"Insurrection." Darcus Howe: a Political Biography
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Darcus Howe: a Political Biography
Bunce, Robin, and Paul Field. "Authors' Preface." Darcus Howe: A Political Biography. London: Bloomsbury Academic, 2014. viii–x. Bloomsbury Collections. Web. 29 Sep. 2021. <>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 29 September 2021, 20:11 UTC. Copyright © Robin Bunce and Paul Field 2014. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. Authors ’ Preface Writing this book has involved many wonderful experiences. Hours in archives are, of course, the historian ’ s delight, and we thank the staff at the National Archives, the Institute of Race Relations, the George Padmore Institute, the British Library, the Colindale Newspaper Archive, Warwick University Library, Cambridge University Library, the Butler Library at the Columbia University and the archives of the Oilfi eld Workers Trade Union of Trinidad and Tobago, to name but a few. We have spent many hours being entertained by our interviewees. Early on in the project, we had the good fortune to spend an aft ernoon with Farrukh Dhondy. ‘ I expect you want me to tell you all the scandal, ’ was his opener. We earnestly assured him that we were writing a serious political piece, adding that we couldn ’ t believe that there would be enough scandal to fi ll a single page. ‘ Th ere ’ s enough to fi ll seven volumes! ’ , he retorted. One of the stranger experiences, only obliquely related to the project, was an Equality and Diversity training session that one of us was compelled to attend in the summer of 2011. -
"Fight to the Finish." Darcus Howe: a Political Biography. London: Bloomsbury Academic, 2014
Bunce, Robin, and Paul Field. "Fight to the Finish." Darcus Howe: A Political Biography. London: Bloomsbury Academic, 2014. 253–266. Bloomsbury Collections. Web. 23 Sep. 2021. <http:// dx.doi.org/10.5040/9781472544407.ch-019>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 23 September 2021, 14:43 UTC. Copyright © Robin Bunce and Paul Field 2014. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 1 9 Fight to the Finish On Monday 27 September 2010, more than a thousand people gathered to pay their last respects to Frank Crichlow. Th e funeral, the culmination of a week of mourning, took place at St Mary ’ s of the Angle on Morehouse Road. Th e congregation and many more, who could not fi t into the packed church, processed through Notting Hill to the West London Crematorium. Th e size and diversity of the crowd was a testament to the breadth of respect that Crichlow commanded. Th e mourners included the biggest names from Britain ’ s Black Power Movement including Howe, Althea Jones-Lecointe and her husband Eddie who had fl own in from Trinidad for the occasion, as well as Rhodan Gordon. Th ere were also more mainstream black activists and politicians such as Lee Jasper and Paul Boateng; the fi lm maker Horace Ové and hundreds of ordinary people, not political in any obvious sense, whose lives Crichlow had touched. Boateng gave the eulogy, recalling Crichlow ’ s activism, his smile, and his ‘ grace under pressure, and boy was there pressure ’ (Boateng 2010). -
Film Suggestions to Celebrate Black History
Aurora Film Circuit I do apologize that I do not have any Canadian Films listed but also wanted to provide a list of films selected by the National Film Board that portray the multi-layered lives of Canada’s diverse Black communities. Explore the NFB’s collection of films by distinguished Black filmmakers, creators, and allies. (Link below) Black Communities in Canada: A Rich History - NFB Film Info – data gathered from TIFF or IMBd AFC Input – Personal review of the film (Nelia Pacheco Chair/Programmer, AFC) Synopsis – this info was gathered from different sources such as; TIFF, IMBd, Film Reviews etc. FILM TITEL and INFO AFC Input SYNOPSIS FILM SUGGESTIONS TO CELEBRATE BLACK HISTORY MONTH SMALL AXE I am very biased towards the Director Small Axe is based on the real-life experiences of London's West Director: Steve McQueen Steve McQueen, his films are very Indian community and is set between 1969 and 1982 UK, 2020 personal and gorgeous to watch. I 1st – MANGROVE 2hr 7min: English cannot recommend this series Mangrove tells this true story of The Mangrove Nine, who 5 Part Series: ENOUGH, it was fantastic and the clashed with London police in 1970. The trial that followed was stories are a must see. After listening to the first judicial acknowledgment of behaviour motivated by Principal Cast: Gary Beadle, John Boyega, interviews/discussions with Steve racial hatred within the Metropolitan Police Sheyi Cole Kenyah Sandy, Amarah-Jae St. McQueen about this project you see his 2nd – LOVERS ROCK 1hr 10 min: Aubyn and many more.., A single evening at a house party in 1980s West London sets the passion and what this production meant to him, it is a series of “love letters” to his scene, developing intertwined relationships against a Category: TV Mini background of violence, romance and music. -
Self-Determination Activist and Writer Darcus Howe
In Memoriam: Self-Determination Activist and Writer Darcus Howe The broadcaster and writer Darcus Howe, who has died aged 74, once described himself as having come from Trinidad on a “civilizing mission”, to teach Britons to live in a harmonious and diverse society. His aims were radical, and he brought them into the mainstream by articulating fundamental principles in a strikingly outspoken way. After his initial experience of racial tension in Britain at the start of the 1960s, Howe became active in the Black Power movement in the US and the Caribbean. In August 1970, having returned to London, he organized, with Althea Jones-Lecointe and the British Black Panthers, a campaign in defense of the Mangrove restaurant. Established and run by Frank Crichlow, the Mangrove was a small piece of decolonized territory in Notting Hill, west London. When police attempted to close it, Howe came to his friend’s aid, organizing a march. Entirely peaceful until the police intervened in overwhelming numbers, it led to a spontaneous melee, the melee to arrests, and the arrests to the biggest Black Power trial in British history. 2 Africology: The Journal of Pan African Studies, vol.10, no.3, May 2017 For 55 days Howe and Jones-Lecointe led the defense of the Mangrove nine – themselves, Crichlow and six others – from the dock of the Old Bailey. Howe demanded an all-Black jury, a claim he rooted in the Magna Carta. The judge rejected this, but the nine had stamped their authority on the case. Howe subjected the prosecution to forensic scrutiny. -
Linton Kwesi Johnson's Dub Poetry and the Political
Linton Kwesi Johnson’s Dub Poetry and the Political Aesthetics of Carnival in Britain British dub poet Linton Kwesi Johnson (LKJ) moved to Britain from Jamaica on the cusp of adolescence in 1963. He arrived in the metropolis during a time of tremendous social and cultural ferment. Living in Brixton, South London, LKJ was quickly immersed in the radical currents that circulated throughout the Black and Asian diasporic world at the time. The Black Panthers, whose youth wing he joined while still attending secondary school, exposed LKJ to the fertile blend of socialist political- economic analysis and Black consciousness that characterizes the internationalist strands of the Black radical tradition.1 In addition, as a young member of the Caribbean Arts Movement (CAM) in London during the early 1970s, LKJ participated in the ground- breaking debates that took place within that organization concerning the appropriate forms and themes of artistic production among members of the Caribbean exile community in Britain.2 Popular culture acquired increasing significance as these artists struggled, under the weight of the increasingly incendiary political events of the period, to forge a role for themselves as artists and popular leaders. Following the lead of figures like Edward Kamau Brathwaite, LKJ sought to craft his own poetic language in order to overcome the traditions of linguistic and mental colonization imposed by the educational apparatus in the British colonies of the Caribbean. He found a model for his own work in what he called the dub lyricist: Jamaican and Black British deejays who would ‘toast’ or invent improvised rhymes over the heavy rhythm tracks of reggae dub records. -
Mangrove & BLM Protests Presentation Slides by Ife Thompson, Co-Founder of Black Protest Legal Support
01 Mangrove 9- BLM 2020- Black Resistance By Ife Thompson-Writer, UN Fellow, Lawyer & BLAM/BPLSFounder @Blamcharity @blkprotestlegal www.blamuk.org Quote “Black revolutionaries do not drop from the moon. We are created by our conditions. Shaped by our oppression. We are being manufactured in the droves in the ghetto streets”- Assata Shakur Mangrove Restaurant Invasion of the Mangrove restaurant piece by Race Today notes : During the Steel Band competition in run up to carnival, the police invaded and attacked the restaurant. The people in the restaurant were attacked by police batons and the building's windows and doors broken. This invasion led to no arrests, it had no purpose, just an excuse to attack, harass and demoralise the community. Frank Critchlow makes it clear that this targeting was because 'the presence of groups of Black people on the streets was not a palatable sight for Notting Hill police. In the first year the police raided my restaurant six times and six times they found nothing'. One officer in particular, PC Frank Pulley, ensured that the Mangrove was constantly targeted through police raids. The restaurant was raided 12 times between January 1969 and July 1970. Mangrove was also a site of cultural resistance August 1970 the Mangrove Demo Before the Brixton Uprisings Young Blacks combined under the Black power Banner to combact Police Violence and corruption inside the Black Community - Darcus Howe Conditions of Black Community in 1970s and 80s: Police Brutality, Racism in schools, White racist attacks and rise of National Front 1975 Forming of Black Parents Movement following the arrest and assault of Black School boy Cliff Mcdaniel at hands of Haringey police ( Protest outside Horsey Station and a defence fund, Black Lawyers provided pro-bono support ) In the 1970s the Radical Lawyers, Black or white who would challenge police evidence did not exist then. -
Production Notes
PRODUCTION NOTES A Note from the Director The seed of Small Axe was sown 11 years ago, soon after my first film, Hunger. Initially, I had conceived of it as a TV series, but as it developed, I realized these stories had to stand alone as original films yet at the same time be part of a collective. After all, Small Axe refers to an African proverb that means together we are strong. The anthology, anchored in the West Indian experience in London, is a celebration of all that that community has succeeded in achieving against the odds. To me, it is a love letter to Black resilience, triumph, hope, music, joy and love as well as to friendship and family. Oh, and let’s not forget about food too! I recall each of these stories being told to me either by my parents, my aunt, and by experiencing racial discrimination myself growing up in the 70s and 80s. These are all our stories. I feel personally touched by each and every one of them. My five senses were awoken writing with Courttia Newland and Alastair Siddons. Images, smells, textures and old customs came flooding back. All five films take place between the late 60s and mid 80s. They are just as much a comment on the present moment as they were then. Although they are about the past, they are very much concerned with the present. A commentary on where we were, where we are and where we want to go. When the Cannes Film Festival selected Mangrove and Lovers Rock earlier this year, I dedicated both to George Floyd and all the other Black people that have been murdered, seen or unseen, because of who they are in the US, UK and elsewhere. -
Our Eggcellent Easter Issue!
HIGHAM LANE SCHOOL Issue 38 April 2017 Welcome to our eggcellent Easter issue! DEAR Parents/Carers/Students, news from some subjects, plus a round- Welcome to the Easter edition of HLS up of all the latest sports successes, Express! I know you will all enjoy topped by the Year 11 netball team being reading about the Sixth Form charity sky fifth-best in the country! dive, the highly-acclaimed school Happy Easter to you all! production of `Little Shop of Horrors’, PHIL KELLY, Headteacher Charity sky dive raises HIGH JUMP! £6,026! TWELVE brave souls from Higham Lane School’s Sixth Form are jumping for joy after raising more than £6,000 for charity! The fearless group, comprising 11 students and the intrepid Head of Sixth Form, Hanif Ladha, travelled to Hinton Airfield, located on the Northamptonshire/ Oxfordshire border, to participate in a county wide tandem sky dive challenge set by the Warwickshire Association of Youth Clubs (WAYC). The aim was to raise money for youth work across Warwickshire and Coventry. With nerves jangling, the skydivers waited patiently in the rain for the clouds to lift before finally receiving the go-ahead to jump. After climbing to a heady height of 13,300ft, the parachutists exited the plane and reached speeds of over 120mph in free fall prior to deploying their ’chutes. Happily, all 12 landed safely back on terra firma, much to the relief of apprehensive ● BACK DOWN TO EARTH! Sky divers Abigail, Charlotte and Jack. families and friends who had been watching nervously below. After the jump, a relieved but proud Mr For more information about Higham Lane The challenge, now in its second year, Ladha commented: ``The students have Sixth Form or Warwickshire Association saw seven schools and colleges taking been fully behind this challenge from the of Youth Clubs please check out their part and, out of the £13,000+ total raised, start. -
James Kelman's Interview with John La Rose
The full interview with John La Rose1 More than twenty five years ago I was asked to interview John La Rose for the arts and culture journal Variant 19. Malcolm Dickson was then editor. The interview took place in John’s house in Finsbury Park. Malcolm organized the recording apparatus and also jumped about taking photographs. I had known John for a few years by then and had been in his company quite often; my only plan, therefore, was to start talking. He was a very strong and experienced orator, and with a tremendous breadth of knowledge. He was used to the toughest forms of meetings, those that began in confrontation and moved towards negotiation. I knew he would go where he thought necessary and return near enough to the starting point: my job was to resist interfering. The general population are unaware of the depth and complexity of the struggle of black people and other minorities in the United Kingdom. This transcription of a talk by John La Rose allows an insight into that and of the richness of the Caribbean side of its social and intellectual tradition. Insight here is gained into the inseparable nature of the culture and the political. There is also the matter of John's own centrality to some of the more crucial political interventions in his time. It should be a matter of concern how easily such a figure can be airbrushed from the political and cultural history of the UK, and the fundamental role played by John La Rose, his peers and contemporaries. -
Black Oppressed People All Over the World Are One’: the British Black Panthers’ Grassroots Internationalism, 19691973
`Black oppressed people all over the world are one': the British Black Panthers' grassroots internationalism, 1969-1973 Article (Accepted Version) Angelo, Anne-Marie (2018) ‘Black oppressed people all over the world are one’: the British Black Panthers’ grassroots internationalism, 1969-1973. Journal of Civil and Human Rights, 4 (1). pp. 64-97. ISSN 2378-4245 This version is available from Sussex Research Online: http://sro.sussex.ac.uk/id/eprint/65918/ This document is made available in accordance with publisher policies and may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the URL above for details on accessing the published version. Copyright and reuse: Sussex Research Online is a digital repository of the research output of the University. Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. To the extent reasonable and practicable, the material made available in SRO has been checked for eligibility before being made available. Copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. http://sro.sussex.ac.uk ‘Black Oppressed People All Over the World Are One’: The British Black Panthers’ Grassroots Internationalism, 1969-1973 Anne-Marie Angelo University of Sussex Under review with The Journal of Civil and Human Rights August 2016 On March 21, 1971, over 4,500 people opposing a proposed UK government Immigration Bill marched from Speakers’ Corner in Hyde Park, London to Whitehall. -
History and the Archive in the Political Thought of John La Rose
Chris Moffat (History, Queen Mary University of London) Published in Small Axe 55 (2018), pp.39-54. Against ‘Cultures of Hiatus’: History and the Archive in the Political Thought of John La Rose “A message of hope and contradiction but such is my message.” - John La Rose1 I. Introduction If you walk north on Stroud Green Road from London’s Finsbury Park station, you will pass the headquarters of a successful British picture framer, a pub signaling “The World’s End,” multiple outposts of the Pak’s hair and cosmetics empire, and a line of competing butcher shops, before arriving, on your right- hand side, at a bookshop painted red. This has, since 1973, been the home of New Beacon Books, a specialist bookseller bearing the quiet distinction of being Britain’s first independent publisher of black-interest fiction and nonfiction. The front window, crowded with pamphlets and flyers, evinces the shop’s status as a 1 From ‘Prosepoem for a Conference’ (1967), in John La Rose, Eyelets of Truth Within Me (London: New Beacon, 1992), 13. 2 community institution; the bookshelves inside bend under the weight of their allocated continents—texts arranged by geographical region. New Beacon’s publishing activities, inaugurated in 1966, have today begun to attract scholarly attention for what they reveal about the history of independent publishing in postwar Britain and the dissemination of radical black and “third world” thought in the decades after Windrush.2 Further research into the shop and its political significance will build profitably on Brian Alleyne’s 2002 ethnography of what he calls the “New Beacon Circle”—the group of activists gathered around the bookshop, propelling its local and international campaigns3—and will draw, necessarily, on the institution signaled by a small placard over the bookshop’s entrance: the George Padmore Institute, an archive and educational resource center occupying the upper three floors of the building. -
London Metropolitan Archives Ic and Jessica
LONDON METROPOLITAN ARCHIVES Page 1 HUNTLEY, ERIC AND JESSICA {GUYANESE BLACK POLITICAL CAMPAIGNERS, COMMUNITY WORKERS AND EDUCATIONALISTS} LMA/4463 Reference Description Dates BUSINESSES AMERICAN LIFE INSURANCE COMPANY Correspondence and agreements LMA/4463/A/01/01/001 Eric Huntley's signed agent agreement with 1968 - 1979 amendment. Monthly performance appraisal letters evaluating sales results Includes later amendment agreement. Sales results were monitored by his agency managers Raymond Eccles and Charles Patterson. Also an annotated draft speech composed by Eric Huntley on Raymond Eccles' relocation to the West Indies. Client's insurance claim details with carbon copy suicide letter attached (1968-1969) 1 file Printed material LMA/4463/A/01/02/001 'Who's Who' directory for the Las Palmas 1973 Educational Conference: containing images of staff by country 1 volume LMA/4463/A/01/02/002 Eric Huntley's personalised company calendar 1976 Unfit 1 volume LMA/4463/A/01/02/003 Grand Top Club Banquet menu with signatures. 1971 - 1972 Training material and sales technique leaflets. Itinerary for American Life Convention in Rhodes, Greece. Includes Eric Huntley's business card. 1 file Certificates and badge LMA/4463/A/01/03/001 Certificates of achievements for sales, training 1968 - 1976 and entrance into the Top Club conference 1 file LMA/4463/A/01/03/002 Badge with eagle, globe and stars emblem 196- - 197- Metal thread on fabric 1 badge Photographs LONDON METROPOLITAN ARCHIVES Page 2 HUNTLEY, ERIC AND JESSICA {GUYANESE BLACK POLITICAL CAMPAIGNERS, COMMUNITY WORKERS AND EDUCATIONALISTS} LMA/4463 Reference Description Dates LMA/4463/A/01/04/001 Insurance Convention, Republic of Malta 1969 Black and white.