Did Pandialy Walk on Fire? the Refutation of an Ancestral Mythological Genesis As a Quest for Knowledge and Acknowledgment
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A Stylistic Analysis of 2Pac Shakur's Rap Lyrics: in the Perpspective of Paul Grice's Theory of Implicature
California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2002 A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature Christopher Darnell Campbell Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Rhetoric Commons Recommended Citation Campbell, Christopher Darnell, "A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature" (2002). Theses Digitization Project. 2130. https://scholarworks.lib.csusb.edu/etd-project/2130 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English: English Composition by Christopher Darnell Campbell September 2002 A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino by Christopher Darnell Campbell September 2002 Approved.by: 7=12 Date Bruce Golden, English ABSTRACT 2pac Shakur (a.k.a Makaveli) was a prolific rapper, poet, revolutionary, and thug. His lyrics were bold, unconventional, truthful, controversial, metaphorical and vulgar. -
Flashback, Flash Forward: Re-Covering the Body and Id-Endtity in the Hip-Hop Experience
FLASHBACK, FLASH FORWARD: RE-COVERING THE BODY AND ID-ENDTITY IN THE HIP-HOP EXPERIENCE Submitted By Danicia R. Williams As part of a Tutorial in Cultural Studies and Communications May 04,2004 Chatham College Pittsburgh, Pennsylvania Tutor: Dr. Prajna Parasher Reader: Ms. Sandy Sterner Reader: Dr. Robert Cooley ACKNOWLEDGEMENTS I would like to thank Dr. Prajna Paramita Parasher, my tutor for her faith, patience and encouragement. Thank you for your friendship. Ms. Sandy Sterner for keeping me on my toes with her wit and humor, and Dr. Cooley for agreeing to serve on my board. Kathy Perrone for encouraging me always, seeing things in me I can only hope to fulfill and helping me to develop my writing. Dr. Anissa Wardi, you and Prajna have changed my life every time I attend your classes. My parent s for giving me life and being so encouraging and trusting in me even though they weren't sure what I was up to. My Godparents, Jerry and Sharon for assisting in the opportunity for me to come to Chatham. All of the tutorial students that came before me and all that will follow. I would like to give thanks for Hip-Hop and Sean Carter/Jay-Z, especially for The Black Album. With each revolution of the CD my motivation to complete this project was renewed. Whitney Brady, for your excitement and brainstorming sessions with me. Peace to Divine Culture for his electricity and Nabri Savior. Thank you both for always being around to talk about and live in Hip-Hop. Thanks to my friends, roommates and coworkers that were generally supportive. -
Raja Ram Mohan Roy (1772 — 1833)
UNIT – II SOCIAL THINKERS RAJA RAM MOHAN ROY (1772 — 1833) Introduction: Raja Ram Mohan Roy was a great socio-religious reformer. He was born in a Brahmin family on 10th May, 1772 at Radhanagar, in Hoogly district of Bengal (now West Bengal). Ramakanto Roy was his father. His mother’s name was Tarini. He was one of the key personalities of “Bengal Renaissance”. He is known as the “Father of Indian Renaissance”. He re- introduced the Vedic philosophies, particularly the Vedanta from the ancient Hindu texts of Upanishads. He made a successful attempt to modernize the Indian society. Life Raja Ram Mohan Roy was born on 22 May 1772 in an orthodox Brahman family at Radhanagar in Bengal. Ram Mohan Roy’s early education included the study of Persian and Arabic at Patna where he read the Quran, the works of Sufi mystic poets and the Arabic translation of the works of Plato and Aristotle. In Benaras, he studied Sanskrit and read Vedas and Upnishads. Returning to his village, at the age of sixteen, he wrote a rational critique of Hindu idol worship. From 1803 to 1814, he worked for East India Company as the personal diwan first of Woodforde and then of Digby. In 1814, he resigned from his job and moved to Calcutta in order to devote his life to religious, social and political reforms. In November 1930, he sailed for England to be present there to counteract the possible nullification of the Act banning Sati. Ram Mohan Roy was given the title of ‘Raja’ by the titular Mughal Emperor of Delhi, Akbar II whose grievances the former was to present 1/5 before the British king. -
2019 National Heritage Board Annual Report
SangNilaUtamaParameswaraIskandarShahZhengHe JacobVanHeemskerkToméPiresJacquesdeCoutreSultan IskandarMudaSirThomasStamfordBingleyRafflesCaptain DanielRossDrJohnCrawfurdMajorWilliamFarquharTengku LongTemenggongAbdulRahmanLieutenantPhilipJackson TanTockSengSeahEuChinSyedOmarAljuniedNarainaPillai AlexanderGuthrieEdwardBousteadSirArthurHenderson YoungSyedMohamedAlsagoffTanKimChingGanEngSeng HajjahFatimahBinteSulaimanMunshiAbdullahBinAbdul KadirThamizhavelGovindasamySarangapanyTanKimSeng TanKahKeeWilliamAlexanderPickeringTanSengPohYapYan HongMohamedEunosBinAbdullahLimBoonKengLieutenant AdnanBinSaidiLieutenant-GeneralArthurErnestPercival LieutenantColonelJohnDouglasDalleyElizabethChoyDavid SaulMarshallMrsConstanceGohLeeKuanYewYusofBinIshak FandiAhmadPatriciaChanLiYinAngPengSiongJoscelinYeo WeiLingYipPinXiuJosephIsaacSchoolingIsaKamariOngKeng SenKhairudinSaharomGopalBarathamEdwinNadason ThumbooC.KunalanJunieSngPohLengJJLinK.Jayamani ShabirTabareAlamHoKunXianAshleyIshamAmraanGani MusaBakarStefanieSunNathanHartonoLooLeongThyeSim WongHooRyanLeeTanMinLiangNgHuckHuiVignesaMoorthy RoshiniMahtaniRamliSaripLokSheeMeiAndrewNeeHedwig AnuarChanHonMengFreyaLimChanSooKhianAnthonyChen MeganZhengSaiyidahAisyahWongKahChunQuekSiuRui JoelSngMohamedYahssirAndrewGn NATIONAL HERITAGE BOARD ANNUAL REPORT 2018/2019 Published, produced & designed by Strategic Communications & Digital Division of National Heritage Board • www.nhb.gov.sg Singapore Bicentennial 2019 marks 200 years since the founding of modern Singapore, a crucial turning point in our rich history. From -
Indo-Caribbean African-Isms
Indo-Caribbean African-isms: Blackness in Guyana and South Africa By Andre Basheir A thesis submitted in conformity with the requirements for the degree of Master of Arts Graduate Department of Sociology and Equity Studies in Education University of Toronto © Copyright by Andre Basheir 2013 ii Indo-Caribbean African-ism: Blackness in Guyana and South Africa Master of Arts, 2013 Andre Basheir, Sociology and Equity Studies in Education, University of Toronto Abstract In an attempt to close the gaps between diaspora and regional studies an Afro-Asian comparative perspective on African and Indian identity will be explored in the countries of Guyana and South Africa. The overlying aim of the ethnographic research will be to see whether blackness can be used as a unifier to those belonging to enslaved and indentured diasporas. Comparisons will be made between the two race models of the Atlantic Ocean and Indian Ocean worlds. A substantial portion will be set aside for a critique of the concept of Coolitude including commentary on V.S. Naipaul. Further, mixing, creolization, spirituality and the cultural politics of Black Consciousness, multiculturalism, and dreadlocks will be exemplified as AfroAsian encounters. iii Acknowledgements Firstly, I like to thank all the people in the areas I conducted my fieldwork (South Africa especially). I befriend many people who had enormous amounts of hospitality. Specifically, Mark, Bridgette and family as well as Omar, Pinky and Dr. Naidoo and family for letting me stay with them and truly going out of their way to help my research efforts. Many thanks goes to a large list of others that I interviewed. -
Beyond Créolité and Coolitude, the Indian on the Plantation: Recreolization in the Transoceanic Frame
Middle Atlantic Review of Latin American Studies, 2020 Vol. 4, No. 2, 174-193 Beyond Créolité and Coolitude, the Indian on the Plantation: Recreolization in the Transoceanic Frame Ananya Jahanara Kabir Kings College London [email protected] This essay explores the ways in which Caribbean artists of Indian heritage memorialize the transformation of Caribbean history, demography, and lifeways through the arrival of their ancestors, and their transformation, in turn, by this new space. Identifying for this purpose an iconic figure that I term “the Indian on the Plantation,” I demonstrate how the influential theories of Caribbean identity-formation that serve as useful starting points for explicating the play of memory and identity that shapes Indo-Caribbean artistic praxis—coolitude (as coined by Mauritian author Khal Torabully) and créolité (as most influentially articulated by the Martinican trio of Jean Barnabé, Patrick Chamoiseau, and Raphaël Confiant)—are nevertheless constrained by certain discursive limitations. Unpacking these limitations, I offer instead evidence from curatorial and quotidian realms in Guadeloupe as a lens through which to assess an emergent artistic practice that cuts across Francophone and Anglophone constituencies to occupy the Caribbean Plantation while privileging signifiers of an Indic heritage. Reading these attempts as examples of decreolization that actually suggest an ongoing and unpredictable recreolization of culture, I situate this apparent paradox within a transoceanic heuristic frame that brings -
Hip-Hop Artists' Perceptions of Criminal Justice Howard M Henderson, Texas Southern University
From the SelectedWorks of Howard M Henderson 2012 Hip-Hop and Procedural Justice: Hip-Hop Artists' Perceptions of Criminal Justice Howard M Henderson, Texas Southern University Available at: https://works.bepress.com/howard_henderson/7/ Race and Justice http://raj.sagepub.com/ Hip-Hop and Procedural Justice: Hip-Hop Artists' Perceptions of Criminal Justice Kevin F. Steinmetz and Howard Henderson Race and Justice 2012 2: 155 DOI: 10.1177/2153368712443969 The online version of this article can be found at: http://raj.sagepub.com/content/2/3/155 Published by: http://www.sagepublications.com On behalf of: Official Journal of the American Society of Criminology, Division on People on Color and Crime Additional services and information for Race and Justice can be found at: Email Alerts: http://raj.sagepub.com/cgi/alerts Subscriptions: http://raj.sagepub.com/subscriptions Reprints: http://www.sagepub.com/journalsReprints.nav Permissions: http://www.sagepub.com/journalsPermissions.nav Citations: http://raj.sagepub.com/content/2/3/155.refs.html >> Version of Record - Jun 29, 2012 What is This? Downloaded from raj.sagepub.com at SAM HOUSTON STATE UNIV LIBRAR on September 26, 2014 Articles Race and Justice 2(3) 155-178 ª The Author(s) 2012 Hip-Hop and Procedural Reprints and permission: sagepub.com/journalsPermissions.nav Justice: Hip-Hop Artists’ DOI: 10.1177/2153368712443969 Perceptions of Criminal http://raj.sagepub.com Justice Kevin F. Steinmetz1 and Howard Henderson1 Abstract Despite its popularity, hip-hop has remained one of the most woefully underexamined topics within criminal justice and criminology. Given the reality that hip-hop music represents lyrical expressions from criminal justice’s most overrepresented popula- tion; the aforementioned paucity is all the more perplexing. -
The Evolution of Commercial Rap Music Maurice L
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Historical Analysis: The Evolution of Commercial Rap Music Maurice L. Johnson II Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION A HISTORICAL ANALYSIS: THE EVOLUTION OF COMMERCIAL RAP MUSIC By MAURICE L. JOHNSON II A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Summer Semester 2011 The members of the committee approve the thesis of Maurice L. Johnson II, defended on April 7, 2011. _____________________________ Jonathan Adams Thesis Committee Chair _____________________________ Gary Heald Committee Member _____________________________ Stephen McDowell Committee Member The Graduate School has verified and approved the above-named committee members. ii I dedicated this to the collective loving memory of Marlena Curry-Gatewood, Dr. Milton Howard Johnson and Rashad Kendrick Williams. iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the individuals, both in the physical and the spiritual realms, whom have assisted and encouraged me in the completion of my thesis. During the process, I faced numerous challenges from the narrowing of content and focus on the subject at hand, to seemingly unjust legal and administrative circumstances. Dr. Jonathan Adams, whose gracious support, interest, and tutelage, and knowledge in the fields of both music and communications studies, are greatly appreciated. Dr. Gary Heald encouraged me to complete my thesis as the foundation for future doctoral studies, and dissertation research. -
Black Europeans, the Indian Coolies and Empire: Colonialisation and Christianized Indians in Colonial Malaya & Singapore, C
Black Europeans, the Indian Coolies and Empire: Colonialisation and Christianized Indians in Colonial Malaya & Singapore, c. 1870s - c. 1950s By Marc Rerceretnam A thesis submitted in fulfilment of the requirements for the Degree of Doctor of Philosophy in the University of Sydney. February, 2002. Declaration This thesis is based on my own research. The work of others is acknowledged. Marc Rerceretnam Acknowledgements This thesis is primarily a result of the kindness and cooperation extended to the author during the course of research. I would like to convey my thanks to Mr. Ernest Lau (Methodist Church of Singapore), Rev. Fr. Aloysius Doraisamy (Church of Our Lady of Lourdes, Singapore), Fr. Devadasan Madalamuthu (Church of St. Francis Xavier, Melaka), Fr. Clement Pereira (Church of St. Francis Xavier, Penang), the Bukit Rotan Methodist Church (Kuala Selangor), the Institute of Southeast Asian Studies (Singapore), National Archives of Singapore, Southeast Asia Room (National Library of Singapore), Catholic Research Centre (Kuala Lumpur), Suara Rakyat Malaysia (SUARAM), Mr. Clement Liew Wei Chang, Brother Oliver Rodgers (De Lasalle Provincialate, Petaling Jaya), Mr. P. Sakthivel (Seminari Theoloji Malaysia, Petaling Jaya), Ms. Jacintha Stephens, Assoc. Prof. J. R. Daniel, the late Fr. Louis Guittat (MEP), my supervisors Assoc. Prof. F. Ben Tipton and Dr. Lily Rahim, and the late Prof. Emeritus S. Arasaratnam. I would also like to convey a special thank you to my aunt Clarice and and her husband Alec, sister Caryn, my parents, aunts, uncles and friends (Eli , Hai Long, Maura and Tian) in Singapore, Kuala Lumpur and Penang, who kindly took me in as an unpaying lodger. -
New Politics and the Indian Malaysian Malaysiakini.Com Mar 25, 2008 M Nadarajah
New politics and the Indian Malaysian Malaysiakini.com Mar 25, 2008 M Nadarajah The facts of the 12th general election have been recounted several times, but not the meaning of events of the socio-political drama that unfolded and burst into the public arena over the last six months, leading up to polling day. MCPX On the ground, the election results are the outcome: (i) the history of what the Barisan Nasional (BN) government has actually done for the people and this nation since independence, (ii) political and campaign strategies of the individual parties or their coalitions, (iii) systematic manipulation of the voting system and constituencies and lastly, (iv) easy access to new information and communication technologies by all political contenders. Among the factors, it is in the history of this nation that we need to look closely and to identify definite trends that have given us what we are experiencing today. A few centuries ago, an European social commentator and revolutionary said ‘History moves forward qualitatively only on the side of and through the agency of the oppressed and marginalised. It is they who provide the social ground that offer History a new Future’. In a sense, history had thrust upon the Indian Malaysian (specifically the Tamils) that special responsibility. The 12th general election was the temporal space where history conspired to give us the opportunity for that ‘an-other’ Malaysia to which many of us aspire. Indian Malaysians have faired extremely well in that effort. They have pushed the agenda of a new politics for Malaysia. On hindsight, the rise of the Hindu Rights Action Force (Hindraf) and later Makkal Sakthi, is undeniably a critical turning point in Malaysian politics. -
Introduction
Introduction Coralie walks quickly in a procession of about a hundred practitioners who wear the goddess’s bright saff ron color. Under the sound of beat- ing drums, in an atmosphere of enormous suspense, with the sun going down, they enter the temple ground where hundreds of spectators and cameras welcome them. The crowd is clustered around a large pit fi lled with glowing embers. Little space is left for the procession to pass be- tween the spectators and the pit. An incredible heat emanates from the coals, even when standing two meters away. I sit down among other women near the milk basin at the end of the fi re pit. Movements are hectic. I lose sight of Coralie. It is getting darker. The coals blaze in grey, orange, and red. The drums keep beating. Their rhythms increase the tension. The priest conducts the fi nal preparatory ceremonies. Where is Coralie now? How does she feel? With the drums accelerating, the priest is the fi rst to step barefoot on to the glowing embers. He crosses the fi eld in eight strides and steps into the milk basin. Now, one devotee after another walks across the fi re pit. From my spot, I do not see Cora- lie, but I see Amandine when she crosses the fi eld. Her steps are fast and her eyes are wide open. Fire walking is a popular Hindu festival in La Réunion, a French overseas department and remote region of the European Union in the Indian Ocean. Coralie and Amandine1 are eighteen and twenty-eight years old. -
'The Most Cosmopolitan Island Under the Sun'
‘The Most Cosmopolitan Island under the Sun’? Negotiating Ethnicity and Nationhood in Everyday Mauritius Reena Jane Dobson Thesis submitted for the degree of Doctor of Philosophy Centre for Cultural Research University of Western Sydney December 2009 The work presented in this thesis is, to the best of my knowledge and belief, original except as acknowledged in the text. I hereby declare that I have not submitted this material either in full or in part, for a degree at this or any other institution. Reena Dobson Dedication I dedicate this thesis to my grandmother, my Nani, whose life could not have been more different from my own. I will always be grateful that I was able to grow up knowing her. I also dedicate this thesis to my parents, whose interest, support and encouragement never wavered, and who were always there to share stories and memories and to help make the roots clearer. Acknowledgements At the tail end of a thesis journey which has involved entangled routes and roots, I would like to express my deepest and most heartfelt thanks to my wonderful partner, Simon White, who has been living the journey with me. His passionate approach to life has been a constant inspiration. He introduced me to good music, he reminded me to breathe, he tiptoed tactfully around as I sat in writing mode, he made me laugh when I wanted to cry, and he celebrated every writing victory – large and small – with me. I am deeply indebted to my brilliant supervisors, Associate Professor Greg Noble, Dr Zoë Sofoulis and Associate Professor Brett Neilson, who have always been ready with intellectual encouragement and inspiring advice.