ABC Drama Black B*Tch Starts Filming with First Class Cast on Board

Total Page:16

File Type:pdf, Size:1020Kb

ABC Drama Black B*Tch Starts Filming with First Class Cast on Board RELEASED: Monday 4 March, 2018 ABC drama Black B*tch starts filming with first class cast on board. ABC, Screen Australia and Keshet International (KI) are excited to announce filminG is underway on the hotly anticipated drama series Black B*tch (Working Title). Made by BlacKfella Films (Redfern Now) and starrinG two of Australia’s favourite actors Deborah Mailman and Rachel Griffiths, the six- part series is a story of high staKes ambition, betrayal and treachery, playinG out in the nation’s capital. Also starrinG in Black B*tch (W/T) is an impressive line-up of stars including: Harry Richardson (Poldark, Dr Thorne), William McInnes (Deep Water, Rake), Aaron Pedersen (Mystery Road, Jack Irish), Rob Collins (Secret City: Under The Eagle, Cleverman), Anthony Hayes (The Light Between Oceans, The Slap), Celia Ireland (Wentworth), Trisha Morton-Thomas (Redfern Now, 8MMM), James Sweeny (The Secret Daughter, Brock), David Roberts (Offspring, Please Like Me), Luke Carroll (Black Comedy, Upright), Adele Perovic (The Code), English actor Huw Higginson (Secret City, Janet King) and introducinG Shantae Barnes Cowan. Black B*tch (W/T) will film on location and in studio in Sydney, Canberra, and central Queensland over the coming months and will screen on ABC later in the year, before being taken to market by Keshet International. ABC Head of IndiGenous Kelrick Martin says “Deborah Mailman is a national treasure, and we couldn’t be prouder to be providing her with her first lead role in a TV series – it’s a lonG overdue opportunity for her. AlonG with the rest of this incredible cast, we also want to Give a huGe cheer to the team at Blackfella Films, who are once again working incredibly hard to achieve this landmark show for ABC.” Darren Dale and Miranda Dear from Blackfella Films "It is testament to the power and relevance of this story that it has attracted such a stellar line-up of extraordinary actors. We are thrilled that Deborah Mailman has her first starring role in a major drama series and the chemistry between her and the inimitable Rachel Griffiths will be electrifying." Penny Smallacombe, Head of Indigenous at Screen Australia says “The complex issues faced by the headstrong IndiGenous female lead in Black B*tch (W/T) will push audiences to Grapple with the harsh realities of both federal and community politics in Australia. With director Rachel Perkins and the renowned production team of Darren Dale and Miranda Dear at the helm, and Deborah Mailman and Rachel Griffiths leading this high-profile cast I’m sure this series will resonate when it premieres on ABC later this year.” Atar Dekel, KI’s VP Global Drama says, “Black B*tch (W/T) is already a stronG local story and this diverse roster of hiGh caliber acting talent will really help us connect this series with audiences around the world. We are loving working collaboratively with the teams at Blackfella Films and ABC and are really happy that we chose to support Black B*tch (W/T) with the KI Content Fund.” Production Credit: Blackfella Films production for the ABC. Major production investment from Screen Australia in association with the ABC. Financed with support from Create NSW with Screen Queensland and Screen Canberra. Director Rachel Perkins. Producers Darren Dale and Miranda Dear. Executive Producer Rachel Griffiths. Script Producer Stuart Page. ABC Executive Producers Kelrick Martin and Sally Riley. International Distributor is Keshet International, working alongside Endeavor Content in the US. ABOUT BLACK B*TCH When Alex IrvinG (Deborah Mailman), a charismatic and contradictory IndiGenous woman, is thrust into the national limeliGht after a horrific event, Australia’s embattled Prime Minister Rachel Anderson (Rachel Griffiths), sees a publicity Goldmine for her party. In a bold power play, she handpicKs Alex for the Senate. But Alex wants to be more than just a political stunt: she wants to make a difference. So, when the Prime Minister's cynical calculations betray her, Alex sets out for revenGe that will send the political establishment into meltdown. ABOUT THE KI CONTENT FUND Black B*tch (W/T) is the second title to benefit from financial support from the KI Content Fund, followinG its first investment in Ecosse Films’ six part series, The Trial Of Christine Keeler, for BBC ONE. Launched in 2018 by Keshet International with several of Israel’s larGest holding and asset manaGement companies, KI’s five-year content fund aims to bring high-profile projects with Global appeal to a wider audience by also utilising KI’s worldwide distribution prowess. For interviews please contact: Yasmin Kentera, ABC TV Publicity 0418 813 071 | [email protected] .
Recommended publications
  • The Premiere Fund Slate for MIFF 2021 Comprises the Following
    The MIFF Premiere Fund provides minority co-financing to new Australian quality narrative-drama and documentary feature films that then premiere at the Melbourne International Film Festival (MIFF). Seeking out Stories That Need Telling, the the Premiere Fund deepens MIFF’s relationship with filmmaking talent and builds a pipeline of quality Australian content for MIFF. Launched at MIFF 2007, the Premiere Fund has committed to more than 70 projects. Under the charge of MIFF Chair Claire Dobbin, the Premiere Fund Executive Producer is Mark Woods, former CEO of Screen Ireland and Ausfilm and Showtime Australia Head of Content Investment & International Acquisitions. Woods has co-invested in and Executive Produced many quality films, including Rabbit Proof Fence, Japanese Story, Somersault, Breakfast on Pluto, Cannes Palme d’Or winner Wind that Shakes the Barley, and Oscar-winning Six Shooter. ➢ The Premiere Fund slate for MIFF 2021 comprises the following: • ABLAZE: A meditation on family, culture and memory, indigenous Melbourne opera singer Tiriki Onus investigates whether a 70- year old silent film was in fact made by his grandfather – civil rights leader Bill Onus. From director Alex Morgan (Hunt Angels) and producer Tom Zubrycki (Exile in Sarajevo). (Distributor: Umbrella) • ANONYMOUS CLUB: An intimate – often first-person – exploration of the successful, yet shy and introverted, 33-year-old queer Australian musician Courtney Barnett. From producers Pip Campey (Bastardy), Samantha Dinning (No Time For Quiet) & director Danny Cohen. (Dist: Film Art Media) • CHEF ANTONIO’S RECIPES FOR REVOLUTION: Continuing their series of food-related social-issue feature documentaries, director Trevor Graham (Make Hummus Not War) and producer Lisa Wang (Monsieur Mayonnaise) find a very inclusive Italian restaurant/hotel run predominately by young disabled people.
    [Show full text]
  • View Room Judy Green Monitor Productions
    sue barnett & associates CELIA IRELAND TRAINING 1998 Practical Aesthetics (Burlington Vermont) 1996 Diploma in Primary Education (Newcastle University) 1990 Post Graduate Certificate Adult T.E.S.O.L (Charles Sturt University) FILM Venice Australian Woman Dragonet Films Dir: Milo Bilbrough Goddess Mary Goddess Productions Pty Ltd Dir: Mark Lamprell Cactus Vesna Barmaid New Town Films Dir: Jasmine Yuen-Carrucan Rogue Gwen Emu Creek Pictures Dir: Greg McLean Australian Rules Liz Black Tidy Town Pictures Dir: Paul Goldman Angst Case Worker Green Light Angst Pty. Ltd My Mother Frank Peggy Intrepid Films Pty Ltd Dir: Mark Lamprell Thank God He Met Lizzie Cheryl Stamen Films Dir: Cherie Nolan Idiot Box Barmaid Dir: David Caesar Floating Life Waitress Dir: Clara Law On Our Selection Sarah Dir: George Whaley Out The Girl (Lead) Dir: Samantha Lang Dallas Doll ABC TELEVISION Five Bedrooms Rhonda Hoodlum Dir: Peter Templeton Total Control Tracey Blackfella Films/ABC Dir: Rachel Perkins Wentworth (Series 7) Liz Fremantle Media Wentworth (Series 6) Liz Fremantle Media Wentworth (Series 5) Liz Fremantle Media Wentworth (Series 4) Liz Fremantle Media Wentworth (Series 3) Liz Fremantle Media Wentworth (Series 2) Liz Fremantle Media Rake (Series 3) Cop ABC Dir: Peter Duncan Redfern Now (Series 2) Nurse Edwards Redfern Pictures Pty Ltd Wentworth Liz Fremantle Media Home and Away Connie Callaghan Seven Network Packed to the Rafters (Series 5) Colleen Burke Seven Network My Place (Series 2) The Bank’s Maid Matchbox Pictures Me and My Monsters Pauline Sticky Pictures Laid Brendan’s Mum ABC TV Bargain Coast Jaqueline Cornerbox Pty Ltd Monster House Mrs.
    [Show full text]
  • Reminder List of Productions Eligible for the 90Th Academy Awards Alien
    REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx.
    [Show full text]
  • DNA Nation Press
    PRESS KIT DISTRIBUTOR CONTACT PRODUCTION CONTACT SBS International Blackfella Films Lara von Ahlefeldt Darren Dale Tel: +61 2 9430 3240 Tel: +61 2 9380 4000 Email: [email protected] Email: [email protected] 10 Cecil Street Paddington NSW 2021 Tel: +612 9380 4000 Fax: +612 9252 9577 Email: [email protected] www.blackfellafilms.com.au Production Notes Producer Darren Dale Producer & Writer Jacob Hickey Series Producer Bernice Toni Director Bruce Permezel Production Company Blackfella Films Genre Documentary Series Language English Aspect Ratio 16:9 FHA Duration EP 1 00:51:53:00 EP 2 00:54:54:00 EP 3 00:52:58:00 Sound Stereo Shooting Gauges Arri Amira, F55, DJI Inspire Drone, Blackmagic & Go Pro Logline Who are we? And where do we come from? Short Synopsis Who are we? And where do we come from? Australia’s greatest Olympian Ian Thorpe, iconic Indigenous actor Ernie Dingo, and TV presenter and Queen of Eurovision Julia Zemiro set off on an epic journey of genetic time travel to find out. © 2016 Blackfella Films Pty Ltd Page 2 of 40 Long Synopsis Who are we? And where do we come from? Australia’s greatest Olympian Ian Thorpe, iconic Indigenous actor Ernie Dingo, and TV presenter and Queen of Eurovision Julia Zemiro set off on an epic journey of genetic time travel to find out. DNA is the instruction manual that helps build and run our bodies. But scientific breakthroughs have discovered another remarkable use for it. DNA contains a series of genetic route maps. It means we can trace our mother’s mother’s mother and our father’s father’s father, and so on, back through tens of millennia, revealing how our ancestors migrated out of Africa and went on to populate the rest of the world.
    [Show full text]
  • Foxtel Programming in 2015 (PDF)
    FOXTEL programming in 2015 GOGGLEBOX Season 1 The LifeStyle Channel Based on the U.K. smash hit, Gogglebox is a weekly observational series which captures the reactions of ordinary Australians as they watch the nightly news, argue over politics, cheer their favourite sporting teams and digest current affairs and documentaries. Twelve households will be chosen and then rigged with special, locked off cameras to capture every unpredictable moment. Gogglebox is like nothing else ever seen on Australian television and it’s set to hook audiences in a fun and entertaining way. The series has been commissioned jointly by Foxtel and Network Ten and will air first on The LifeStyle Channel followed by Channel Ten. DEADLINE GALLIPOLI Season 1 showcase Deadline Gallipoli explores the origin of the Gallipoli legend from the point of view of war correspondents Charles Bean, Ellis Ashmead-Bartlett, Phillip Schuler and Keith Murdoch, who lived through the campaign and bore witness to the extraordinary events that unfolded on the shores of Gallipoli in 1915. This compelling four hour miniseries captures the heartache and futility of war as seen through the eyes of the journalists who reported it. Joel Jackson stars as Bean, Hugh Dancy as Bartlett, Ewen Leslie as Murdoch, and Sam Worthington as Schuler. Charles Dance plays Hamilton, the Commander of the Gallipoli campaign, Bryan Brown plays General Bridges and John Bell plays Lord Kitchener. Deadline Gallipoli will be broadcast to coincide with the World War I Centenary commemorations. THE KETTERING INCIDENT Season 1 showcase Elizabeth Debicki, Matt Le Nevez, Anthony Phelan, Henry Nixon and Sacha Horler star in The Kettering Incident drama series.
    [Show full text]
  • ABC TV 2015 Program Guide
    2014 has been another fantastic year for ABC sci-fi drama WASTELANDER PANDA, and iview herself in a women’s refuge to shine a light TV on screen and we will continue to build on events such as the JONAH FROM TONGA on the otherwise hidden world of domestic this success in 2015. 48-hour binge, we’re planning a range of new violence in NO EXCUSES! digital-first commissions, iview exclusives and We want to cement the ABC as the home of iview events for 2015. We’ll welcome in 2015 with a four-hour Australian stories and national conversations. entertainment extravaganza to celebrate NEW That’s what sets us apart. And in an exciting next step for ABC iview YEAR’S EVE when we again join with the in 2015, for the first time users will have the City of Sydney to bring the world-renowned In 2015 our line-up of innovative and bold ability to buy and download current and past fireworks to audiences around the country. content showcasing the depth, diversity and series, as well programs from the vast ABC TV quality of programming will continue to deliver archive, without leaving the iview application. And throughout January, as the official what audiences have come to expect from us. free-to-air broadcaster for the AFC ASIAN We want to make the ABC the home of major CUP AUSTRALIA 2015 – Asia’s biggest The digital media revolution steps up a gear in TV events and national conversations. This year football competition, and the biggest football from the 2015 but ABC TV’s commitment to entertain, ABC’s MENTAL AS..
    [Show full text]
  • Download Thesisadobe
    Difficult Knowledge and Uncomfortable Pedagogies: student perceptions and experiences of teaching and learning in Critical Indigenous Australian Studies Marcelle Townsend-Cross (BA, SCU; MEd, UTS) A thesis submitted in fulfilment of requirements for the degree of Doctor of Philosophy Faculty of Arts and Social Sciences University of Technology Sydney 2018 ii Certificate of Original Authorship I, Marcelle Townsend-Cross declare that this thesis is submitted in fulfilment of the requirements for the award of Doctor of Philosophy in the Faculty of Arts and Social Sciences at the University of Technology Sydney. This thesis is wholly my own work unless otherwise referenced or acknowledged. In addition, I certify that all information sources and literature used are indicated in the thesis. This document has not been submitted for qualifications at any other academic institution. Signature: Production Note: Signature removed prior to publication. Date: 26th February 2018 iii Acknowledgements I owe my gratitude to the teachers and students who generously agreed to participate in my research. Their courageous and candid contributions provided rich and compelling insights that positively shaped my research in immeasurable ways. I am very grateful to Dr. Rick Flowers who expertly guided me through the research process with enthusiasm, mindfulness and patience. I am so very grateful and privileged to have been a recipient of the Jumbunna Postgraduate Research Scholarship. Many people have inspired and encouraged me throughout my candidature – family, friends and colleagues - and I am humbled by your consistent and persistent belief in me, especially during the times when I didn’t particularly believe in myself, thank you.
    [Show full text]
  • INDIGENOUS Tertiary Education Conference
    INDIGENOUS Tertiary Education Conference TRINITY COLLEGE 18 - 19 NOVEMBER 2016 PROUDLY PRESENTED BY FRONT COVER Image courtesy of the Hardy family WELCOME FROM TRINITY COLLEGE On behalf of Trinity College, the University of Melbourne it is my honour to welcome you to the 2016 inaugural Indigenous Tertiary Education Conference. We acknowledge that we live and learn on the land of the Wurundjeri People of the Kulin Nations. The conference takes place in Trinity College’s new Gateway building, which is a tangible expression of Trinity’s commitment to higher education and to providing transformative experiences for young people of any nationality, ethnicity, race or creed. Trinity’s Indigenous programs have been developing since 2001 and are set in the context of the College’s commitment to reconciliation with Indigenous communities. The imperative of these programs is to implement practical steps that make a real difference to the lives of students and the communities to which they belong. The first major step taken by Trinity was to establish the Bachelor of Arts Extended pathway program, in partnership with the Faculty of Arts, Murrup Barak, and other residential colleges. Last year, the Faculty of Science formed a similar Bachelor of Science Extended pathway program. These programs are a unique and successful pathway model for Indigenous students in Australia. Trinity College, in collaboration with the University of Melbourne, has established this conference as a forum for educators, researchers, policymakers, students and the community. The conference theme will explore transitions into and within tertiary education and after graduation. I welcome our Australian and international Indigenous and non-Indigenous colleagues.
    [Show full text]
  • Download the Press
    OTHER PEOPLE’S PROBLEMS| PRESS KIT Creators and writers - Penelope Chai & Jane Dickenson Director - Erin White Producer - Charlotte Seymour Executive Producer - Sue Maslin Facebook.com/opptheseries/ BILLING BLOCK A Seymour Films production in association with ABC TV, Screen Australia and Film Victoria. Additional financial support from Australia Post and distribution by Film Art Media. Creators and writers Penelope Chai & Jane Dickenson. Director Erin White. Producer Charlotte Seymour Executive Producer Sue Maslin. ABC Executive Producers Rick Kalowski and Andrew Gregory. CONTACT TECHNICAL INFORMATION Charlotte Seymour Country of Production AUSTRALIA SEYMOUR FILMS Year of Production 2017 28 Hall St Fairfield Vic 3078 Running Time 5 x 7 min eps Tel + 61 419 392 259 Ratio 16 x 9 Fax: +61 3 9417 7336 Language ENGLISH [email protected] Genre Drama/Comedy filmartmedia.com OTHER PEOPLE’S PROBLEMS| THE STORY TAGLINE Based on real people’s real problems and the letters that solved them. LOGLINE Reluctant copywriter and aspiring eco-warrior Florence embarks on a venture to ghost-write other people’s letters in exchange for second-hand clothing. SHORT SYNOPSIS Florence ghost-writes letters for people in exchange for clothes. Her bestie and housemate Ann is a life- saving paramedic. Florence is convinced that a well penned letter can also rescue situations, but solving other people’s problems is hard when her own keep getting in the way. SYNOPSIS Florence, a reluctant copywriter and aspiring eco-warrior, embarks on a venture to ghost-write other people's letters in exchange for second-hand clothing. Her bestie and housemate Ann is a life-saving paramedic, and Florence is determined to prove she’s equally adept at helping people.
    [Show full text]
  • Porter Susie.Pdf
    sue barnett & associates SUSIE PORTER TRAINING National Institute of Dramatic Art, 1995 FILM Mercy Road Abigail Arclight Films Dir: John Curran Transfusion Magistrate Deeper Water Films Dir: Matt Nable Gold Stranger One/ Rogue Star Productions Stranger Two Dir: Anthony Hayes Beverly (Short) Beverly Curious Films Dir: Roma D’Arrietta Ladies in Black Mrs Miles Samson Productions/The Ruskin Co. Dir: Bruce Beresford The Second Nina Sense and Centsability/STAN Dir: Mairi Cameron Sink (Short) Mother Roger Joyce Dir: Cloudy Rhodes Cargo Kay Causeway Films Dir: Ben Howling/Yolande Remke Don’t Tell Sue Scriven Tojohage Productions/ Scott Corfield Productions Dir: Tori Garrett Hounds of Love Maggie Maloney Factor 30 Films Dir: Ben Young A Priest in the Family (Short) Eileen Dir: Peter Humble/Anni Finsterer Is This the Real World Anna LAD Feature Film Pty Ltd Dir: Martin McKenna The Turning: On Her Knees Carol Arena Media Pty Ltd Dir: Ashlee Page Summer Coda Angela Revival Film Company Dir: Richard Gray Lonely Lonely’s Mum AFTRS The Caterpillar Wish Susan Dir: Sandra Scriberras Little Fish Jenny Porchlight Films Dir: Rowan Woods Teesh and Trude Teesh Dir: Melanie Rodrigues Better Than Sex Cynthia Better Than Sex Productions Dir: Jonathan Teplitsky Mullet Tully Porchlight Films Dir: David Caesar Star Wars: Episode II Hermione Bagwa Dir: George Lucas The Monkey’s Mask Jill Fitzpatrick Arena Film Dir: Samantha Lang Bootmen Sara Hilary Linstead and Associates Dir: Dein Perry Two Hands Deirdre Palm Beach Pictures Dir: Gregor Jordan Feeling Sexy Vicki Binnaburra Film Company Dir: Davida Allen Amy Anny Dir: Nadia Tass Welcome to Woop Woop Angie Dir: Stephen Elliott Paradise Road Oggi Dir: Bruce Beresford Idiot Box Betty Dir: David Caesar Mr.
    [Show full text]
  • DANGER CLOSE: the Battle of Long Tan PRODUCTION NOTES
    DANGER CLOSE: The Battle of Long Tan PRODUCTION NOTES PUBLICITY REQUESTS: Amy Burgess / National Publicity Manager, Transmission Films 02 8333 9000, [email protected] Images: High res images and poster available to download via the DOWNLOAD MEDIA tab at: https://www.transmissionfilms.com.au/films/danger-close Running Time: 118 mins Distributed in Australia by Transmission Films DANGER CLOSE: The Battle of Long Tan – Production Notes SHORT SYNOPSIS South Vietnam, late afternoon on August 18, 1966 - for three and a half hours, in the pouring rain, amid the mud and shattered trees of a rubber plantation called Long Tan, a dispersed company of 108 young and mostly inexperienced Australian and New Zealand soldiers are fighting for their lives, holding off an overwhelming enemy force of 2,500 battle hardened North Vietnamese soldiers. SYNOPSIS Based on a true story: DANGER CLOSE begins with Major Harry Smith [Travis Fimmel], the strict and highly motivated commander of Delta Company, 6th Battalion, Royal Australian Regiment, on operation in Nui Dat, Phuoc Tuy Province, Vietnam. Delta Company is made up four platoons; 10, 11 and 12 platoons and a Company HQ, a total of 108 men. Harry is a career officer and he has no time to ‘coddle’ or befriend the men in his company. He feels that ‘babysitting’ these young men - half of which are conscripts - is beneath his special forces skills and previous combat experience. But with a point to prove, Harry is keen to show what his men, and importantly, he can do to make the best of a harrowing situation.
    [Show full text]
  • Ftonews #201
    30 October 2006 Subject: FTONEWS #201 Date: 30 October 2006 From: ftonews <[email protected]> Conversation: FTONEWS #201 --------------------------------------------------------------------------------------------------------------------- FTONEWS #201: --------------------------------------------------------------------------------------------------------------------- FTO’S STACKS OF FACTS 06/07 NOW AVAILABLE This comprehensive listing of location bodies and authorities in NSW contains contact details, filming policies, fee schedules and other important information for a variety of locations and the authorities that control them: state, local, federal and private. The FTO strongly recommends locations managers and production managers take advantage of this free resource. Each section is also available for download from the FTO website at: http://filming.fto.nsw.gov.au/content.asp?content=10&Id=36 To obtain a hard copy, contact: Aden Rolfe – Locations Database Officer PH: 02-9264-6400 Email: [email protected] --------------------------------------------------------------------------------------------------------------------- NSW CELEBRATES OVER 50 AFI NOMINATIONS NSW productions supported by the New South Wales Film & Television Office (FTO) have received more than 50 nominations in the AFI Awards. Jane Smith, Chief Executive of the FTO: “This is a stunning result for the New South Wales film and television industry. The FTO congratulates all of the NSW nominees and wishes them well for the AFI Awards in December.” CANDY, which
    [Show full text]