DOCSLIB.ORG

Index to Academy Oral Histories Gene Fowler, Jr. and Marjorie Fowler

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Index to Academy Oral Histories Gene Fowler, Jr. and Marjorie Fowler Gene Fowler, Jr. (Film editor, Director) and Marjorie Fowler (Film editor) Call number: OH111 Academy of Motion Picture Arts and Sciences, 67 acting, 51-52, 203, 210-214, 262-263 Adelson, Merv, 266 ALCAN HIGHWAY, 75 ALL THAT JAZZ, 41-42 Allen, Dede, 20-21 American Airlines, 286 AMERICAN BEAUTY (television film), 250 American Cinema Editors (A.C.E.), 8-9, 14-15 American Film Institute, 23-24 American International Pictures, 174 Americas Cup, 4 Anderson, Leonard, 84 Andrews, Dana, 215-216 ANGEL BABY, 237 Arkoff, Samuel Z., 174 THE ARMY-NAVY SCREEN MAGAZINE, 79, 82-83, 127-128, 135 art direction, 169-170 Arthur, Art, 77 THE ATOM STRIKES, 96-99, 130 atomic bomb, 96-99, 130 ATTACK IN THE PACIFIC, 75-76 Austin, William, 187 THE AUTOBIOGRAPHY OF A JEEP, 74-75 Aylesworth, John, 116 Backus, Jim, 116 Bagni, Gwen, 260 Baker, Bobby, 288 Baldridge, Frank, 284-285 Barrymore, John, 248 Barsha, Leon, 14-15 Bauchens, Anne, 19 BEAT THE DEVIL, 46-48 Beckford, William, 29 Beckwith, Frank, 75 BEN CASEY (television series), 246 Bennett, Joan, 205, 209, 276 Bergen, Edgar, 253 Berlin, Dick, 5 Berman, Henry, 79, 84 Beverly Hills High School, 6 BEYOND A REASONABLE DOUBT, 206, 207, 214-215, 218, 221-223, 226-227 THE BIG RED ONE, 103-104, 266-268 BILLY THE KID (1941), 79 BINARY, 264 Biroc, Joseph, 102 Bischoff, Robert, 268 Bissell, Whit, 173 blacklisting, 219, 252-255 Blau, Louis, 258 THE BLUE GARDENIA, 219 THE BLUE KNIGHT (television series), 33 THE BLUEBIRD (1940), 273-274 Boemler, George, 108-111 Bogart, Humphrey, 46 Bonfils, _____, 4 Booth, Margaret, 19-20, 28 Brahm, John, 208 Brandt, Byron "Buzz", 261-264 Brecht, Bertolt, 55 Breon, Edmond, 211-212 Bretherton, David, 262 Brisbane, Arthur, 65 Bronson, Charles, 157-158, 282 Brooks, Richard, 55, 145, 229-243 Bryant, Edward, 123 campaign films, 286-293 Campion, Clifford, 249 Candell, Aben, 174-175 Capra, Frank, 90, 140 Carradine, John, 157-158, 166 Carrere, Edward, 114 Carruth, Milton, 40 Carruth, Richard "Slip", 61 Cassavetes, John, 243-246, 248-249 censorship, 233-234, 241, 276 censorship (military), 97-98 Chaplin, Charles, 247 Chartoff, Robert, 30 A CHILD IS WAITING, 60, 243-246, 248-249 CHINA GATE, 100-102, 104-108 CHINA SMITH (television series), 178-180 Chodorov, Jerome, 139 CHOICE (Goldwater campaign film), 286-293 Cinema Center Films, 48, 117 CinemaScope, 140-143, 147 Clark, Al, 39-40 Clark, Carroll, 218 CLASH BY NIGHT, 214 Clayburgh, Jill, 262-263 Cohen, Emanuel, 91-92, 135-136, 139 Cohen, Herman, 13, 63, 174, 176 Columbia Broadcasting System (CBS), 48, 116-117 combat photography, 124-125, 132-133 Comden, Betty, 260 CONQUEST OF THE PLANET OF THE APES, 225-226, 258-259 CONTINENTAL SHOWCASE (television series), 116-117 Cook, Fielder, 189 Cooke, Alistair, 143 Cord, Alex, 279 Corman, Gene, 103, 267 Cortez, Stanley, 144 CRACKING UP, 23 CRIME OF PASSION, 63 Crouch, William, 85 DAS BOOT, 160, 181 Davies, Marion, 5 Davis, Harry, 198 Day, Doris, 151-153 Day, Richard, 276 DEAD PIGEON ON BEETHOVEN STREET, 65 DeLuxe Laboratory (New York), 124 DESERT VICTORY, 128 directing, 9-10, 44-46, 154-167, 169-195, 204, 278-286 Directors Guild of America, 67 documentary film, 70-81, 91-95 Dods, Hector, 36 Dolan, Robert, 143 Douglas, Michael, 262-263 DRAGNET (television series), 42-43 Dunlap, Paul, 166 Dunn, Linwood, 104 Dunne, Philip, 89 Dunning, Jack, 29 Dwan, Alan, 59 E & L Productions, 187 EASY TO GET, 138-139 Eddie Awards (A.C.E. Awards), 8-9 editing, 7-12, 14-19, 28-35, 37-39, 41-46, 49-54, 55-56, 106-108, 163-164, 212, 221 editing -- assistant editors, 21-22, 109-110 editing -- changing styles, 41-44, 146-147, 268-269, 274-275 editing -- changing technologies, 119-121 editing -- closeups, 39, 167, 169 editing -- and comedy, 150-152 editing -- continuity, 56-59, 111-112, 180 editing -- crossing proscenium line, 37-39 editing -- "cutting in the camera", 208 editing -- editors becoming directors, 181 editing -- English method, 119 editing -- extending real time, 240 editing -- film length, 52-53 editing -- magnetic sound track, transition to, 17-19, 141 editing -- matching action, 203-204, 209-210 editing -- mistakes, 59, 236 editing -- narrative structure, 193-195 editing -- negative cutting, 19 editing -- optical effects, 43-44, 104-105, 113-114, 146-147, 236, 268-269 editing -- reel changeovers, 148-149 editing -- silent film, 31-32, 61-62 editing -- subliminal editing, 60-61, 244 editing -- television versus film, 256-257 editing -- by women, 19-21 editing -- working with directors, 9-10, 12, 38-39 Edwards, Mac, 277 Einfeld, Richard, 285 Eisenstein, Sergei, 50-51 Elmer Gantry (Lewis), 237-238 ELMER GANTRY, 54-55, 114-115, 145, 228-243 Ennis, Charles, 108-109 Faye, Alice, 51 Fazan, Adrienne, 19-20 Fields, Sammy, 217 Fields, Verna, 21, 28, 217-218 THE FIGHT FOR LIFE, 87 film schools, 22-25 A FINE PAIR, 117 FLAMING STAR, 252 Fonda, Henry, 38 Ford, Francis, 159 Ford, John, 38-39, 59, 126-127, 129, 159, 163 Fowler, Gene (father), 4-7, 65, 90, 95-96, 120-121, 284 Fowler, Will (brother), 6-7, 254, 286 Foxworth, Robert, 153 Fraker, William, 48-49 Freud, Sigmund, 199 Friedlob, Bert, 206, 214-216 Fritch, Richard, 129-130 FROM HELL TO TEXAS, 20, 227-228 Fuller, Samuel, 64-66, 99-108, 266-268 "The G.I. Movie Weekly", 135 GANG WAR, 161, 275-276, 277-285 Garland, Judy, 249 Garnier, Vic, 81-82, 105, 122-123 Geisel, Theodor, 82 General Service Studio, 53-54, 69, 206-207 Gerard, Bernard, 187 Gerstad, Harry, 286 Gibsone, Mary, 57-59, 180 Gilbert, Herschel Burke, 216 Gimbel, Roger, 116 Gittens, George, 13-14, 174 Glass, Ned, 188 Glasser, Bernard, 117-118 Goldstein, Robert, 63 Goldstone, Tobias Agency, 252 Goldwater, Barry, 286-293 GONE WITH THE WIND, 274 Grable, Betty, 51 Gray, Johnny, 32 THE GREAT TRAIN ROBBERY (1905), 51 Green, Adolph, 260 Grenville, George, 231 Griffith, D. W., 58, 62 Guilfoyle, Paul, 271 THE GUNS OF NAVARONE, 259 Hackenschmied, Alexander, 86-87, 94-95 Hagmann, Stuart, 30, 224 Hall, Ken, 64 "The Hallmark Hall of Fame", 249-251 Hamner, Earl, 265 HANG 'EM HIGH, 39, 241 HANGMEN ALSO DIE, 11, 53-54, 55, 199-200, 206-207, 211, 218-219, 220 Harris, Albert, 166 Harrison, Dean, 102, 106 Hathaway, Henry, 20, 227-228 Hayes, Ira, 60-61 Hearst, William Randolph, 4-6 Hecht, Ben, 5 Hecht, Harold, 20, 110, 113, 262 HEIDI (television film), 251 Heim, Alan, 42 Hellman, Sam, 217 HERE COME THE JETS, 285-286 Hill, Steven, 244-245 Hilton, Arthur, 214 HIS GIRL FRIDAY, 275 Hitchcock, Alfred, 192, 212 Holman, [William S.], 83-84 Holzgang, Conrad, 249 THE HOMECOMING (television film), 264-265 The Hoods Take Over (Demaris), 275-276 Hopkins, Ann, 249-250 Hopper, Dennis, 227-228 Hornbeck, William, 29, 32, 40 Howard, Eugene and Willie, 82 Howard, John, 247 Hughes, Mary Beth, 36 THE HUNT FOR RED OCTOBER, 160-161 Huston, John, 46-47 HYMN OF THE NATIONS, 88 I MARRIED A MONSTER FROM OUTER SPACE, 156, 162, 164-165, 166, 184-186, 191 I WAS A TEENAGE WEREWOLF, 13, 159-160, 162, 172-178, 180-181 INTOLERANCE, 58 Issacs, Don, 26 IT'S A MAD, MAD, MAD, MAD WORLD, 246-247, 293 IT'S MY TURN, 261-264 Jacks, Robert, 265 Jacobs, Arthur, 258 Jam Handy Picture Service, Inc., 126-127 Jens, Salome, 237 JOHN GOLDFARB PLEASE COME HOME, 224-225 Johnson, Lyndon B., 286-293 Johnson, Nunnally (Marjorie Fowler's father), 4, 6-8, 10, 16-18, 40-41, 46, 63, 100-101, 143-145, 147-149, 182-183, 195-197, 205, 209, 210, 224, 226, 252 Jolley, I. Stanford, 166 Katz, Sid, 44 Kaufman, George S., 40-41 Keaton, Buster, 246-248 Kemplin, Ralph, 47 KILLING, THE (1956), 193 Kline, Herbert, 72-74 Knight, Arthur, 259, 290 Knox, Harold, 12-13, 183-184, 283 Koster, Henry, 20, 221 Kramer, Stanley, 60, 243-247, 254, 293 labor unions, 20, 21-22, 66-69 LADY IN A CAGE, 15 Lancaster, Burt, 55, 112-113, 229, 231-232, 235, 249 Lang, Fritz, 10-12, 36-37, 53-54, 69-71, 74, 99-100, 127, 161, 172, 181, 192-193, 195-227, 268-273, 282 LaShelle, Joseph, 174 Laszlo, Ernest, 220-221 Lee, Anna, 211 Legion of Decency, 233-234, 241 Leonard, John, 20 Lerner, Irving, 53, 74-76, 88-89 Lerner, Joseph, 75 LET THERE BE LIGHT, 70-71, 78, 80 Levathes, Peter, 27 Levin, Peter, 249 Levitt, Helen, 75 Lewis, Sinclair, 237-238 "Lillian's" (Hollywood coffee shop), 69-70 LIMELIGHT, 247 Lippert, Robert, 12-14, 140, 153-154, 182, 252-255, 275, 282, 293-294 location shooting, 212-213, 279-280 Loeffler, Louis, 13-14 Lorentz, Pare, 87, 92 Lorimar Productions, 103-104, 264-268 Love, Cecil, 104 LOVER COME BACK, 149-153 Lyons, Earle, 153, 166, 187 M (1930), 200 MacArthur, Charles, 5, 40-41 McCrorie, Alma, 19 MacGowan, Kenneth, 36-37, 271-272 MacLane, Bart, 271 McLean, Barbara, 16, 28, 59, 225 McManus, John, 69 MacMurray, Fred, 182 McNeil, Allen, 31-32, 35, 61-62, 268 MacPherson, Aimee Semple, 236-237 THE MAGNIFICENT AMBERSONS, 45 Mahin, Graham, 287-291, 292 Maibaum, Richard, 139 A MAN CALLED HORSE, 106-107, 129 MAN CRAZY, 53 MAN HUNT, 213, 268-273, 276-277, 282 Mann, Abby, 243-244 Mann, Delbert, 110, 113, 149-153 March, Joseph Moncure, 75-76 Marks, Gertrude Ross, 71-74 THE MARVA COLLINS STORY (television film), 145, 240, 249-251, 256-257 Marvin, Lee, 48 Maselli, Francesco, 117 MEDIUM COOL, 49 MICKEY, 31-32 Milford, Gene, 44 Miller, David (art director), 187 Miller, David (director), 77, 78-80, 151 Mintz, Robert, 109 MISSISSIPPI BURNING, 191 Monogram Studios, 58 MONTE WALSH, 48-49 Montiel, Sarita, 105 Moreau, Jeanne, 48 Morrow, Douglas, 223 Motion Picture Film Editors (IATSE), 20, 21-22, 68-69 music in films, 63-64, 273-274 THE NAKED HILLS, 175 National Screen Service, 232 Newman, Alfred, 64, 273-274 Newman, Lionel, 63-64 Newman, Paul, 228 newsreels, 69-70
Recommended publications
  • Pr-Dvd-Holdings-As-Of-September-18

    Pr-Dvd-Holdings-As-Of-September-18

    CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd.
  • 6 X 10.5 Three Line Title.P65

    6 X 10.5 Three Line Title.P65

    Cambridge University Press 978-1-107-00309-5 - Entertainment Industry Economics: A Guide for Financial Analysis, Eighth Edition Harold L. Vogel Index More information Index A&M Records, 279–280n A. C. Nielson, 159n, 290–291, 312n ABC Accounting Principles Board Opinion 16, affiliate compensation relationships, 315n 225n commercial availability expansion, 317n Actors Equity Association, 256–257 Disneyland and, 509 Adams, J. A., 509 distribution by, 58n The Addams Family, 499–501n history of, 296, 315n ADI (area of dominant influence), 563 holdings, 295 Advance, 564 mergers & acquisitions, 296 Adventures of Pluto Nash, 207t multi-advertiser reach-based business model, Advertising 316n billing, 63n production interests, 107n complementary view of, 53 sports broadcasting by, 465–466n economic, business aspects, 54f, 53–54, 54f, television revenue growth, 224n 55, 63n television series compensation agreements, functionality, 52, 63n 239n history of, 62–63n ABC Pictures, 233n informative view of, 53, 63n Above-the-line costs Internet rates, 62n defined, 563 media industry spending, 51, 52t movie industry production, 125 overview, 51f, 52t, 51–52, 62–63n Accounting for Motion Picture Films (AICPA), persuasive view of, 53 179 Affiliate, 564 627 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-00309-5 - Entertainment Industry Economics: A Guide for Financial Analysis, Eighth Edition Harold L. Vogel Index More information 628 Index AGB Research, 312n revenues, 510t, 509–510, 512f, 519–520n Aggregate,
  • 13489 Hon. George Radanovich Hon. Roscoe G. Bartlett Hon. Sam Graves

    13489 Hon. George Radanovich Hon. Roscoe G. Bartlett Hon. Sam Graves

    July 20, 2010 EXTENSIONS OF REMARKS, Vol. 156, Pt. 10 13489 accomplishments with the Mid-Continent Pub- until a major fundraising effort was initiated in Mr. Saum is also a strong supporter of lic Library System and in wishing him the best 2007. The restoration process took almost green technologies both in commercial trucks of luck in the years to come. three years and cost 1.5 million dollars to as well as dealership fixed operations. His in- f complete. novative business approach is exemplified in Today, Sierra No. 3 is fully repaired, re- his ‘‘A New Truck is a Green Truck’’ initiative HONORING SIERRA NO. 3 stored and ready for its debut. The locomotive which focuses on environmentally friendly is housed at the original Historic Jamestown truck technologies. With support from the Na- HON. GEORGE RADANOVICH Shops and Roundhouse (now Railtown 1897 tional Automobile Dealers Association, NADA, OF CALIFORNIA State Historic Park). Railtown 1897 operates, and Navistar, Mr. Saum has led efforts to edu- IN THE HOUSE OF REPRESENTATIVES preserves and interprets one of just two re- cate public officials about the environmental Tuesday, July 20, 2010 maining, fully intact and still functioning steam- and fuel efficiency advantages of new truck era shortline railroad roundhouse complexes design improvements with a focus on new die- Mr. RADANOVICH. Madam Speaker, I rise in the United States. With the dedication of sel-powered trucks, diesel-electric hybrid today to commend and congratulate the many volunteers and partnerships, Sierra No. trucks, auxiliary power units, APUs, and ret- Railtown 1897 State Historic Park volunteers 3, originally built almost 120 years ago, will be rofit programs.
  • Motion Picture Posters, 1924-1996 (Bulk 1952-1996)

    Motion Picture Posters, 1924-1996 (Bulk 1952-1996)

    http://oac.cdlib.org/findaid/ark:/13030/kt187034n6 No online items Finding Aid for the Collection of Motion picture posters, 1924-1996 (bulk 1952-1996) Processed Arts Special Collections staff; machine-readable finding aid created by Elizabeth Graney and Julie Graham. UCLA Library Special Collections Performing Arts Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm The Regents of the University of California. All rights reserved. Finding Aid for the Collection of 200 1 Motion picture posters, 1924-1996 (bulk 1952-1996) Descriptive Summary Title: Motion picture posters, Date (inclusive): 1924-1996 Date (bulk): (bulk 1952-1996) Collection number: 200 Extent: 58 map folders Abstract: Motion picture posters have been used to publicize movies almost since the beginning of the film industry. The collection consists of primarily American film posters for films produced by various studios including Columbia Pictures, 20th Century Fox, MGM, Paramount, Universal, United Artists, and Warner Brothers, among others. Language: Finding aid is written in English. Repository: University of California, Los Angeles. Library. Performing Arts Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library, Performing Arts Special Collections.
  • CUISINE ) ' T • , / 20HAMILTON STREET / " > Payerson,N.•

    Payerson,N.•" class="text-overflow-clamp2"> CUISINE ) ' T • , / 20HAMILTON STREET / " > Payerson,N.•

    WEEK'S c PLETE TELEVISION PROGRAMS THE 'UNDAY NORTH JERSEY'S ONLY WEEKLY PICTORIAL MAGAZINE ß ß ß 1own and Country ..: Dinincj :. .....':--% :'"'.:.:.;:..;i :':•::;:::: Your Sensational Taste Buds ,;½. -•.';.ß ...... ... .... ß .•:½•':..:"':.:..:'::•,-.• :' :..--:';:.•:::::'•¾:;:':.;:!'"..:::'.':, :.'/•;'""'•'•:•;:i:•:;';;::.::':.:'-;..'•..:.... Who Rates The Nod ....;i'.•.. s Manacjer, 19607 ß I• It Too Late To Win The Ficjht Acjainst Communism? Complete .:..-'.:.i:?,i. ß.. :-2-•' 4>:. Short Story [..; ?•':"::' JOHNSON AND NIXON VISIT NEW JERSEY {)CTOBER 9, 1960 VOL. XXXII, No. 41 435 STRAIGHT STREET PA'F!r•SON, N.•. MUlberry 4-7880 Gift Department Living Rooms Bedrooms-- Bedding Dining Rooms Furnihlre Accessories C•rpeting Appliances ZITO STUDIOS COMMERCIAL .. NEWS .- PORTRAIT RUSSELL ZITO, Photographer 'KLONDIKE'-- The new, half-hourseries of filmedadventure SWarthmore 6-0104 dramasbased on the greatgold rush in the YukonTerritory at the turn of the century, premieres as an NBC-TV Network Mon- day night entry in the Fall. Based on Pierre Bertoffs authorita- 10-16 Fair Lawn Avmme tive book,"The Klondike Fever," the "Klondike" serieswill have fourco-stars: Joi Lansing(left), RalphTaeger, Mari Blanchard, andJames Coburn (not pictured).William Conrad is the producer. I. PARRILLO TheMan from Equitable asks- Willyou leave your famiiy a home --or a mortgage? THeODDS that you w'.'ll die before' you pay off your mortgageare 16 timesgreater than .•.thechance your housewill catch fire. Yet, most prudent families wouldn'tthink of beingwithout fire insurance.Why be without mortgageinsurance? Equitable'sremarkable mortgage repayment insur- anceplan protectsyour family againstforced sale... lossof savings...or lossof home. Costsare low for this basicprotection. For full informationcall... I. PARRILLO 200 EAST •IDG -Ke•OOD AVENUE Ril)6•OOD, N. a.
  • Dead Zone Back to the Beach I Scored! the 250 Greatest

    Dead Zone Back to the Beach I Scored! the 250 Greatest

    Volume 10, Number 4 Original Music Soundtracks for Movies and Television FAN MADE MONSTER! Elfman Goes Wonky Exclusive interview on Charlie and Corpse Bride, too! Dead Zone Klimek and Heil meet Romero Back to the Beach John Williams’ Jaws at 30 I Scored! Confessions of a fi rst-time fi lm composer The 250 Greatest AFI’s Film Score Nominees New Feature: Composer’s Corner PLUS: Dozens of CD & DVD Reviews $7.95 U.S. • $8.95 Canada �������������������������������������������� ����������������������� ���������������������� contents ���������������������� �������� ����� ��������� �������� ������ ���� ���������������������������� ������������������������� ��������������� �������������������������������������������������� ����� ��� ��������� ����������� ���� ������������ ������������������������������������������������� ����������������������������������������������� ��������������������� �������������������� ���������������������������������������������� ����������� ����������� ���������� �������� ������������������������������� ���������������������������������� ������������������������������������������ ������������������������������������� ����� ������������������������������������������ ��������������������������������������� ������������������������������� �������������������������� ���������� ���������������������������� ��������������������������������� �������������� ��������������������������������������������� ������������������������� �������������������������������������������� ������������������������������ ��������������������������
  • The Department of Justice and the Limits of the New Deal State, 1933-1945

    The Department of Justice and the Limits of the New Deal State, 1933-1945

    THE DEPARTMENT OF JUSTICE AND THE LIMITS OF THE NEW DEAL STATE, 1933-1945 A DISSERTATION SUBMITTED TO THE DEPARTMENT OF HISTORY AND THE COMMITTEE ON GRADUATE STUDIES OF STANFORD UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Maria Ponomarenko December 2010 © 2011 by Maria Ponomarenko. All Rights Reserved. Re-distributed by Stanford University under license with the author. This work is licensed under a Creative Commons Attribution- Noncommercial 3.0 United States License. http://creativecommons.org/licenses/by-nc/3.0/us/ This dissertation is online at: http://purl.stanford.edu/ms252by4094 ii I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. David Kennedy, Primary Adviser I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. Richard White, Co-Adviser I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. Mariano-Florentino Cuellar Approved for the Stanford University Committee on Graduate Studies. Patricia J. Gumport, Vice Provost Graduate Education This signature page was generated electronically upon submission of this dissertation in electronic format. An original signed hard copy of the signature page is on file in University Archives. iii Acknowledgements My principal thanks go to my adviser, David M.
  • Complicated Views: Mainstream Cinema's Representation of Non

    Complicated Views: Mainstream Cinema's Representation of Non

    University of Southampton Research Repository Copyright © and Moral Rights for this thesis and, where applicable, any accompanying data are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis and the accompanying data cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content of the thesis and accompanying research data (where applicable) must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holder/s. When referring to this thesis and any accompanying data, full bibliographic details must be given, e.g. Thesis: Author (Year of Submission) "Full thesis title", University of Southampton, name of the University Faculty or School or Department, PhD Thesis, pagination. Data: Author (Year) Title. URI [dataset] University of Southampton Faculty of Arts and Humanities Film Studies Complicated Views: Mainstream Cinema’s Representation of Non-Cinematic Audio/Visual Technologies after Television. DOI: by Eliot W. Blades Thesis for the degree of Doctor of Philosophy May 2020 University of Southampton Abstract Faculty of Arts and Humanities Department of Film Studies Thesis for the degree of Doctor of Philosophy Complicated Views: Mainstream Cinema’s Representation of Non-Cinematic Audio/Visual Technologies after Television. by Eliot W. Blades This thesis examines a number of mainstream fiction feature films which incorporate imagery from non-cinematic moving image technologies. The period examined ranges from the era of the widespread success of television (i.e.
  • Film Soleil 28/9/05 3:35 Pm Page 2 Film Soleil 28/9/05 3:35 Pm Page 3

    Film Soleil 28/9/05 3:35 Pm Page 2 Film Soleil 28/9/05 3:35 Pm Page 3

    Film Soleil 28/9/05 3:35 pm Page 2 Film Soleil 28/9/05 3:35 pm Page 3 Film Soleil D.K. Holm www.pocketessentials.com This edition published in Great Britain 2005 by Pocket Essentials P.O.Box 394, Harpenden, Herts, AL5 1XJ, UK Distributed in the USA by Trafalgar Square Publishing P.O.Box 257, Howe Hill Road, North Pomfret, Vermont 05053 © D.K.Holm 2005 The right of D.K.Holm to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of the publisher. Any person who does any unauthorised act in relation to this publication may beliable to criminal prosecution and civil claims for damages. The book is sold subject tothe condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated, without the publisher’s prior consent, in anyform, binding or cover other than in which it is published, and without similar condi-tions, including this condition being imposed on the subsequent publication. A CIP catalogue record for this book is available from the British Library. ISBN 1–904048–50–1 2 4 6 8 10 9 7 5 3 1 Book typeset by Avocet Typeset, Chilton, Aylesbury, Bucks Printed and bound by Cox & Wyman, Reading, Berkshire Film Soleil 28/9/05 3:35 pm Page 5 Acknowledgements There is nothing
  • Hollywood Loving

    Hollywood Loving

    HOLLYWOOD LOVING Kevin Noble Maillard* INTRODUCTION It is no coincidence that Guess Who’s Coming to Dinner1 was released the same year that Loving v. Virginia2 was decided: 1967. It was the first time in American history that interracial marriage was collectively recognized as a legitimate, intimate choice between two adults. This public exposition of racial intermixture exposed a collective memory of racial heterogeneity previously treated in law and popular culture as suspect. Collectively, there were few possibilities, expressions, or affirmative realizations of interracially intimate culture before 1967. Some cases, like McLaughlin v. Florida3 and Perez v. Sharp,4 successfully overturned discriminatory laws targeting interracial couples, but the vast majority, like Naim v. Naim,5 upheld them. * Professor of Law, Syracuse University. Thank you to the student editors of the Fordham Law Review and to the Fordham Professors Robin Lenhardt and Tanya Katerí Hernández for organizing the Symposium entitled Fifty Years of Loving v. Virginia and the Continued Pursuit of Racial Equality held at Fordham University School of Law on November 2–3, 2017. Additional thanks to my excellent Symposium panel for the discussion: Solangel Maldonado, Nancy Buirski, Leora Eisenstadt, and Regina Austin. And thank you to Rose Cuison Villazor, Darren Rosenblum, and Bridget Crawford for their insight, encouragement, and expertise. For an overview of the Symposium, see R.A. Lenhardt, Tanya K. Hernández & Kimani Paul- Emile, Foreword: Fifty Years of Loving v. Virginia and the Continued Pursuit of Racial Equality, 86 FORDHAM L. REV. 2625 (2018). 1. GUESS WHO’S COMING TO DINNER (Columbia Pictures 1967) (starring Sidney Poitier, Spencer Tracy, Katharine Hepburn, and Katharine Houghton).
  • Milestones in NZ Sexual Health Compiled by Margaret Sparrow

    Milestones in NZ Sexual Health Compiled by Margaret Sparrow

    MILESTONES IN NEW ZEALAND SEXUAL HEALTH by Dr Margaret Sparrow For The Australasian Sexual Health Conference Christchurch, New Zealand, June 2003 To celebrate The 25th Annual General Meeting of the New Zealand Venereological Society And The 25 years since the inaugural meeting of the Society in Wellington on 4 December 1978 And The 15th anniversary of the incorporation of the Australasian College of Sexual Health Physicians on 23 February 1988 TABLE OF CONTENTS Pg Acknowledgments 3 Foreword 4 Glossary of abbreviations 5 Chapter 1 Chronological Synopsis of World Events 7 Chapter 2 New Zealand: Milestones from 1914 to the Present 11 Chapter 3 Dr Bill Platts MBE (1909-2001) 25 Chapter 4 The New Zealand Venereological Society 28 Chapter 5 The Australasian College 45 Chapter 6 International Links 53 Chapter 7 Health Education and Health Promotion 57 Chapter 8 AIDS: Milestones Reflected in the Media 63 Postscript 69 References 70 2 ACKNOWLEDGMENTS Dr Ross Philpot has always been a role model in demonstrating through his own publications the importance of historical records. Dr Janet Say was as knowledgeable, helpful and encouraging as ever. I drew especially on her international experience to help with the chapter on our international links. Dr Heather Lyttle, now in Perth, greatly enhanced the chapter on Dr Bill Platts with her personal reminiscences. Dr Gordon Scrimgeour read the chapter on the NZVS and remembered some things I had forgotten. I am grateful to John Boyd who some years ago found a copy of “The Shadow over New Zealand” in a second hand bookstore in Wellington. Dr Craig Young kindly read the first three chapters and made useful suggestions.
  • Military Sanitation

    Military Sanitation

    DEPARTMENT OF THE m n .ARMY FIELD MANUAL DEPARTMENT OF THE AIR FORCE MANUAL MILITARY SANITATION DEL-AWARE NATIONA;-GUIJARD ACADEM- STATr AWi{,,TC i3y WILMINGIQN, DELAWARE DEPARTMENTS OF THE ARMY AND THE AIR FORCE MAY 1951 *FM 21-10/AFM160-46 FIELD MANUAL DEPARTMENTS OF THE ARMY No. 21-10 AND THE AIR FORCE AIR FORCE MANUAL No. 160-46 )WASHINGTOx 25, D. C., 6 May 1957 MILITARY SANITATION Paragraph Page CHAPTER 1. INTRODUCTION Section I. General ---------------------- 1-3 4 II. Responsibility for Military Sani- 4-8 5 tation. CHAPTER 2. CONTROL OF COMMUNI- CABLE DISEASES Section I. General .-. ..................9-22 9 II. Diseases of Military Importance_ 23-40 19 CHAPTER 3. FIELD WATER SUPPLY Section I. General -..................... 41-47 34 II. Water Reconnaissance -------- 48 52 42 III. Field Water Purification ------ 53-59 45 CHAPTER 4. IMPROVISED SANITARY DEVICES Section I. General ...-......... 60, 61 57 ]I. Water Heaters .--------- 62-66 57 III. Mess Gear Washing Devices --- 67-69 65 IV. Handwashing devices -- - 70, 71 67 V. Shower Facilities -------------- 72, 73 69 CHAPTER 5. WASTE DISPOSAL Section I. General---------------------- 74-76 72 11I. Human Wastes..-...... 77-85 73 III. Liquid Wastes ---------------- 86-88 87 IV. Garbage ..-.......... 89-93 93 V. Rubbish ------------ 94-96 97 *This manual supersedes FM 21-10. 5 July 1945. ineluding C 1, 27 November 1945, and C 2,.15 January 1946. AGO 5609C-April 1 Paragralph Page CHAPTER 6. KITCHEN AND MESS SANI- TATION Section I. General -................ 97, 98 09 II. Food Inspection -------- - 99-105 100 III. Handling and Storage of Food_-_ 106-111 104 IV.