Twenty Eventful Years of the Oregon Woman's Christian Temperance Union 1880- 1900
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Savings Bank
|rbor curiq i:v<-ry Kriday, ADVERTISING KATFS. ,i reulation among MtrOkanto, _ ai'Acit. I w. aw. 4w. .-1 111. 6m.| 1 yr. •i .VI • Mnnufitrtu., r», Famtn, lsq. lolinee *Too Too TOO": 2 squares 160 aoo S 50 J7_50 io_oo|_isjHj ;.••• iici-d/ty. 800 8 00 5 00 10 00 IB 00j 20 M) % column... SOU 7 00 V) (Ml, 151)0 86 00 "86 HO iio.jhimii M 00 ia_00 16 00 36 00 40 00 MOU VLRY 0ESISA3LE MEDIUM FOR ADVERTISERS. 1 column..... 15 00 afTT-orBS nn'iiTon go oolioo oo Business cards, $10 per year—six months, $7— three months, S5. Advertisements occupying any special place R. A. BEAL, EDITOR AND PROPRIETOR. or peculiarly displayed, will be charged a price aud a third. Marriage and death notices free. Nim-resldentsare required to pay quarter! y, Term*: »1 .50 nyoarlu advance; *2 If payment In advauce. On all sums less tbau (10,all In iv.M. siugle eoples, nve cent*. advance. Advertisements ttiat have the least Indelicate tendency, and all of the oue-doJlnr- a-grab Jewelry advertisements, are abKnliitclv excluded from our columns. d rv .I/IM ilrAer Pottafflot n> M Only AINMetal Cuts ln«( r(<(|. U ni'itler.] JOB PKINTING. We have the most oomplete Job office In tin- Slate, or In the Northwest, which enables us to print books, pamphlets, posters, programmes f II if* Mil. I I , bill-heads, circulars, cards, eto., In superior BOOK AND JOB PRINTING style, upon the shortest notice. BOOK-BINDING-. OK KVKRY DESCRIPTION, Connected with THE COTIRIEB office is an extensive hook-bindery .employing competen t CHEAPER THAU AT ANY OTHER HOUSE II THE WEST. -
A Climate: a Philosophical Study
A CLIMATE A Philosophical Study by WATSUJI TETSURO translated by GEOFFREY BOWNAS Lecturer, Oxford University Published by PRINTINGBUREAU, JAPANESE GOVERNMENT A CLIMATE A Philosophical Study by WATSUJI TETSURO translated by GEOFFREY BOWNAS Lecturer, Oxford University Published by PRINTINGBUREAU, JAPANESE GOVERNMENT Unesco, at the 9th session of its General Conference held in New Delhi in 1956, decided to launch the Major Project on the Mutual Appreciation of Eastern and Western Cultural Values. In accordance with this decision this Commission has been carrying on since 1958, within the framework of the project, a programme of publishing modern Japanese philosophical works into foreign languages. In 1959, we put out an English translation of "The Ways of Thinking of Eastern Peoples" by Nakamura Hajime; and in 1960 "A Study of Good" by Nishida Kitaro. The present 7101- ume, "A Climate" by Watsuji Tetsuro, is the third of the series and is to be followed in 1962 by an English version of "Time and Eternity" by Hatano Seiichi. Watsuji Tetsuro, one of the foremost scholars in the field of ethics in Japan, attempted in his present book to expound his views in concrete and easy terms on "the function of climate as a factor within the structure of human existence", which represents an aspect of his profound thought. It is our sincere wish that this programme will prove to be a contribution to the development of mutual understanding among the peoples of the world, as well as a closer cultural link between the East and West. Japanese National Commission for Unesco Unesco, at the 9th session of its General Conference held in New Delhi in 1956, decided to launch the Major Project on the Mutual Appreciation of Eastern and Western Cultural Values. -
Portland Daily Press: December 23,1884
Recent Rubiicatione. the charge of occasional egotism ana amase- the reader will net Sail to the THE PORTLAND DAILY PRESS, EDUCATIONAL THE PRESS. ness, appreciate MISCELLANEOUS.__ _MEDICAL. zealous and unselfish labors of the author in the Published every day (Sundays excepted,) by A Fearful Responsibility, and Other Stories. OCTOBER 29. affording the Bible to the inhabitants of a SATURDAY HORNINU, W. D. Howells. J. R. Osgood & PORTLAND PUBLISHING CO., WRITING SCHOOL. Jy (Boston: graceless region. -.---" & It Portland. 3o.; Portland: Loring, Short Harmon.) At 109 Exchange St., We do sot read letters and oommnn anonymous s to read whatever Mr. How- A Short of Art. Julia B. Da To mall sutferll always charming History By Trams: Eight Dollars a Year. LEAGUES cations. The name and address of the writer are in MORE He Forest York: Dodd & Portland: ers Seven Dollars a Year, if paid In advance. Mr. A. WTCLARK * ills writes from his Venetian experiences. (New Mead; ail oases indispensable, not necessarily for publica- will the first of a series of twenty lessons s with the essence of modern Ven- Loring, Short & Hannon). This work, de- give tion bnt as a of faith. penetrated STATE PRESS in ■■■■ guaranty good THE MAINE Penmanship, ■■■■ 1 its and Its historic signed as au introductory study to more exten- C>IF" We cannot undertake to return or pree re com ce, poetic pleasure sadness, Is pnhllahed every Thursday Morning at $2.60 a sive treatises the of will be 87 mtmications that are not nsed. I ,nd expresses the subtle influence which upon history art, if paid in advance at $2.00 a year. -
A Don West Reader West End Press
Lincoln Memorial University LMU Digital Commons Copyright-Free Books Collection Special Collections 1985 In a Land of Plenty: A Don West Reader West End Press Don West Constance Adams West Follow this and additional works at: https://digitalcommons.lmunet.edu/csbc Part of the Appalachian Studies Commons, and the Poetry Commons Recommended Citation End Press, West; West, Don; and West, Constance Adams, "In a Land of Plenty: A Don West Reader" (1985). Copyright-Free Books Collection. 1. https://digitalcommons.lmunet.edu/csbc/1 This Book is brought to you for free and open access by the Special Collections at LMU Digital Commons. It has been accepted for inclusion in Copyright-Free Books Collection by an authorized administrator of LMU Digital Commons. For more information, please contact [email protected]. With sketches Constance Adams West No Grants This book is not supported any grant, governmental, corporate or PS 3545 .E8279 16 1985 private. It is paid for, directly or indirectly, by the people who support and In a land of plenty have Don West's vision, and it both reflects and proves their best - The publisher No Purposely this book is not copyrighted. Poetry and other creative efforts should be levers, weapons to be used in the people's struggle for understanding, human rights, and decency. "Art for Art's Sake" is a misnomer. The poet can never be neutral. In a hungry world the struggle between oppressor and oppressed is unending. There is the inevitable question: "Which side are you on?" To be content with as they are, to be "neutral," is to take sides with the oppressor who also wants to keep the status quo. -
A Female Factor April 12, 2021
William Reese Company AMERICANA • RARE BOOKS • LITERATURE AMERICAN ART • PHOTOGRAPHY ______________________________ 409 TEMPLE STREET NEW HAVEN, CONNECTICUT 06511 (203) 789-8081 FAX (203) 865-7653 [email protected] A Female Factor April 12, 2021 Celebrating a Pioneering Day Care Program for Children of Color 1. [African Americana]: [Miller Day Nursery and Home]: MILLER DAY NURSERY AND HOME...THIRTY-FIFTH ANNIVERSARY PROGRAM... EBENEZER BAPTIST CHURCH [wrapper title]. [Portsmouth, Va. 1945]. [4]pp. plus text on inner front wrapper and both sides of rear wrapper. Quarto. Original printed wrappers, stapled. Minor edge wear, text a bit tanned. Very good. An apparently unrecorded program of activities planned to celebrate the thirty- fifth anniversary of the founding of the Miller Day Nursery and Home, the first day care center for children of color in Portsmouth, Virginia. The center and school were established by Ida Barbour, the first African-American woman to establish such a school in Portsmouth. It is still in operation today, and is now known as the Ida Barbour Early Learning Center. The celebration, which took place on November 11, 1945, included music, devotionals, a history of the center, collection of donations, prayers, and speeches. The work is also supplemented with advertisements for local businesses on the remaining three pages and the inside rear cover of the wrappers. In all, these advertisements cover over forty local businesses, the majority of which were likely African-American-owned es- tablishments. No copies in OCLC. $400. Early American Sex Manual 2. Aristotle [pseudonym]: THE WORKS OF ARISTOTLE, THE FAMOUS PHILOSOPHER. IN FOUR PARTS. CONTAINING I. -
Lutheran Church of the Atonement (Tune in to 101.3)
Lutheran Church of the Atonement (Tune in to 101.3) March 14, 2021 Lent 4 WELCOME GATHERING SONG Amazing Grace 1 Amazing grace! how sweet the sound that saved a wretch like me! I once was lost, but now am found; was blind, but now I see. 2 'Twas grace that taught my heart to fear, and grace my fears relieved; how precious did that grace appear the hour I first believed! 3 Through many dangers, toils, and snares I have already come; 'tis grace has brought me safe thus far, and grace will lead me home. 4 The Lord has promised good to me; his word my hope secures; he will my shield and portion be as long as life endures. Text: John Newton, 1725-1807, alt., sts. 1-4; anonymous, st. 5 GREETING The grace of our Lord Jesus Christ, the love of God, and the communion of the Holy Spirit be with you all. And also with you. PRAYER OF THE DAY Let us pray, O God, rich in mercy, through your Son you reconciled this world and rescued us from the hopelessness of death. Lead us into your light, that we may reflect your love, through Jesus Christ, our Savior and Lord, who lives ad reigns with you and the Holy Spirit one God, now and forever. Amen READING Ephesians 2:1-10 A reading from Ephesians 1You were dead through the trespasses and sins 2in which you once lived, following the course of this world, following the ruler of the power of the air, the spirit that is now at work among those who are disobedient. -
Understanding Music Past and Present
Understanding Music Past and Present N. Alan Clark, PhD Thomas Heflin, DMA Jeffrey Kluball, EdD Elizabeth Kramer, PhD Understanding Music Past and Present N. Alan Clark, PhD Thomas Heflin, DMA Jeffrey Kluball, EdD Elizabeth Kramer, PhD Dahlonega, GA Understanding Music: Past and Present is licensed under a Creative Commons Attribu- tion-ShareAlike 4.0 International License. This license allows you to remix, tweak, and build upon this work, even commercially, as long as you credit this original source for the creation and license the new creation under identical terms. If you reuse this content elsewhere, in order to comply with the attribution requirements of the license please attribute the original source to the University System of Georgia. NOTE: The above copyright license which University System of Georgia uses for their original content does not extend to or include content which was accessed and incorpo- rated, and which is licensed under various other CC Licenses, such as ND licenses. Nor does it extend to or include any Special Permissions which were granted to us by the rightsholders for our use of their content. Image Disclaimer: All images and figures in this book are believed to be (after a rea- sonable investigation) either public domain or carry a compatible Creative Commons license. If you are the copyright owner of images in this book and you have not authorized the use of your work under these terms, please contact the University of North Georgia Press at [email protected] to have the content removed. ISBN: 978-1-940771-33-5 Produced by: University System of Georgia Published by: University of North Georgia Press Dahlonega, Georgia Cover Design and Layout Design: Corey Parson For more information, please visit http://ung.edu/university-press Or email [email protected] TABLE OF C ONTENTS MUSIC FUNDAMENTALS 1 N. -
October 2019 Writings Based on God’S Word
Vol. 74, #10 Oct 2019 Blessed be the name of God for ever and ever: for wisdom and might are his: And he changeth the times and the seasons: he removeth kings, and setteth up kings: he giveth wisdom unto the wise, and knowledge to them that know understanding: Daniel 2:20-21 INSIDE THIS ISSUE The Faith of Moses page 3 Monthly Sermon page 4 Counting the Cost page 6 "Because you came, I met Jesus..." page 6 ACCFS: The Church and Singleness page 8 Are You Ready and Available? page 10 Adorning Ourselves with the Ornament of a Meek and Quiet Spirit page 46 Remembering Our Spiritual Heritage page 62 The Light of Hope page 63 Correspondence For November issue (news from Sept 16-Oct 15) To Our Readers Due: October 20, 2019 Our Future The Silver Lining “And I saw in the right hand of him that sat on the throne a book 1523 County Road 400N written within and on the backside, sealed with seven seals. And I saw Congerville, IL 61729 a strong angel proclaiming with a loud voice, Who is worthy to open the book, and to loose the seals thereof? And no man in heaven, nor in USPS 496780 earth, neither under the earth, was able to open the book, neither to look thereon. And I wept much, because no man was found worthy to open Published Monthly by the Apostolic and to read the book, neither to look thereon.”Rev. 5:1-4 Christian Church of America As we read in Revelation, we get a window into the future. -
Sounding Paiwan: Institutionalization and Heritage-Making of Paiwan Lalingedan and Pakulalu Flutes in Contemporary Taiwan
Ethnomusicology Review 22(2) Sounding Paiwan: Institutionalization and Heritage-Making of Paiwan Lalingedan and Pakulalu Flutes in Contemporary Taiwan Chia-Hao Hsu Lalingedan ni vuvu namaya tua qaun Lalingedan ni vuvu namaya tua luseq…… Lalingedan sini pu’eljan nu talimuzav a’uvarun Lalingedan nulemangeda’en mapaqenetje tua saluveljengen The ancestor’s nose flute is like weeping. The ancestor’s nose flute is like tears... When I am depressed, the sound of the nose flute becomes a sign of sorrow. When I hear the sound of the nose flute, I always have my lover in mind. —Sauniaw Tjuveljevelj, from the song “Lalingedan ni vuvu,” in the album Nasi1 In 2011, the Taiwanese government’s Council for Cultural Affairs declared Indigenous Paiwan lalingedan (nose flutes) and pakulalu (mouth flutes) to be National Important Traditional Arts. 2 Sauniaw Tjuveljevelj, a designated preserver of Paiwan nose and mouth flutes at the county level, released her first album Nasi in 2007, which included one of her Paiwan songs “Lalingedan ni vuvu” [“The Ancestor’s Nose Flute”]. Using both nose flute playing and singing in Paiwan language, the song shows her effort to accentuate her Paiwan roots by connecting with her ancestors via the nose flute. The lines of the song mentioned above reflect how prominent cultural discourses in Taiwan depict the instruments today; the sound of Paiwan flutes (hereafter referred to collectively as Paiwan flutes) resembles the sound of weeping, which is a voice that evokes a sense of ancestral past and “thoughtful sorrow.” However, the music of Paiwan flutes was rarely labeled as sorrowful in literature before the mid-1990s. -
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana -
The Collected Poems of Giorgio De Chirico
195 THE COLLECTED POEMS OF GIORGIO DE CHIRICO I Paris 1911-1915 1. Hopes1 Te astronomer poets are exuberant. Te day is radiant the public square flled with sunlight. Tey are leaning against the veranda. Music and love. Te incredibly beautiful woman. I would sacrifce my life for her velvet eyes. A painter has painted a huge red smokestack Tat a poet adores like a divinity. I remember that night of springtime and cadavers. Te river was carrying gravestones that have disappeared. Who still wants to live? Promises are more beautiful. So many fags are fying from the railroad station. Provided the clock does not stop A government minister is supposed to arrive. He is intelligent and mild he is smiling. He comprehends everything and at night by the glow of a smoking lamp While the warrior of stone dozes on the dark public square He writes sad passionate love letters. 1 Original title, Espoirs, published in “La révolution surréaliste”, n. 5, Paris 15 October 1925, p. 6. Te Éluard-Picasso Manuscripts (1911-1915), including theoretical writings and poems written in French and 29 drawings, constitute an essential testimony of de Chirico’s early theoretical and artistic considerations. (See J. de Sanna, Giorgio de Chirico - Disegno, Electa, Milan 2004, pp. 12-15). De Chirico arrived in Paris, from Florence, on 14 July 1911 and remained in the capital until late May 1915 when, called to arms, he returned to Italy with his brother Alberto Savinio. Initially in Paul Éluard’s collection, the manuscripts were later acquired by Picasso. Today they are conserved in ‘Fonds Picasso’ at Musée National Picasso, Paris. -
Congressional Record-House
, . :· . ,., - ... ,. ' .. 1890. CONGRESSIONAL RECORD-HOUSE. 2159 SUPERVISOR O.F CENSUS. HOUSE OF REPRESENTATIVES. Theophilus F. Smith, of St. Paul, Minn., to be supervisor of census for the tbir<l census district of Minnesota. <t'ice Willimn H. H . •Tohnston, WEDNESDAY, March 12, 1890. declined. The House met at 12 o'clock .m. Prayer by the Chaplain, Rev. W. JUSTICE OF THE PEACE. H. MILBURN, D. D . Joseph W. Davia, of the District of Columbfa, to be justice of the The Journal of the proceedings of ymterday was read and approTe2_. peace for the District of Columbia (to be assigned to the city of George EXP.ESSES OF IMMIGRATION Th--VESTIGATIOX. town), whose commission will expire March 12, 1890. Mr. OWEN, of Indiana. Mr. Speaker, I ask unanimous consent for PAYMASTER-GEI\""ERAL. the present consideration of the resolution which l send to the desk. Lieut. Col. William Smith, Deputy Paymaster-General, to be Pay The SPEAKER. The resolution will be read, after which the Chair master-General with the rank of brigadier-general, March 10, 1890, will ask for objection. vice Rochester, retired from active service. The Clerk read as follows: : POSTMASTER. Resolved, That $5,000, or so much thereof as may be needed, is hereby appro priated, ontof the contingent fund of tho House, to be expended under the di George G. Briggs, to be postmaster at Grand Rapids,_ in the county rection of the Sergeant-at-Arms of the House, t-0 pay the expenses of the House of Kent and State of Michigan, in the place of James Blair, whose com Committee on Immigration and Natu.ralization in the joint investigation of the workingofthe Federal immigration law by the Senate Committee on Immigra mission exp1res March 29, 1890, and who has resigned.