ROBERT W. Mcchesney
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As Connecticut's Only Statewide, Multiplatform Public Media Organization, Connecticut Public Reaches an Upscale, Responsive A
DIGITAL RADIO TELEVISION PRINT EVENTS As Connecticut’s only statewide, multiplatform public media organization, Connecticut Public reaches an upscale, responsive audience of decision makers in a trusted brand environment. Our multi-platform digital products include web, podcasts, e-newsletters, social and online streaming. Multi-platform Connections with a Premium Audience Our loyal online visitors TV value our independent and balanced EVENTS news, information and entertainment. Your message will stand out on DIGITAL our uncluttered platforms. RADIO PRINT EMAIL Connecticut Public is media for the curious, and our audience is connected to the news, information and entertainment they love through CPTV.org, WNPR.org and other targeted digital platforms. That connection extends to our sponsors. Public media’s “Halo Effect” casts a glow on the brands that sponsor us: 71% OF PBS VIEWERS SAY companies who sponsor PBS provide a valuable public service. 68% AGREE THAT sponsors are committed to quality and excellence, and 64% agree that PBS sponsor messages are seen as different and better.* 87% OF NPR LISTENERS REPORT THAT they discuss content with friends, family and colleagues, while 83% take action in response to something heard on public radio. 85% FIND the programming on their local NPR station is personally important to them. 71% OF NPR LISTENERS hold a more positive opinion of companies that support NPR.** MOBILE (MONTHLY) WEBSITES SESSIONS PAGEVIEWS PAGEVIEWS USERS WNPR.ORG 169,554 264,553 51% 122,374 CPTV.ORG 97,941 145,713 33% 48,589 *Sources: Commercialism Research, City Square Associates, Jan.- Feb. 2016) ** Sources: (On Air) 2019 State of Sponsorship Survey, March 2019. -
Michigan Strategic Fund
MICHIGAN STRATEGIC FUND MEMORANDUM DATE: March 12, 2021 TO: The Honorable Gretchen Whitmer, Governor of Michigan Members of the Michigan Legislature FROM: Mark Burton, President, Michigan Strategic Fund SUBJECT: FY 2020 MSF/MEDC Annual Report The Michigan Strategic Fund (MSF) is required to submit an annual report to the Governor and the Michigan Legislature summarizing activities and program spending for the previous fiscal year. This requirement is contained within the Michigan Strategic Fund Act (Public Act 270 of 1984) and budget boilerplate. Attached you will find the annual report for the MSF and the Michigan Economic Development Corporation (MEDC) as required in by Section 1004 of Public Act 166 of 2020 as well as the consolidated MSF Act reporting requirements found in Section 125.2009 of the MSF Act. Additionally, you will find an executive summary at the forefront of the report that provides a year-in-review snapshot of activities, including COVID-19 relief programs to support Michigan businesses and communities. To further consolidate legislative reporting, the attachment includes the following budget boilerplate reports: • Michigan Business Development Program and Michigan Community Revitalization Program amendments (Section 1006) • Corporate budget, revenue, expenditures/activities and state vs. corporate FTEs (Section 1007) • Jobs for Michigan Investment Fund (Section 1010) • Michigan Film incentives status (Section 1032) • Michigan Film & Digital Media Office activities ( Section 1033) • Business incubators and accelerators annual report (Section 1034) The following programs are not included in the FY 2020 report: • The Community College Skilled Trades Equipment Program was created in 2015 to provide funding to community colleges to purchase equipment required for educational programs in high-wage, high-skill, and high-demand occupations. -
TV NATIONAL HONOREES 60 Minutes: the Chibok Girls (60
TV NATIONAL HONOREES 60 Minutes: The Chibok Girls (60 Minutes) Clarissa Ward (CNN International) CBS News CNN International News Magazine Reporter/Correspondent Abby McEnany (Work in Progress) Danai Gurira (The Walking Dead) SHOWTIME AMC Actress in a Breakthrough Role Actress in a Leading Role - Drama Alex Duda (The Kelly Clarkson Show) Fiona Shaw (Killing Eve) NBCUniversal BBC AMERICA Showrunner – Talk Show Actress in a Supporting Role - Drama Am I Next? Trans and Targeted Francesca Gregorini (Killing Eve) ABC NEWS Nightline BBC AMERICA Hard News Feature Director - Scripted Angela Kang (The Walking Dead) Gender Discrimination in the FBI AMC NBC News Investigative Unit Showrunner- Scripted Interview Feature Better Things Grey's Anatomy FX Networks ABC Studios Comedy Drama- Grand Award BookTube Izzie Pick Ibarra (THE MASKED SINGER) YouTube Originals FOX Broadcasting Company Non-Fiction Entertainment Showrunner - Unscripted Caroline Waterlow (Qualified) Michelle Williams (Fosse/Verdon) ESPN Films FX Networks Producer- Documentary /Unscripted / Non- Actress in a Leading Role - Made for TV Movie Fiction or Limited Series Catherine Reitman (Workin' Moms) Mission Unstoppable Wolf + Rabbit Entertainment (CBC/Netflix) Produced by Litton Entertainment Actress in a Leading Role - Comedy or Musical Family Series Catherine Reitman (Workin' Moms) MSNBC 2019 Democratic Debate (Atlanta) Wolf + Rabbit Entertainment (CBC/Netflix) MSNBC Director - Comedy Special or Variety - Breakthrough Naomi Watts (The Loudest Voice) Sharyn Alfonsi (60 Minutes) SHOWTIME -
Television Academy Awards
2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D. -
UPDATED KPCC-KVLA-KUOR Quarterly Report JAN-MAR 2013
Date Key Synopsis Guest/Reporter Duration Quarterly Programming Report JAN-MAR 2013 KPCC / KVLA / KUOR 1/1/13 MIL With 195,000 soldiers, the Afghan army is bigger than ever. But it's also unstable. Rod Nordland 8:16 When are animals like humans? More often than you think, at least according to a new movement that links human and animal behaviors. KPCC's Stephanie O'Neill 1/1/13 HEAL reports. Stephanie O'Neill 4:08 We've all heard warning like, "Don't go swimming for an hour after you eat!" "Never run with scissors," and "Chew on your pencil and you'll get lead poisoning," from our 1/1/13 ART parents and teachers. Ken Jennings 7:04 In "The Fine Print," Pulitzer Prize-winning author David Cay Johnston details how the David Cay 1/1/13 ECON U.S. tax system distorts competition and favors corporations and the wealthy. Johnston 16:29 Eddie Izzard joins the show to talk about his series at the Steve Allen Theater, plus 1/1/13 ART he fills us in about his new show, "Force Majeure." Eddie Izzard 19:23 Our regular music critics Drew Tewksbury, Steve Hochman and Josh Kun join Alex Drew Tewksbury, Cohen and A Martinez for a special hour of music to help you get over your New Steve Hochman 1/1/13 ART Year’s Eve hangover. and Josh Kun 12:57 1/1/2013 IMM DREAM students in California get financial aid for state higher ed Guidi 1:11 1/1/2013 ECON After 53 years, Junior's Deli in Westwood has closed its doors Bergman 3:07 1/1/2013 ECON Some unemployed workers are starting off the New Year with more debt Lee 2:36 1/1/2013 ECON Lacter on 2013 predictions -
Political-Intelligence Elites, Strategic Political Communication and The
Political-intelligence elites, Strategic Political Communication and the ANGOR UNIVERSITY press: Bakir, Vian Intelligence and National Security DOI: 10.1080/02684527.2016.1231866 PRIFYSGOL BANGOR / B Published: 16/09/2016 Publisher's PDF, also known as Version of record Cyswllt i'r cyhoeddiad / Link to publication Dyfyniad o'r fersiwn a gyhoeddwyd / Citation for published version (APA): Bakir, V. (2016). Political-intelligence elites, Strategic Political Communication and the press: the need for, and utility of, a benchmark of public accountability demands. Intelligence and National Security, 1-22. https://doi.org/10.1080/02684527.2016.1231866 Hawliau Cyffredinol / General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. 27. Sep. 2021 INTELLIGENCE AND NATIONAL SECURITY, 2016 http://dx.doi.org/10.1080/02684527.2016.1231866 -
HOLLYWOOD FILMS in the NON-WESTERN WORLD: What Are the Criteria Followed by the Chinese Government When Choosing Hollywood Film Imports?
HOLLYWOOD FILMS IN THE NON-WESTERN WORLD: What Are the Criteria Followed by the Chinese Government When Choosing Hollywood Film Imports? Marta Forns Escudé 2013/38 Marta Forns Escudé Institut Barcelona d’Estudis Internacionals (IBEI) [email protected] ISSN: 1886-2802 IBEI WORKING PAPERS 2013/38 Hollywood Films in the Non-Western World: What Are the Criteria Followed by the Chinese Government When Choosing Hollywood Film Imports? © Marta Forns Escudé © IBEI, de esta edición Edita: CIDOB edicions Elisabets, 12 08001 Barcelona Tel. 93 302 64 95 Fax. 93 302 21 18 E-mail: [email protected] URL: www.cidob.org Depósito legal: B-21.147-2006 ISSN:1886-2802 Imprime: CTC, S.L. Barcelona, May 2013 HOLLYWOOD FILMS IN THE NON-WESTERN WORLD: WHAT ARE THE CRITERIA FOLLOWED BY THE CHINESE GOVERNMENT WHEN CHOOSING HOLLYWOOD FILM IMPORTS? Marta Forns Escudé Abstract: This dissertation argues that the Government of the People’s Republic of China, when it made the decision to import a quota of Hollywood films in 1994 to revive the failing domestic film industry, had different possible criteria in mind. This project has studied four of them: first, importing films that gave a negative image of the United States; second, impor- ting films that featured Chinese talent or themes; third, importing films that were box office hits in the United States; and fourth, importing films with a strong technological innovation ingredient. In order to find out the most important criteria for the Chinese Government, this dissertation offers a dataset that analyzes a population of 262 Hollywood films released in the PRC between 1994 and 2010. -
Orientalism Once More (2003)
Orientalism Once More (2003) Dr Edward Said Professor of Comparative Literature Columbia University Honorary Fellow Instiute of Social Studies Lecture delivered on the occasion of the awarding of the degree of Doctor Honoris Causa at the Academic Ceremony on the 50th Anniversary of the Institute of Social Studies, The Hague, The Netherlands, 21 May, 2003 Orientalism Once More (2003)* Nine years ago, in the spring of 1994, I wrote an afterword for Orientalism which, in trying to clarify what I believed I had and had not said, I stressed not only the many discussions that had opened up since my book appeared in 1978, but the ways in which a work about representations of “the Orient” lent themselves to increasing misrepresentation and misinterpretation. That I find myself feeling more ironic than irritated about that very same thing today is a sign of how much my age has crept up on me, along with the necessary diminutions in expectations and pedagogic zeal which usually frame the road to seniority. The recent death of my two main intellectual, political and personal mentors, Eqbal Ahmad and Ibrahim Abu-Lughod (who is one of this work’s dedicatees), has brought sadness and loss, as well as resignation and a certain stubborn will to go on. It isn’t at all a matter of being optimistic, but rather of continuing to have faith in the ongoing and literally unending process of emancipation and enlightenment that, in my opinion, frames and gives direction to the intellectual vocation. Nevertheless it is still a source of amazement to me that Orientalism continues to be discussed and translated all over the world, in thirty-six languages. -
Edward W. Said: Resistance, Knowledge, Criticism
CORE Metadata, citation and similar papers at core.ac.uk Provided by Loughborough University Institutional Repository Edward W. Said: Resistance, Knowledge, Criticism by Mark Anthony Taylor A Doctoral Thesis Submitted in partial fulfilment of the requirements for the award of Doctor of Philosophy of Loughborough University 17th October 2016 © Mark Taylor 2016 Abstract The prodigious output of the controversial Palestinian-American public intellectual, academic, and political activist, Edward W. Said (1935-2003), continues to polarize the academic, intellectual, and political worlds, not least because of the inflammatory nature of his relationship to the vexed issue of Israel/Palestine. It is a contention of this thesis that this polarization has resulted in what are often less than critical examinations of Said’s work. In short, because Said and his work remain relevant and influential, a new method of reading is required, one which not only takes account of Said’s resolutely secular, ‘worldly’ approach to the issue of knowledge and its production, but applies the same rigour and method to the Palestinian’s work in all its literary-critical, political, and personal varieties. This thesis attempts to meet that aim by testing Said’s oeuvre within the rubric of his stated ambition to create a critical location from which the production of ‘non-coercive knowledge’ was attainable. In the context of his opposition to political Zionism and wider Western imperialism, whether Said produced, or even intended to produce, knowledge that was ‘non-coercive’ is an extremely important question, and one that will be answered in this thesis. Formed by an introduction and three main chapters, the scope of the thesis is broad. -
Inmedia, 3 | 2013, « Cinema and Marketing » [Online], Online Since 22 April 2013, Connection on 22 September 2020
InMedia The French Journal of Media Studies 3 | 2013 Cinema and Marketing Electronic version URL: http://journals.openedition.org/inmedia/524 DOI: 10.4000/inmedia.524 ISSN: 2259-4728 Publisher Center for Research on the English-Speaking World (CREW) Electronic reference InMedia, 3 | 2013, « Cinema and Marketing » [Online], Online since 22 April 2013, connection on 22 September 2020. URL : http://journals.openedition.org/inmedia/524 ; DOI : https://doi.org/10.4000/ inmedia.524 This text was automatically generated on 22 September 2020. © InMedia 1 TABLE OF CONTENTS Cinema and Marketing When Cultural Demands Meet Industrial Practices Cinema and Marketing: When Cultural Demands Meet Industrial Practices Nathalie Dupont and Joël Augros Jerry Pickman: “The Picture Worked.” Reminiscences of a Hollywood publicist Sheldon Hall “To prevent the present heat from dissipating”: Stanley Kubrick and the Marketing of Dr. Strangelove (1964) Peter Krämer Targeting American Women: Movie Marketing, Genre History, and the Hollywood Women- in-Danger Film Richard Nowell Marketing Films to the American Conservative Christians: The Case of The Chronicles of Narnia Nathalie Dupont “Paris . As You’ve Never Seen It Before!!!”: The Promotion of Hollywood Foreign Productions in the Postwar Era Daniel Steinhart The Multiple Facets of Enter the Dragon (Robert Clouse, 1973) Pierre-François Peirano Woody Allen’s French Marketing: Everyone Says Je l’aime, Or Do They? Frédérique Brisset Varia Images of the Protestants in Northern Ireland: A Cinematic Deficit or an Exclusive -
Porting Transmedia Storytelling to Journalism
University of Denver Digital Commons @ DU Electronic Theses and Dissertations Graduate Studies 1-1-2011 Porting Transmedia Storytelling to Journalism Kevin Timothy Moloney University of Denver Follow this and additional works at: https://digitalcommons.du.edu/etd Part of the Digital Humanities Commons, and the Journalism Studies Commons Recommended Citation Moloney, Kevin Timothy, "Porting Transmedia Storytelling to Journalism" (2011). Electronic Theses and Dissertations. 440. https://digitalcommons.du.edu/etd/440 This Thesis is brought to you for free and open access by the Graduate Studies at Digital Commons @ DU. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ DU. For more information, please contact [email protected],[email protected]. PORTING TRANSMEDIA STORYTELLING TO JOURNALISM __________ A Thesis Presented to the Faculty of Social Sciences University of Denver __________ In Partial Fulfillment of the Requirements for the Degree Master of Arts __________ by Kevin T. Moloney August 2011 Advisor: Dr. Adrienne Russell © Copyright Kevin T. Moloney, 2011 All Rights Reserved Author: Kevin T. Moloney Title: PORTING TRANSMEDIA STORYTELLING TO JOURNALISM Advisor: Dr. Adrienne Russell Degree Date: August 2011 ABSTRACT This thesis examines how the methods of transmedia storytelling emerging in the entertainment industry might be used in a journalism context. Journalism is facing many crises, not the least of which is a loss of readership and perceived relevance to its public. Presented with an ever-expanding array of media with which to interact, the public is more difficult to attract to a socially relevant issue or a politically important story. -
Media Summit Program 2020
October 28, 2020 We want to hear your voice! Immediately following the panel discussion, please use the link or QR code below to take our survey. Tell us what you liked and what you would change, and offer us your ideas for next year! Go to: tinyurl.com/mediasummit20 Student Attendance Tracker Need to record your attendance at the Media Summit? Immediately following the panel discussion, use the link or QR code above. After you complete the survey, you will be able to mark your attendance. The attendance tracker will close 15-minutes after the Media Summit’s conclusion. Go social with the Media Summit online @ozmediasummit @ozmediasummit facebook.com/oswegomediasummit mediasummit.org Welcome & Introduction Deborah F. Stanley President, SUNY Oswego President Deborah F. Stanley is the tenth President of the State University of New York at Oswego. Her tenure has been highlighted by academic excellence, campus renewal, the creation of a learner-centered environment, and the pioneering of the Oswego Guarantee and Graduation ROI (Return on Investment). President Stanley has led the creation of the School of Communication, Media and the Arts, and recently established the college’s Syracuse campus, in downtown Syracuse. Under her leadership, new programs such as electrical and computer engineering, human-computer interaction, human development, biomedical and health informatics, cinema and screen studies, and the online M.B.A. programs were established. Her ambitious campus-wide renewal plan, now in its second decade, encompasses hundreds of millions of dollars in renovations and construction, including the Shineman Center for Science, Engineering and Innovation; the revitalization and modernization of the college’s arts building Tyler Hall; and later this fall, the renovated Wilber Hall, marking the centralization of all School of Education departments under one, contiguous roof.