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Open Society Archives
OSA book OSA / Publications OPEN SOCIETY ARCHIVES Open Society Archives Edited by Leszek Pudlowski and Iván Székely Published by the Open Society Archives at Central European University Budapest 1999 Copyright ©1999 by the Open Society Archives at Central European University, Budapest English Text Editor: Andy Haupert ISBN 963 85230 5 0 Design by Tamás Harsányi Printed by Gábor Rózsa Printing House, Budapest on Niveus acid-free offset printing paper of 90g/m2 produced by Neusiedler Szolnok Paper Mill, Hungary. This paper meets the requirements of ISO9706 standard. TABLE OF CONTENTS CHAPTER I. The coordinates of the Archives The enemy-archives (István Rév) 14 Archival parasailing (Trudy Huskamp Peterson) 20 Access to archives: a political issue (Charles Kecskeméti) 24 The Open Society Archives: a brief history (András Mink) 30 CHAPTER II. The holdings Introduction 38 http://www.osaarchivum.org/files/1999/osabook/BookText.htm[31-Jul-2009 08:07:32] OSA book COMMUNISM AND COLD WAR 39 Records of the Research Institute of Radio Free Europe/Radio Liberty 39 • The Archives in Munich (András Mink) 39 • Archival arrangement and structure of the records of Radio Free Europe/Radio Liberty Research Institute (Leszek Pud½owski) 46 • The Information Resources Department 49 The East European Archives 49 Records of the Bulgarian Unit (Olga Zaslavskaya) 49 Records of the Czechoslovak Unit (Pavol Salamon) 51 Records of the Hungarian Unit (Csaba Szilágyi) 55 Records of the Polish Unit (Leszek Pud½owski) 58 Records of the Polish Underground Publications Unit -
From Public Service Broadcasting to Public Service Media Gregory Ferrell Lowe & Jo Bardoel (Eds.)
From Public Service Broadcasting to Public Service Media Gregory Ferrell Lowe & Jo Bardoel (eds.) RIPE @ 2007 NORDICOM From Public Service Broadcasting to Public Service Media From Public Service Broadcasting to Public Service Media Gregory Ferrell Lowe & Jo Bardoel (eds.) NORDICOM From Public Service Broadcasting to Public Service Media RIPE@2007 Gregory Ferrell Lowe & Jo Bardoel (eds.) © Editorial matters and selections, the editors; articles, individual con- tributors; Nordicom ISBN 978-91-89471-53-5 Published by: Nordicom Göteborg University Box 713 SE 405 30 GÖTEBORG Sweden Cover by: Roger Palmqvist Cover photo by: Arja Lento Printed by: Livréna AB, Kungälv, Sweden, 2007 Environmental certification according to ISO 14001 Contents Preface 7 Jo Bardoel and Gregory Ferrell Lowe From Public Service Broadcasting to Public Service Media. The Core Challenge 9 PSM platforms: POLICY & strategY Karol Jakubowicz Public Service Broadcasting in the 21st Century. What Chance for a New Beginning? 29 Hallvard Moe Commercial Services, Enclosure and Legitimacy. Comparing Contexts and Strategies for PSM Funding and Development 51 Andra Leurdijk Public Service Media Dilemmas and Regulation in a Converging Media Landscape 71 Steven Barnett Can the Public Service Broadcaster Survive? Renewal and Compromise in the New BBC Charter 87 Richard van der Wurff Focus on Audiences. Public Service Media in the Market Place 105 Teemu Palokangas The Public Service Entertainment Mission. From Historic Periphery to Contemporary Core 119 PSM PROGRAMMES: strategY & tacticS Yngvar Kjus Ideals and Complications in Audience Participation for PSM. Open Up or Hold Back? 135 Brian McNair Current Affairs in British Public Service Broadcasting. Challenges and Opportunities 151 Irene Costera Meijer ‘Checking, Snacking and Bodysnatching’. -
A Socialist Schism
A Socialist Schism: British socialists' reaction to the downfall of Milošević by Andrew Michael William Cragg Submitted to Central European University Department of History In partial fulfilment of the requirements for the degree of Master of Arts Supervisor: Professor Marsha Siefert Second Reader: Professor Vladimir Petrović CEU eTD Collection Budapest, Hungary 2017 Copyright notice Copyright in the text of this thesis rests with the Author. Copies by any process, either in full or part, may be made only in accordance with the instructions given by the Author and lodged in the Central European Library. Details may be obtained from the librarian. This page must form a part of any such copies made. Further copies made in accordance with such instructions may not be made without the written permission of the Author. CEU eTD Collection i Abstract This work charts the contemporary history of the socialist press in Britain, investigating its coverage of world events in the aftermath of the fall of state socialism. In order to do this, two case studies are considered: firstly, the seventy-eight day NATO bombing campaign over the Federal Republic of Yugoslavia in 1999, and secondly, the overthrow of Slobodan Milošević in October of 2000. The British socialist press analysis is focused on the Morning Star, the only English-language socialist daily newspaper in the world, and the multiple publications affiliated to minor British socialist parties such as the Socialist Workers’ Party and the Communist Party of Great Britain (Provisional Central Committee). The thesis outlines a broad history of the British socialist movement and its media, before moving on to consider the case studies in detail. -
The American Television in Ustry
T I The American Television In ustry Michael Curtin and Jane Shattuc A BFI book published by Palgrave Macmillan Contents Introduction 1 1 Key Players 5 2 Audiences and Advertising 34 3 Television Programming 58 4 Making TV on the Broadcast Networks 88 5 Branded Cable Networks 119 6 The New Economies of TV Information 145 Conclusion 172 © Michael Curtin and Jane Shattuc 2009 Bibliography 185 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No Index 193 portion of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, Saffron House, 6-10 Kirby Street, London EClN 8TS. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The authors have asserted their rights to be identified as the authors of this work in accordance with the Copyright, Designs and Patents Act 1988. First published in 2009 by PALGRAVE MACMILLAN on behalf of the BRITISH FILM INSTITUTE 21 Stephen Street, London WlT lLN www.bfi.org.uk There's more to discover about film and television through the BFI. Our world-renowned archive, cinemas, festivals, films, publications and learning resources are here to inspire you. Palgrave Macmillan in the UK is an imprint of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG21 6XS. -
News Pioneer Digital Purchase Order
February 2019 Deborah Turness: News pioneer Digital Purchase Order Throw away your P.O. books and go digital with Digital Purchase Order Controlling cost is crucial when managing a production and our digital purchase order system allows decision makers and controllers to approve costs before payments are made. DPO simplifies the traditional purchase order workflow, providing a fully integrated process which removes the need for multiple emails and physical circulation. Digital Purchase Order benefits: Create POs in seconds Control costs Customised approval chains Multi currency; 24/7 access Digital Travel Authorisations To find out how you can save time and go paperless on your next production, visit the Digital Production Office® website www.digitalproductionoffice.com or contact us for more information: T: +44 (0)1753 630300 E: [email protected] www.sargent-disc.com www.digitalproductionoffice.com @SargentDisc @DigiProdOffice /SargentDisc /digitalproductionoffice Journal of The Royal Television Society February 2019 l Volume 56/2 From the CEO It may only be Febru- I am very grateful to Alex Wootten, Day with a special all-female episode. ary but 2019 has got Chair of RTS Futures, our exhibitors, I am thrilled that the screenwriter off to a lively start for session producers and panellists for responsible for the programme, Max- the RTS. At the Soci- making the TV Careers Fair such a ine Alderton, found time to write this ety’s London HQ we vibrant success. month’s TV Diary. have been busy host- Our latest screening was held at Elsewhere in this edition, we look at ing the juries for the Soho’s Curzon cinema last month, what are bound to be two of the year’s 2019 RTS Television Journalism and when a large crowd had the opportu- biggest issues for our sector – the RTS Programme Awards. -
Reporting on Migrants and Refugees 2021.Pdf
This handbook enables journalism educators worldwide to address one of the challenges of the 21st century – migration and forced displacement. In a set of thirteen modules, journalism educators are provided with a comprehensive curriculum. It covers all aspects needed to train analysis, research, presentation, marketing, and ethics of migration coverage. The handbook is unique as it comprises results of communication studies as well as political and social sciences. It has been developed by an international and cross-cultural group of media researchers, media educators and media practitioners. Journalism educators will be enabled to jump-start a new curriculum. Journalism students will learn that matters of migration and forced displacement are con- cerned about human beings and therefore require knowledge and awareness of accurate facts, reliable sources, ethical reporting and good practices. Experi- enced journalists will benefit from using the volume as a self-learning tool, and media development organiza- tions may adapt the curriculum to their training plans. Reporting on The project will impact a more comprehensive cover- age of migrant and refugee matters in countries of ori- gin, transit and destination, and a more balanced and informed public debate across countries and cultures. Migrants Researched and edited by ANDBOOK FOR JOURNALISM EDUCATORS and Reporting on Migrants and Refugees Reporting on Migrants and Refugees H Refugees Erich Brost Institute for International Journalism www.brost.org HANDBOOK FOR JOURNALISM EDUCATORS -
After Dark: Channel 4'S Innovation in Television Talk
This is a repository copy of After Dark: Channel 4’s innovation in television talk. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/106636/ Version: Accepted Version Article: Lee, DJ orcid.org/0000-0002-9186-2401 and Corner, J (2017) After Dark: Channel 4’s innovation in television talk. Journal of British Cinema and Television, 14 (4). pp. 445-463. ISSN 1743-4521 https://doi.org/10.3366/jbctv.2017.0388 © 2017, Edinburgh University Press. This is an Accepted Manuscript of an article published by Edinburgh University Press in Journal of British Cinema and Television. The Version of Record is available online at: http://www.euppublishing.com/doi/abs/10.3366/jbctv.2017.0388 Reuse Unless indicated otherwise, fulltext items are protected by copyright with all rights reserved. The copyright exception in section 29 of the Copyright, Designs and Patents Act 1988 allows the making of a single copy solely for the purpose of non-commercial research or private study within the limits of fair dealing. The publisher or other rights-holder may allow further reproduction and re-use of this version - refer to the White Rose Research Online record for this item. Where records identify the publisher as the copyright holder, users can verify any specific terms of use on the publisher’s website. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ 1 After Dark: Channel 4’s innovation in television talk Abstract This paper explores the significance of the late night British discussion programme After Dark (Channel 4, 1987-1997) in terms of the production contexts of the time and its distinctive form and structure as television. -
Social Media, Politics and the State
Social Media, Politics and the State This book is the essential guide for understanding how state power and politics are contested and exercised on social media. It brings together con- tributions by social media scholars who explore the connection of social media with revolutions, uprising, protests, power and counter-power, hack- tivism, the state, policing and surveillance. It shows how collective action and state power are related and conflict as two dialectical sides of social media power, and how power and counter-power are distributed in this dialectic. Theoretically focused and empirically rigorous research considers the two-sided contradictory nature of power in relation to social media and politics. Chapters cover social media in the context of phenomena such as contemporary revolutions in Egypt and other countries, populism 2.0, anti- austerity protests, the fascist movement in Greece’s crisis, Anonymous and police surveillance. Daniel Trottier is a postdoctoral fellow in social and digital media at the Communication and Media Research Institute (CAMRI) at the University of Westminster. Christian Fuchs is a professor of social media at the University of Westminster. Routledge Research in Information Technology and Society 1 Reinventing Government 8 Internet and Society in the Information Age Social Theory in the International Practice in Information Age IT-Enabled Public Sector Reform Christian Fuchs Edited by Richard Heeks 9 Hacking Capitalism 2 Information Technology The Free and Open Source in Government Software Movement Britain and America Johan Söderberg Helen Margetts 10 Urban Youth in China: 3 Information Society Studies Modernity, the Internet and Alistair S. Duff the Self Fengshu Liu 4 National Electronic Government Building an Institutional 11 Network Governance Framework for Joined Up of Global Religions Government—A Comparative Jerusalem, Rome, and Mecca Study Michel S. -
Mediating the Message in the 21St Century
COMMUNICATION / MEDIA STUDIES Mediating the Message in the 21st Century 21st the in Message the Mediating “The eagerly awaited Mediating the Message in the 21st Century consolidates the growing literature on the forces shaping media content and representation of reality, offering an updated hierarchical model that ranges from ideological to individual levels of analysis, and that works with traditional and ‘new’ communication professions alike, energizing our thinking and guiding us as students and scholars to the critical questions that need asking next.” Daniel Riffe, University of North Carolina at Chapel Hill “Shoemaker and Reese detail the conceptual background needed to tell the full story of media’s influence on society, ranging from dominant social systems to journalistic practices—forces that both shape the messages experienced by an audience and set the context for their response. Mediating the Message in the 21st Century points the way to an expanded and unified perspective on public communication.” Maxwell McCombs, University of Texas at Austin “This massive update of the notable original serves as a major and sophisticated inquiry into the complexity of a most elusive subject—what indeed influences the content of our media messages? Shoemaker and Reese’s answer provides a significant scholarly contribution towards understanding the fast-paced, information-driven 21st century we live in.” Betty Houchin Winfield,University of Missouri “The long-awaited third edition of the Shoemaker and Reese classic delivers a broadened sense -
A837 Dissertation
BEYOND BROADCASTING? To What Extent are Digital Technologies Enabling Progressive Uses of Media in a Post-Broadcasting Television Landscape? Alison Pope T2371005 BA (Hons) English and History (University of London, 1996) Submitted for the degree of MA in Humanities. September, 2007 No part of this dissertation has been submitted for any other degree or qualification at the Open University or any other university or institution. I confirm that this entire work has been prepared by myself. T2371005 Alison Pope T2371005 Alison Pope ABSTRACT This study is an attempt to explore the changes digital technologies are having on the experience of watching television. When new technologies are intro- duced, revolutionary claims are often made for the new media they help form. A frequent claim is that new media are more ‘progressive’ than older media forms, and encourage more democratic participation in the production and cir- culation of media content. This study aims to compare this claim with evi- dence of how viewing experiences are actually changing in practice. A further aspect of my inquiry is to consider the implications of this for broadcasting as currently constituted. In the opening chapter I situate this study within a tradition of radical critical theory. The work of Walter Benjamin provides the theoretical starting point, through his analysis of the progressive potential of the new media of mechani- cal reproduction, such as film and photography. I also draw on the ideas of Hans Magnus Enzensberger, to revisit the progressive potential of the media in the context of post-war television. Enzensberger also provides the theoretical basis for my definition of progressive and repressive media. -
Our Children's Future
OUR CHILDREN’S FUTURE: DOES PUBLIC SERVICE MEDIA MATTER? Photo by Efe Kurnaz on Unsplash Our Children’s Future: Does Public Service Media Matter? is a publication of The Children’s Media Foundation Director, Greg Childs Administrator, Jacqui Wells The Children’s Media Foundation 15 Briarbank Rd London W13 0HH [email protected] First published 2021 © Colin Ward for editorial material and selection © Individual authors and contributors for their contributions All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of The Children’s Media Foundation, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organisation. You must not circulate this book in any other binding or cover. Book design by Camilla Umar Cover photo by Efe Kurnaz on Unsplash CREDITS Editor .......................................................................COLIN WARD Editorial Team ......................................................ANNA HOME GREG CHILDS HELEN MCALEER JAYNE KIRKHAM HELEN MCALEER JEANETTE STEEMERS JOHN KENT CMF Executive Group ........................................AKINDELE AKINSIKU ALISON STEWART ANTHONY UTLEY ASHLEY WOODFALL CECILIA THWAITES CHRISTINE SINGER DIANA HINSHELWOOD LINCIA DANIEL MARTIN FRANKS NIKKI STEARMAN OLIVIA DICKINSON ZAINAB BALAM ZOE MASSEY Report Design .......................................................CAMILLA UMAR, CUTOUTANDKEEP Web -
ROBERT W. Mcchesney
ROBERT W. McCHESNEY Curriculum Vitae October 2018 [email protected] Home address: 2118 West Lawn Avenue, Madison WI 53711 Work Address: 3001 Lincoln Hall, Urbana IL 61820 TABLE OF CONTENTS SUMMARY PROFILE ............................................................................................... 2-3 A NOTE ON LINKS FORMAT ................................................................................... 3 PROFILES AND PUBLISHED INTERVIEWS .................................................................... 3-14 VIDEO/MOTION PICTURE APPEARANCES.................................................................. 14-15 ACADEMIC POSITIONS ........................................................................................... 14-15 EDUCATION ......................................................................................................... 15 TEACHING EXPERIENCE .......................................................................................... 15-16 PROFESSIONAL EXPERIENCE ................................................................................... 16-30 BOOKS ................................................................................................................ 30-56 EDITED BOOKS ..................................................................................................... 56-59 JOURNAL ARTICLES AND MONOGRAPHS ................................................................... 59-65 BOOK CHAPTERS .................................................................................................