Congressional Record

Total Page:16

File Type:pdf, Size:1020Kb

Congressional Record September 12, 2016 CONGRESSIONAL RECORD — Extensions of Remarks E1253 clearly poignant as his horn vibrates through merce’s Award for Excellence, The Con- recorded over eighty albums as a sideman and through the intricate passage with preci- spicuous Service Award from the New York with a wide variety of jazz artists including sion. This explosive gem sets the tempo to re- State Council on the Arts, The New York City Jimmy Owens, Abdullah Ibrahim, Idris Muham- mind us that he [Owens] is more than capable Arts and Business Council’s Encore Awards, mad, Malachi Thompson and Freddy Cole. to form this collection of standards in a way Citibank’s Community Service Award, the New Ford joined Jerry Gonzalez’s pioneering Fort that hasn’t been done before.’’ York City Service Award, and several citations Apache Band in 1990: an ensemble of Puerto Mr. Speaker, it was Jimmy Owens who from Mayors Edward Koch, David Dinkins and Ricans and African-Americans, who enriched challenged me to bring Jazz into the legisla- Michael Bloomberg. the linkages between jazz and Afro-Latin tive arena, for consideration as a national But Jazzmobile’s greatest achievement is rhythms. Ford composed the title tracks for asset that must be preserved and promoted. that it serves as the model for thousands of their recordings, Crossroads, Pensativo and Jimmy Owens is a living national jazz treasure jazz-based organizations, from Pittsburgh’s Firedance, which garnered three Grammy of international acclaim and I urge all mem- Manchester Craftsman’s Guild, San Fran- nominations from 1994 to 1996. In late nine- bers to join me in commending him for his cisco’s SF JAZZ Center, to Jazz at Lincoln ties, Ford led two groups, The Black Art Sax magnificent contributions. Center in New York City. Mr. Speaker, Quartet, and a big band entitled The Thing. f Jazzmobile is a living jazz treasure and I urge Ford was inducted in the Buffalo Hall of Fame all members to join me in commending this or- in 2004, and he currently performs with Nasar HONORING JAZZMOBILE ganization for their magnificent contribution to Abadey and SUPERNOVA. American and world culture. Mr. Speaker, Joe Ford is a living jazz treas- HON. JOHN CONYERS, JR. f ure and I urge all members to join me in com- OF MICHIGAN mending him for his magnificent contribution to HONORING JAMES ALLEN FORD IN THE HOUSE OF REPRESENTATIVES American and world culture. Monday, September 12, 2016 HON. JOHN CONYERS, JR. f Mr. CONYERS. Mr. Speaker, Jazzmobile, OF MICHIGAN the world’s first not-for-profit organization sole- IN THE HOUSE OF REPRESENTATIVES SENATE COMMITTEE MEETINGS ly devoted to jazz, will be honored this year by Monday, September 12, 2016 Title IV of Senate Resolution 4, the Congressional Black Caucus Foundation agreed to by the Senate of February 4, (CBCF), at the Jazz Issue Forum and Concert Mr. CONYERS. Mr. Speaker, tenor/soprano 1977, calls for establishment of a sys- that will take place during the 46th Annual saxophonist, composer, arranger, and educa- tem for a computerized schedule of all Legislative Conference (ALC). The Jazzmobile tor James Allen Ford, professionally known as meetings and hearings of Senate com- All-Stars will perform at the concert, which will Joe Ford, one of the most accomplished and mittees, subcommittees, joint commit- take place on Thursday, September 15th, inventive musicians in Jazz, will be honored tees, and committees of conference. 2016, at the Walter E. Washington Convention this year by the Congressional Black Caucus This title requires all such committees Center, in Washington, DC. Robin Bell-Ste- Foundation, at the Jazz Issue Forum and Con- to notify the Office of the Senate Daily vens, Director of Jazzmobile, and Kim Taylor- cert that will take place during the 46th Annual Digest—designated by the Rules Com- Thompson, daughter of Jazzmobile founder, Legislative Conference. Mr. Ford will perform mittee—of the time, place and purpose Dr. Billy Taylor, will accept the 2016 CBCF at the concert with the Washington Renais- of the meetings, when scheduled and ALC Jazz Legacy Award on behalf of the or- sance Orchestra, which will take place on any cancellations or changes in the ganization, for their five decades of contribu- Thursday, September 15th, 2016, at the Wal- meetings as they occur. tions to Jazz and world culture. ter E. Washington Convention Center, in As an additional procedure along Jazzmobile began in 1964, when Harlem Washington, DC. Ford will also receive the with the computerization of this infor- was besieged by racial unrest. It was in that 2016 CBCF ALC Jazz Legacy Award for his mation, the Office of the Senate Daily turbulent time that the great jazz pianist and four decades of contributions to Jazz and Digest will prepare this information for educator, Dr. William ‘‘Billy’’ Taylor, had an world culture. printing in the Extensions of Remarks idea to use Jazz as a culturally enriching anti- Born on May 7, 1947 in Buffalo, New York, section of the CONGRESSIONAL RECORD dote to the urban blight that inner-city children Ford began playing piano at age of seven and on Monday and Wednesday of each were exposed to. Drawing on the New Orle- switched to the saxophone four years later, week. ans street parade tradition, Dr. Taylor—along eventually studying with Makanda Ken McIn- Meetings scheduled for Tuesday, Sep- with arts patron Daphne Arnstein, founder of tyre, Jackie McLean and Frank Foster. He tember 13, 2016 may be found in the the Harlem Cultural Council—turned an un- also studied percussion with drummer Joe Daily Digest of today’s RECORD. used float into a floating Jazz stage, and took Chambers. He played in a number of local Jazz directly to the youth, who, because they funk bands and campus groups in high school, could not afford to hear the music in clubs, and at Central State University in Ohio, where MEETINGS SCHEDULED were not exposed to it in school, and did not he received his BA in Music Education in SEPTEMBER 14 hear it on the radio, were now able to hear the 1968. After graduation, Ford returned to Buf- 9:30 a.m. music for free in their neighborhoods. falo and worked as a music teacher, directing Committee on Foreign Relations Designated as a major cultural institution by a school band and chorus, and played piano Subcommittee on Western Hemisphere, Transnational Crime, Civilian Secu- the New York State Council on the Arts in with local bands, and national groups including rity, Democracy, Human Rights, and 1977, and a recipient of the Emergency The Miracles. Global Women’s Issues School Aid Act, Jazzmobile applied the prin- In 1973, Ford was the co-leader and co-pro- To hold hearings to examine protecting ciples of jazz improvisation and the arts to un- ducer of Buffalo’s influential John Coltrane/ girls, focusing on global efforts to end derserved children so they can have positive Miles-Davis-influenced Birthright jazz ensem- child marriage. means of self-expression and cultural pride. ble, with tenor saxophonist Paul Gresham, SD–419 To date, Jazzmobile has presented Jazz to all and drummer Nasar Abadey. The group re- 10 a.m. of New York’s five boroughs, with over four leased two critically acclaimed albums for Committee on the Judiciary Subcommittee on Oversight, Agency Ac- million people attending their free concerts. Freelance Records: Free Spirits and Breath of tion, Federal Rights and Federal They also provide lecture demonstrations, clin- Life. Ford also played with the Buffalo Jazz Courts ics, symposiums, workshops, a vocal competi- Ensemble, a group that featured members of To hold hearings to examine protecting tion, and their Summerfest mini-festival. the fusion group, Spyro Gyra. Invited by Internet freedom, focusing on the im- Throughout their five decades, some of the McCoy Tyner to join his group, Ford moved to plications of ending United States greatest musicians in jazz performed, worked New York City, and was a key member of that oversight of the Internet. and studied with Jazzmobile including, Dizzy band, which extended and elaborated on John SD–226 Gillespie, Duke Ellington, Herbie Hancock, Coltrane’s innovations. Two of the seven al- 2:15 p.m. Committee on Foreign Relations Horace Silver, Jimmy Owens and Wynton bums Ford recorded with Tyner’s Big Band— To hold hearings to examine North At- Marsalis, to name a select few. The Turning Point and Journey—won Grammy lantic Treaty Organization expansion, Jazzmobile has received a number of awards for Best Large Jazz Ensemble Per- focusing on the accession of Monte- awards including, the National Jazz Museum formance in 1992 and 1994. Ford released his negro. in Harlem & Great Harlem Chamber of Com- first solo recording Today’s Night in 1993, and SD–419 VerDate Sep 11 2014 06:35 Sep 13, 2016 Jkt 059060 PO 00000 Frm 00013 Fmt 0626 Sfmt 0634 E:\CR\FM\A12SE8.041 E12SEPT1 SSpencer on DSK4SPTVN1PROD with REMARKS.
Recommended publications
  • CONGRESSIONAL RECORD— Extensions of Remarks E1492 HON. DENNIS J. KUCINICH HON. DALE E. KILDEE HON. ROBERT HURT HON. DENNIS J
    E1492 CONGRESSIONAL RECORD — Extensions of Remarks September 12, 2012 sharing the stage with Coleman Hawkins, 2010 resignation. In 2009, he retired as Dep- RECOGNIZING VIRGINIA Slam Stewart, and Erroll Garner. One of the uty Court Administrator of Ohio’s Eighth Dis- INDUSTRIES FOR THE BLIND earliest of Mr. Heath’s own big bands (1947– trict Court of Appeals in order to fulfill a cam- 48) in Philadelphia included John Coltrane, paign promise for his election to the Cuyahoga HON. ROBERT HURT Benny Golson, Specs Wright, Cal Massey, County Council. OF VIRGINIA Johnny Coles, Ray Bryant, and Nelson Boyd. Councilman Gallagher was elected to the IN THE HOUSE OF REPRESENTATIVES He also played with and composed for Dizzy Wednesday, September 12, 2012 Gillespie, Miles Davis, Kenny Dorham, Milt Cuyahoga County Council in 2010 and is now Jackson, and Art Blakey. During his career, the Chair of the Public Safety Committee. Mr. HURT. Mr. Speaker, I rise today to rec- Mr. Heath has performed on more than 100 Some of his achievements outside of public ognize Virginia Industries for the Blind, an record albums, including 7 with The Heath office include his membership in the Ability One organization that began in Char- Brothers and 12 as a leader. He has also writ- Strongsville Rotary Club and Strongsville lottesville that empowers blind and visually im- ten more than 125 compositions, many of Chamber of Commerce. He has served as a paired Virginians in achieving their maximum which have become jazz standards, including Trustee on the Hospital Board of Southwest level of employment and career development.
    [Show full text]
  • Material on This Site May Be Quoted Or Reproduced for Personal and Educational Purposes Without Prior Permission, Provided Appropriate Credit Is Given
    COPYRIGHT / USAGE Material on this site may be quoted or reproduced for personal and educational purposes without prior permission, provided appropriate credit is given. Any commercial use of this material is prohibited without prior permission from The Special Collections Department - Langsdale Library, University of Baltimore. Commercial requests for use of the transcript or related documentation must be submitted in writing to the address below. When crediting the use of portions from this site or materials within that are copyrighted by us please use the citation: Used with permission of the University of Baltimore. If you have any requests or questions regarding the use of the transcript or supporting documents, please contact us: Langsdale Library Special Collections Department 1420 Maryland Avenue Baltimore, MD 21201-5779 http://archives.ubalt.edu Saturday and Sunday. August 7 - 8. 1976 Charles Center and Hopkins Plaza AFRAM-EXPO 76 STEERING COMMITTEE The Honorable William Donald Schaefer Mrs. Marguerite Campbell Mrs. Lenora Johnson Mayor of the C ity of Baltimore Community Relations Specialist Urban Services Agency Mayor's Office Baltimore, Maryland Mr. Lenwood Ivey, General Chairman Baltimore, Maryland Executive Director Mrs. Louise Johnson Urban Services Agency Mr. Lou Cavallaro President City of Baltimore Department of Parks Black Women's City of Baltimore Consciousness Raising Mr. Norman E. Ross Baltimore, Maryland Project Director Dr. John Crew, Superintendent Cultural Arts Program Baltimore City Public Schools Mrs. Enolia McMillan, President Urban Services Agency Baltimore, Maryland Baltimore N.A.A.C . P. 1390 West North Avenue Mrs. Marie Henderson Mr. Dennis Ferrell Baltimore, Maryland Program Coordinator Baltimore Black Promotional Council Mayor's Coordinating Council Chairman, NAACP Community Mr.
    [Show full text]
  • Dr. Billy Taylor, “America's Classical Music,” and the Role of the Jazz
    Journal of American Studies, (), , – © Cambridge University Press and British Association for American Studies doi:./S First published online February Dr. Billy Taylor, “America’s Classical Music,” and the Role of the Jazz Ambassador TOM ARNOLD-FORSTER The idea of jazz as “America’s classical music” has become a powerful way of defining the music, asserting its national and artistic value, and shaping its scholarly study. The present article pro- vides a history of this idea through a close analysis of its primary theorist and most visible spokes- person, Dr. Billy Taylor. It argues that the idea was not a neoclassical and conservative product of the s, but had important roots in the Black Arts imperatives of the later s and early s. It suggests that Taylor initially made the idea work inventively and productively in a variety of contexts, especially through his community arts project Jazzmobile, but that these con- texts diverged as his public profile was stretched thin across and beyond the United States. The idea’s disintegration into clichéd ubiquity in the mid-s then provides a critical perspective on the idea of the “jazz renaissance,” and an opportunity to consider the role of the jazz ambas- sador in the context of debates about African American intellectuals. “America’s classical music” has been a prominent answer to the persistent question of what jazz is. It challenges the drugs-and-brothels imagery that has long lingered around the music, and it rejects, perhaps too confidently, the notion that jazz is essentially enigmatic. In , the critic Grover Sales published Jazz: America’s Classical Music, which portrayed a grand artistic heritage.
    [Show full text]
  • 2015 NEA Jazz Masters 2015 NATIONAL ENDOWMENT for the ARTS
    2015 NEA Jazz Masters 2015 NATIONAL ENDOWMENT FOR THE ARTS 2015 Fellows Carla Bley George Coleman Charles Lloyd Joe Segal NEA Jazz Masters 2015 Contents Introduction ..............................................................................1 A Brief History of the Program ................................................2 Program Overview ...................................................................5 2015 NEA Jazz Masters............................................................7 Carla Bley .......................................................................................8 George Coleman............................................................................9 Charles Lloyd ...............................................................................10 Joe Segal ......................................................................................11 NEA Jazz Masters, 1982–2015..............................................12 NEA Jazz Masters Awards Ceremony ...................................14 Pianist Jason Moran and guitarist Bill Frisell perform 2014 NEA Jazz Master Keith Jarrett’s “Memories of Tomorrow” at the 2014 awards concert. Photo by Michael G. Stewart The NEA is committed to preserving the legacy of jazz not just for this ”generation, but for future generations as well. ” IV NEA Jazz Masters 2015 IT IS MY PLEASURE to introduce the 2015 class of NEA Jazz Masters. The NEA Jazz Masters awards—the nation’s highest recognition of jazz in America—are given to those who have reached the pinnacle of their art: musicians
    [Show full text]
  • 1993 February 24, 25, 26 & 27, 1993
    dF Universitycrldaho LIoNEL HmPToN/CHEVRoN JnzzFrsrr\Al 1993 February 24, 25, 26 & 27, 1993 t./¡ /ìl DR. LYNN J. SKtNNER, Jazz Festival Executive Director VtcKt KtNc, Program Coordinator BRTNoR CAtN, Program Coordinator J ¡i SusnN EHRSTINE, Assistant Coordinator ltl ñ 2 o o = Concert Producer: I É Lionel Hampton, J F assisted by Bill Titone and Dr. Lynn J. Skinner tr t_9!Ð3 ü This project is supported in part by a grant from the National Endowment for the Arts We Dedicate this 1993 Lionel Hømpton/Chevron Jøzz Festivül to Lionel's 65 Years of Devotion to the World of Juzz Page 2 6 9 ll t3 r3 t4 l3 37 Collcgc/Univcrsity Compctition Schcdulc - Thursday, Feh. 25, 1993 43 Vocal Enserrrbles & Vocal Conrbos................ Harnpton Music Bldg. Recital Hall ...................... 44 45 46 47 Vocal Compctition Schcrlulc - Fridav, Fcli. 2ó, 1993 AA"AA/AA/Middle School Ensenrbles ..... Adrrrin. Auditoriunr 5l Idaho Is OurTenitory. 52 Horizon Air has more flights to more Northwest cities A/Jr. High/.Ir. Secondary Ensenrbles ........ Hampton Music Blclg. Recital Hall ...............,...... 53 than any other airline. 54 From our Boise hub, we serve the Idaho cities of Sun 55 56 Valley, Idaho Falls, Lewiston, MoscowÆullman, Pocatello and AA/A/B/JHS/MIDS/JR.SEC. Soloists ....... North Carnpus Cenrer ll ................. 57 Twin Falls. And there's frequent direct service to Portland, lnstrurncntal Corupctilion'Schcrlulc - Saturday, Fcll. 27, 1993 Salt Lake City, Spokane and Seattle as well. We also offer 6l low-cost Sun Valley winter 8,{. {ÀtûåRY 62 and summer vacation vt('8a*" å.t. 63 packages, including fOFT 64 airfare and lodging.
    [Show full text]
  • Harlem School of the Arts and Jazzmobile Join Forces for Their 50Th Anniversaries Pioneering Harlem Institutions “Turn Up” Jazz with Nyc School Students
    For Press Inquiries: Byron McCray [email protected] | 212.926.4100 ext 335 Thysha M. Shabazz, Shabazz Communications [email protected] | 757.450.3655 HARLEM SCHOOL OF THE ARTS AND JAZZMOBILE JOIN FORCES FOR THEIR 50TH ANNIVERSARIES PIONEERING HARLEM INSTITUTIONS “TURN UP” JAZZ WITH NYC SCHOOL STUDENTS NEW YORK – (April 28, 2015) - Harlem School of the Arts (HSA) and Jazzmobile will join forces to present an inaugural event on Monday, May 4, 2015 at 10:00am: “TURN UP …This is Jazz!,” a dynamic jazz music lecture demonstration and performance for invited kindergarten and middle school classes from around New York City. These schools are served by Jazzmobile and HSA’s arts education programs which combined reach over 3,500 school children each year. “TURN UP ....This is Jazz!” presentation will feature musicians, students and faculty from the Harlem School of the Arts as well as Jazzmobile professional artists. This year’s special concert guided by HSA Jazz and Contemporary Studies Chair D.D. Jackson features the youngest Hammond artist in their 80 year history Matthew Whitaker joined by other talented members of the HSA Advanced Jazz Combo, and HSA alumnus and former Jazzmobile Emerging Jazz Artist Solomon Hicks! Visiting School Classes will enjoy the music in an interactive exploration of the role of improvisation, group communication, the individual instruments, and some of the history of this unique American art form we call Jazz!" Artists/Performers: Curator/Host: D.D. Jackson The Band: Matthew Whitaker & Friends, with: Matthew Whitaker, Piano/Organ Gabrielle Garo, Flute/Alto Sax Dominique Gervais, Drums “King” Solomon Hicks, Guitar Both institutions are celebrating their 50th Anniversary.
    [Show full text]
  • The Singing Guitar
    August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW.
    [Show full text]
  • It's All Good
    SEPTEMBER 2014—ISSUE 149 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM JASON MORAN IT’S ALL GOOD... CHARLIE IN MEMORIAMHADEN 1937-2014 JOE • SYLVIE • BOBBY • MATT • EVENT TEMPERLEY COURVOISIER NAUGHTON DENNIS CALENDAR SEPTEMBER 2014 BILLY COBHAM SPECTRUM 40 ODEAN POPE, PHAROAH SANDERS, YOUN SUN NAH TALIB KWELI LIVE W/ BAND SEPT 2 - 7 JAMES CARTER, GERI ALLEN, REGGIE & ULF WAKENIUS DUO SEPT 18 - 19 WORKMAN, JEFF “TAIN” WATTS - LIVE ALBUM RECORDING SEPT 15 - 16 SEPT 9 - 14 ROY HARGROVE QUINTET THE COOKERS: DONALD HARRISON, KENNY WERNER: COALITION w/ CHICK COREA & THE VIGIL SEPT 20 - 21 BILLY HARPER, EDDIE HENDERSON, DAVID SÁNCHEZ, MIGUEL ZENÓN & SEPT 30 - OCT 5 DAVID WEISS, GEORGE CABLES, MORE - ALBUM RELEASE CECIL MCBEE, BILLY HART ALBUM RELEASE SEPT 23 - 24 SEPT 26 - 28 TY STEPHENS (8PM) / REBEL TUMBAO (10:30PM) SEPT 1 • MARK GUILIANA’S BEAT MUSIC - LABEL LAUNCH/RECORD RELEASE SHOW SEPT 8 GATO BARBIERI SEPT 17 • JANE BUNNETT & MAQUEQUE SEPT 22 • LOU DONALDSON QUARTET SEPT 25 LIL JOHN ROBERTS CD RELEASE SHOW (8PM) / THE REVELATIONS SALUTE BOBBY WOMACK (10:30PM) SEPT 29 SUNDAY BRUNCH MORDY FERBER TRIO SEPT 7 • THE DIZZY GILLESPIE™ ALL STARS SEPT 14 LATE NIGHT GROOVE SERIES THE FLOWDOWN SEPT 5 • EAST GIPSY BAND w/ TIM RIES SEPT 6 • LEE HOGANS SEPT 12 • JOSH DAVID & JUDAH TRIBE SEPT 13 RABBI DARKSIDE SEPT 19 • LEX SADLER SEPT 20 • SUGABUSH SEPT 26 • BROWN RICE FAMILY SEPT 27 Facebook “f” Logo CMYK / .eps Facebook “f” Logo CMYK / .eps with Hutch or different things like that. like things different or Hutch with sometimes.
    [Show full text]
  • Lee Morgan Chronology 1956–1972 by Jeffery S
    Delightfulee Jeffrey S. McMillan University of Michigan Press Lee Morgan Chronology 1956–1972 By Jeffery S. McMillan This is an annotated listing of all known Lee Morgan performances and all recordings (studio, live performances, broadcasts, telecasts, and interviews). The titles of studio recordings are given in bold and preceded by the name of the session leader. Recordings that appear to be lost are prefaced with a single asterisk in parentheses: (*). Recordings that have been commercially issued have two asterisks: **. Recordings that exist on tape but have never been commercially released have two asterisks in parentheses: (**). Any video footage known to survive is prefaced with three asterisks: ***. Video footage that was recorded but appears to now be lost is prefaced with three asterisks in parentheses: (***). On numerous occasions at Slugs’ Saloon in Manhattan, recording devices were set up on the stage and recorded Morgan’s performances without objection from the trumpeter. So far, none of these recordings have come to light. The information herein is a collation of data from newspapers, periodicals, published and personal interviews, discographies, programs, pamphlets, and other chronologies of other artists. Morgan’s performances were rarely advertised in most mainstream papers, so I drew valuable information primarily from African-American newspapers and jazz periodicals, which regularly carried ads for nightclubs and concerts. Entertainment and nightlife columnists in the black press, such as “Woody” McBride, Masco Young, Roland Marsh, Jesse Walker, Art Peters, and Del Shields, provided critical information, often verifying the personnel of an engagement or whether an advertised appearance occurred or was cancelled. Newspapers that I used include the Baltimore Afro-American (BAA), Cleveland Call & Post (C&P), Chicago Defender (CD), New Jersey Afro-American (NJAA), New York Amsterdam News (NYAN), Philadelphia Tribune (PT), and Pittsburgh Courier (PC).
    [Show full text]
  • Summerstage Season Announcement June 3 2021 Press Release
    Capital One City Parks Foundation SummerStage Announces 2021 Season Lineup Free In-Person Shows Return June 17 in Central Park Featuring the Jazz at Lincoln Center Orchestra with Wynton Marsalis Followed By Summer Of Soul Juneteenth Celebration with Questlove in Marcus Garvey Park This Season will Feature New York-Centric Artists, Including Patti Smith and Her Band; Sun Ra Arkestra; Antibalas; Tito Nieves; Marc Rebillet; Armand Hammer & The Alchemist featuring Moor Mother, Fielded, and KAYANA; Complexions Contemporary Ballet and Parsons Dance; The Dom Salvador Samba Jazz Sestet; Erica Campbell; The Metropolitan Opera & More to be Announced Benefit Concerts Include Machine Gun Kelly, Dawes, Lake Street Dive, Indigo Girls with Ani DiFranco and Blue Note at SummerStage featuring George Clinton, Chris Botti and Galactic SummerStage in Coney Island Returns Featuring Gloria Gaynor, La India, Ginuwine, Funk Flex, A Michael Jackson Tribute & More Charlie Parker Jazz Festival Returns to Harlem this August Tickets will be Required for All Free & Benefit Show Performances NEW YORK, NY - June 3, 2021 – City Parks Foundation is thrilled to return to live, in-person performances this summer with the announcement of the shows planned for the 2021 season of Capital One City Parks Foundation SummerStage, New York City’s largest free outdoor performing arts festival. This year’s festival will showcase renowned artists and rising stars with an important tie to New York City. SummerStage shows will be returning to Rumsey Playfield in Central Park, Marcus Garvey Park in Harlem, Flushing Meadows-Corona Park in Queens, and The Coney Island Amphitheater, presenting distinctly New York genres including hip-hop, Latin, indie rock, contemporary dance, jazz, and global music.
    [Show full text]
  • Lionel Hompton # Jozz Fes'tivol '"?Iæfy O '- C) O
    { I !t i ; I I I i 1 I l Ë I I i I I i I Lionel Hompton # Jozz Fes'tivol '"?iÆFY o '- c) o =o- o ! p o C f ol o-- (I) Dr. lionel Hampton, producer *rJ assisted by Dr. lynn J. Skinner Welcome to the 3lst University of Idaho Lionel HamptonJazzÏestival! The Lionel HárirptonJazzEestivalhas become one of the greatest jzzzfestivals in the world. join Pleæe us in celebratin g a clæsically American art form - Iazz. At the Lionel HamptonJazzEestivalwe seek to enrich the lives of young people with this music - year after year. "GAtes" Keeps on Swingin' Lionel Hampton started his musicalcareer æ a drummer. Hamp wæ playing drums with Louie Armstrong and one night at the gig, Louie turned to Hamp and said, "Swing it Gates, Swing!" Hamp asked Louie what he meantand he said, "l'm calling you Gates because you swing like a gatel" From that point in time until this very day Hamp is known as "Gates" because of his incredible ability to "swing". The story came to Dr. Skinner directly from Hamp. 1 I Welcome to the 1998 Jazz Festival atthe University of Idaho - Moscow, Idaho! Page For more informoÌion concerning the Concert Schedule Lionel Homplon Jozz Feslivol, contoct: 5 Lionel Hampton School of MusicJøz Ensembles 11 Dr. Lynn J. Skinner, Execulive Direclor Welcome Letters 13 Lionel Homplon Jozz Feslivol Clinic Schedule t5 Lionel Hompton School of Music Lionel Hampton - Biography 17 Universify of ldoho Guest futist Biographies .......... 23 Moscow, ldoho 83844-4014 Adjudicator Biog*pfri.r .................. 53 (208)885-ó513 l208l88 5-67 65 Fox: Lionel HamptonJazz Festival Staff ,..
    [Show full text]
  • Monterey Jazz Festival
    DECEMBER 2018 VOLUME 85 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob;
    [Show full text]