Wu-Wei: Otro "Camino De Liderazgo
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The Unity of Yin and Yang: a Philosophical Assessment
The Unity of Yin and Yang: A Philosophical Assessment Thaddeus T'ui-chieh Hang National Chengchi University, Taipei "One yin ^ and one yang d, constitute what is called Tao 51"; "When yin and yang are united in their virtue, the soft and the hard attain their physical shape." These famous statements are drawn from the "Appended Remarks" (Hsi-tz'u Slit?) of the / Ching %M.. Since they were uttered more than two thousand years ago, they became the metaphysical foun- dation for the two great philosophical schools of China, namely, Taoism and Confucianism. For both these schools, yin and yang, two contrasting but mutually compensating components constitute unity in harmony. We shall endeavor to give an historical account of this concept, describe it phenomenologically, and venture a philosophical assessment from cos- mological, anthropological, as well as theological points of view. I. An Historical Account The origin of yin-yang ideas must be sought in very ancient times. In the Book of Poetry (Shih-ching I^M?i<) the words "yin" and "yang" signified the north and south sides of a mountain.1 In the Book of Historical Documents (Shu-ching US?) the two words never appeared together ex- cept in the apocryphal "Chou-kuan" /SJ1T. Even in the Analects of Con- fucius there is no mention of yin-yang. However, the eight trigrams were probably in use at the beginning of the Chou )*] dynasty (late 12th cen- tury B.C.). Since the eight trigrams consist of combinations of broken and 'James Legge, The Chinese Classics: Vol. IV, Book of Poetry (Taipei, 1972), Ode 19, p. -
The Taoist Concept of Freedom
Grand Valley Review Volume 9 | Issue 1 Article 15 1-1-1993 The aT oist Concept of Freedom Peimin Ni Grand Valley State University Follow this and additional works at: http://scholarworks.gvsu.edu/gvr Recommended Citation Ni, Peimin (1993) "The aT oist Concept of Freedom," Grand Valley Review: Vol. 9: Iss. 1, Article 15. Available at: http://scholarworks.gvsu.edu/gvr/vol9/iss1/15 This Article is brought to you for free and open access by ScholarWorks@GVSU. It has been accepted for inclusion in Grand Valley Review by an authorized administrator of ScholarWorks@GVSU. For more information, please contact [email protected]. desirable alternati' information that wil THE TAOIST CONCEPT OF FREEDOM Naturally, this freedom consists < freedom is to be a Peimin Ni being protected fn protected space ir desires. Freedom has been esteemed as one of the top values for a good life in all civili In the Taoist ph zations, whether in the East or in the West. But not everyone who uses the term real conceives of freed izes the differences in people's understanding of the term. I want to discuss a absence of externc: concept of freedom that belongs to Taoism (sometimes spelled Daoism), one of the that can be in con great classical Chinese philosophies founded in around the sixth century B.C. I will ternal environment first explain the Taoist concept in contrast to the "typical western concept of freedom" desires or will, the - and then give a preliminary evaluation of the Taoist concept based on this contrast. in harmony with his The differences in these concepts of freedom exemplify differences in different This Taoist idea mentalities, and seeing these differences and their implications will give us insight and the constraints into the values and the weaknesses (yes, weaknesses!) of each culture. -
{PDF EPUB} Five Lost Classics Tao Huang-Lao and Yin-Yang in Han China by Robin D.S
Read Ebook {PDF EPUB} Five Lost Classics Tao Huang-lao and Yin-yang in Han China by Robin D.S. Yates Learn - Explore | Bibliographical notes for the Ma Wang Dui texts. Mawang Dui 馬王堆 - the Horse King Mound - is an archaeological site located in Changsha, China. It is the site of three tombs belonging to the first Marquis of Dai, his wife, and a male who is believed to be their son. The site was excavated from 1972 to 1974. Most of the artifacts from Mawangdui are displayed at the Hunan Provincial Museum. This discovery was monumental, one of the most significant of the 20th century and has changed our view of the history of medicine and Daoism in China. The tomb contained various medical texts, including depictions of qigong (dao yin) exercises. For our purposes we will mainly focus on these philosophical and medical texts, but the tombs contained political and historical texts as well. the texts. These text were “written to advise ruling Han dynasty authorities on how to attune themselves to the cosmos at a time of rapidly changing political and social climate.” From the sleeve of Yates' Five Lost Classics : “In 1973, among the many unique documents discovered in the richly furnished tomb of a Han-dynasty aristocrat, were five books written on silk, primary texts of Huang-lao Daoism and Yin-yang philosophy that had been lost to mankind for more than 2,000 years. A discovery as important in China as the unearthing of the Dead Sea Scrolls was in the West, the Mawangdui texts created a sensation when they were first published, even leading to the foundation of a new religion on Taiwan… The recovery of the five lost classics sheds new light on a critical transitional period of Chinese political and intellectual history. -
The Secret Sayings of Ye Su
The Secret Sayings of Ye Su The Secret Sayings of Ye Su A Silk Road Gospel Jay G. Williams iUniverse, Inc. New York Lincoln Shanghai The Secret Sayings of Ye Su A Silk Road Gospel Copyright © 2004 by Jay G. Williams All rights reserved. No part of this book may be used or reproduced by any means, graphic, electronic, or mechanical, including photocopying, recording, taping or by any information storage retrieval system without the written permission of the publisher except in the case of brief quotations embodied in critical articles and reviews. iUniverse books may be ordered through booksellers or by contacting: iUniverse 2021 Pine Lake Road, Suite 100 Lincoln, NE 68512 www.iuniverse.com 1-800-Authors (1-800-288-4677) The picture on the cover is of the Da Qin pagoda, which is believed to be of Christian origin. ISBN: 0-595-33684-1 Printed in the United States of America To Mr. Wang and Mr. Chang Acknowledgements For permission to reprint from copyright materials in excess of fair use, acknowl- edgement is made to the following: Coleman Barks for poems from The Essential Rumi, Columbia University Press for poems from Cold Mountain (New York, 1970), Po Chu-I: Selected Poems (New York: 2000), and Ryokan: Zen Monk-Poet of Japan (New York, 1977); State University of New York Press for Songs of Kabir from the Adi Granth (Albany, N.Y., 1991); Bantam Books for The Bhagavad-Gita (New York, 1986); New Directions for “9/9. Out Drinking on Dragon Mountain” and “Facing Wine” in Li Po, The Selected Poems of Li Po, trans. -
Downloaded from Brill.Com09/28/2021 09:41:18AM Via Free Access 102 M
Asian Medicine 7 (2012) 101–127 brill.com/asme Palpable Access to the Divine: Daoist Medieval Massage, Visualisation and Internal Sensation1 Michael Stanley-Baker Abstract This paper examines convergent discourses of cure, health and transcendence in fourth century Daoist scriptures. The therapeutic massages, inner awareness and visualisation practices described here are from a collection of revelations which became the founding documents for Shangqing (Upper Clarity) Daoism, one of the most influential sects of its time. Although formal theories organised these practices so that salvation superseded curing, in practice they were used together. This blending was achieved through a series of textual features and synæsthesic practices intended to address existential and bodily crises simultaneously. This paper shows how therapeutic inter- ests were fundamental to soteriology, and how salvation informed therapy, thus drawing atten- tion to the entanglements of religion and medicine in early medieval China. Keywords Massage, synæsthesia, visualisation, Daoism, body gods, soteriology The primary sources for this paper are the scriptures of the Shangqing 上清 (Upper Clarity), an early Daoist school which rose to prominence as the fam- ily religion of the imperial family. The soteriological goal was to join an elite class of divine being in the Shangqing heaven, the Perfected (zhen 真), who were superior to Transcendents (xianren 仙). Their teachings emerged at a watershed point in the development of Daoism, the indigenous religion of 1 I am grateful for the insightful criticisms and comments on draughts of this paper from Robert Campany, Jennifer Cash, Charles Chase, Terry Kleeman, Vivienne Lo, Johnathan Pettit, Pierce Salguero, and Nathan Sivin. -
Enlightenment of the Changxin Palace Lamp from Xihan Dynasty on Chinese Modern Design
Frontiers in Art Research ISSN 2618-1568 Vol. 2, Issue 2: 52-56, DOI: 10.25236/FAR.2020.020214 Enlightenment of the Changxin Palace Lamp from Xihan Dynasty on Chinese Modern Design GAO Yue School of Design and Art, Beijing Institute of Technology, Beijing, China ABSTRACT. “The Book of Changes - Xici” said a saying: “Taking metaphysical as Tao, taking physical as tangible, a true gentleman doesn’t go with the latter.”, which roughly means that we should pay more attention to the “Tao” in the understanding of things, instead of merely imitating their superficial practices. “Tao” is the unique ideology of Chinese philosophy, which contains the law of all things, the whole processing cycles and the methods. Yet China's most modern designs lack souls, always just blindly imitating and copying, are “Tangible” followers as well as losing the meaning of design itself. That results in creating seemingly good appearance however not practical goods at usage from the designs, furthermore these designs are not only short of the Chinese tradition but also lose the “Tao” spirit of China. Today let’s try to discover the “Tao” philosophy of design in ancient times and hope to acquire some inspiration for the modern Chinese design by introducing the outstanding representative of the bronze lamps from the Xihan dynasty – the Changxin Palace Lamp, which sets aesthetic, practical, scientific characteristics as one, and is the world's earliest green-concept design lamp product. KEYWORDS: Changxin palace lamp; Modern; Chinese design; Aesthetic; Practical; Scientific; Green and environmental protection 1. About "The Changxin Palace Lamp" The Changxin Palace Lamp, an outstanding representative of Han dynasty lamps, was unearthed in July 1968 in Mancheng county, Hebei province (about 1.5 km southwest of Mancheng county, Baoding city, Hebei province). -
List 3. Headings That Need to Be Changed from the Machine- Converted Form
LIST 3. HEADINGS THAT NEED TO BE CHANGED FROM THE MACHINE- CONVERTED FORM The data dictionary for the machine conversion of subject headings was prepared in summer 2000 based on the systematic romanization of Wade-Giles terms in existing subject headings identified as eligible for conversion before detailed examination of the headings could take place. When investigation of each heading was subsequently undertaken, it was discovered that some headings needed to be revised to forms that differed from the forms that had been given in the data dictionary. This occurred most frequently when older headings no longer conformed to current policy, or in the case of geographic headings, when conflicts were discovered using current geographic reference sources, for example, the listing of more than one river or mountain by the same name in China. Approximately 14% of the subject headings in the pinyin conversion project were revised differently than their machine- converted forms. To aid in bibliographic file maintenance, the following list of those headings is provided. In subject authority records for the revised headings, Used For references (4XX) coded Anne@ in the $w control subfield for earlier form of heading have been supplied for the data dictionary forms as well as the original forms of the headings. For example, when you see: Chien yao ware/ converted to Jian yao ware/ needs to be manually changed to Jian ware It means: The subject heading Chien yao ware was converted to Jian yao ware by the conversion program; however, that heading now -
Feng Guifen and His Contributions to Tax Rationalization in Southern Jiangsu in 1853-74
ß Protecting Regional Interests: Feng Guifen and His Contributions to Tax Rationalization in Southern Jiangsu in 1853-74 Dissertation zur Erlangung der Würde des Doktors der Philosophie der Universität Hamburg vorgelegt von Mingxin Xiong aus Hubei Hamburg 2017 I Angenommen vom Fachbereich Orientalistik (Asien-Afrika-Institut) der Universität Hamburg Erster Gutachter: Prof. Dr. Michael Friedrich Zweiter Gutachter: Prof. Dr. Kai Vogelsang Datum der Disputation: 9.12.2015 II Acknowledgements Firstly, I would like to express my sincere gratitude to my advisor Prof. Friedrich for the continuous support of my Ph.D study, for his patience, motivation, and immense knowledge. His guidance helped me throughout researching and writing of this thesis. I could not have imagined having a better advisor and mentor for my Ph.D study. I am deeply indebted to thank my advisor Prof. Zhu Weizheng who passed away three years ago for guiding me into the field of intellectual history and for enlightening me to deal with Feng Guifen study. I would like to thank Prof. Vogelsang, who provided me an opportunity to join his textual criticism work of Jiaobinlu kangyi. My sincere thanks also goes to my friends Yaxinlinglong, Dong Lihui, Yuan Yi, Ma Yunhui, Wang Ying, Daisy Cheung, Li Mengyan, Fu Chong, Yuan Wenjun, Liu Haibin, Alice Chang, Christian Textor, Max Jakob Fölster, Wang Bin, Zhu Wenjin for their kind assistance, encouragement and companionship. Last but not the least, I would like to thank my parents for supporting me spiritually throughout writing this thesis and my life in general. III CONTENTS Introduction .................................................................................................................. 1 CHAPTER ONE: The Grain Tribute Tax in Southern Jiangsu .......................... -
Emerging from Anonymity: E First Generation of Writers of Songs and Drama in Mid-Ming Nanjing*
T’OUNG PAO T’oung Pao 96 (2010) 125-164 www.brill.nl/tpao Emerging from Anonymity: e First Generation of Writers of Songs and Drama in Mid-Ming Nanjing* Tian Yuan Tan (School of Oriental and African Studies) Abstract is article traces the first generation of writers of songs and drama in Nanjing who emerged from the anonymous context of early Ming court entertainment and established their name and reputation in the second half of the fifteenth century. ese writers—Shi Zhong (1437-after 1516), Chen Duo (1454?-1507?), and Xu Lin (1462- 1538)—represented a different mode of writing songs and drama. For them it was no longer a professional occupation, as in the case of the court performers, but became part of their cultural and social life. e extent to which our knowledge of these first- generation qu writers depends on local sources and on acts of remembrance by later Nanjing authors is also examined. Résumé Cet article s’intéresse à la première génération d’auteurs d’airs à chanter et de pièces de théâtre ayant émergé à Nankin de l’anonymat des divertissements de cour du début des Ming; ces auteurs — Shi Zhong (1437-après 1516), Chen Duo (1454?-1507?), et Xu Lin (1462-1538) — se sont fait un nom pendant la seconde moitié du xve siècle. Ils sont représentatifs d’une manière différente de composer chansons et pièces de théâtre : il ne s’agissait plus pour eux d’exercer un métier, comme dans le cas des artistes de cour, mais de se consacrer à une occupation intégrée à leurs activités culturelles et sociales. -
2012 Annual Report
STATE HISTORICAL RESOURCES COMMISSION Alfred L. Tubbs Winery, Calistoga, Napa County 2012 ANNUAL REPORT Office of Historic Preservation California State Parks Natural Resources Agency State of California January 2013 This publication has been financed in part with federal funds from the National Park Service, U.S. Department of the Interior. However, the contents and opinions do not necessarily reflect the views or policies of the Department of the Interior, nor does the mention of trade names or commercial products constitute endorsements or recommendations by the Department of the Interior. This program received federal financial assistance for identification and protection of historic properties. Under Title VI of the Civil Rights Act of 1964, Section 504 of the Rehabilitation Act of 1973 and the Age Discrimination Act of 1975, as amended, the U.S. Department of the Interior prohibits discrimination on the basis of race, color, national origin, disability, or age in its federally assisted programs. If you believe you have been discriminated against in any program, activity, or facility as described above, or if you desire further information, please write to: Office of Equal Opportunity, National Park Service, 1849 C Street, NW, Washington, D.C. 20240. STATE OF CALIFORNIA – NATURAL RESOURCES AGENCY Edmund G. Brown, Jr., Governor OFFICE OF HISTORIC PRESERVATION DEPARTMENT OF PARKS AND RECREATION 1725 23rd Street, Suite 100 SACRAMENTO, CA 95816-7100 (916) 445-7000 Fax: (916) 445-7053 [email protected] www.ohp.parks.ca.gov STATE HISTORICAL RESOURCES COMMISSION Chicano Park, San Diego, San Diego County 2012 ANNUAL REPORT Office of Historic Preservation California State Parks 1725 23rd Street, Suite 100 Sacramento, California 95816-7100 Phone: (916) 445-7000 Fax: (916) 445-7053 Website: www.ohp.parks.ca.gov January 2013 STATE OF CALIFORNIA – NATURAL RESOURCES AGENCY Edmund G. -
Shijing and Han Yuefu
SONGS THAT TOUCH OUR SOUL A COMPARATIVE STUDY OF FOLK SONGS IN TWO CHINESE CLASSICS: SHIJING AND HAN YUEFU by Yumei Wang A thesis submitted in conformity with the requirements for the degree of Master of Art Graduate Department of the East Asian Studies University of Toronto © Yumei Wang 2012 SONGS THAT TOUCH OUR SOUL A COMPARATIVE STUDY OF FOLK SONGS IN TWO CHINESE CLASSICS: SHIJING AND HAN YUEFU Yumei Wang Master of Art Graduate Department of the East Asian Studies University of Toronto 2012 Abstract The subject of my thesis is the comparative study of classical Chinese folk songs. Based on Jeffrey Wainwright, George Lansing Raymond, and Liu Xie’s theories, this study was conducted from four perspectives: theme, content, prosody structure and aesthetic features. The purposes of my thesis are to trace the originality of 160 folk songs in Shijing and 47 folk songs in Han yuefu , to illuminate the origin of Chinese folk songs and to demonstrate the secularism reflected in Chinese folk songs. My research makes contribution to the following four areas: it explores the relation between folk songs in Shijing and Han yuefu and compares the similarities and differences between them ; it reveals the poetic kinship between Shijing and Han yuefu; it evaluates the significance of the common people’s compositions; and it displays the unique artistic value and cultural influence of Chinese early folk songs. ii Acknowledgments I would like to express my sincere gratitude to my supervisor Professor Graham Sanders for his supervision, inspirations, and encouragements during my two years M.A study in the Department of East Asian Studies at University of Toronto. -
Xiao Gang (503-551): His Life and Literature
Xiao Gang (503-551): His Life and Literature by Qingzhen Deng B.A., Guangzhou Foreign Language Institute, China, 1990 M.A., Kobe City University of Foreign Languages, Japan, 1996 Ph.D., Nara Women's University, Japan, 2001 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF Doctor of Philosophy in The Faculty of Graduate Studies (Asian Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) February 2013 © Qingzhen Deng, 2013 ii Abstract This dissertation focuses on an emperor-poet, Xiao Gang (503-551, r. 550-551), who lived during a period called the Six Dynasties in China. He was born a prince during the Liang Dynasty, became Crown Prince upon his older brother's death, and eventually succeeded to the crown after the Liang court had come under the control of a rebel named Hou Jing (d. 552). He was murdered by Hou before long and was posthumously given the title of "Emperor of Jianwen (Jianwen Di)" by his younger brother Xiao Yi (508-554). Xiao's writing of amorous poetry was blamed for the fall of the Liang Dynasty by Confucian scholars, and adverse criticism of his so-called "decadent" Palace Style Poetry has continued for centuries. By analyzing Xiao Gang within his own historical context, I am able to develop a more refined analysis of Xiao, who was a poet, a filial son, a caring brother, a sympathetic governor, and a literatus with broad and profound learning in history, religion and various literary genres. Fewer than half of Xiao's extant poems, not to mention his voluminous other writings and many of those that have been lost, can be characterized as "erotic" or "flowery".