Appendix G Chemical Analysis of Mycenaean Pottery from the Menelaion and Its Vicinity
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Pavlopetri, an Underwater Bronze Age Town in Laconia
Pavlopetri, an Underwater Bronze Age Town in Laconia Author(s): Anthony Harding, Gerald Cadogan and Roger Howell Reviewed work(s): Source: The Annual of the British School at Athens, Vol. 64 (1969), pp. 113-142 Published by: British School at Athens Stable URL: http://www.jstor.org/stable/30103334 . Accessed: 25/01/2013 06:05 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. British School at Athens is collaborating with JSTOR to digitize, preserve and extend access to The Annual of the British School at Athens. http://www.jstor.org This content downloaded on Fri, 25 Jan 2013 06:05:23 AM All use subject to JSTOR Terms and Conditions Vatika Plain 3 NORTH tp ,rcP E~o Pet i~aaa~~aaa~: ,b nE kL hphod 4'0 Poriki Isles LEa Ano~ 50 VA T KA BAY "d; SSi Nt. a00, Saracenf'koSaraceniko Bay "- ovo(i1" -M 4w0 4co a50 sea depthsin fathoms 0 km 1 2 3 t 5 6 sea miles 1 2 3 0 FIG. I. PAVLOPETRI, ELAPHONISOS AND THE BAY OF M.W. 3o . 496,. This content downloaded on Fri, 25 Jan 2013 06:05:23 AM All use subject to JSTOR Terms and Conditions tika Plain NORTH NE L VAT KA BAY Mt. -
The Aegean Chapter Viii the Decorative
H. J. Kantor - Plant Ornament in the Ancient Near East, Chapter VIII: The Decorative Flora of Crete and the Late Helladic Mainland SECTION II: THE AEGEAN CHAPTER VIII THE DECORATIVE FLORA OF CRETE AND THE LATE HELLADIC MAINLAND In the midst of the sea, on the long island of Crete, there dwelt a people, possessors of the fabulous Minoan culture, who are known to have had trade relations with Egypt, and with other Near-Eastern lands. Still farther away towards the north lies the Mainland of Greece, a region that proved itself to be a very hospitable host to the graft of Minoan culture. Before the close of the LH period the ceramic results of this union were to be spread over the Near East in great profusion and it becomes necessary to define the extent of Aegean influence on those traditions of Near-Eastern art that lie within the scope of our topic. Before this is possible a concise summary of the plant ornamentation of the Aegean must be presented.1 This background forms a necessary basis without which the reaction of Aegean plant design on the main development of our story, be it large or small, cannot be determined. 1 A great deal of interest and work has been devoted to the study of Minoan decorative art almost since the beginning of its discovery, and full advantage of this has been taken in the preparation of the present survey. The chief treatments of the subject are as follows: Edith H. Hall, The Decorative Art of Crete in the Bronze Age (Philadelphia, 1907); Ernst Reisinger, Kretische Vasenmalerei vom Kamares bis zum Palast-Stil (Leipzig, Berlin, 1912); Diederich Fimmen, Die Kretisch-Mykenische Kulture (Leipzig, Berlin, 1924), Alois Gotsmich, Entwicklungsgang der Kretischen Ornamentik, Wein, 1923); Frederich Matz, Frühkretische Siegel (Berlin, 1928), covering a much wider field than is indicated by the title; Georg Karo, Die Schachtgräber von Mykenai (Munchen, 1939). -
The Master of Animals in Old World Iconography
The Master of Animals in Old World Iconography Edited by DEREK B. COUNTS and BETTINA ARNOLD BUDAPEST 2010 With the generous support of the Center for Etruscan Studies, University of Massachusetts, Amherst Cover illustrations Glauberg Schnabelkanne. Landesamt für Denkmalpfl ege Hessen, Wiesbaden Volume Editor ERZSÉBET JEREM ISBN 978-963-9911-14-7 HU-ISSN 1215-9239 © The Authors and Archaeolingua Foundation All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any other information storage and retrieval system, without requesting prior permission in writing from the publisher. 2010 ARCHAEOLINGUA ALAPÍTVÁNY H-1250 Budapest, Úri u. 49 Copyediting by Julia Gaviria Desktop editing and layout by Rita Kovács Printed by Prime Rate Kft The Aegean Master of Animals: The Evidence of the Seals, Signets, and Sealings JANICE L. CROWLEY Finding the Aegean Master The most often illustrated examples in Aegean art showing the animal world and indicating humans’ power over it are the scenes of animal attack and the hunt on the fi ne inlaid niello daggers, the ornamented weapons, and the gold work from the Shaft Graves at Mycenae and in the wall paintings of the great palaces of the Late Bronze Age (LBA, all dates here follow the chronology in Olga Krzyszkowska’s seminal work, Aegean Seals: An Introduction, 2005). To these can be added representations of the Mistress and Master of Animals and fantastic creatures like the griffi n and sphinx on gold and ivory ornaments and some seals. However, when all the known seal evidence is taken into account, the picture changes enormously. -
Early Mycenaean Greece
Early Mycenaean Greece Middle Helladic to Late Helladic IIA Chronology Date (BCE) Crete Mainland 2000 Protopalatial Middle Helladic 1700 Neopalatial Grave Circle B 1600 LM IA Late Helladic I (Grave Circle A) 1500 LM IB Late Helladic II Tholos tombs, Vapheio tomb 1450 Destruction of Minoan sites Late Helladic IIB LM II 1400 LM IIIA Late Helladic IIIA (Mycenaean palaces) 1300 LM IIIB Late Helladic IIIB Acme of Mycenaean culture 1200 LM IIIC Late Helladic IIIC Middle Helladic Pottery from Lerna Matt-painted kantharos (Lerna V) Light-on-dark Matt-painted jar (Lerna V) Matt-painted carinated bowl (Lerna V) Argive Minyan kantharos (Lerna V) Middle Helladic “Minoanizing” pottery (Lerna V) Polychrome-painted Oatmeal Imported MM IA “egg cup” Minoanizing jar Polychrome-painted Minoanizing teacup Polychrome-painted Minoanizing two-handled teacup. Lerna - MH Architecture: Apsidal Long House with associated yard and storeroom Lerna - MH Architecture - Storeroom with pithoi in situ Apsidal longhouse at Ayios Stephanos Site distribution in the Peloponnesos Plans and diagrams of the main Mycenaean burial types Chamber tomb Tholos tomb Boar’s tusk and the boar’s tusk helmet Distribution of Aeginetan Ware pottery in the Bronze Age Tumulus at Vrana Map of Messenia (Mycenaean “kingdom” of Pylos) Grave stelae from Mycenae showing chariot scenes Bronze daggers with gold and silver inlay from Mycenae Bronze dagger (detail) of lion hunt scene Shaft grave at Ayios Stephanos (after removal of roofing slab) Small tholos tomb in the Messenian region (near Pylos) Entrance to a tholos tomb at Mycenae (“Treasury of Atreus”) MH Architecture - Plans of buildings at Asine and settlement at Malthi Plan of the Menelaion, Mansion I, LH IIB The Mycenaean megaron (palatial architecture) Miniature fresco from Room 5, West House, Akrotiri (detail). -
Isocrates' Encomium of Helen and the Cult of Helen and Menelaus At
Isocrates’ Encomium of Helen and the Cult of Helen and Menelaus at Therapnē Lowell Edmunds Rutgers, The State University of New Jersey [email protected] The main sources in Greek literature for the cult of Helen and/or Menelaus at Therapnē are Herodotus (6.61.3), Isocrates 10 (Encomium of Helen), and Pausanias (3.19.9-10). Isocrates is the one who speaks of joint-worship of Helen and Menelaus (10.63). He suggests, furthermore, that Helen was a goddess at Therapnē, and his Encomium is routinely cited for her divine status in this cult, and not only by scholars of myth and literature. Archaeologists, too, have appealed to the Encomium as a documentary source for their interpretation of the site, the so-called Menelaion (first by Polybius 5.18.4). Much disagreement prevails, within the two fields of classical studies just mentioned, and also between them.1 The present article does not attempt to adjudicate. It 1 Accounts of Helen in the history of Greek religion differ in the weight assigned Isoc. 10. Harder 2006, in the New Pauly, s.v. “Helena,” begins: “Goddess who was worshipped at various cult sites in and around Sparta, especially in the Menelaion in Therapnē,” citing Hdt., Paus., and Hsch. but not Isoc. Similarly, for the Therapnē cult Calame 1997 196-99 (also 194, 200-201, 232) builds his interpretation on Hdt., citing Isoc. 10 only in a n., for the joint worship of Helen and Menelaus (196 n. 331). Others, like Nilsson (cf. Edmunds 2007: 16, 20-24, which the present article amplifies), who see in Helen the avatar of a Minoan or “Old European” vegetation goddess, routinely cite Isoc. -
An Investigation Into the Exchange of Artistic Motifs Between the Aegean, Egypt, and the Near East In
THE AEGEAN AND THE EAST An Investigation into the Exchange of Artistic Motifs - between the Aegean, Egypt, and the Near East in the Bronze Age by J.L. CROWLEY B.A.(Hons.) Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy UNIVERSITY OF TASMANIA HOBART 1977 THE AEGEAN AND THE EAST VOLUME I TEXT VOLUME II PLATES This thesis contains no material which has been accepted for the award of any other degree or diploma in any university nor does it include any copy or paraphrase of material previously published or written by another person except when due reference is made in the text. Signed: Date: THE AEGEAN AND THE EAST TABLE OF CONTENTS VOLUME I TEXT VOLUME II PLATES THE AEGEAN AND THE EAST VOLUME I TEXT Content6 Page ACKNOWLEDGEMENTS (1) LIBRARY ABSTRACT - Summary of the Thesis (ii) ABBREVIATIONS (iv) Intnoduction 1. INTRODUCTION AND CHRONOLOGY 1 Pala I The Moti64 2. MOTIFS COMMON TO THE AEGEAN AND THE EAST Heraldic Poses 15 Antithetical Group 23 Mirror Reverse 27 Contest Scenes, Struggling Hero, and Master of Animals 30 Mistress of Animals 35 Sphinx 41 Griffin 47 Dragons and Crocodiles 55 Thoueris and the Minoan Genius 59 Sacred Tree, Sacred Pillar 65 Palm, Palmette 72 Papyrus, Lotus 76 Rosette 83 Quatrefoil 89 Scale Pattern 92 Guilloche, Linked Circles, Quirk 95 Spiral 100 Flying Gallop 107 Page 3. OTHER MOTIFS IN EASTERN OR AEGEAN ART Smiting Figure, Pharaoh and Weather God 113 Star Disk in Crescent 116 Winged Sun Disk 119 Scale Mountain 120 Duel 121 ' Bull Sports 124 Fish, Dolphin, Octopus, Nautilus 126 Tricurved Arch 128 Rocky Landscape, Glen 129 Marbling, Colour Waves 130 4. -
The World of Greek Religion and Mythology
Wissenschaftliche Untersuchungen zum Neuen Testament Herausgeber/Editor Jörg Frey (Zürich) Mitherausgeber/Associate Editors Markus Bockmuehl (Oxford) ∙ James A. Kelhoffer (Uppsala) Tobias Nicklas (Regensburg) ∙ Janet Spittler (Charlottesville, VA) J. Ross Wagner (Durham, NC) 433 Jan N. Bremmer The World of Greek Religion and Mythology Collected Essays II Mohr Siebeck Jan N. Bremmer, born 1944; Emeritus Professor of Religious Studies at the University of Groningen. orcid.org/0000-0001-8400-7143 ISBN 978-3-16-154451-4 / eISBN 978-3-16-158949-2 DOI 10.1628/978-3-16-158949-2 ISSN 0512-1604 / eISSN 2568-7476 (Wissenschaftliche Untersuchungen zum Neuen Testament) The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbiblio- graphie; detailed bibliographic data are available at http://dnb.dnb.de. © 2019 Mohr Siebeck Tübingen, Germany. www.mohrsiebeck.com This book may not be reproduced, in whole or in part, in any form (beyond that permitt- ed by copyright law) without the publisher’s written permission. This applies particular- ly to reproductions, translations and storage and processing in electronic systems. The book was typeset using Stempel Garamond typeface and printed on non-aging pa- per by Gulde Druck in Tübingen. It was bound by Buchbinderei Spinner in Ottersweier. Printed in Germany. in memoriam Walter Burkert (1931–2015) Albert Henrichs (1942–2017) Christiane Sourvinou-Inwood (1945–2007) Preface It is a pleasure for me to offer here the second volume of my Collected Essays, containing a sizable part of my writings on Greek religion and mythology.1 Greek religion is not a subject that has always held my interest and attention. -
Evaluate the Significance of Spartan Architecture As an Expression Of
Evaluate the significance of Spartan architecture as an expression of their culture 19/20. The Spartan civilisation was distinctive in the annals of ancient Greek city-states. Spartan society was not solely distinguished by its unique code of law, underpinned by eunomia, enshrined in the Great Rhetra, and crafted by Sparta’s ancestral lawgiver, Lykourgos, but its architecture also contrasted starkly with the rest of Greece. Although little tangible evidence has survived of the ordinary Spartiate home, there are significant archaeological remains of Sparta’s religious structures. The Amyklaion, Menelaion and Sanctuary of Artemis Orthia were all buildings representative of Spartan cultural life; one typified by fervent religiousness. The religious devoutness inherent in Sparta is best reflected in the architecture of the Amyklaion temple. Standing around five kilometres south of the Spartan polis at the Amyklai, the Amyklaion temple was not merely a monument to the Greek god Apollo, but also the location where the legendary warrior, Hyakinthos, was interred. Constructed by the Ionian architect, Bathykles, the Amyklaion served as the physical manifestation of Spartan dedication to Apollo, with a wooden cult statue or xoanon of this god rising approximately fourteen metres high, lined with bronze plates and depicted with a helmet, spear and bow. Although historically the subject of considerable debate in the archaeological community, it was generally believed, especially by Nineteenth Century archaeologists like Frenchmen Quatreme de Quincy (1755 - 1849) that situated at the statue’s base was the thronos. The thronos was configured like a block to act as a pedestal to Apollo, where offerings venerating his dominion regularly took place and as an altar to Hyakinthos, over whose entombed remains the structure stood. -
Homer, the Poet of the Dark Age Author(S): O
Homer, the Poet of the Dark Age Author(s): O. T. P. K. Dickinson Source: Greece & Rome, Second Series, Vol. 33, No. 1 (Apr., 1986), pp. 20-37 Published by: Cambridge University Press on behalf of The Classical Association Stable URL: http://www.jstor.org/stable/643022 . Accessed: 13/09/2011 10:51 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Cambridge University Press and The Classical Association are collaborating with JSTOR to digitize, preserve and extend access to Greece & Rome. http://www.jstor.org Greece & Rome, Vol. XXXIII, No. 1, April 1986 HOMER, THE POET OF THE DARK AGE By O. T. P. K. DICKINSON This paper began as a lecture to an extramural weekend course on the Greek Dark Age, organized in Oxford by the Department of External Studies in December 1983.1 It was intended to suggest that the world of the Homeric poems, insofar as it had any relationship with reality, was more likely to reflect the conditions of the Dark Age than those of Mycenaean Greece, and it was born of increasing frustration at the dominance of what I will call the 'Mycenaean' interpretation of Homer, particularly at the popular level. -
Pavlides2011.Pdf
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Hero-Cult in Archaic and Classical Sparta: a Study of Local Religion Nicolette A. Pavlides PhD Thesis The University of Edinburgh Classics 2011 For my father ii Signed Declaration This thesis has been composed by the candidate, the work is the candidate‘s own and the work has not been submitted for any other degree or professional qualification except as specified. Signed: iii Abstract Hero-Cult in Archaic and Classical Sparta: a Study of Local Religion This dissertation examines the hero-cults in Sparta in the Archaic and Classical periods on the basis of the archaeological and literary sources. The aim is to explore the local idiosyncrasies of a pan-Hellenic phenomenon, which itself can help us understand the place and function of heroes in Greek religion. -
Helen, Daughter of Zeus
Helen, Daughter of Zeus Helen of Troy: Beauty, Myth, Devastation Ruby Blondell Print publication date: 2013 Print ISBN-13: 9780199731602 Published to Oxford Scholarship Online: May 2013 DOI: 10.1093/acprof:oso/9780199731602.001.0001 Helen, Daughter of Zeus Ruby Blondell DOI:10.1093/acprof:oso/9780199731602.003.0002 Abstract and Keywords This chapter introduces the story of Helen of Troy in Greek mythology: her conception by Zeus, her abduction by Theseus, the oath of the suitors, her marriage to Menelaus, the Judgment of Paris, her abduction by Paris, the Trojan War, and her retrieval by Menelaus, who raised his sword to kill her but dropped it at the sight of her beauty. This narrative is elaborated with attention to the particular concerns of this book, especially gender issues, the question of Helen’s agency in her elopement, and the Greek values underlying the Trojan War (notably guest-friendship). The chapter goes on to describe Helen’s role as a divinity in hero cult, where she was worshiped especially as an iconic figure of the bride. As a cult heroine, she enjoys a posthumous relationship with Achilles, who is the most beautiful and mighty of the Greeks, and as such Helen’s closest male equivalent. The chapter ends with a discussion of Helen’s divine, timeless beauty and the resources for representing it in art and literature. Keywords: Achilles, beauty, Helen of Troy, hero cult, mythology, Trojan War A pretty woman makes her husband look small, And very often causes his downfall. As soon as he marries her then she starts To do the things that will break his heart. -
Earthquakes and the End of the Mycenaean Palaces*
Les Études Classiques 70 (2002), p. 123-137 EARTHQUAKES AND THE END OF THE MYCENAEAN PALACES* Résumé. — À la fin de l’Helladique Récent III B, la plupart des palais my- céniens ont subi un violent désastre. Certains d’entre eux sont alors abandonnés. Jusqu’à présent, les archéologues et les historiens n’ont donné aucune explication satisfaisante de ces destructions. En 1980, feu le professeur Klaus Kilian a intro- duit une nouvelle théorie qui attribue la destruction des sites mycéniens à un tremblement de terre. L’objet de cet article est d’examiner et d’analyser les traces archéologiques qui confortent cette théorie. Introduction The fall of a great civilisation has always been a particularly fascinating subject for historians and the fate of the Mycenaean power centres is certainly very enigmatic still today. In the late 13th century B.C., i.e. Late Helladic III B 2 in the Argolid, reinforcement and extensions of fortifications were made at centres, such as Mycenae, Tiryns, Midea and Athens. Even at Pylos, which remained without a fortification wall,1 buildings were restructured, making the palace complex a more inwardlooking unit. At several sites, large depots were constructed apparently for the storage of provisions, and elaborate ar- rangements were made to ensure that a safe water supply was accessible from inside the walls. At first sight, these modifications seem to be possible indications that a number of Mycenaean centres anticipated some kind of serious attack. Suddenly, at the very end of Late Helladic III B or more precisely during the newly recognized transitional phase Late Helladic B * This paper is an up-to-date and expanded version of my presentation delivered at the International Seminar “Historical and Monumental Structures in Seismic Re- gions”, held at Santorini (Greece), 14-16 October 1993.