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Cambridge University Press 978-0-521-89705-1 - W. B. Yeats in Context Edited by David Holdeman and Ben Levitas Index More information Index The entry for ‘Yeats, William Butler’ focuses on references to his works. Entries concerning his attitudes or experiences are interspersed in the index’s main body. Abbey Theatre, Yeats and George Russell quarrel Blake, William, as edited by Yeats, 25;and over, 41; Yeats asserts control over, 42;and London, 86; and Yeats’s aesthetics, 203, Dublin, 93, 96; and Lady Gregory, 135–7; 204, 206, 318;hisJerusalem alluded to by and Synge, 142–3; and Yeats’s aesthetics, Yeats, 232; and Yeats’s spiritual beliefs, 239, 209; and organized religion, 229; see also 257, 263; influences Yeats’s symbolism, Chapter 31 310–15, 316, 317, 390; and Yeats’s interest in Adam, Villiers de l’Isle, 206, 331 the visual arts, 339, 341, 345; and the Adams, Gerry, 406 material text, 376 Adams, Hazard, 182, 184, 371 Blavatsky, Madame Helena Petrovna, and Adorno,T.W.,16–17, 23, 203 London, 81; and Yeats’s aesthetics, 206;and AE, see Russell, George his occultism, 239–40, 257; and folklore, aesthetics or aestheticism, 27, 28, 152, 181, 238, 248; mediates his exposure to classical 318; see also Chapter 19 philosophy, 276 Allingham, William, 301 Bloom, Harold, 238, 315–16, 317, 318 anti-self, see mask Blythe, Ernest, 213, 217, 219 anti-Semitism, 155, 220, 222 Bornstein, George, 371, 403, 404 Arkins, Brian, 283 Bowra, C. M., 390 Arnold, Matthew, 170, 205 Bradford, Curtis, 373 Ashbury, John, 350 Bradshaw, David, 177 Auden, W. H., ridicules Yeats’s occultism, Braude, Ann, 240 166n.15, 238; and the Group Theatre, Brooks, Cleanth, 238, 390 338n.14; and Yeats’s posthumous reception, Brown, Terence, 239 386–7, 388, 392 Browning, Robert, 31, 149, 154, 200, 321, 350 Balzac, Honorede,´ 57–8, 355–6, 359 Burke, Edmund, and ‘The Second Coming’, 53; Barker, Harley Granville, 332 and Yeats’s defense of the Anglo-Irish Barroso, Jose´ Manuel, 407 minority, 60;andDublin,95; characterizes Baudelaire, Charles, 86 Ireland or the Anglo-Irish, 170, 171;and Berkeley, George, and Yeats’s defence of the Yeats’s alleged fascism, 214; influences Anglo-Irish minority, 60;andDublin,95; Yeats’s views on the family as a political and Daimons, 281; and the force of mind, concept, 288, 290–2; and ‘Meditations in 288–90; and ‘Meditations in Time of Civil Time of Civil War’ and Yeats’s Coole Park War’ and Yeats’s Coole Park poems, 295, poems, 295, 296, 297 296 Burne-Jones, Edward, 341, 342 Besant, Annie, 257 Bush, Ronald, 397 Blackmur,R.P.,238, 391 Butt, Isaac, 15 429 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-89705-1 - W. B. Yeats in Context Edited by David Holdeman and Ben Levitas Index More information 430 Index Carleton, William, 228, 251, 301 213, 397; and popular references to Yeats, Catholics or Catholicism, Protestants or 407–8, 410 Protestantism (or the Anglo-Irish), and Irish Municipal Reform, 15;and Dante Alighieri, 188, 263 disestablishment, 16, 18, 21;and Darwin, Charles, 21, 228, 242 nationalism, 27; and Yeats’s defence of the Davie, Donald, 388, 389 Anglo-Irish minority, 59–60;andDublin, Davis, Thomas, influences Yeats’s audience, 26, 18–19, 90, 95; and Thoor Ballylee, 103;and 301; influences Yeats, 301, 302–5; compared John Butler Yeats, 110, 115; and class, 170, to Mangan, 306; compared to Ferguson, 171, 172, 176; and eugenics, 176;and 308 postcolonialism, 188, 189; and ‘Meditations Deane, Seamus, and Yeats’s class politics, 170, in Time of Civil War’, 190; and Yeats’s 171, 172; his views compared to Edward alleged fascism, 216; and Nietzsche, 270, Said’s, 179, 182, 188, 191; and Yeats’s critical 272; and family, 290–1; and Yeats’s reception, 398–9, 401; and ‘The Second posthumous reception, 389, 392, 396; see Coming’, 412 also Chapter 21 Denvir, Gearoid, 409 Cattell, Raymond B., 177 Derrida, Jacques, 414 Chadwick, Joseph, 173 de Valera, Eamon, 60, 61, 62, 64, 217–18, Chang Chun-hsiung, 407 219 Chatterjee, Mohini, 239, 241, 257, 258 de Valois, Ninette, 336–7 Chaudhry, Yug Mohit, 404 Dickinson, Mabel, 42 Chekhov, Anton, 353 Doggett, Rob, 400 Civil War, influences Yeats’s politics, 55, 189, 273; Donoghue, Denis, 275n.4, 385, 392, 393 Maud Gonne’s response to, 123;the Dowson, Ernest, 27, 324 Church of Ireland’s and the Catholic Dublin (and its suburbs), changes rapidly during Church’s responses to, 230;andOedipus Yeats’s youth, 17, 18–20, 21; its influence on at Colonus, 268; and Yeats’s aesthetics, Yeats compared to Sligo’s, 69, 70;and‘In 347 the Seven Woods,’ 100; and Yeats’s views of Clarke, Austin, 389 Synge, 145; see also Chapter 8 Coffey, George, 376 Duffy, Charles Gavan, 26, 304 Cohen, Adam, 412 Duhem, Pierre, 279, 284, 285 Coleridge, Samuel Taylor, 269, 312 Duncan, Isadora, 116, 336 communism, 214, 215, 218, 219 Connolly, James, 229, 234 Easter Rising, as consequence of 1890s Conquest, Robert, 388 nationalism, 26; and Yeats’s response to Coole, its significance summarized, 98–101;and First World War, 48; its effect on Yeats, 94, folklore, 102; and ‘Coole Park, 1929’, 103; 101, 229, 273;andCathleen ni Houlihan, and ‘Coole and Ballylee, 1931’, 105–6;and 127; and ‘September 1913’, 382; Lady Gregory, 129, 130, 134, 137; and Yeats’s see-also ‘Easter, 1916’ views of the Nazis, 222;housesYeats’s Eastwood, Clint, 408–10 manuscripts, 368–9 Eglinton, John, 228 Corbet, Arthur, 19 Eliot, George, 354–5, 356 Corbet, Robert, 16, 17, 112 Eliot, T. S., and London, 83;andPound,151, 152; Corbett, John, 22 and Yeats’s aesthetics, 211, 212; and Yeats’s Cosgrave, Patrick, 392–3 occultism, 237–8, 239, 241, 243; and Yeats’s Cosgrave, William T., 57, 231 relationship to modernism, 320, 322, Craig, Edward Gordon, 333–4, 336 324–6, 328, 367; and Yeats’s posthumous Croce, Benedetto, 59, 215, 216 reception, 385, 386, 387, 388, 390, 391, Croker, Thomas Crofton, 249 393 Cromwell, Oliver, 121–2, 234 Ellis, Edwin, 25, 310, 311, 341, 377 Cross, K. G. W., 387, 392 Ellis, Sylvia C., 335, 336 Cullingford, Elizabeth Butler, and Yeats’s love Ellmann, Richard, 238, 388, 391–2, 396 poetry and/or treatment of gender, 124, Empedocles, 276, 279–80, 284, 285 127, 342–3, 400, 401, 402; and eugenics, Estlake, Allan, 174 177; and Yeats’s politics or alleged fascism, eugenics, 65, 191, 214, 220; see also Chapter 16 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-89705-1 - W. B. Yeats in Context Edited by David Holdeman and Ben Levitas Index More information Index 431 Fabricant, Carol, 292 Civil War’ and Yeats’s Coole Park poems, Fanon, Frantz, 179, 189, 399 295, 296, 297 fascism, and Yeats’s Senate service, 58–9;andhis Gonne, Iseult, and ‘Two Years Later’, 44; abused opposition to de Valera, 62–4;andPound, by John MacBride, 125; and George Yeats, 152–3, 155, 156; and Yeats’s settler colonial 158, 159, 160; and ‘Michael Robartes and status, 179, 182, 191; and ‘Lapis Lazuli’, 273; the Dancer’, 201; and fascism, 215, 220 and Yeats’s posthumous reception, 392, 396, Gonne, Maud, Yeats proposes marriage to, 25; 398; and ‘The Second Coming’, 412; see also and militant nationalism, 26; inspires Rose Chapter 20 poems 29; disillusions Yeats and thereby Fay, Frank and Fay, Willie, 332 shapes his development, 35, 36–9;andThe Fell, Herbert Granville, 379 Countess Cathleen, 40;andOn Baile’s Fenollosa, Ernest, 324, 335 Strand, 40; and Synge’s The Shadow of the Ferguson, Samuel, 228, 301, 302, 305, 307–9 Glen, 42, 136; renews relationship with Finneran, Richard, 383, 403 Yeats in 1908, 42–4; refused entry to her First World War, Yeats’s avoidance of, 46, 47; house by Yeats, 46, 51;and‘NoSecond and the Easter Rising, 48; and Yeats’s Troy ’ , 92–3; and ‘The Wild Swans at responses to Robert Gregory’s death, 50–1; Coole’, 101; and Lady Gregory, 130, 131, 132; and ‘Reprisals’, 54; influences Yeats’s acts in Cathleen ni Houlihan, 134;and postwar political thinking, 58; and London, George Yeats, 158, 159, 160;her 82; and Maud Gonne, 123;andPound,150; anti-Semitism, 214, 220; and Yeats’s interest and Yeats’s interest in heroic violence, 272, in Swift, 294; and ‘The Song of Wandering 273; and ‘The Second Coming’, 328;and Aengus’, 307; and ‘The Rose of the World’, Yeats’s aesthetics, 347 314; and ‘Reconciliation’, 323; and Yeats’s Flaubert, Gustave, 184, 353, 357, 360 Pre-Raphaelitism, 342; presented Fletcher, Ian, 387, 391 manuscripts by Yeats, 367;andIn the Seven folklore, and Sligo, 75–6; and Galway, 98, 99, Woods, 380; see also Chapter 11 101–2; and Lady Gregory, 130, 131;and Gosse, Edmund, 133 Synge, 140;andPound,150;and Gould, Warwick, 253, 383, 403 nationalism, 170, 181; and Yeats’s occultism, Gray, Terence, 336 239; and his fiction, 357; see also Chapter 23 Gregory, Lady Augusta, and Coole Park, 25, 74, Foster, R. F., as Yeats’s biographer, 3, 111;on 98, 103, 222, 296; advises Yeats about Maud Yeats’s alleged fascism, 7–8;onYeats’s Gonne, 39; and the Abbey Theatre, 42; family or the Anglo-Irish Ascendancy, 70, contributes to The Nation, 52; her death 290; on Yeats’s periodical publications, 93, affects Yeats, 61; admires de Valera, 62;and 404; on Yeats’s response to Synge, 144;on ‘The Municipal Gallery Re-visited’, 97; Yeats’s occultism, 239, 240;andhistorical protests excavation of Tara, 99; and Yeats’s revisionism, 398 class politics, 100, 172; and folklore, 101, Frazer, James George, 253, 304 106, 252–3; and Synge, 140, 142–3, 145;and Freemasonry, 73 George Yeats, 159, 160; eclipses Yeats’s Frye, Northrop, 237 interest in Ferguson, 308; and Yeats’s Romanticism, 324; and his manuscripts,
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  • James A. Healy Collection of Irish Literature, 1870-1976

    James A. Healy Collection of Irish Literature, 1870-1976

    http://oac.cdlib.org/findaid/ark:/13030/tf6f59n8gm No online items Guide to the James A. Healy Collection of Irish literature, 1870-1976 Department of Special Collections Green Library Stanford University Libraries Stanford, CA 94305-6004 Phone: (650) 725-1022 Email: [email protected] http://library.stanford.edu/spc/ © 1999 The Board of Trustees of Stanford University. All rights reserved. Guide to the James A. Healy Special Collections M0273 1 Collection of Irish literature, 1870-1976 Guide to the James A. Healy Collection of Irish literature, 1870-1976 Collection number: M0273 Department of Special Collections and University Archives Stanford University Libraries Stanford, California Contact Information Department of Special Collections Green Library Stanford University Libraries Stanford, CA 94305-6004 Phone: (650) 725-1022 Email: [email protected] http://library.stanford.edu/spc/ Processed by: Special Collections staff Date Completed: ca. 1976 © 1999 The Board of Trustees of Stanford University. All rights reserved. Descriptive Summary Title: James A. Healy Collection of Irish literature, Date (inclusive): 1870-1976 Collection number: Special Collections M0273 Creator: Healy, James A. (James Augustine), d.1975. Extent: 8 linear ft. Repository: Stanford University. Libraries. Dept. of Special Collections and University Archives. Language: English. Access Restrictions Open for research. Note that material must be requested at least 36 hours in advance of intended use. Publication Rights While Special Collections is the owner of the physical and digital items, permission to examine collection materials is not an authorization to publish. These materials are made available for use in research, teaching, and private study. Any transmission or reproduction beyond that allowed by fair use requires permission from the owners of rights, heir(s) or assigns.
  • The Evolution of Yeats's Poetic Theory, 1886-1917

    The Evolution of Yeats's Poetic Theory, 1886-1917

    i'I' THE EVOLUTION OF YEATS'S ~OETIC THEORY, 1886-1917. Too L. D. THE EVOLUTION OF YEATS'S POETIC THEORY, 1886-1917 By BARBARA TRIELOFF, B. A. A.Thesis Submitted to the School of Graduate Studies in Partial Fulfilment of the Requirements for the Degree Master of Arts McMaster University November, 1979. MASTER OF ARTS (1979) McMaster University (English) Hamilton, Ontario TITLE: The Evolution of Yeats IS PoeiiiQ' . Theory, 1886-1917. AUTHOR: Barbara Trieloff, B. A. (McMaster University) SUPERVISOR: Dr. Brian John. NUMBER OF PAGES: 107, i: Ab~tract: The aim of this thesis is to demonstrate that Yeats's articles~ reviews, and essays, spanning the years 1185-1911, accurately describe the evolution of his theory of Unity. The Image,which he stressed in his critical work, was one that he forged for Ireland as an national ideal, and in his poetry, it was a symbol of Unity. On both national and poetic levels, it represented pas s ion,' t rag i c , g a i e t y, the he r 0 i can t i - s elf, II per f e c t ion of personality" and self-fulfilment, all of which -are aspects fundamental to his Doctrine of the Mask, outlined in Per Amica Silentia Lunae(19l7). Moreover, we cannot fully understand the metamorphosis of the Image without considering various -1.nfluences: Blake, Shelley} the Rhymers, The Hermetic Order of the Golden Dawn, and Mythology. These influences, combined with the cultural situation in Ireland, thus gave rise to the matrix of ideas premised in his essays, reviews, and articles, with clear effects on his poetry and drama.