The Globalization of Rastafari
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APRN and Delegating Physician - Active Reviewed Nurse Protocol Agreements
APRN and Delegating Physician - Active Reviewed Nurse Protocol Agreements APRN Name RN# Delgating Physician PHY# Protocol # Protocol Address Effective Aaron, Stephanie RN116808 David Dean, MD 64808 9854 95 Collier Rd, Suite 5015 Atlanta, GA 30309 8/5/2011 Abbey, Ophelia RN215132 Sherica Rosser, MD 61157 15665 3459 Holcomb Bridge Rd, Ste 100 Norcross, GA 30092 6/4/2015 Abbey, Ophelia Alice RN215132 Melinda Willingham, MD 45669 13872 4112 E. Ponce De Leon Ave. Clarkston, GA 30021 9/11/2014 Abdullahi, Antoinette RN236531 Freeman Montaque, MD 28123 13606 896 Highway East McDonough, GA 30252 8/7/2014 Abera, Abebe Fentaw RN207642 Elisabeth Barclay, MD 56406 19185 250 Georgia Avenue SE ste. 206 Atlanta, GA 30312 12/1/2016 Abernathy, Taylor M RN205283 Santanu Das, MD 42560 13871 1049 N. Houston Rd. Warner Robins, GA 31093 9/11/2014 Abernathy, Pamela RN107241 Dark, Jennifer MD 66016 10682 1012 Burleyson Road Dalton, GA 30710 5/4/2012 Abernathy, Deborah RN079832 Schaefer, Timothy MD 47524 10688 1700 Hospital South Drive, Ste 500 Austell, GA 30106 5/4/2012 Abid, Martha RN192840 Nelson Yuen, MD 63984 16402 2292 Peachtree Rd NW Atlanta, GA 30309 10/1/2015 Abid, Martha RN192840 Jeremy Ackerman, MD 59584 15249 1364 Clifton Rd NE Altanta, GA 30322 5/8/2015 Abiodun, Dolapo RN186519 Armando Salazar, MD 73055 15753 5151 Brook Hollow Pkwy, Ste 145 Norcross, GA 30071 7/9/2015 Abraham, Siby RN248131 Asha Parikh, MD 28850 18612 3280 Old Alabama Rd. Johns Creek, GA 30022 8/4/2016 Thursday, December 08, 2016 Page 1 of 550 APRN Name RN# Delgating Physician PHY# Protocol # Protocol Address Effective Abraham, Linda M. -
Actors and Incentives in Cannabis Policy Change: an Interdisciplinary Approach to Legalization Processes in the United States and in Uruguay
1 UNIVERSIDADE DE SÃO PAULO INSTITUTO DE RELAÇÕES INTERNACIONAIS Fernanda Mena Actors and incentives in cannabis policy change: an interdisciplinary approach to legalization processes in the United States and in Uruguay São Paulo 2020 FERNANDA MELLO MENA 2 Actors and incentives in cannabis policy change: an interdisciplinary approach to legalization processes in the United States and in Uruguay Original Version Ph.D. Thesis presented to the Graduate Program in International Relations at the International Relations Institute, Universidade de São Paulo, Brazil, to obtain the degree of Doctor in Science. Advisor: Prof. Dr. Leandro Piquet Carneiro São Paulo 2020 Autorizo a reprodução e divulgação total ou parcial deste trabalho, por qualquer meio convencional ou eletrônico, para fins de estudo e pesquisa, desde que citada a fonte. 3 Catalogação na Publicação* Instituto de Relações Internacionais da Universidade de São Paulo Mena, Fernanda Actors and incentives in cannabis policy change: an interdisciplinary approach to legalization processes in the United States and in Uruguay / Fernanda Mello Mena -- Orientador Leandro Piquet Carneiro. São Paulo: 2020. 195p. Tese (doutorado). Universidade de São Paulo. Instituto de Relações Internacionais. 1. Relações exteriores (História) – Brasil 2. Relações internacionais (História) - Brasil 3. Política externa – Brasil I. Mena, Fernanda II. Actors and incentives in cannabis policy change: an interdisciplinary approach to legalization processes in the United States and in Uruguay CDD 327.81 4 MENA, Fernanda Actors and incentives in cannabis policy change: an interdisciplinary approach to legalization processes in the United States and in Uruguay Ph. D. Thesis presented to the International Relations Institute, at the University of São Paulo, Brazil, to obtain the degree of Doctor in Science. -
2017-18 Florida State University Fact Book
2017-18 FLORIDA STATE UNIVERSITY FACT BOOK Office of Institutional Research 318 Westcott Florida State University Tallahassee, FL 32306-1359 ir.fsu.edu August 2018 Executive Summary of Statistics First Time in College (FTIC) Admission Statistics (summer/fall applications) 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 Applied 25,485 23,439 26,037 28,313 30,040 29,579 30,266 29,828 29,027 35,334 Admitted 11,901 14,308 15,498 16,561 16,124 16,803 16,763 16,674 16,840 17,381 Enrolled 5,027 5,967 5,952 6,145 5,738 6,048 6,021 6,100 6,282 6,523 Average SAT Enrolled 1196.8 1195.2 1202.7 1205.7 1201.9 1199.5 1211.8 1206.1 1201.8 1259.0* Average SAT 3 Enrolled 1802.9 1800.1 1795.7 1814.2 1804.5 1797.0 Average ACT Enrolled 25.9 26.3 26.4 26.5 26.7 26.9 27.2 27.1 27.1 27.6 Average High School GPA 3.72 3.71 3.76 3.79 3.85 3.88 3.92 3.91 3.95 4.02 * Beginning in 2017, the SAT test was re-designed. There is no longer a separate writing component. The scores have not been concorded. New FTIC Students by Residency (annual total) 2008-09 2009-10 2010-11 2011-12 2012-13 2013-14 2014-15 2015-16 2016-17 2017-18 In-state 4,786 5,667 5,654 5,847 5,435 5,836 5,616 5,635 5,650 5,802 Out-of-State 246 367 386 382 383 502 745 609 776 758 Total 5,032 6,034 6,040 6,229 5,818 6,338 6,361 6,244 6,426 6,560 Final Student Instruction (SIF) files Student Enrollment - Fall Semesters 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 Full-time Undergraduate 26,463 27,684 28,148 28,797 28,769 28,859 29,083 29,104 29,248 29,325 Part-time Undergraduate 3,181 2,773 2,857 -
PRSP Honduras Nicaragua
The Impact of Poverty Reduction Strategies on the Rural Sector in Honduras and Nicaragua Study carried out by Trócaire for the International Fund for Agricultural Development (IFAD) Prepared by Jennifer Cornally (PRSP Officer - Trócaire Central America) Tom Crowley (Independent Consultant - Honduras) Sally O'Neill (Regional Director - Trócaire Central America) Translation by Mathieu Deprez Final Draft, Tegucigalpa, May 2004 Acknowledgements The authors would like to thank the various actors from government, civil society and the international community interviewed during the course of this study for their time and valuable insights into the PRSP process in Honduras and Nicaragua. Thanks are also due to Yolanda Rodriguez for her support in carrying out primary and secondary research in Nicaragua. 2 Abbreviations ACI International Cooperation Agencies (Non-governmental) AECI Spanish Agency for International Cooperation AMHON Association of Municipalities of Honduras AMULEON Association of Municipalities of León Norte AMUNIC Association of Municipalities of Nicaragua ASONOG Association of Non-Governmental Organisations (Honduras) CAFTA Central American Free Trade Agreement CCER Civil Coordinator for the Emergency and Reconstruction COCOCH Coordinating Committee of Peasant Organisations in Honduras CODA Agricultural Development Advisory Board CODED Departmental Development Committee CODEL Local Development Committee CODEM Municipal Development Committee COFEMUN Feminist Network of University Women CONPES National Council for Economic and -
Kristine Stiles
Concerning Consequences STUDIES IN ART, DESTRUCTION, AND TRAUMA Kristine Stiles The University of Chicago Press Chicago and London KRISTINE STILES is the France Family Professor of Art, Art Flistory, and Visual Studies at Duke University. The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2016 by Kristine Stiles All rights reserved. Published 2016. Printed in the United States of America 24 23 22 21 20 19 18 17 16 15 12345 ISBN13: 9780226774510 (cloth) ISBN13: 9780226774534 (paper) ISBN13: 9780226304403 (ebook) DOI: 10.7208/chicago/9780226304403.001.0001 Library of Congress CataloguinginPublication Data Stiles, Kristine, author. Concerning consequences : studies in art, destruction, and trauma / Kristine Stiles, pages cm Includes bibliographical references and index. ISBN 9780226774510 (cloth : alkaline paper) — ISBN 9780226774534 (paperback : alkaline paper) — ISBN 9780226304403 (ebook) 1. Art, Modern — 20th century. 2. Psychic trauma in art. 3. Violence in art. I. Title. N6490.S767 2016 709.04'075 —dc23 2015025618 © This paper meets the requirements of ANSI/NISO z39.481992 (Permanence of Paper). In conversation with Susan Swenson, Kim Jones explained that the drawing on the cover of this book depicts directional forces in "an Xman, dotman war game." The rectangles represent tanks and fortresses, and the lines are for tank movement, combat, and containment: "They're symbols. They're erased to show movement. 111 draw a tank, or I'll draw an X, and erase it, then redraw it in a different posmon... -
Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 5-18-2007 Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984 Caree Banton University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Banton, Caree, "Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984" (2007). University of New Orleans Theses and Dissertations. 508. https://scholarworks.uno.edu/td/508 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974 – 1984 A Thesis Submitted to the Graduate Faculty of the University of New Orleans In partial fulfillment of the Requirements for the degree of Master of Arts In History By Caree Ann-Marie Banton B.A. Grambling State University 2005 B.P.A Grambling State University 2005 May 2007 Acknowledgement I would like to thank all the people that facilitated the completion of this work. -
Lyrics and the Law : the Constitution of Law in Music
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2006 Lyrics and the law : the constitution of law in music. Aaron R. S., Lorenz University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Lorenz, Aaron R. S.,, "Lyrics and the law : the constitution of law in music." (2006). Doctoral Dissertations 1896 - February 2014. 2399. https://scholarworks.umass.edu/dissertations_1/2399 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. LYRICS AND THE LAW: THE CONSTITUTION OF LAW IN MUSIC A Dissertation Presented by AARON R.S. LORENZ Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY February 2006 Department of Political Science © Copyright by Aaron R.S. Lorenz 2006 All Rights Reserved LYRICS AND THE LAW: THE CONSTITUTION OF LAW IN MUSIC A Dissertation Presented by AARON R.S. LORENZ Approved as to style and content by: Sheldon Goldman, Member DEDICATION To Martin and Malcolm, Bob and Peter. ACKNOWLEDGMENTS This project has been a culmination of many years of guidance and assistance by friends, family, and colleagues. I owe great thanks to many academics in both the Political Science and Legal Studies fields. Graduate students in Political Science have helped me develop a deeper understanding of public law and made valuable comments on various parts of this work. -
71 Reggae Festival Guide 2006
71 71 ❤ ❤ Reggae Festival Guide 2006 Reggae Festival Guide 2006 Reggae Festival Guide 2006 RED, GOLD & GREEN MMEMORIESE M O R I E S Compiled by Wendy Russell Alton Ellis next started a group together: ALTON ELLIS AND THE There are reggae artists I treasure, with songs I FLAMES. The others had their careers too and I later started my play every radio show, no matter that the CD is no own group called WINSTON JARRETT AND THE RIGHTEOUS longer current. One such artist is roots man, WINSTON FLAMES. JARRETT and the RIGHTEOUS FLAMES, so I searched him out to fi nd what might be his own fond memory: We just had our history lesson! Can you imagine I grew up in Mortimer Planno, one of Rastafari’s most prominent Kingston, Jamaica elders, living just down the street? What about this in the government next memory - another likkle lesson from agent and houses there. manager, COPELAND FORBES: The streets are My memory of numbered First SUGAR MINOTT is Street and so on, from 1993 when I to Thirteenth Street. did a tour, REGGAE I lived on Fourth, SUPERFEST ‘93, ALTON ELLIS lived which had Sugar on 5th Street. He Minott, JUNIOR REID was much older and MUTABARUKA than me, maybe along with the 22. We were all DEAN FRASER-led good neighbors, 809 BAND. We did like a family so to six shows in East speak. MORTIMER Germany which PLANNO lived was the fi rst time Kaati on Fifth too and since the Berlin Wall Alton Ellis all the Rasta they came down, that an come from north, authentic reggae Sugar Minott south, east and west for the nyabinghi there. -
Chant Down Babylon: the Rastafarian Movement and Its Theodicy for the Suffering
Verge 5 Blatter 1 Chant Down Babylon: the Rastafarian Movement and Its Theodicy for the Suffering Emily Blatter The Rastafarian movement was born out of the Jamaican ghettos, where the descendents of slaves have continued to suffer from concentrated poverty, high unemployment, violent crime, and scarce opportunities for upward mobility. From its conception, the Rastafarian faith has provided hope to the disenfranchised, strengthening displaced Africans with the promise that Jah Rastafari is watching over them and that they will someday find relief in the promised land of Africa. In The Sacred Canopy , Peter Berger offers a sociological perspective on religion. Berger defines theodicy as an explanation for evil through religious legitimations and a way to maintain society by providing explanations for prevailing social inequalities. Berger explains that there exist both theodicies of happiness and theodicies of suffering. Certainly, the Rastafarian faith has provided a theodicy of suffering, providing followers with religious meaning in social inequality. Yet the Rastafarian faith challenges Berger’s notion of theodicy. Berger argues that theodicy is a form of society maintenance because it allows people to justify the existence of social evils rather than working to end them. The Rastafarian theodicy of suffering is unique in that it defies mainstream society; indeed, sociologist Charles Reavis Price labels the movement antisystemic, meaning that it confronts certain aspects of mainstream society and that it poses an alternative vision for society (9). The Rastas believe that the white man has constructed and legitimated a society that is oppressive to the black man. They call this society Babylon, and Rastas make every attempt to defy Babylon by refusing to live by the oppressors’ rules; hence, they wear their hair in dreads, smoke marijuana, and adhere to Marcus Garvey’s Ethiopianism. -
Dancehall Dossier.Cdr
DANCEHALL DOSSIER STOP M URDER MUSIC DANCEHALL DOSSIER Beenie Man Beenie Man - Han Up Deh Hang chi chi gal wid a long piece of rope Hang lesbians with a long piece of rope Beenie Man Damn I'm dreaming of a new Jamaica, come to execute all the gays I'm dreaming of a new Jamaica, come to execute all the gays Beenie Man Beenie Man - Batty Man Fi Dead Real Name: Anthony M Davis (aka ‘Weh U No Fi Do’) Date of Birth: 22 August 1973 (Queers Must Be killed) All batty man fi dead! Jamaican dancehall-reggae star Beenie All faggots must be killed! Man has personally denied he had ever From you fuck batty den a coppa and lead apologised for his “kill gays” music and, to If you fuck arse, then you get copper and lead [bullets] prove it, performed songs inciting the murder of lesbian and gay people. Nuh man nuh fi have a another man in a him bed. No man must have another man in his bed In two separate articles, The Jamaica Observer newspaper revealed Beenie Man's disavowal of his apology at the Red Beenie Man - Roll Deep Stripe Summer Sizzle concert at James Roll deep motherfucka, kill pussy-sucker Bond Beach, Jamaica, on Sunday 22 August 2004. Roll deep motherfucker, kill pussy-sucker Pussy-sucker:a lesbian, or anyone who performs cunnilingus. “Beenie Man, who was celebrating his Tek a Bazooka and kill batty-fucker birthday, took time to point out that he did not apologise for his gay-bashing lyrics, Take a bazooka and kill bum-fuckers [gay men] and went on to perform some of his anti- gay tunes before delving into his popular hits,” wrote the Jamaica Observer QUICK FACTS “He delivered an explosive set during which he performed some of the singles that have drawn the ire of the international Virgin Records issued an apology on behalf Beenie Man but within gay community,” said the Observer. -
WHO Cannabis Rescheduling and Its Relevance for the Caribbean
Briefing paper August 2020 WHO cannabis rescheduling and its relevance for the Caribbean By Vicki J. Hanson, Pien Metaal and Dania Putri* Executive Summary • Actively engage with CND members, in particular Jamaica, the only English-speaking Following its first-ever critical review of Caribbean member of CND, emphasising cannabis, in January 2019 the World Health the urgent nature of recommendations 5.1 Organization (WHO) issued a collection of formal and 5.4. recommendations to reschedule cannabis and • Actively engage in relevant meetings and cannabis-related substances. 53 member states processes at the CND level, as well as of the Commission on Narcotic Drugs (CND), two emphasising the need for further follow- of which are Caribbean states, are set to vote on these recommendations in December 2020. ups to the critical review. • Actively engage and encourage support from Among the WHO’s recommendations, two other Caribbean governments and other key in particular appear to be the most urgent stakeholders such as CARICOM and OECS, and relevant for Caribbean countries: as well relevant civil society organisations, namely recommendation 5.1 (concerning experts, and affected communities. the acknowledgment of cannabis’ medicinal usefulness) and recommendation 5.4 (concerning Background: Cannabis and the the need to remove the term ‘extracts and UN drug scheduling system tinctures of cannabis’ from the 1961 Convention). Supporting these two recommendations Around the world, most national legislations presents an opportunity for Caribbean relating to the consumption, production, and governments and civil society to decolonise distribution of cannabis and cannabis-related drug control approaches in the region, as well substances are rooted in the current global drug as to strengthen the international legal basis for control system as institutionalised by the three 1 emerging medicinal cannabis programmes in main UN drug conventions. -
Rastalogy in Tarrus Riley's “Love Created I”
Rastalogy in Tarrus Riley’s “Love Created I” Darren J. N. Middleton Texas Christian University f art is the engine that powers religion’s vehicle, then reggae music is the 740hp V12 underneath the hood of I the Rastafari. Not all reggae music advances this movement’s message, which may best be seen as an anticolonial theo-psychology of black somebodiness, but much reggae does, and this is because the Honorable Robert Nesta Marley OM, aka Tuff Gong, took the message as well as the medium and left the Rastafari’s track marks throughout the world.1 Scholars have been analyzing such impressions for years, certainly since the melanoma-ravaged Marley transitioned on May 11, 1981 at age 36. Marley was gone too soon.2 And although “such a man cannot be erased from the mind,” as Jamaican Prime Minister Edward Seaga said at Marley’s funeral, less sanguine critics left others thinking that Marley’s demise caused reggae music’s engine to cough, splutter, and then die.3 Commentators were somewhat justified in this initial assessment. In the two decades after Marley’s tragic death, for example, reggae music appeared to abandon its roots, taking on a more synthesized feel, leading to electronic subgenres such as 1 This is the basic thesis of Carolyn Cooper, editor, Global Reggae (Kingston, Jamaica: Canoe Press, 2012). In addition, see Kevin Macdonald’s recent biopic, Marley (Los Angeles, CA: Magonlia Home Entertainment, 2012). DVD. 2 See, for example, Noel Leo Erskine, From Garvey to Marley: Rastafari Theology (Gainesville, FL: University Press of Florida, 2004); Dean MacNeil, The Bible and Bob Marley: Half the Story Has Never Been Told (Eugene, OR: Cascade Books, 2013); and, Roger Steffens, So Much Things to Say: The Oral History of Bob Marley, with an introduction by Linton Kwesi Johnson (New York and London: W.W.