Index to Academy Oral Histories Gene Fowler, Jr. and Marjorie Fowler

Gene Fowler, Jr. (Film editor, Director) and Marjorie Fowler (Film editor) Call number: OH111 Academy of Motion Picture Arts and Sciences, 67 acting, 51-52, 203, 210-214, 262-263 Adelson, Merv, 266 ALCAN HIGHWAY, 75 ALL THAT JAZZ, 41-42 Allen, Dede, 20-21 American Airlines, 286 AMERICAN BEAUTY (television film), 250 American Cinema Editors (A.C.E.), 8-9, 14-15 American Film Institute, 23-24 American International Pictures, 174 Americas Cup, 4 Anderson, Leonard, 84 Andrews, Dana, 215-216 ANGEL BABY, 237 Arkoff, Samuel Z., 174 THE ARMY-NAVY SCREEN MAGAZINE, 79, 82-83, 127-128, 135 art direction, 169-170 Arthur, Art, 77 THE ATOM STRIKES, 96-99, 130 atomic bomb, 96-99, 130 ATTACK IN THE PACIFIC, 75-76 Austin, William, 187 THE AUTOBIOGRAPHY OF A JEEP, 74-75 Aylesworth, John, 116 Backus, Jim, 116 Bagni, Gwen, 260 Baker, Bobby, 288 Baldridge, Frank, 284-285 Barrymore, John, 248 Barsha, Leon, 14-15 Bauchens, Anne, 19 BEAT THE DEVIL, 46-48 Beckford, William, 29 Beckwith, Frank, 75 BEN CASEY (television series), 246 Bennett, Joan, 205, 209, 276 Bergen, Edgar, 253 Berlin, Dick, 5 Berman, Henry, 79, 84 Beverly Hills High School, 6 BEYOND A REASONABLE DOUBT, 206, 207, 214-215, 218, 221-223, 226-227 THE BIG RED ONE, 103-104, 266-268 BILLY THE KID (1941), 79 BINARY, 264 Biroc, Joseph, 102 Bischoff, Robert, 268 Bissell, Whit, 173 blacklisting, 219, 252-255 Blau, Louis, 258 THE BLUE GARDENIA, 219 THE BLUE KNIGHT (television series), 33 THE BLUEBIRD (1940), 273-274 Boemler, George, 108-111 Bogart, Humphrey, 46 Bonfils, _____, 4 Booth, Margaret, 19-20, 28 Brahm, John, 208 Brandt, Byron "Buzz", 261-264 Brecht, Bertolt, 55 Breon, Edmond, 211-212 Bretherton, David, 262 Brisbane, Arthur, 65 Bronson, Charles, 157-158, 282 Brooks, Richard, 55, 145, 229-243 Bryant, Edward, 123 campaign films, 286-293 Campion, Clifford, 249 Candell, Aben, 174-175 Capra, Frank, 90, 140 Carradine, John, 157-158, 166 Carrere, Edward, 114 Carruth, Milton, 40 Carruth, Richard "Slip", 61 Cassavetes, John, 243-246, 248-249 censorship, 233-234, 241, 276 censorship (military), 97-98 Chaplin, Charles, 247 Chartoff, Robert, 30 A CHILD IS WAITING, 60, 243-246, 248-249 CHINA GATE, 100-102, 104-108 CHINA SMITH (television series), 178-180 Chodorov, Jerome, 139 CHOICE (Goldwater campaign film), 286-293 Cinema Center Films, 48, 117 CinemaScope, 140-143, 147 Clark, Al, 39-40 Clark, Carroll, 218 CLASH BY NIGHT, 214 Clayburgh, Jill, 262-263 Cohen, Emanuel, 91-92, 135-136, 139 Cohen, Herman, 13, 63, 174, 176 Columbia Broadcasting System (CBS), 48, 116-117 combat photography, 124-125, 132-133 Comden, Betty, 260 CONQUEST OF THE PLANET OF THE APES, 225-226, 258-259 CONTINENTAL SHOWCASE (television series), 116-117 Cook, Fielder, 189 Cooke, Alistair, 143 Cord, Alex, 279 Corman, Gene, 103, 267 Cortez, Stanley, 144 CRACKING UP, 23 CRIME OF PASSION, 63 Crouch, William, 85 DAS BOOT, 160, 181 Davies, Marion, 5 Davis, Harry, 198 Day, Doris, 151-153 Day, Richard, 276 DEAD PIGEON ON BEETHOVEN STREET, 65 DeLuxe Laboratory (New York), 124 DESERT VICTORY, 128 directing, 9-10, 44-46, 154-167, 169-195, 204, 278-286 Directors Guild of America, 67 documentary film, 70-81, 91-95 Dods, Hector, 36 Dolan, Robert, 143 Douglas, Michael, 262-263 DRAGNET (television series), 42-43 Dunlap, Paul, 166 Dunn, Linwood, 104 Dunne, Philip, 89 Dunning, Jack, 29 Dwan, Alan, 59 E & L Productions, 187 EASY TO GET, 138-139 Eddie Awards (A.C.E. Awards), 8-9 editing, 7-12, 14-19, 28-35, 37-39, 41-46, 49-54, 55-56, 106-108, 163-164, 212, 221 editing -- assistant editors, 21-22, 109-110 editing -- changing styles, 41-44, 146-147, 268-269, 274-275 editing -- changing technologies, 119-121 editing -- closeups, 39, 167, 169 editing -- and comedy, 150-152 editing -- continuity, 56-59, 111-112, 180 editing -- crossing proscenium line, 37-39 editing -- "cutting in the camera", 208 editing -- editors becoming directors, 181 editing -- English method, 119 editing -- extending real time, 240 editing -- film length, 52-53 editing -- magnetic sound track, transition to, 17-19, 141 editing -- matching action, 203-204, 209-210 editing -- mistakes, 59, 236 editing -- narrative structure, 193-195 editing -- negative cutting, 19 editing -- optical effects, 43-44, 104-105, 113-114, 146-147, 236, 268-269 editing -- reel changeovers, 148-149 editing -- silent film, 31-32, 61-62 editing -- subliminal editing, 60-61, 244 editing -- television versus film, 256-257 editing -- by women, 19-21 editing -- working with directors, 9-10, 12, 38-39 Edwards, Mac, 277 Einfeld, Richard, 285 Eisenstein, Sergei, 50-51 Elmer Gantry (Lewis), 237-238 ELMER GANTRY, 54-55, 114-115, 145, 228-243 Ennis, Charles, 108-109 Faye, Alice, 51 Fazan, Adrienne, 19-20 Fields, Sammy, 217 Fields, Verna, 21, 28, 217-218 THE FIGHT FOR LIFE, 87 film schools, 22-25 A FINE PAIR, 117 FLAMING STAR, 252 Fonda, Henry, 38 Ford, Francis, 159 Ford, John, 38-39, 59, 126-127, 129, 159, 163 Fowler, Gene (father), 4-7, 65, 90, 95-96, 120-121, 284 Fowler, Will (brother), 6-7, 254, 286 Foxworth, Robert, 153 Fraker, William, 48-49 Freud, Sigmund, 199 Friedlob, Bert, 206, 214-216 Fritch, Richard, 129-130 FROM HELL TO TEXAS, 20, 227-228 Fuller, Samuel, 64-66, 99-108, 266-268 "The G.I. Movie Weekly", 135 GANG WAR, 161, 275-276, 277-285 Garland, Judy, 249 Garnier, Vic, 81-82, 105, 122-123 Geisel, Theodor, 82 General Service Studio, 53-54, 69, 206-207 Gerard, Bernard, 187 Gerstad, Harry, 286 Gibsone, Mary, 57-59, 180 Gilbert, Herschel Burke, 216 Gimbel, Roger, 116 Gittens, George, 13-14, 174 Glass, Ned, 188 Glasser, Bernard, 117-118 Goldstein, Robert, 63 Goldstone, Tobias Agency, 252 Goldwater, Barry, 286-293 GONE WITH THE WIND, 274 Grable, Betty, 51 Gray, Johnny, 32 THE GREAT TRAIN ROBBERY (1905), 51 Green, Adolph, 260 Grenville, George, 231 Griffith, D. W., 58, 62 Guilfoyle, Paul, 271 THE GUNS OF NAVARONE, 259 Hackenschmied, Alexander, 86-87, 94-95 Hagmann, Stuart, 30, 224 Hall, Ken, 64 "The Hallmark Hall of Fame", 249-251 Hamner, Earl, 265 HANG 'EM HIGH, 39, 241 HANGMEN ALSO DIE, 11, 53-54, 55, 199-200, 206-207, 211, 218-219, 220 Harris, Albert, 166 Harrison, Dean, 102, 106 Hathaway, Henry, 20, 227-228 Hayes, Ira, 60-61 Hearst, William Randolph, 4-6 Hecht, Ben, 5 Hecht, Harold, 20, 110, 113, 262 HEIDI (television film), 251 Heim, Alan, 42 Hellman, Sam, 217 HERE COME THE JETS, 285-286 Hill, Steven, 244-245 Hilton, Arthur, 214 HIS GIRL FRIDAY, 275 Hitchcock, Alfred, 192, 212 Holman, [William S.], 83-84 Holzgang, Conrad, 249 THE HOMECOMING (television film), 264-265 The Hoods Take Over (Demaris), 275-276 Hopkins, Ann, 249-250 Hopper, Dennis, 227-228 Hornbeck, William, 29, 32, 40 Howard, Eugene and Willie, 82 Howard, John, 247 Hughes, Mary Beth, 36 THE HUNT FOR RED OCTOBER, 160-161 Huston, John, 46-47 HYMN OF THE NATIONS, 88 I MARRIED A MONSTER FROM OUTER SPACE, 156, 162, 164-165, 166, 184-186, 191 I WAS A TEENAGE WEREWOLF, 13, 159-160, 162, 172-178, 180-181 INTOLERANCE, 58 Issacs, Don, 26 IT'S A MAD, MAD, MAD, MAD WORLD, 246-247, 293 IT'S MY TURN, 261-264 Jacks, Robert, 265 Jacobs, Arthur, 258 Jam Handy Picture Service, Inc., 126-127 Jens, Salome, 237 JOHN GOLDFARB PLEASE COME HOME, 224-225 Johnson, Lyndon B., 286-293 Johnson, Nunnally (Marjorie Fowler's father), 4, 6-8, 10, 16-18, 40-41, 46, 63, 100-101, 143-145, 147-149, 182-183, 195-197, 205, 209, 210, 224, 226, 252 Jolley, I. Stanford, 166 Katz, Sid, 44 Kaufman, George S., 40-41 Keaton, Buster, 246-248 Kemplin, Ralph, 47 KILLING, THE (1956), 193 Kline, Herbert, 72-74 Knight, Arthur, 259, 290 Knox, Harold, 12-13, 183-184, 283 Koster, Henry, 20, 221 Kramer, Stanley, 60, 243-247, 254, 293 labor unions, 20, 21-22, 66-69 LADY IN A CAGE, 15 Lancaster, Burt, 55, 112-113, 229, 231-232, 235, 249 Lang, Fritz, 10-12, 36-37, 53-54, 69-71, 74, 99-100, 127, 161, 172, 181, 192-193, 195-227, 268-273, 282 LaShelle, Joseph, 174 Laszlo, Ernest, 220-221 Lee, Anna, 211 Legion of Decency, 233-234, 241 Leonard, John, 20 Lerner, Irving, 53, 74-76, 88-89 Lerner, Joseph, 75 LET THERE BE LIGHT, 70-71, 78, 80 Levathes, Peter, 27 Levin, Peter, 249 Levitt, Helen, 75 Lewis, Sinclair, 237-238 "Lillian's" (Hollywood coffee shop), 69-70 LIMELIGHT, 247 Lippert, Robert, 12-14, 140, 153-154, 182, 252-255, 275, 282, 293-294 location shooting, 212-213, 279-280 Loeffler, Louis, 13-14 Lorentz, Pare, 87, 92 Lorimar Productions, 103-104, 264-268 Love, Cecil, 104 LOVER COME BACK, 149-153 Lyons, Earle, 153, 166, 187 M (1930), 200 MacArthur, Charles, 5, 40-41 McCrorie, Alma, 19 MacGowan, Kenneth, 36-37, 271-272 MacLane, Bart, 271 McLean, Barbara, 16, 28, 59, 225 McManus, John, 69 MacMurray, Fred, 182 McNeil, Allen, 31-32, 35, 61-62, 268 MacPherson, Aimee Semple, 236-237 THE MAGNIFICENT AMBERSONS, 45 Mahin, Graham, 287-291, 292 Maibaum, Richard, 139 A MAN CALLED HORSE, 106-107, 129 MAN CRAZY, 53 MAN HUNT, 213, 268-273, 276-277, 282 Mann, Abby, 243-244 Mann, Delbert, 110, 113, 149-153 March, Joseph Moncure, 75-76 Marks, Gertrude Ross, 71-74 THE MARVA COLLINS STORY (television film), 145, 240, 249-251, 256-257 Marvin, Lee, 48 Maselli, Francesco, 117 MEDIUM COOL, 49 MICKEY, 31-32 Milford, Gene, 44 Miller, David (art director), 187 Miller, David (director), 77, 78-80, 151 Mintz, Robert, 109 MISSISSIPPI BURNING, 191 Monogram Studios, 58 MONTE WALSH, 48-49 Montiel, Sarita, 105 Moreau, Jeanne, 48 Morrow, Douglas, 223 Motion Picture Film Editors (IATSE), 20, 21-22, 68-69 music in films, 63-64, 273-274 THE NAKED HILLS, 175 National Screen Service, 232 Newman, Alfred, 64, 273-274 Newman, Lionel, 63-64 Newman, Paul, 228 newsreels, 69-70 Nicholson, James H., 174 Nickolaus, John Jr., 141, 154, 161, 281 Norton, Kay, 165 Office of Strategic Services (O.S.S.), 129-130 Office of War Information, 70-71, 74-76, 86-94, 123-124, 195 OH MEN! OH WOMEN!, 16 Once Off Guard (Wallis), 197 THE OREGON TRAIL (1959), 12-13, 182-184 OSWEGO, 87, 93 OUT OF SEASON, 116-117 THE OUTSIDER, 60-61 THE OX-BOW INCIDENT, 35-38, 110, 146, 158 Pappiatt, Frank, 116 Parker, Eleanor, 215 Penney, Edmund, 73-74 PERSONAL HYGIENE, 126-127 THE PHANTOM OF THE OPERA (television film), 167-168 Phillips, Barney, 173 PIPELINE, 87 Platt, Edward, 188 POTEMKIN, 50 Powell, William, 203 Powers, Stefanie, 153 Preview House, 128-129 previews, 31-32, 54-55, 225-226 Previn, Andre, 231-232 producing, 100-102 Production Code Administration (PCA), 233-234, 276 THE PROFESSIONALS, 230-231 propaganda film, 70-81, 94-95 Pudovkin, V. I., 50 QUE VIVA MEXICO, 50 Radio City Music Hall, 52-53 Ray, Charles, 58 THE REBEL SET, 166, 170-171, 186, 193, 194 REBEL WITHOUT A CAUSE, 175-176 Rees, Marian, 249-250 Regal Productions, 153-154 Regal Scope, 140-141 Reifenstahl, Leni, 90-91 Reilly, Richard, 29 Reynolds, William, 92, 139 Rich, Fred, 75 Rich, Lee, 264 Richardson, Tony, 167 Riskin, Robert, 89 Robinson, Casey, 223, 226-227 Robinson, Edward G., 203, 205 Rogell, Sid, 17-18 THE ROOTS OF HEAVEN, 15 Rose, Kay, 122 Rosenberg, Meta, 254 Rosenbloom, Ralph, 44 Roth, Roger, 30 Rowlands, Gena, 249 RUN OF THE ARROW, 65-66, 103, 105-106 RUN SILENT, RUN DEEP, 108-109 Runyon, Damon, 4-5 Runyon, Ken, 64 Schoonmaker, Thelma, 21 Scott, Phil, 26 Scott, Walter, 260-261 screenwriting, 7-8, 33-35, 237-239 script supervision, 56-59 SEEDS OF DESTINY, 70, 76-78, 80-81, 88, 130 Selznick, David O., 101 THE SENATOR WAS INDISCREET, 40-41 Sennett, Mack, 31-32 SEPARATE TABLES, 20, 47-48, 108-114, 262 Sersen, Fred, 271 set decoration, 260-261 SEX HYGIENE, 126-127 Shapiro, Stanley, 8, 145 SHOWDOWN AT BOOT HILL, 12, 141-142, 154-159, 161-166, 168-170, 171-172, 193, 274 Silverstein, Elliott, 106-107 Simmons, Jean, 239 Simpson, Robert, 40, 121 Siqueiros, David Alfaro, 71-74 Skouras, Spyros, 153-154, 182, 254 Smith, Bernard, 114-115, 231 Smith, Bud, 253 SMORGASBORD, 23 "Snafu", 82 sound editing and dubbing, 25-28, 119, 233, 235 sound recording, 19 Soundies, 84-86 Spencer, Dorothy, 19 STAGECOACH (1939), 38-39, 270-271 STATE'S ATTORNEY, 6 Steinberg, Betty, 13 Steiner, Max, 107-108 Steinkamp, Fritz, 224, 30 Stevens, George, 142 Strasberg, Lee, 228 THE STRAWBERRY STATEMENT, 30, 224 Struss, Karl, 102-103 Sullivan, Frank, 155 SUTTER'S GOLD, 50 Taft-Hartley Act, 67 TAKE HER, SHE'S MINE, 27 Talbot, Gloria, 185 TALES OF WELLS FARGO (television series), 164 Talmadge, Fred, 29 Tammen, Harry, 4 Technicolor, 269-270 Techniscope, 118 television in films, 219-220 TEN DAYS THAT SHOOK THE WORLD, 51 TENNESSEE VALLEY AUTHORITY, 93 Thalberg, Irving, 32-33 Thompson, Harlan, 83-84 Thompson, J. Lee, 225, 228, 258-260 Thornton, Ralph, 174 THE THREE FACES OF EVE, 140-149 3:10 TO YUMA, 39-40 THUNDERBIRDS (1942), 35 Tobias, Herb, 252, 255 TOUCH OF EVIL, 38 TRIUMPH OF THE WILL, 90-91 Trotti, Lamar, 35-36 Tryon, Tom, 185 Twentieth Century-Fox, 16-18, 26 Twentieth Century-Fox -- editing department, 67-68 Twentieth Century-Fox -- music department, 63-64 TWIN PEAKS (television series), 211-212, 256 TWO DOWN AND ONE TO GO!, 95-96, 139-140 UNRRA (United Nations Relief and Rehabilitation Agency), 77-78 United States Army Signal Corps, 76-84, 91-99, 121-140, 195 United States Army Signal Corps -- THE ARMY-NAVY SCREEN MAGAZINE, 79, 82-83, 127-128, 135 United States Army Signal Corps -- Astoria Studios, 133-134 United States Army Signal Corps -- THE ATOM STRIKES, 96-99, 130 United States Army Signal Corps -- "The Care and Maintenance of the M-101 Mattress Cover", 81-82 United States Army Signal Corps -- censorship, 97-98 United States Army Signal Corps -- "Combat Bulletins", 135 United States Army Signal Corps -- combat photography, 124-125, 132-133 United States Army Signal Corps -- EASY TO GET, 138-139 United States Army Signal Corps -- film classification, 97-98, 128, 130 United States Army Signal Corps -- "The G.I. Movie Weekly", 135 United States Army Signal Corps -- HERE IS GERMANY, 94-95 United States Army Signal Corps -- Historical Department, 139 United States Army Signal Corps -- LET THERE BE LIGHT, 70-71, 78, 80 United States Army Signal Corps -- medical film, 131 United States Army Signal Corps -- PERSONAL HYGIENE, 126-127 United States Army Signal Corps -- SEEDS OF DESTINY, 70, 76-78, 80-81, 88, 130 United States Army Signal Corps -- SEX HYGIENE, 126-127 United States Army Signal Corps -- "Staff Film Report", 81, 133 United States Army Signal Corps -- "Technical Film Bulletin", 131 United States Army Signal Corps -- training films, 81-82, 126-127, 137-138 United States Army Signal Corps -- TWO DOWN AND ONE TO GO!, 95-96, 139-140 United States Army Signal Corps -- THE WINTERIZATION OF THE JEEP, 138 Universal Pictures, 66 University of Southern California, 22-25 Van Dyke, Willard, 86-87 VERBOTEN, 99-100 Villa, Pancho, 72 Vittes, Louis, 155-156, 182, 184, 187, 275, 279 Von Harbou, Thea, 91 Wagner Act, 67-68 Wallis, J. H., 197 WALLS OF FIRE, 71-74 THE WALTONS (television series), 163-164, 265-266 Wambaugh, Ken, 64 WAR COMES TO AMERICA, 94-95 Wayne, John, 290 Webb, Jack, 42-43 Weill, Claudia, 261-264 Welles, Orson, 38-39, 45 Wellman, William, 11, 35-36, 127 WESTERN UNION, 268-270 Westheimer, Joe, 114 Wexler, Haskell, 49 Wexley, John, 55 WHAT A WAY TO GO!, 15, 64, 228, 258-261 WHILE THE CITY SLEEPS, 214-218, 220-224, 226-227 "Why We Fight", 90, 94-96 widescreen systems, 140-143, 147 Williams, Elmo, 115-116 Williams, Palmer, 69-70 WILSON, 183 WINCHESTER '73, 214 Wise, Robert, 45 Wollner, Tony, 265 THE WOMAN IN THE WINDOW, 195-206, 207-214 Woodward, Joanne, 143-144 World War II, 74-98, 121-140 Wright, Ed "Old Cowboy", 159 Yeager, Rex, 5 Young, Roland, 248 Young, Victor, 107-108 YOUR JOB IN GERMANY, 95 Zanuck, Darryl F., 28, 35-37, 45-46, 51, 101-102, 115 Zanuck, Richard, 115