DOCSLIB.ORG

Chapter 9 Artistic Folk Music for the Road

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Chapter 9 Artistic Folk Music for the Road Roskilde University Music Across Times and Fences Sørensen, Bent Erik Publication date: 2016 Document Version Publisher's PDF, also known as Version of record Citation for published version (APA): Sørensen, B. E. (2016). Music Across Times and Fences. Secantus. http://www.secantus.dk/books.htm General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain. • You may freely distribute the URL identifying the publication in the public portal. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 08. Oct. 2021 Bent Sørensen MUSIC ACROSS TIMES AND FENCES MUSIC ACROSS TIMES AND FENCES Bent Sørensen Secantus Published 2016 by Secantus Publishing, Østre Alle 43D, 3250 Gilleleje, Denmark [email protected] 2003-2016 Bent Sørensen (1941-): Music across times and fences All rights reserved Care has been taken to provide correct data on composers and their works, often with statement of sources, but no responsibility is assumed for accu- racy of information. The publisher would appreciate to be made aware of possible errors or inaccuracies, and due to the print-on-demand method used will be able to update the text at suitable intervals between editions. The printing date written on the last page allows you to set a limit on the time of the latest update. Printed book: Amazon CreateSpace Distribution: all Amazon web shops, and other outlets For example www.amazom.com, www.amazon.co.uk ISBN: 978-87-93255-16-6 e-book (Kindle format): www.amazon.com ISBN: 978-87-93255-18-0 e-book (pdf-format): www.secantus.dk ISBN: 978-87-93255-17-3 Design: Bent Sørensen, Novator Cover score: Opening of Beethoven’s 5th Symphony PREFACE 3 Preface This book is an account of the history and present state of music, seen through the inquiring eyes of an individual. It spans the sub- ject from scarce archaeological evidence of music more than 30000 years ago, over classical orchestra and chamber music to the latest rock and fusion masterpieces. My intention is not to give you a complete encyclopaedia of the most liked or most played composers and compositions. Others have done that very well. On the contrary, I want to select relatively few, crucial works that in my view constitute important progress in musical expression. The selection of music to be highlighted in this book focuses on works that bring something new to the music and step beyond the rules of convention at the time of composing, thereby breaking the ground for new experiences of sound. As a result there are some perfectly nice compositions made in already established musical styles that you will not find here, including several that by convention are present in most other treatises of music. As compensation, you will find works described, that per- haps you did not know - and which yet may end up filling you with the deepest joy and admiration when you listen to them. Fortu- nately, greatness and innovative spirit often go together. In any case, while you may not always be in agreement with my judge- ments, I hope you will disagree in a way that opens for constructive dialogue, whether with friends or just in your mind. The account attempts to cover music from the oldest to the most recent (“across times”), from all parts of the world, and from all genres, such as folk music, classical art music, jazz, musicals, rock and pop music (“across fences”). Running footers will display melody score excerpts for those read- ing musical notes. When this book project was started more than ten years ago, I considered adding a DVD with full-length re- cordings of some of the music highlighted in the book, from the best recordings available. Purchasing rights would have made the BENT SØRENSEN MUSIC ACROSS TIMES AND FENCES 4 PREFACE bundled DVD/book very expensive, and fortunately, the music scene has changed so that streaming services can now offer most of the music at low cost or freely. How to use such services along with reading the book is explained at the end in Notes to Recordings. The e-book version has direct links in the text to Notes and from Notes to the Internet music, while the print version provides track ID’s to type in on your computer, tablet or phone. However, one can also use the tracklists I have provided on the streaming media for each chapter or section, whether reading the print or the electronic ver- sion. Thus the music is just a click away. I have a background in several scientific disciplines and I am active in a small way in art and music composing. These particular skills are to blame, if this book makes interdisciplinary connections that would not occur to people without such a bag of experiences. That and the focus on musical innovation, whether by large or by small steps forward, is hopefully making the book stand out from the crowd, as well as making it more enjoyable. Bent Sørensen Gilleleje, May 2016 Greensleeves, a song first registered 1581 in England, composer unknown. CONTENTS 5 Contents: Preface 3 List of contents 5 Introduction 7 1. Origins 15 2. Foundations 33 3. Period of formality and a little dissent 47 4. Renaissance 73 5. From baroque to romantic 99 6. Times of enlightenment and charm 123 7. Impressionism 141 8. Artistic folk music for the concert hall 149 9. Artistic folk music for the road 189 Jazz, from precursors to cross-over music 193 Bluegrass and other grassroot songs 207 Pop music and beyond: songs for (some of) the people 209 Protest singing 221 Rock: soft to hard, light to heavy, simple to complex 224 10. Back to basics 265 From minimal music to hybrid art music 266 From electro-pop to hybrid road music 282 End word 293 Background material: Technicalities 295 Notes to recordings (with links to music) 303 Index 401 About the Author 440 BENT SØRENSEN MUSIC ACROSS TIMES AND FENCES 6 CONTENTS Greensleeves, a song first registered 1581 in England, composer unknown. INTRODUCTION 7 Introduction Music is a very basic part of many people's lives. Be it the current generation of walkman/smartphone carriers, web-music listeners, concert-goers, bathroom singers and members of the local rock band, or be it throughout history all those that have enjoyed sing- ing, playing instruments and listening to the beat of village drum- mers. Not to speak of those who themselves improvise, invent tunes or compose scores. The causes for this enthusiasm are the territories that I try to explore in this book. It therefore differs from many music books that focus on only one type of music: if classical then no rock music mentioned, if jazz then not a word on opera, and so on. Even inside each category, there are definite schools dis- cussing how to delimit the sub-fields. Writers following the German-Austrian musical tradition have de- livered books seeing Bach, Beethoven, Brahms, Haydn, Mozart, Schubert and Schumann as the basic cornerstones of good music. My treatise, while giving due credit to the marvellous composers from Germany and Austria, is one of the first contemporary writ- ings to accord the proper place in the music hall-of-fame to com- posers from the rest of the world, beyond the European continent. Also inside Europe, the treatise is broadened to include areas often treated as marginal, and to reconsider the relative importance of different composers, when seen in the light of their contribution to innovation. More emphasis is placed on the Italian composers who started cur- rent soloist and symphonic traditions and brought it to the highest level (notably Alessandro Scarlatti and Antonio Vivaldi). I would also like to heighten the international ranking of the French com- poser Saint-Saëns, who brought forward the brilliance and charm that, more directly than previously thought, lead straight to giants like Debussy, Ravel and de Falla, and furthermore, I pay tribute to G. Bizet, toreador song from the opera Carmen (1875). 8 INTRODUCTION many 20th century composers from Russia and from countries not making much headway in earlier music history telling: Japan, Mex- ico, Hungary, Poland, the UK and the USA, to name just a few. Among music encyclopaedias on my bookshelf, the least nationally biased ones are often British1, maybe because domestic English composers largely lacked international recognition at the highest level before Britten and Lennon. Another feature of this book is its attempt to find the roots of music, by going back to the early Stone Age and looking not only at mod- ern humans but also at the other human families, based on archaeo- logical findings. Later, the several thousand-years old cultures of Babylon, Egypt and Greece bloomed with music, and although much has been lost, there is enough evidence to asses some of the kinds of music invented during the periods in question, by using accounts written at the time, by studying instruments found, and in rare cases even sheet music (that is, often carved into stone so that it could survive to our times, or being repeatedly copied, as is the case for many other existing accounts from these cultures, with copying errors as a challenge to scientists trying to decipher the original message).
Load more

Recommended publications
  • A Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature
    A Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature Robert A. Taylor RESEARCH IN MEDIEVAL CULTURE Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature Medieval Institute Publications is a program of The Medieval Institute, College of Arts and Sciences Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature Robert A. Taylor MEDIEVAL INSTITUTE PUBLICATIONS Western Michigan University Kalamazoo Copyright © 2015 by the Board of Trustees of Western Michigan University All rights reserved Manufactured in the United States of America This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Taylor, Robert A. (Robert Allen), 1937- Bibliographical guide to the study of the troubadours and old Occitan literature / Robert A. Taylor. pages cm Includes index. Summary: "This volume provides offers an annotated listing of over two thousand recent books and articles that treat all categories of Occitan literature from the earli- est enigmatic texts to the works of Jordi de Sant Jordi, an Occitano-Catalan poet who died young in 1424. The works chosen for inclusion are intended to provide a rational introduction to the many thousands of studies that have appeared over the last thirty-five years. The listings provide descriptive comments about each contri- bution, with occasional remarks on striking or controversial content and numerous cross-references to identify complementary studies or differing opinions" -- Pro- vided by publisher. ISBN 978-1-58044-207-7 (Paperback : alk. paper) 1. Provençal literature--Bibliography. 2. Occitan literature--Bibliography. 3. Troubadours--Bibliography. 4. Civilization, Medieval, in literature--Bibliography.
    [Show full text]
  • Weekly Commentary
    Weekly Commentary October 21, 2019 The Mother Of All Golden Oldies More than 3,400 years ago in the Mediterranean port city of Ugarit, now part of Syria, an unknown composer wrote a hymn in praise of Nikkal, the wife of the moon god. The words and music were carefully chiseled into a stone tablet. It is the oldest surviving song in the world. The tablet was discovered in the 1950s, but it wasn't until the 1970s that University of California at Berkeley Professor Anne Kilmer was able to decipher some of the cuneiform figures on it as musical notation. She recognized them from other Babylonian tablets she had already analyzed, including a four-thousand-year-old instruction manual for tuning an ancient stringed instrument called a lyre. The song appeared to have been written in a seven-note scale similar to the one we use today. Amazingly, Kilmer was able to reconstruct a version of the song note for note, so that the lost tune could be played once again for modern ears. A little late for royalties, however. The song is written in the ancient Hurrian language. The exact lyrics are unclear, although the name of Nikkal is easily recognizable, and Kilmer has translated one phrase as "Thou lovest them in thy heart." Versions of the "Hymn to Nikkal" have been recorded by several modern artist including musicologist Richard Crocker and Syrian Pianist Malek Jandali. The exact location of the Bronze Age city of Ugarit was unknown to modern archaeologist until a syrian farmer accidentally opened an old tomb while plowing a field.
    [Show full text]
  • Databases and Ebook Collections 2012-2013
    SCHOLARSHIP PUBLISHER Databases and ebook collections 2012-2013 www.classiques-garnier.com Classiques Garnier Digital offers academic libraries, public and research centres access to databases in the fields of literature, the humanities and the social sciences.Teachers, academics, researchers, students, pupils and enthusiasts thus have at their disposal tens of thousands of reference works in text mode, easily searchable at simple or advanced levels thanks to a full data mark-up and a powerful search engine. On our website you will find a detailed explanation of our editorial work and how we produce the databases, as well as additional information and documents. We warmly invite you to make a visit. summary literature, art and history Corpus of Medieval Literature from Its Origins to the End of the Fifteenth Century 6 Corpus of Narrative Literature from the Middle Ages to the Twentieth Century 8 Corpus of Early French-Speaking Sub-Saharan African Literature, Written and Oral from Its Origins to Independence (End of the 18th Century-1960) 9 Corpus of Early Speaking Literature From the Indian Ocean, Written and Oral, from the Origins to Independence (18th Century-1960) 10 Great Corpus of French and French-Speaking Literatures from the Middle Ages to the twentieth Century 11 The French Library 12 Corpus of Montaigne’s Works forthcoming 13 Corpus of Bayle’s Works new 14 Patrologia Græco-Latina 15 grammars, dictionaries and encyclopediae Corpus of French Renaissance Grammars 16 Corpus of French seventeenth Century Grammars 17 Corpus of Remarks
    [Show full text]
  • IMAGES of WOMEN in the TROBAIRITZ1 POETRY (Vocabulary and Imagery)
    Olaru Laura Emanuela IMAGES OF WOMEN IN THE TROBAIRITZ1 POETRY (Vocabulary and Imagery) M. A. Thesis in Medieval Studies CEU eTD Collection The Central European University Budapest June 1998 I, the undersigned, Laura Emanuela OLARU, candidate for the M. A. degree in Medieval Studies declare herewith that the present thesis is exclusively my own work, based on my research and only such external information as properly credited in notes and bibliography. I declare that no unidentified and illegitimate use was made of the work of others, and no part of the thesis infringes on any person's or institution's copyright. I also declare that no part of the thesis has been submitted in this form to any other institution of higher education for an academic degree. Budapest, 15 June 1998 Signature CEU eTD Collection Images of Women in the Trobairitz Poetry (Vocabulary and Imagery) by Laura Emanuela Olaru (Romania) Thesis submitted to the Department of Medieval Studies, Central European University, Budapest, in partial fulfillment of the requirements of the Master of Arts degree in Medieval Studies Accepted in conformance with the standards of the CEU Chair, Exarffination Comittee External Examiner /\/ Examiffgp/^''^ Budapest June 1998 CEU eTD Collection Images of Women in the Trobairitz' Poetry (Vocabulary and Imagery) ABSTRACT The present study has focused on the poetry of the trobairitz, who wrote during 1180-1260 in Occitania, in the environment of the court. Its purpose is to extract the images of women as depicted in and through the vocabulary and the imagery. The study of vocabulary and imagery seemed the best way to understand the significance and the richness of the types of women depicted in the poems: the conscious woman, the authoritative figure, the fighter, the lover, the beloved, the uncourtly woman.
    [Show full text]
  • Settembre Musica
    SETTEMBRE MUSICA Con il contributo dell'Assessorato all'Istruzione e Cultura della Regione Piemonte mercoledì 17 settembre, ore 16,30 Chiesa dei Santi Martiri giovedì 18 settembre ore 16,30 Chiesa di Santa Teresa Gruppo «Sequentia» di Colonia Barbara Thornton, Benjamin Bagby, voci Margriet Tindemans, Crawford Young, strumenti ad arco e a pizzico in collaborazione con il Goethe Institut mercoledì 17 settembre, ore 16,30 Dante e i trovatori Bertran de Born Gens de disnar no fora oi mais matis Folquet de Wlarseille A guan gen vens et ab quan (1155 c. - 1231) pauc d'afan Anonimo Belìcha (sec. XIV) Anonimo Lucente stella (sec. XIV) Anonimo Cum altre ucele (sec. XIV) Anonimo Saltarello (sec. XIV) Arnaut Daniel Lo ferm voler (sec. XII) (sestina) Bertran de Born Be'm platz lo gais temps Giraut de Bornelh No pose sofrir c’a la dolor (1150 c. - 1220) Anonimo Brano strumentale (sec. XIV) Anonimo Amor mi fa cantare alla Francesca (sec. XIV) Anonimo Saltarello (sec. XIV) Jacopo da Non al so amante Bologna Aquil’altera (sec. XIV) Creatura gentil giovedì 18 settembre, ore 16,30 Giullari e chierici: musica dell’Alto Medioevo Trattenimenti musicali in Francia (tardo XII secolo) Anonimi Olim sudor Herculis Brano strumentale Tre mottetti sul «tenor»Tanquam Lai des amans Tre mottetti sul «tenor»Flos fìlius Nota d'Aelis Chierici e Trovatori (XII secolo) Anonimo Veritas, equltas, largitas corruit Jaufré Rudel No sap chantar Musica clericale inglese (XIII secolo) Anonimi Brano strumentale Worldes blis ne last no throwe Brano strumentale Worldes blisce have god day/Domlno Man me! longe lives wene Verbum patris humanatur Dante e i trobadours Nel comporre una casistica dell'impiego illustre dell'Idioma volgare Dante assegna nel II libro del De vulgari eloquentia la priorità agli exempla occitani.
    [Show full text]
  • 115108266.23.Pdf
    f da % KILDONAN CHURCH. Built in 185S, the ministry of Rev. John Black. THE SELKIRK SETTLERS IN REAL LIFE. BY REV. R. G. MacBETH, M.A., Pastor of Augustine Church, Winnipeg. WITH INTRODUCTION BY HON. SIR DONALD A. SMITH, K.O.M.G. TORONTO: WILLIAM BRIGGS. Montreal : C. W. COATES. Halifax: S. F. HUESTIS. Enterbd according to Act of the Parliament of Canada, in the year one thousand eight hundred and ninety-seven, by William Briggs, at the Department of Agriculture. v G N ys j 7CM*'64 PREFACE. In common with others who have been interested in, and connected with, the development of the territories formerly under the administration of the Hudson Bay Company, I heard with much pleasure of the intention of my friend, the Rev. R. G. MacBeth, M.A., to place on record an account of the genesis and development of the Selkirk Settlement in the Red River Valley. The longer such a work is postponed the more difficult must it be to carry out, and it would be a thousand pities if a descrip- tion of the pioneer attempts at colonization in the great North-West were not given to the world. This is neither the time nor the place to enter upon a discussion of the motives which influenced Lord Selkirk in his enterprise. He may have been somewhat in advance of the times in which he lived, but he had the courage of his convictions, and his efforts deserve the fullest recognition from those who believe in the great future in store for Western Canada.
    [Show full text]
  • DOWNLOAD February 2021
    SUPPORTING INNOVATION IN OPERA AND BALLET IN EUROPE FEDORA announces 34 shortlisted projects (9 opera, 9 ballet, 10 education and 6 digital projects), from 20 countries including 110 cultural organisations and partners and involving over 200 artists for the 7th edition of the FEDORA Platform FEDORA Prizes. The general audience can vote online (fedora-platform.com) until Press Release February 26th for their favourite projects. In parallel, the expert jury will nominate projects which will have the opportunity to run fundraising February 2021 campaigns in spring 2021 on the FEDORA Platform. The project with the most votes from the audience in each category will get the chance to fundraise alongside the project nominated by the jury. The winners will be announced in June during the Award Ceremony. A EUROPEAN NETWORK FEDORA encourages innovation and creativity in opera and ballet through an international Prizes competition initiated under the presidency of Jérôme-François Zieseniss in 2014, as a tribute to Rolf Liebermann. The network federates 95 opera houses, festivals, ballet companies and friends associations in 25 countries, as well as individuals, corporate donors and foundations to create a sustainable ecosystem between the cultural and economic sector guaranteeing the future of opera and ballet. A UNIQUE EUROPEAN PLATFORM (www.fedora-platform.com) Thanks to 2 million euros of co-funding of the Creative Europe programme of the European Union, FEDORA harnesses the digital shift to showcase artistic works-in-progress on its European Platform. Thereby it reaches out to a new generation of people, allowing them to promote and support new operas and ballets online.
    [Show full text]
  • Hammer Museum Summer 2012 Non Profit Org
    For additional program information:For additionalprogram 310-443-7000 Wilshire Boulevard California LosAngeles, 90024USA10899 Hammer MuseumSummer2012 www.hammer.ucla.edu BEGINNING JUNE1 Saturday & Sunday 11am–5pm &Sunday Saturday MUSEUM HOURS Tuesday–Friday 11am–8pm Tuesday–Friday Closed Mondays NEW Los Angeles, CALos Angeles, Permit no.202 Non Profit Org. Profit Non US Postage PAID IN. IN. 4 ⁄ 1 X 8 16 ⁄ 11 , 2012 (DETAIL). DIGITAL PHOTOGRAPH. DIGITAL , 2012 (DETAIL). 2011 (DETAIL). GRAPHITE AND ACRYLIC ON PAPER. 11 ON PAPER. GRAPHITE AND ACRYLIC 2011 (DETAIL). Summer 2012 Calendar Summer 2012 MOUNTAINS DWARF THE CITY, DWARF MOUNTAINS . CHARACTER PORTRAIT (ISABELLA BLOW, MARIO TESTINO VERSION) (ISABELLA BLOW, CHARACTER PORTRAIT . SCOLI ACOSTA MICHELE O’MARAH COVER: FRONT: COVER: FRONT: AND GALERIE LAURENT GODIN, PARIS. SCOLI ACOSTA COURTESY GUNEWARDENA. (29.7 X 21 CM). COLLECTION OF FRANK ESCHER AND RAVI BACK: WEDEMEYER. PHOTO BY ROBERT THE ARTIST. COURTESY DIMENSIONS VARIABLE. NEW MUSEUM HOURS 2 3 BEGINNING JUNE 1 HAMMER NEWS Tuesday–Friday 11am–8pm, Saturday & Sunday 11am–5pm, Closed Mondays news director the 1 HIGHLIGHTS FROM RECENT ACQUISITIONS L.A.-based artist Charles Gaines works with various mediums, including photography, drawing, text, and video, relying on existing and invented systems to generate his from A MESSAGE FROM THE DIRECTOR works. Numbers & Trees VI, Landscape, #4 (1989) is part of a body of work in which Gaines transformed photographic images within a series of prescribed operations. Made in L.A. 2012 is finally here! For nearly two years of the Tate’s Turner Prize and the Whitney Museum of the staffs at the Hammer and LA><ART have worked at American Art’s Bucksbaum Award.
    [Show full text]
  • Land of Diversity Where Is Syria?
    Syria Syria Land of Diversity Where is Syria? ■ Syria is located on the east coast of the Mediterranean Sea in south-western Asia. ■ Syria enjoys a beautiful and diverse nature: from sandy beaches, green mountainous regions to fertile plains. History ■ Located at the heart of the ancient world, Syria was historically a crossroad for commerce and trade. Syria is commonly known as the cradle of civilizations as many of the greatest human achievements began in Syria. ■ The Hittites, Assyrians, Akkadians, Greeks, Romans, Umayyads, Ayyubids, Mameluks and Ottomans all left their stamps on the Syrian culture and history. ■ There is 6 locations in Syria already on the Unesco World Heritage List and 12 more on the Tentative List. Ugarit ■ In Ugarit, located in present-day Latakia, the oldest and first written alphabet in the World was developed there around 1400 BC ■ Syria is also a center for music and art – the first composed music or melody originated from Ugarit ■ There are many ancient historical sites and artifacts in Syria as numerous civilizations and empires inhabited the area throughout history. Syria has seen many great human accomplishments that have impacted the world, some of which are still used today. Palmyra ■ Palmyra is an ancient Semitic city located in present-day Homs. The empire was wealthy and established many colonies along the silk road. ■ Zenobia, a queen of Palmyra was a strong female figure in history as she became ruler after her husband’s death in year 267. Emesa ■ Presently known as the city of Homs, Emesa was a great Roman empire ■ Julia Dumna, the empress, is also considered to be a powerful female figure in Syrian history as she defied gender expectations of the time and involved herself in important political matters.
    [Show full text]
  • PANORAMA Corporate Publication
    КАСПИЙСКИЙCASPIAN PIPELINE ТРУБОПРОВОДНЫЙ CONSORTIUM: КОНСОРЦИУМ: CORPORATE MAGAZINE МЕЖДУНАРОДНЫЙA TIME-TESTED No 4 (27) decemder 2019 INTERNATIONALПРОЕКТ, PROJECT ПРОВЕРЕННЫЙ ВРЕМЕНЕМ happY new Year! DBNP: STEP BY STEP BUSINESS AND SOCIETY JUBILEE THANKS TO CPC IN-ProceSS UP CLOSE AND PERSONAL The Outcome More LIVES WITH CPC OF Monumental WORK SaVed CONTENT TO the HigheST IN THE FIRST PERSON International 1 N.N. GorBan: StandardS HAPPY NEW YEAR! operAtion 11 2 АS per plan SAFETY AND SECURITY IN THE REGIONS 20 SaFetY Drill 34 ON-Site CYcling DBNP: STEP BY STEP 23 Time to InnoVate 4 IN-ProceSS PROFESSIONALS CPC was successfully recertified The auditors highlighted a great 7 New, Modern and SaFE 36 From an “Oil” DYnaSTY in 2019. The company's Health number of good practices and safety Safety and Environment excellence demonstrated by CPC. Management System (HSEMS) The company's management COOPERATION 23 CPC PEOPLE proved to meet the requirements expressed its thanks to the staff of ISO 14001:2015 international for their outstanding work and 8 EXpanSion ProJect 38 With LOVE and MercY environment standard and OHSAS contributions to the audit and for their LEVeraged at DBNP 18001:2007 international standard individual commitment to their own TargetS for occupational health and safety safety and that of their colleagues CORPORATE LIFE management systems. at CPC and the contractors. BUSINESS AND SOCIETY 42 Team Game 12 UP CloSE and PerSonal CPC SAFETY DAY CONTEST with CPC CPC-R, MOSCOW OFFICE CPC-R, WESTERN REGION CPC-R, REPUBLIC OF KALMYKIYA 26 When EVerYBodY IS A Bldg. 1, 7 Pavlovskaya Str., Moscow, 115093 Budennogo Str., 117/2, Krasnodar, 350000, Suite 608, V.I.
    [Show full text]
  • Press Release
    Press Release Contact: Ethan Gans-Morse FOR IMMEDIATE RELEASE Phone: 541-778-1211 June 22, 2019 Email: [email protected] Ashland, Oregon Web: www.AnimaMundiProductions.com Local Arts Organization Launches New Socially Oriented Concert Series in Ashland Anima Mundi Productions, a Rogue Valley-based nonprofit organization dedicated to “healing the soul of the world through the arts,” proudly announces its new Heart of Humanity concert series which will debut this fall in Ashland. All Heart of Humanity concerts will take place in the Oregon Center for the Arts Music Recital Hall on Mountain Ave. on the campus of Southern Oregon University. The upcoming 2019-2020 season will be the inaugural year for this series, with concerts planned on October 6, 2019, January 12, 2020, and April 26, 2020. The Heart of Humanity concert series is distinguished for its strong emphasis on addressing an urgent social theme at each concert, often through the creation and premiere of new and inspiring concert works by composers who are directly involved in the concert, including Rogue Valley-based composer Ethan Gans-Morse, poet Tiziana DellaRovere and pianist/composer Jodi French. The series features internationally renowned performers, including Estelí Gomez, a Grammy-award winning soprano; mezzo-soprano Cecilia Duarte; the Delgani String Quartet, which has been hailed as “the state’s finest chamber ensemble” by Oregon ArtsWatch; and Malek Jandali, a Syrian- American composer/pianist whose work has been called “a major new addition to the 21st century symphonic literature” by Fanfare Magazine. Each concert will be followed by discussion about the concert’s theme with the opportunity for dialogue with the audience.
    [Show full text]
  • Troubadours NEW GROVE
    Troubadours, trouvères. Lyric poets or poet-musicians of France in the 12th and 13th centuries. It is customary to describe as troubadours those poets who worked in the south of France and wrote in Provençal, the langue d’oc , whereas the trouvères worked in the north of France and wrote in French, the langue d’oil . I. Troubadour poetry 1. Introduction. The troubadours were the earliest and most significant exponents of the arts of music and poetry in medieval Western vernacular culture. Their influence spread throughout the Middle Ages and beyond into French (the trouvères, see §II below), German, Italian, Spanish, English and other European languages. The first centre of troubadour song seems to have been Poitiers, but the main area extended from the Atlantic coast south of Bordeaux in the west, to the Alps bordering on Italy in the east. There were also ‘schools’ of troubadours in northern Italy itself and in Catalonia. Their influence, of course, spread much more widely. Pillet and Carstens (1933) named 460 troubadours; about 2600 of their poems survive, with melodies for roughly one in ten. The principal troubadours include AIMERIC DE PEGUILHAN ( c1190–c1221), ARNAUT DANIEL ( fl c1180–95), ARNAUT DE MAREUIL ( fl c1195), BERNART DE VENTADORN ( fl c1147–70), BERTRAN DE BORN ( fl c1159–95; d 1215), Cerveri de Girona ( fl c1259–85), FOLQUET DE MARSEILLE ( fl c1178–95; d 1231), GAUCELM FAIDIT ( fl c1172–1203), GUILLAUME IX , Duke of Aquitaine (1071–1126), GIRAUT DE BORNELH ( fl c1162–99), GUIRAUT RIQUIER ( fl c1254–92), JAUFRE RUDEL ( fl c1125–48), MARCABRU ( fl c1130–49), PEIRE D ’ALVERNHE ( fl c1149–68; d 1215), PEIRE CARDENAL ( fl c1205–72), PEIRE VIDAL ( fl c1183–c1204), PEIROL ( c1188–c1222), RAIMBAUT D ’AURENGA ( c1147–73), RAIMBAUT DE VAQEIRAS ( fl c1180–1205), RAIMON DE MIRAVAL ( fl c1191–c1229) and Sordello ( fl c1220–69; d 1269).
    [Show full text]