Index to Academy Oral Histories Gene Fowler, Jr. and Marjorie Fowler Gene Fowler, Jr. (Film editor, Director) and Marjorie Fowler (Film editor) Call number: OH111 Academy of Motion Picture Arts and Sciences, 67 acting, 51-52, 203, 210-214, 262-263 Adelson, Merv, 266 ALCAN HIGHWAY, 75 ALL THAT JAZZ, 41-42 Allen, Dede, 20-21 American Airlines, 286 AMERICAN BEAUTY (television film), 250 American Cinema Editors (A.C.E.), 8-9, 14-15 American Film Institute, 23-24 American International Pictures, 174 Americas Cup, 4 Anderson, Leonard, 84 Andrews, Dana, 215-216 ANGEL BABY, 237 Arkoff, Samuel Z., 174 THE ARMY-NAVY SCREEN MAGAZINE, 79, 82-83, 127-128, 135 art direction, 169-170 Arthur, Art, 77 THE ATOM STRIKES, 96-99, 130 atomic bomb, 96-99, 130 ATTACK IN THE PACIFIC, 75-76 Austin, William, 187 THE AUTOBIOGRAPHY OF A JEEP, 74-75 Aylesworth, John, 116 Backus, Jim, 116 Bagni, Gwen, 260 Baker, Bobby, 288 Baldridge, Frank, 284-285 Barrymore, John, 248 Barsha, Leon, 14-15 Bauchens, Anne, 19 BEAT THE DEVIL, 46-48 Beckford, William, 29 Beckwith, Frank, 75 BEN CASEY (television series), 246 Bennett, Joan, 205, 209, 276 Bergen, Edgar, 253 Berlin, Dick, 5 Berman, Henry, 79, 84 Beverly Hills High School, 6 BEYOND A REASONABLE DOUBT, 206, 207, 214-215, 218, 221-223, 226-227 THE BIG RED ONE, 103-104, 266-268 BILLY THE KID (1941), 79 BINARY, 264 Biroc, Joseph, 102 Bischoff, Robert, 268 Bissell, Whit, 173 blacklisting, 219, 252-255 Blau, Louis, 258 THE BLUE GARDENIA, 219 THE BLUE KNIGHT (television series), 33 THE BLUEBIRD (1940), 273-274 Boemler, George, 108-111 Bogart, Humphrey, 46 Bonfils, _____, 4 Booth, Margaret, 19-20, 28 Brahm, John, 208 Brandt, Byron "Buzz", 261-264 Brecht, Bertolt, 55 Breon, Edmond, 211-212 Bretherton, David, 262 Brisbane, Arthur, 65 Bronson, Charles, 157-158, 282 Brooks, Richard, 55, 145, 229-243 Bryant, Edward, 123 campaign films, 286-293 Campion, Clifford, 249 Candell, Aben, 174-175 Capra, Frank, 90, 140 Carradine, John, 157-158, 166 Carrere, Edward, 114 Carruth, Milton, 40 Carruth, Richard "Slip", 61 Cassavetes, John, 243-246, 248-249 censorship, 233-234, 241, 276 censorship (military), 97-98 Chaplin, Charles, 247 Chartoff, Robert, 30 A CHILD IS WAITING, 60, 243-246, 248-249 CHINA GATE, 100-102, 104-108 CHINA SMITH (television series), 178-180 Chodorov, Jerome, 139 CHOICE (Goldwater campaign film), 286-293 Cinema Center Films, 48, 117 CinemaScope, 140-143, 147 Clark, Al, 39-40 Clark, Carroll, 218 CLASH BY NIGHT, 214 Clayburgh, Jill, 262-263 Cohen, Emanuel, 91-92, 135-136, 139 Cohen, Herman, 13, 63, 174, 176 Columbia Broadcasting System (CBS), 48, 116-117 combat photography, 124-125, 132-133 Comden, Betty, 260 CONQUEST OF THE PLANET OF THE APES, 225-226, 258-259 CONTINENTAL SHOWCASE (television series), 116-117 Cook, Fielder, 189 Cooke, Alistair, 143 Cord, Alex, 279 Corman, Gene, 103, 267 Cortez, Stanley, 144 CRACKING UP, 23 CRIME OF PASSION, 63 Crouch, William, 85 DAS BOOT, 160, 181 Davies, Marion, 5 Davis, Harry, 198 Day, Doris, 151-153 Day, Richard, 276 DEAD PIGEON ON BEETHOVEN STREET, 65 DeLuxe Laboratory (New York), 124 DESERT VICTORY, 128 directing, 9-10, 44-46, 154-167, 169-195, 204, 278-286 Directors Guild of America, 67 documentary film, 70-81, 91-95 Dods, Hector, 36 Dolan, Robert, 143 Douglas, Michael, 262-263 DRAGNET (television series), 42-43 Dunlap, Paul, 166 Dunn, Linwood, 104 Dunne, Philip, 89 Dunning, Jack, 29 Dwan, Alan, 59 E & L Productions, 187 EASY TO GET, 138-139 Eddie Awards (A.C.E. Awards), 8-9 editing, 7-12, 14-19, 28-35, 37-39, 41-46, 49-54, 55-56, 106-108, 163-164, 212, 221 editing -- assistant editors, 21-22, 109-110 editing -- changing styles, 41-44, 146-147, 268-269, 274-275 editing -- changing technologies, 119-121 editing -- closeups, 39, 167, 169 editing -- and comedy, 150-152 editing -- continuity, 56-59, 111-112, 180 editing -- crossing proscenium line, 37-39 editing -- "cutting in the camera", 208 editing -- editors becoming directors, 181 editing -- English method, 119 editing -- extending real time, 240 editing -- film length, 52-53 editing -- magnetic sound track, transition to, 17-19, 141 editing -- matching action, 203-204, 209-210 editing -- mistakes, 59, 236 editing -- narrative structure, 193-195 editing -- negative cutting, 19 editing -- optical effects, 43-44, 104-105, 113-114, 146-147, 236, 268-269 editing -- reel changeovers, 148-149 editing -- silent film, 31-32, 61-62 editing -- subliminal editing, 60-61, 244 editing -- television versus film, 256-257 editing -- by women, 19-21 editing -- working with directors, 9-10, 12, 38-39 Edwards, Mac, 277 Einfeld, Richard, 285 Eisenstein, Sergei, 50-51 Elmer Gantry (Lewis), 237-238 ELMER GANTRY, 54-55, 114-115, 145, 228-243 Ennis, Charles, 108-109 Faye, Alice, 51 Fazan, Adrienne, 19-20 Fields, Sammy, 217 Fields, Verna, 21, 28, 217-218 THE FIGHT FOR LIFE, 87 film schools, 22-25 A FINE PAIR, 117 FLAMING STAR, 252 Fonda, Henry, 38 Ford, Francis, 159 Ford, John, 38-39, 59, 126-127, 129, 159, 163 Fowler, Gene (father), 4-7, 65, 90, 95-96, 120-121, 284 Fowler, Will (brother), 6-7, 254, 286 Foxworth, Robert, 153 Fraker, William, 48-49 Freud, Sigmund, 199 Friedlob, Bert, 206, 214-216 Fritch, Richard, 129-130 FROM HELL TO TEXAS, 20, 227-228 Fuller, Samuel, 64-66, 99-108, 266-268 "The G.I. Movie Weekly", 135 GANG WAR, 161, 275-276, 277-285 Garland, Judy, 249 Garnier, Vic, 81-82, 105, 122-123 Geisel, Theodor, 82 General Service Studio, 53-54, 69, 206-207 Gerard, Bernard, 187 Gerstad, Harry, 286 Gibsone, Mary, 57-59, 180 Gilbert, Herschel Burke, 216 Gimbel, Roger, 116 Gittens, George, 13-14, 174 Glass, Ned, 188 Glasser, Bernard, 117-118 Goldstein, Robert, 63 Goldstone, Tobias Agency, 252 Goldwater, Barry, 286-293 GONE WITH THE WIND, 274 Grable, Betty, 51 Gray, Johnny, 32 THE GREAT TRAIN ROBBERY (1905), 51 Green, Adolph, 260 Grenville, George, 231 Griffith, D. W., 58, 62 Guilfoyle, Paul, 271 THE GUNS OF NAVARONE, 259 Hackenschmied, Alexander, 86-87, 94-95 Hagmann, Stuart, 30, 224 Hall, Ken, 64 "The Hallmark Hall of Fame", 249-251 Hamner, Earl, 265 HANG 'EM HIGH, 39, 241 HANGMEN ALSO DIE, 11, 53-54, 55, 199-200, 206-207, 211, 218-219, 220 Harris, Albert, 166 Harrison, Dean, 102, 106 Hathaway, Henry, 20, 227-228 Hayes, Ira, 60-61 Hearst, William Randolph, 4-6 Hecht, Ben, 5 Hecht, Harold, 20, 110, 113, 262 HEIDI (television film), 251 Heim, Alan, 42 Hellman, Sam, 217 HERE COME THE JETS, 285-286 Hill, Steven, 244-245 Hilton, Arthur, 214 HIS GIRL FRIDAY, 275 Hitchcock, Alfred, 192, 212 Holman, [William S.], 83-84 Holzgang, Conrad, 249 THE HOMECOMING (television film), 264-265 The Hoods Take Over (Demaris), 275-276 Hopkins, Ann, 249-250 Hopper, Dennis, 227-228 Hornbeck, William, 29, 32, 40 Howard, Eugene and Willie, 82 Howard, John, 247 Hughes, Mary Beth, 36 THE HUNT FOR RED OCTOBER, 160-161 Huston, John, 46-47 HYMN OF THE NATIONS, 88 I MARRIED A MONSTER FROM OUTER SPACE, 156, 162, 164-165, 166, 184-186, 191 I WAS A TEENAGE WEREWOLF, 13, 159-160, 162, 172-178, 180-181 INTOLERANCE, 58 Issacs, Don, 26 IT'S A MAD, MAD, MAD, MAD WORLD, 246-247, 293 IT'S MY TURN, 261-264 Jacks, Robert, 265 Jacobs, Arthur, 258 Jam Handy Picture Service, Inc., 126-127 Jens, Salome, 237 JOHN GOLDFARB PLEASE COME HOME, 224-225 Johnson, Lyndon B., 286-293 Johnson, Nunnally (Marjorie Fowler's father), 4, 6-8, 10, 16-18, 40-41, 46, 63, 100-101, 143-145, 147-149, 182-183, 195-197, 205, 209, 210, 224, 226, 252 Jolley, I. Stanford, 166 Katz, Sid, 44 Kaufman, George S., 40-41 Keaton, Buster, 246-248 Kemplin, Ralph, 47 KILLING, THE (1956), 193 Kline, Herbert, 72-74 Knight, Arthur, 259, 290 Knox, Harold, 12-13, 183-184, 283 Koster, Henry, 20, 221 Kramer, Stanley, 60, 243-247, 254, 293 labor unions, 20, 21-22, 66-69 LADY IN A CAGE, 15 Lancaster, Burt, 55, 112-113, 229, 231-232, 235, 249 Lang, Fritz, 10-12, 36-37, 53-54, 69-71, 74, 99-100, 127, 161, 172, 181, 192-193, 195-227, 268-273, 282 LaShelle, Joseph, 174 Laszlo, Ernest, 220-221 Lee, Anna, 211 Legion of Decency, 233-234, 241 Leonard, John, 20 Lerner, Irving, 53, 74-76, 88-89 Lerner, Joseph, 75 LET THERE BE LIGHT, 70-71, 78, 80 Levathes, Peter, 27 Levin, Peter, 249 Levitt, Helen, 75 Lewis, Sinclair, 237-238 "Lillian's" (Hollywood coffee shop), 69-70 LIMELIGHT, 247 Lippert, Robert, 12-14, 140, 153-154, 182, 252-255, 275, 282, 293-294 location shooting, 212-213, 279-280 Loeffler, Louis, 13-14 Lorentz, Pare, 87, 92 Lorimar Productions, 103-104, 264-268 Love, Cecil, 104 LOVER COME BACK, 149-153 Lyons, Earle, 153, 166, 187 M (1930), 200 MacArthur, Charles, 5, 40-41 McCrorie, Alma, 19 MacGowan, Kenneth, 36-37, 271-272 MacLane, Bart, 271 McLean, Barbara, 16, 28, 59, 225 McManus, John, 69 MacMurray, Fred, 182 McNeil, Allen, 31-32, 35, 61-62, 268 MacPherson, Aimee Semple, 236-237 THE MAGNIFICENT AMBERSONS, 45 Mahin, Graham, 287-291, 292 Maibaum, Richard, 139 A MAN CALLED HORSE, 106-107, 129 MAN CRAZY, 53 MAN HUNT, 213, 268-273, 276-277, 282 Mann, Abby, 243-244 Mann, Delbert, 110, 113, 149-153 March, Joseph Moncure, 75-76 Marks, Gertrude Ross, 71-74 THE MARVA COLLINS STORY (television film), 145, 240, 249-251, 256-257 Marvin, Lee, 48 Maselli, Francesco, 117 MEDIUM COOL, 49 MICKEY, 31-32 Milford, Gene, 44 Miller, David (art director), 187 Miller, David (director), 77, 78-80, 151 Mintz, Robert, 109 MISSISSIPPI BURNING, 191 Monogram Studios, 58 MONTE WALSH, 48-49 Montiel, Sarita, 105 Moreau, Jeanne, 48 Morrow, Douglas, 223 Motion Picture Film Editors (IATSE), 20, 21-22, 68-69 music in films, 63-64, 273-274 THE NAKED HILLS, 175 National Screen Service, 232 Newman, Alfred, 64, 273-274 Newman, Lionel, 63-64 Newman, Paul, 228 newsreels, 69-70