clicks-and- cuts post-rock upon the world’s stadiums, for example. But for a variety of reasons, no-man simply haven’t tried – at least, not since 1994 and not until a one-off performance in 2006. The only comparable case is Talk Talk’s retreat into the studio in the late 1980s. Both bands have undoubtedly crafted their best work without going near an audience. 1 But it wasn’t always so. no-man were once very much a live act, promoting singles and albums with dates and undertaking two full-blown tours – though they rarely played outside London, never went further north than Newcastle, and never played outside Great Britain.
    [Show full text]
  • Extreme Voice 20
    ASTRADYNE release Vienna as the second single but managed to E x m t u WARREN: The ticking sound at the beginning is from get talked out of it somehow (never again!) so this r e b l m a the CR-78 (it was called Metal Beat). became our second single and our first music video. e a n Twenty years on: recording the Vienna album V n o e i i MIDGE: What an instrumental, it was fantastic! SLEEPWALK c e V Warren had this great big rack full of electronics WARREN: When we took the album tapes to Conny’s 2 e 0 h t 1979 wasn't the best of years for Ultravox. Upon their return from a second US tour things indeed looked which at the time was very high-tech (that was his studio to mix everything, we decided to mix : g U n grim; they’d been dropped by Island Records, had lost their lead-singer, and had no money to speak of. pacemaker, we called it his iron-lung), and which right Sleepwalk again purely for the sake of integration i l t d r r Surely things couldn't get worse... now is probably even more high-tech, I mean Fatboy with the sound we were achieving with the other a o v c o e Slim would cut off his left arm to have some of the tracks. There’s virtually no difference between the x R : : T WARREN: Soon a fresh set-back developed... Robin We were determined to keep the band alive, we’d stick stuff that was in there.
    [Show full text]
  • Music & Entertainment Auction
    Hugo Marsh Neil Thomas Forrester (Director) Shuttleworth (Director) (Director) Music & Entertainment Auction Tuesday 19th February 2019 at 10.00 Viewing: For enquiries relating to the auction Monday 18th February 2019 10:00 - 16:00 please contact: 09:00 morning of auction Otherwise by Appointment Saleroom One 81 Greenham Business Park NEWBURY RG19 6HW Telephone: 01635 580595 Christopher David Martin David Howe Fax: 0871 714 6905 Proudfoot Music & Music & Email: [email protected] Mechanical Entertainment Entertainment Music www.specialauctionservices.com As per our Terms and Conditions and with particular reference to autograph material or works, it is imperative that potential buyers or their agents have inspected pieces that interest them to ensure satisfaction with the lot prior to auction; the purchase will be made at their own risk. Special Auction Services will give indications of the provenance where stated by vendors. Subject to our normal Terms and Conditions, we cannot accept returns. ORDER OF AUCTION Music Hall & other Disc Records 1-68 Cylinder Records 69-108 Phonographs & Gramophones 109-149 Technical Apparatus 150-155 Musical Boxes 156-171 Jazz/ other 78s 172-184 Vinyl Records 185-549 Reel to Reel Tapes 550-556 CDs/ CD Box Sets 557-604 DVDs 605-612 Music Memorabilia 613-658 Music Posters 659-666 Film & Entertainment Memorabilia Including items from the Estate of John Inman 667-718 Film Posters 719-743 Musical Instruments 744-759 Hi-Fi 760-786 2 www.specialauctionservices.com MUSIC HALL & OTHER DISC RECORDS 18. Music hall and similar records, 10 inch, 67, by Geo Robey (G & T 2-2721 & 18 1.
    [Show full text]
  • Music & Memorabilia Auction May 2019
    Saturday 18th May 2019 | 10:00 Music & Memorabilia Auction May 2019 Lot 19 Description Estimate 5 x Doo Wop / RnB / Pop 7" singles. The Temptations - Someday (Goldisc £15.00 - £25.00 3001). The Righteous Brothers - Along Came Jones (Verve VK-10479). The Jesters - Please Let Me Love You (Winley 221). Wayne Cochran - The Coo (Scottie 1303). Neil Sedaka - Ring A Rockin' (Guyden 2004) Lot 93 Description Estimate 10 x 1980s LPs to include Blondie (2) Parallel Lines, Eat To The Beat. £20.00 - £40.00 Ultravox (2) Vienna, Rage In Eden (with poster). The Pretenders - 2. Men At Work - Business As Usual. Spandau Ballet (2) Journeys To Glory, True. Lot 94 Description Estimate 5 x Rock n Roll 7" singles. Eddie Cochran (2) Three Steps To Heaven £15.00 - £25.00 (London American Recordings 45-HLG 9115), Sittin' On The Balcony (Liberty F55056). Jerry Lee Lewis - Teenage Letter (Sun 384). Larry Williams - Slow Down (Speciality 626). Larry Williams - Bony Moronie (Speciality 615) Lot 95 Description Estimate 10 x 1960s Mod / Soul 7" Singles to include Simon Scott With The LeRoys, £15.00 - £25.00 Bobby Lewis, Shirley Ellis, Bern Elliot & The Fenmen, Millie, Wilson Picket, Phil Upchurch Combo, The Rondels, Roy Head, Tommy James & The Shondells, Lot 96 Description Estimate 2 x Crass LPs - Yes Sir, I Will (Crass 121984-2). Bullshit Detector (Crass £20.00 - £40.00 421984/4) Lot 97 Description Estimate 3 x Mixed Punk LPs - Culture Shock - All The Time (Bluurg fish 23). £10.00 - £20.00 Conflict - Increase The Pressure (LP Mort 6). Tom Robinson Band - Power In The Darkness, with stencil (EMI) Lot 98 Description Estimate 3 x Sub Humanz LPs - The Day The Country Died (Bluurg XLP1).
    [Show full text]
  • "Erase Me": Gary Numan's 1978-80 Recordings
    Ought: The Journal of Autistic Culture Volume 2 Issue 2 Article 4 June 2021 "Erase Me": Gary Numan's 1978-80 Recordings John Bruni [email protected], [email protected] Follow this and additional works at: https://scholarworks.gvsu.edu/ought Part of the Critical and Cultural Studies Commons, Disability Studies Commons, and the Music Commons Recommended Citation Bruni, John (2021) ""Erase Me": Gary Numan's 1978-80 Recordings," Ought: The Journal of Autistic Culture: Vol. 2 : Iss. 2 , Article 4. Available at: https://scholarworks.gvsu.edu/ought/vol2/iss2/4 This Article is brought to you for free and open access by ScholarWorks@GVSU. It has been accepted for inclusion in Ought: The Journal of Autistic Culture by an authorized editor of ScholarWorks@GVSU. For more information, please contact [email protected]. “Erase Me”: Gary Numan’s 1978-80 Recordings John Bruni ary Numan, almost any way you look at him, makes for an unlikely rock star. He simply never fits the archetype: his best album, both Gin terms of artistic and commercial success, The Pleasure Principle (1979), has no guitars on it; his career was brief; and he retired at his peak. Therefore, he has received little critical attention; the only book-length analysis of his work is a slim volume from Paul Sutton (2018), who strains to fit him somehow into the rock canon. With few signposts at hand—and his own open refusal to be a star—writing about Numan is admittedly a challenge. In fact, Numan is a good test case for questioning the traditional belief in the authenticity of individual artistic genius.
    [Show full text]
  • What's It Like to Be Black and Irish?
    “What’s it like to be black and Irish?” “Like a pint of Guinness.” The above quote is taken from an interview with Phil Lynott, the charismatic lead singer of the Celtic rock band Thin Lizzy, on Gay Byrne’s ‘The Late Late Show’. Lynott’s often playful and bold responses to such questions about his identity served to mask his overwhelming feelings of insecurity and ambivalent sense of belonging. As an illegitimate black child brought up in the 1950s in a strict Catholic family in Crumlin, a working-class district of Dublin, Lynott was seen to have a “paradoxical personality” (Bridgeman, qtd. in Thomson 4): his upbringing imbued him “with an acute sense of national and gender identity” (Smyth 39), yet his skin color and illegitimacy made him the target of racial and social abuse in a predominantly white and conservative Ireland. For Lynott, becoming a rockstar offered an opportunity to reinvent himself and be whoever he wanted to be. While he played up to the rock and roll lifestyle in which he was embedded, Lynott is often considered to have been a man trapped inside a caricature (Thomson 301). Geldof (qtd. in Putterford 182) believes that this rocker persona was Lynott’s ultimate downfall and led to his untimely death at just 36 years of age in 1986. For all his swagger and bravado, behind the mask, Lynott was a troubled, young man searching for a place to belong. While many books have been written about the life of Phil Lynott (e.g. Putterford; Lynott; Thomson), few have drawn attention to the notion of identity and the way in which music provided Lynott with an outlet to explore his self.
    [Show full text]
  • Midge Ure (Ultravox)
    MUSIC He took us to Vienna, fed the world and now Ultravox frontman Midge Ure is back, writes Sally Browne SPARK t had never really been done before. ‘‘Synthpop’’ and ‘‘ballad’’ were two BURNS words that just didn’t go together. I But in 1981 UK band Ultravox released a single that would become a worldwide hit. It was called Vienna and it combined the grandeur of grand piano and strings with haunting, spare synthesiser beats. The song captured a generation, stayed for a month at No. 2 on the UK charts and was awarded Single of the Year at the Brit Awards for 1981. The video, filmed in its namesake Vienna, also set the trend for music videos to come. It was shot by noted Australian director Russell Mulcahy, who also made classic videos for acts including Duran Duran, Elton John, Culture Club, Bonnie Tyler and Queen. Dramatic and cinematic, the film clip for Vienna was reminiscent of noir film The Third Man, set in spy-filled post-war Austria and starring Orson Welles. The young Scotsman who had penned the lyrics to the unusual song had never been to Vienna until that time. ‘‘It wasn’t until we actually went to the city, I realised that what I’d imagined in my head was kind of real, this decaying Still playing: Ultravox elegance, this beautiful city,’’ Midge Ure frontman Midge Ure has a new says today. album after all these years. The band had taken a big risk to shoot the video there. They took out a loan of 7000 pounds to fund it.
    [Show full text]
  • Midge Ure OBE
    Midge Ure OBE Musician and Co-organiser of Band Aid, Live Aid and Live 8 "An arst who has received Ivor Novello, Grammy, BASCAP awards along with a flolla of gold and planum records, needs very lile introducon" 1984 was an historic year for Midge Ure and all of pop music, as 36 arsts by the collecve name Band Aid gathered at SARM Studios under Midge's producon. They recorded Do They Know It's Christmas?, a song he wrote with Bob Geldof. The project led to Live Aid, which all exaggeraon aside, spoke for a generaon. TOPICS: IN DETAIL: Achieving the Impossible Midge organised the Live 8 concerts with Bob Geldof, with the aim of pressuring Re-inventing Yourself G8 leaders into following his recipe for ending world poverty. In 2005 he was Self-motivation made an Officer of the Order of the Brish Empire (OBE) for services to music Making a Difference and charity. Implementing Change Leadership and Teamwork WHAT HE OFFERS YOU: What Live 8 Means to the World The Band Aid/Live Aid Experience Midge shares his invaluable experiences of working with top creave minds in oen pressurised condions to achieve astoundingly innovave results. He offers LANGUAGES: first hand insights into the creave process and how to get the best from talented individuals and how to stay at the top. Midge presents in English. HOW HE PRESENTS: PUBLICATIONS: A charismac and affable personality, Midge speaks emoonally and openly in his 2004 If I Was-My Autobiography moving presentaons. He is also a fantasc storyteller, leaving audiences well and truly inspired and entertained.
    [Show full text]
  • Adapted for the Stage by Neil Duffield Music by John Foxx and Benge Directed by Juliet Forster the AUTHOR the STORY
    Adapted for the stage by Neil Duffield Music by John Foxx and Benge Directed by Juliet Forster THE AUTHOR THE STORY E. M. Forster was born in London on 1 January 1879. He First published in 1909, The Machine Stops is set in a post- studied Classics and History at King’s College, Cambridge, during apocalyptic world where humans live beneath the surface which time he began writing fiction and became a member of a of the earth. The short story explores the human need for discussion society known as the Apostles, many of whom went communication, connection and the obstacles that inhibit on to be part of the influential group of writers, intellectuals, it, namely technology. In this subterranean world, each and philosophers known as the Bloomsbury Group. person exists within their own individual cell and humanity is dependent on the Machine, a After university he travelled around Europe with technological provider of everybody’s his mother, which provided inspiration perceived needs. Travel is no longer necessary or desired for some of his novels, including A Room and all contact is made through Skype-like video calls. with a View (1908). He is best known This story, written over a century ago, is for his novels, including Howards End (1910) astoundingly poignant for us in 2016: it is a and A Passage to India (1924), but chilling prediction and exploration of he was also skilled essayist, literary our increasingly complex relationship critic, travel writer and short story with technology. It focuses on themes such as humankind’s writer. Much of his work dealt with the impact of class dependence on technology and the consequences of active difference and societal structures; through these themes he counter culture, as well as isolation, totalitarianism, the struggle was able to explore the need for humans to form meaningful for freedom and loss of identity.
    [Show full text]
  • 2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
    2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson,
    [Show full text]
  • EV16 Inner DP
    16 extreme voice JohnJJohnohn FoxxFoxx Exploring an Ocean of possibilities Extreme Voice 16 : Introduction All text and pictures © Extreme Voice 1997 except where stated. 1 Reproduction by permission only. have please. , g.uk . ears in My Eyes Cerise A. Reed [email protected] , oice Dancing with T obinhar r and eme V Extr hope you’ll like it! The Gift http://www.ultravox.org.uk , e ris, URL: has just been finished, and should be in the shops in June. EMAIL (ROBIN): Monument g.uk Rage In Eden enewal form will be enclosed. Cheques etc payable to (0117) 939 7078 We’ll be aiming for a Christmas issue, though of course this depends on news and events. We’ll Cerise Reed and Robin Har [email protected] UK £7.00 • EUROPE £8.00 • OUTSIDE EUROPE £11.00 as follows: It’s been an exceptionally busy year for us, what with CD re-releases and Internet websites, as you’ll been an exceptionally busy year for us, what with CD re-releases It’s TEL / FAX: THIS YEAR! 19 SALISBURY STREET, ST GEORGE, BRISTOL BS5 8EE ENGLAND STREET, 19 SALISBURY best! ”, and a yellow subscription r y eatment. At the time of writing EV16 EMAIL (CERISE): ry them, or at least be able to order them. So far ry them, or at least be able to order essages to the band, chat with fellow fans, download previously unseen photographs, listen to messages from Midge unseen photographs, listen to messages from essages to the band, chat with fellow fans, download previously ee in the following pages.
    [Show full text]
  • GAVIN FRIDAY Peek Aboo
    edition October - December 2012 peek free of charge, not for sale 07 music quarterly published music magazine aboo magazine GAVIN FRIDAY BLANCMANGE AGENT SIDE GRINDER THE BOLLOCK BROTHERS THE BREATH OF LIFE + MIREXXX + SIMI NAH + DARK POEM + EISENFUNK + IKE YARD + JOB KARMA + METROLAND + 7JK + THE PLUTO FESTIVAL - 1 - WOOL-E-TOP 10 WOOL-E-TIPS Best Selling Releases DARK POEM (July/Aug/Sept 2012) TALES FROM THE SHADES 1. DIVE STACKS Dive Box (8CD) VOICES 2. SONAR Cut Us Up (CD) 3. VARIOUS ARTISTS Miniroboter (LP) 4. TROPIC OF CANCER Permissions Of Love (12”) 5. VARIOUS ARTISTS Something Cold (LP) 6. SSLEEPING DESIRESS Because we can’t choose not one, but two Wool-E A Voice (7”) tips!!! ‘Tales From The Shades’ is the debut CD by Ant- 7. VARIOUS ARTISTS werp-based ‘Fairyelectro’ band Dark Poem. Doomy tribal The Scrap Mag (CD) pop with heavenly voices set to a dark ambient-like under- 8. LOWER SYNTH DEPARTMENT score, with enough rough hooks to keep you wandering through their fairy wood. Beware of the Forrest Nymphs!!! Plaster Mould(LP) Our second tip also resides in Antwerp, ‘Voices’ is the 9. BONJOUR TRISTESSE debut LP of Stacks aka Sis Mathé of indie noiserockers On Not Knowing Who We Are (LP) White Circle Crime Club. Touches of John Maus, Molly 10. GAY CAT PARK Nilsson, Future Islands or even Former Ghosts come to mind. So if you like your synthpop bombastic and emo- Synthetic Woman (LP) tional, straight from the heart, then Stacks is your man or your band ;-) The Wool-E Shop - Emiel Lossystraat 17 - 9040 Ghent - Belgium VAT BE 0642.425.654
    [Show full text]