The Triumph of Justice
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Henri-Gabriel IBELS (1867-1936) Un Promeneur Engagé
Henri-Gabriel IBELS (1867-1936) Un promeneur engagé Claire DUPIN DE BEYSSAT Témoin exemplaire du Paris de la fin du XIXe siècle, Henri-Gabriel Ibels (Paris, 1867- 1936) ne se cantonne pas aux milieux de l'avant-garde artistique, mais fréquente aussi bien Montmartre et ses caricaturistes que des groupes politiques plus ou moins organisés. Il se destine rapidement à une carrière artistique : élève à l’École des Arts Décoratifs jusqu'en 1887, il intègre ensuite l'Académie Jullian. Il y rencontre Paul Sérusier (1864-1927), ainsi que Maurice Denis (1870-1943) et Paul Ranson (1861-1909) et constituent ensemble le cercle confidentiel des nabis. Néanmoins, Ibels prend peu à peu ses distances avec ce groupe souvent décrit comme neutre, pour participer à des entreprises socialement plus engagées. Dès le début de sa carrière, il collabore avec des artistes ouvertement libertaires : il devient l'illustrateur attitré du Théâtre Libre d'André Antoine pendant la saison 1892-1893, et l'affichiste fétiche du chanteur Jules Mévisto dès 1891. A partir de 1893, il devient un collaborateur régulier de quelques revues anarchistes : Le Père Peinard et L'Escarmouche, dont il est l'un des fondateurs. Cet engagement trouve son apogée au cours de l'Affaire Dreyfus. En raison de sa connaissance personnelle de l'officier Ferdinand Estherazy, il prend rapidement position aux côtés d'Alfred Dreyfus et des intellectuels qui s'organisent peu à peu pour sa défense en un « Syndicat ». Il fonde ainsi un hebdomadaire illustré, Le Sifflet, en réponse aux divers journaux et images antidreyfusards. Au cours de cette décennie 1890, l’œuvre et la biographie d'Ibels font donc état d'un intérêt croissant pour les questions sociales et pour leurs réponses politiques. -
Le Naturalisme Sur La Scène De L'opéra Lyrique
Université Lumière Lyon 2 Le Naturalisme sur la scène de l’Opéra lyrique Roxane SIFFER Sous la Direction de Mme Sophie PAPAEFTHYMIOU Août-Septembre 2010 Table des matières Remerciements . 5 Introduction. 6 PREMIERE PARTIE : LE THEATRE LYRIQUE COMME MOYEN D’EXPRESSION: LE PROLONGEMENT ET L’ACHEVEMENT DU COMBAT NATURALISTE . 20 SECTION PREMIERE : Genèse et collaborations du couple fondateur : Zola-Bruneau . 20 A°) L’acte de naissance du naturalisme : la rencontre d’Emile Zola et d’Alfred Bruneau . 20 B°) L’œuvre singulière d’Alfred Bruneau . 26 SECTION DEUXIEME : La confusion entre le naturalisme et les Dreyfusards . 33 A°) D’une coopération artistique à l’engagement politique : l’affaire Dreyfus en toile de fond . 33 B°) La prise de position de Bruneau en faveur de Zola . 37 SECTION TROISIEME : L’Affaire Dreyfus : une affaire politique dans les coulisses de l’opéra . 38 A°)Le combat naturaliste sur la scène lyrique : le prolongement du combat dreyfusard . 38 B°)Triomphes et de défaites du naturalisme musical . 40 C°) Un répertoire trop figé historiquement: du mépris à l’oubli . 43 DEUXIEME PARTIE : LE NATURALISME LYRIQUE: UN MOUVEMENT MUSICAL CONTESTE ET INCOMPRIS . 46 SECTION PREMIERE : Les difficultés techniques et l’absence de réelle identité musicale . 46 A°) L’influence du wagnérisme: un héritage romantique indubitable . 46 B°) Style et registres de langue du naturalisme: la négation des canons de l’opéra lyrique . 50 SECTION SECONDE : Les élites de l’univers musical réservées à l’égard du naturalisme lyrique . 59 A°) Des journaux hostiles à l’avènement d’un genre “profane” sur la scène lyrique: . 59 B°) Les directeurs des théâtres lyriques nationaux, majoritairement hostiles aux opéras naturalistes . -
“A Man Has Disappeared”: Gender, Social Frameworks, and Narrative
“A MAN HAS DISAPPEARED”: GENDER, SOCIAL FRAMEWORKS, AND NARRATIVE CONSTRUCTION IN THE AUDIN AFFAIR AND ITS MEMORIAL AFTERLIVES, 1957 – 2018 Emilia Kate Flack Undergraduate Senior Thesis History Department Columbia University 17th April, 2020 Second Reader: Professor Emmanuelle Saada Seminar Leader: Professor George Chauncey Flack 2 ACKNOWLEDGEMENTS I never anticipated writing my acknowledgments at home in Virginia on day whatever-it- is-now of social distancing. The past few weeks have been filled with fear, grief, and uncertainty but through it all this thesis has remained a happy constant. For the opportunities it has given me to delve into the archives, hone my language skills, interview remarkable individuals, foster relationships with phenomenal professors, and rediscover a love of learning that I had perhaps briefly lost, this thesis represents almost everything that I wanted my Columbia undergraduate experience to be… the cap toss will have to wait for now. First of all, I thank everyone at Columbia who has given me the gift of this education. To Professor Chauncey, I thank you for your invaluable advice when I needed it most. To Professor Saada, I am grateful for your guiding hand, expertise, and patience when I turned in far longer drafts than you were expecting! Thank you to the History Department, Professor Mass, Professor Pizzigoni, Professor Coleman and many others for helping me find my home on this campus. I am especially grateful for the Senior Thesis Fellowship for Research in European Archives that enabled me to conduct the interviews and archival research at the heart of this project. To the French Department and Reid Hall, to Professor Taraud and Serge Ollivier, and to Professor Dodman, I express enormous thanks. -
Bodies of Evidence
——————————————— 1. An Orchestrated Litany of Lies ——————————————— Chapter Two: Bodies of Evidence PART 1: AN ORCHESTRAteD LITANY OF LIES1 A crowd scarcely distinguishes between the subjective and the objective. It accepts as real the images evoked in the mind, though they most often have only a very distant rela- tion with the observed fact. —Gustave Le Bon2 The whole Dreyfus Affair can, from one perspective, be seen as a long debate about the nature of evidence and thus about real and false docu- ments, shredded papers glued together, and forgeries, interfered-with letters, secret and nonexistent pieces of paper, handwriting experts, and discrediting of testimony—about what does and what does not consti- tute the truth, the whole truth and nothing but the truth. From another perspective, sometimes that of hindsight and sometimes that of denial and wilful self-blindness and -deafness, it is about anti-Semitism, about the way the prosecutors in the drawn-out controversy do all they can to prove Dreyfus the Jew guilty because Jews must by virtue of their being Jews be traitors and liars. Most of the Dreyfusards do all they can to avoid dealing with this issue of anti-Semitism and to claim instead that the affair is about truth and justice, about the honour of individuals and 1 Justice Peter Mahon, Royal Commission of Inquiry into the Erebus Disaster (27 April 1981), examining the cover-ups used to protect Air New Zealand from full responsibility for the crash of a chartered tourist flight over Antarctica. As in the Dreyfus Affair, the arrogance of power came fully into play in a conspiracy of silence, duplicity, and pressure from both the New Zealand government and its national airlines. -
The Alfred Dreyfus Affair
Video The Beginning 1859: Alfred Dreyfus is born in Alsace, a region in eastern France. 1871: France loses Alsace to the German Empire. 1892: Alfred Dreyfus completes his military training and becomes an officer in the French Army. 1894: September: The French military discovers that military secrets are being sent to the Germans. (One list, called the bordereau, is intercepted.) October: Dreyfus is secretly accused of stealing military secrets. He is arrested and imprisoned. December: Dreyfus is tried and sentenced to life imprisonment on Devil’s Island. 1895: Dreyfus is publicly shamed and stripped of his military rank. He is sent to Devil’s Island in April 1895. The Facts Revealed 1896: Lieutenant Colonel Georges Picquart realizes Major Esterhazy is a German spy and the author of the bordereau. 1897: Vice President of the French Senate Auguste Scheurer- Kestner attempts to reopen the Dreyfus investigation due to new evidence that he is innocent. 1898: January: Esterhazy is found innocent by the military. Emile Zola writes “J’Accuse” a newspaper article in which he accuses the French military of a conspiracy against Dreyfus. August/September: Esterhazy appears before a military inquiry and gives details of his spying activity. He then flees to England. Dreyfus Returns 1899: August/September: Dreyfus is brought back to France and receives a second trial. It causes an international sensation. Dreyfus is again found guilty under “extenuating circumstances” and sentenced to 10 years in prison. Dreyfus supporters face angry mobs and protestors. The country is divided between those who support the military and those who support Dreyfus. -
J'accuse Essay
50 Excellent Extended Essays The Role of Émile Zola’s “J’accuse” in The Dreyfus Affair Role of Emile Zola's "J'acc use" in The Dreyfus Affair Word Count: 3,999 © International Baccalaureate Organization 2008 1 50 Excellent Extended Essays The Role of Émile Zola’s “J’accuse” in The Dreyfus Affair Abstract. ................. ........ ...... ........ .. ........................................ .. ..... 0 Introduction ..... ..... .. ................... ... ..... .. .. ...... .......... .... .. ... ... ............ ... I - 2 Body/Development. ...... .... .. ... .... .. ..................... ........... ........ ..... ......... 3 -11 Conclusion .......................... .. .... ... .......... .. ... ... ................................. 12 - 13 Reference ...... ....... ............. .. ....... .. ........ .... .... ........... .... ... ..... ... .. .. .. ... 14-15 2 © International Baccalaureate Organization 2008 50 Excellent Extended Essays The Role of Émile Zola’s “J’accuse” in The Dreyfus Affair The Dreyfus Affair is the story of Captain Alfred Dreyfus , a young Jewish officer in the French army, wrongly convicted of treason. Dreyfus became a polarizing symbol , mobilizing all of France in a battle between the Dreyfusards and anti-Dreyfusards ; forces that represented defense of the ideals of the Republic versus a blind loyalty towards the honor of the army and state. In this study , I focus on the role of "J'accuse" in The Dreyfus Affair and especially in the acquittal of Dreyfus. I provide some socio -political context from which The -
“Death to the Traitor!”
Chapter 5 “Death to the Traitor!” On December 22, 1894, Captain Alfred Dreyfus, an artillery officer of Jewish faith, was convicted of selling military secrets to Germany and was sentenced to life imprisonment on Devil’s Island in Guyana. Dreyfus steadfastly maintained his innocence and on January 5, 1895, in the courtyard of the École Militaire, when he had been publicly stripped of all his insignia and his sword had been broken, he stood stone-faced and proclaimed, “Long live France! You are de- grading an innocent man!” Turning to the journalists in the courtyard, he cried out, “You will tell all of France that I am an innocent man!”1 Pressing against the courtyard gate despite frigid weather, crowds sent up shouts of “Death to the Jews!” “Death to the traitor!” “Death to Judas!”2 According to her friends, on the day of Dreyfus’s conviction, Geneviève Straus dressed completely in black.3 The Dreyfus Affair would convulse France for the next twelve years, polar- izing the nation. Far beyond the question of the guilt or innocence of one man, the Affair would ultimately be about the nature of the French Republic and its institutions. Dreyfus had been convicted of espionage based on the evidence of a single document, referred to as the “bordereau”—later discovered to be a forgery— that had been found in a wastepaper basket. Exasperated by their lack of hard evidence against a man in whose guilt they fervently believed, the di- rector of French intelligence, Colonel Jean Sandherr, along with his assistant, Lieutenant-Colonel Hubert Henry, fabricated some additional papers and in- serted them into a file which Dreyfus’s lawyer, Edgar Demange, never saw. -
Pädagogischer Leitfaden Zur Ausstellung Affäre Dreyfus Anhang 3
5. Biographien der Protagonisten 5.1 Alfred Dreyfus 5.2 Lucie Dreyfus 5.3 Senator Scheurer-Kestner 5.4 Sarah Bernhardt 5.5 George Picquart 5.6 Emile Zola 5.7 Ferdinand Esterhazy 5.8 Severine Pädagogischer Leitfaden zur Ausstellung „J’Accuse! ...ich klage an! Zur Affäre Dreyfus“ 52 Hauptmann Alfred Dreyfus 1859 Alfred Dreyfus wird am 9. Oktober in Mulhouse (Mülhausen) / Elsass geboren 1878–1892 Studium an der Ecole Polytechnique und der Militärakademie, Abschluss mit Auszeichnung 1889 Beförderung zum Hauptmann am 12. September 1890 Heirat mit Lucie-Eugénie Hadamard am 21. April 1893 Abkommandierung zum Generalsstab am 1. Januar 1894 Verhaftung unter Verdacht des Landesverrats am 15. Oktober Von November bis Dezember Anklage und Verurteilung zu lebenslänglicher Haft Ablehnung der Berufung gegen das Urteil am 31. Dezember 1895 Am 5. Januar öffentliche Degradierung auf dem Hof der Ecole militaire Ab April Einzelhaft auf der Teufelsinsel 1899 Am 3. Juni Aufhebung des Urteils durch den Kassationsgerichtshof und Anordnung eines Revisionsverfahrens in Rennes Im September erneute Verurteilung unter ‚mildernden Umständen’ zu zehn Jahren Haft Begnadigung unter dem Vorbehalt Dreyfus’, die Anstrengungen zum Beweis seiner Unschuld fortzusetzen 1906 Im Juli Entlastung Dreyfus’ und Annullierung des Urteils Rehabilitation und Beförderung zum Major Auszeichnung mit dem Kreuz der Ehrenlegion 1914–1918 Dienst als Oberstleutnant im I. Weltkrieg 1935 Tod am 12. Juli in Paris Die aussichtsreich begonnene Karriere und das private Glück Alfred Dreyfus’ wurden durch die unrechtmäßige Verurteilung wegen Landesverrats jäh beendet: sie bedeutete nicht nur lebenslange Haft, sondern auch öffentliche Degradierung, deren Erniedrigungen und Misshandlungen durch die Zuschauer Dreyfus mit aufrechter Haltung ertrug. -
Alfred DREYFUS
Carmela Di Martine - Novembre 2019 Alfred DREYFUS Alfred Dreyfus, né à Mulhouse le 9 octobre 1859 et mort à Paris le 12 juillet 1935, est un officier français d'origine alsacienne et de confession juive. Il a été victime, en 1894, d'une erreur judiciaire qui est à l'origine d'une crise politique majeure des débuts de la IIIe République, l'affaire Dreyfus (1894-1906). Durant ces années de troubles, une large partie de l'opinion française se divise entre dreyfusards et anti-dreyfusards. Portrait astral Soleil 15° 46’ Balance Signe de justice, d’équité, d’équilibre/déséquilibre, d’un côté ou de l’autre, d’union/désunion, de choix, de tendances, de politique, de la relation avec les autres. Après l'annexion de l'Alsace-Lorraine par l'Allemagne en 1871, Lorrains et Alsaciens ont la possibilité de partir pour la France s'ils ne veulent pas devenir sujets de l'Empire allemand. En 1 Carmela Di Martine - Novembre 2019 1872, les Dreyfus optent pour la nationalité française et quittent l'Alsace pour Paris. Alfred, âgé de 13 ans, décide alors de s'engager dans l'armée française, souhaitant voir l'Alsace revenir à la France. L’erreur judiciaire dont il sera victime, va bien entendu déséquilibrer sa vie. En VIII maison du Scorpion Stoïcisme. La guerre. Accusation et réhabilitation. Il entre à l'École polytechnique en 1878 et devient officier d'artillerie. En 1890, il est admis à l'École de guerre. En 1893, il est attaché à l'état-major de l'armée au ministère de la Guerre comme capitaine- stagiaire et passe successivement dans chaque bureau de l’état-major. -
Volume 24, Issue 1 Spring 2017
Penn History Review Volume 24 Issue 1 Spring 2017 Article 1 May 2017 Volume 24, Issue 1 Spring 2017 Spring 2017 Penn History Review Follow this and additional works at: https://repository.upenn.edu/phr Recommended Citation Penn History Review, Spring 2017 (2017) "Volume 24, Issue 1 Spring 2017," Penn History Review: Vol. 24 : Iss. 1 , Article 1. Available at: https://repository.upenn.edu/phr/vol24/iss1/1 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/phr/vol24/iss1/1 For more information, please contact [email protected]. Penn History Review Journal of Undergraduate Historians Volume 24, Issue 1 Spring 2017 Julia Fine David Murrell on Public Art Museums, Exhibitions, on French Reaction to the and Cultural Control in Foreign Press during the Victorian Britain Dreyfus Affair Chloé Nurik William Shirey on Gin, Gentlemen, and on Roosevelt vs. Hay on the Generational Conflict Anglo-American Relationship Simon Panitz on President Lyndon Johnson, Jonathan Worth Daniels, and the Re-Southernization of the White House Penn History Review Journal of Undergraduate Historians Volume 24, Issue 1 Spring 2017 Editor-in-Chief Michael J. Torcello 2018, American History Editorial Board Andrés De Los Ríos 2017, European History Gregory Olberding 2017, Economic History Daniel Thompson 2017, General History Helen Berhanu 2018, European History Isabel Gendler 2018, European History Emma Hetrick 2018, American History Cristina Urquidi 2018, Diplomatic History Alex Weissfisch 2018, Diplomatic History Julia Barr 2019, General History Editor-in-Chief Emeritus Aaron C. Mandelbaum 2017, American History ABOUT THE REVIEW Founded in 1991, the Penn History Review is a journal for undergraduate historical research. -
Volume 3 Number 139 the Dreyfus Affair
Volume 3 Number 139 The Dreyfus Affair - Part IV Lead: Imprisoned for treason he did not commit, French Army Captain Alfred Dreyfus became the focus of a great national crusade. Intro.: A Moment in Time with Dan Roberts. Content: Dreyfus was clearly innocent. His 1894 conviction was fixed by military authorities anxious to protect the Army from the embarrassing discovery of a German spy in the War Ministry, but they got the wrong man. While Dreyfus served his sentence on Devil's Island, the infamous French prison colony off the coast of South America, his family and a growing number of supporters worked to prove his innocence. Among the most prominent of the Dreyfusards were George Clémenceau, the future wartime Premier, and the novelist and left wing agitator, Emile Zola. The Army's case against Dreyfus began to fall apart when Lt. Colonel Georges Picquart found evidence that the actual culprit was still at work. Major C.F. Esterhazy was unaware of the cause of Dreyfus' downfall since the proceedings had been kept secret. Esterhazy's handwriting matched that of the original spy letter which had been discovered by French counter- espionage. When Picquart tried to bring charges against Esterhazy, he was dismissed and the scandal became public. Esterhazy was later court- martialed, but the Army in desperation, forged documents and suppressed others and he was acquitted. However, the controversy would not die. On January 13, 1898 Emile Zola printed an open letter in a major newspaper under the headline, "J'Accuse," in which he accused the Army of duplicity and incompetence. -
French Reaction to the Foreign Press During the Dreyfus Affair
Penn History Review Volume 24 Issue 1 Spring 2017 Article 5 May 2017 An Affair on Every Continent: French Reaction to the Foreign Press during the Dreyfus Affair David Murrell University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/phr Recommended Citation Murrell, David (2017) "An Affair on Every Continent: French Reaction to the Foreign Press during the Dreyfus Affair," Penn History Review: Vol. 24 : Iss. 1 , Article 5. Available at: https://repository.upenn.edu/phr/vol24/iss1/5 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/phr/vol24/iss1/5 For more information, please contact [email protected]. An Afair on Every Continent An Affair on Every Continent: French Reaction to the Foreign Press during the Dreyfus Affair David Murrell On October 15, 1894, artillery captain Alfred Dreyfus was summoned to the French Ministry of War in Paris. At the time, the Jewish soldier, born in the northeastern French region of Alsace, thought nothing of the matter, believing he was merely due for his annual inspection. The only peculiarity was that he was specifcally ordered to wear civilian clothing, but this seemed unimportant. Upon arriving at the ministry building, Lieutenant Colonel Charles du Paty de Clam met Dreyfus and asked the artil- lery captain to compose a letter on his behalf, citing a sore fnger. Dreyfus obliged, still unaware that anything was amiss. It was only after he had fnished the letter, when du Paty de Clam rose and an- nounced emphatically, “In the name of the law, I arrest you; you are accused of the crime of high treason,”1 that Dreyfus realized this was no ordinary inspection.