Self-Determination Activist and Writer Darcus Howe
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Darcus Howe: a Political Biography
Bunce, Robin, and Paul Field. "Authors' Preface." Darcus Howe: A Political Biography. London: Bloomsbury Academic, 2014. viii–x. Bloomsbury Collections. Web. 29 Sep. 2021. <>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 29 September 2021, 20:11 UTC. Copyright © Robin Bunce and Paul Field 2014. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. Authors ’ Preface Writing this book has involved many wonderful experiences. Hours in archives are, of course, the historian ’ s delight, and we thank the staff at the National Archives, the Institute of Race Relations, the George Padmore Institute, the British Library, the Colindale Newspaper Archive, Warwick University Library, Cambridge University Library, the Butler Library at the Columbia University and the archives of the Oilfi eld Workers Trade Union of Trinidad and Tobago, to name but a few. We have spent many hours being entertained by our interviewees. Early on in the project, we had the good fortune to spend an aft ernoon with Farrukh Dhondy. ‘ I expect you want me to tell you all the scandal, ’ was his opener. We earnestly assured him that we were writing a serious political piece, adding that we couldn ’ t believe that there would be enough scandal to fi ll a single page. ‘ Th ere ’ s enough to fi ll seven volumes! ’ , he retorted. One of the stranger experiences, only obliquely related to the project, was an Equality and Diversity training session that one of us was compelled to attend in the summer of 2011. -
"Fight to the Finish." Darcus Howe: a Political Biography. London: Bloomsbury Academic, 2014
Bunce, Robin, and Paul Field. "Fight to the Finish." Darcus Howe: A Political Biography. London: Bloomsbury Academic, 2014. 253–266. Bloomsbury Collections. Web. 23 Sep. 2021. <http:// dx.doi.org/10.5040/9781472544407.ch-019>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 23 September 2021, 14:43 UTC. Copyright © Robin Bunce and Paul Field 2014. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 1 9 Fight to the Finish On Monday 27 September 2010, more than a thousand people gathered to pay their last respects to Frank Crichlow. Th e funeral, the culmination of a week of mourning, took place at St Mary ’ s of the Angle on Morehouse Road. Th e congregation and many more, who could not fi t into the packed church, processed through Notting Hill to the West London Crematorium. Th e size and diversity of the crowd was a testament to the breadth of respect that Crichlow commanded. Th e mourners included the biggest names from Britain ’ s Black Power Movement including Howe, Althea Jones-Lecointe and her husband Eddie who had fl own in from Trinidad for the occasion, as well as Rhodan Gordon. Th ere were also more mainstream black activists and politicians such as Lee Jasper and Paul Boateng; the fi lm maker Horace Ové and hundreds of ordinary people, not political in any obvious sense, whose lives Crichlow had touched. Boateng gave the eulogy, recalling Crichlow ’ s activism, his smile, and his ‘ grace under pressure, and boy was there pressure ’ (Boateng 2010). -
Saurashtra University Library Service
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Etheses - A Saurashtra University Library Service Saurashtra University Re – Accredited Grade ‘B’ by NAAC (CGPA 2.93) Kinger, Anil H., 2008, “The Minorities and their Voices: A Critical Study of the Contemporary Indian English Writing with rererence to the Novels of Salman Rushdie, Rohinton Mistry, I. Allan Sealy and Esther David”, thesis PhD, Saurashtra University http://etheses.saurashtrauniversity.edu/id/834 Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Saurashtra University Theses Service http://etheses.saurashtrauniversity.edu [email protected] © The Author THE MINORITIES AND THEIR VOICES: A CRITICAL STUDY OF THE CONTEMPORARY INDIAN ENGLISH WRITING WITH REFERENCE TO THE NOVELS OF SALMAN RUSHDIE, ROHINTON MISTRY, I. ALLAN SEALY AND ESTHER DAVID DISSERTATION SUBMITTED TO SAURASHTRA UNIVERSITY, RAJKOT FOR THE DEGREE OF DOCTOR OF PHILOSOPHY SUBMITTED BY: ANIL HARILAL KINGER LECTURER & HEAD SHRI P. D. MALAVIYA COLLEGE OF COMMERCE, RAJKOT SUPERVISED BY: DR. KAMAL H. MEHTA PROFESSOR & HEAD DEPARTMENT OF ENGLISH & COMPARATIVE LITERARY STUDIES, SAURASHTRA UNIVERSITY, RAJKOT. -
Linton Kwesi Johnson's Dub Poetry and the Political
Linton Kwesi Johnson’s Dub Poetry and the Political Aesthetics of Carnival in Britain British dub poet Linton Kwesi Johnson (LKJ) moved to Britain from Jamaica on the cusp of adolescence in 1963. He arrived in the metropolis during a time of tremendous social and cultural ferment. Living in Brixton, South London, LKJ was quickly immersed in the radical currents that circulated throughout the Black and Asian diasporic world at the time. The Black Panthers, whose youth wing he joined while still attending secondary school, exposed LKJ to the fertile blend of socialist political- economic analysis and Black consciousness that characterizes the internationalist strands of the Black radical tradition.1 In addition, as a young member of the Caribbean Arts Movement (CAM) in London during the early 1970s, LKJ participated in the ground- breaking debates that took place within that organization concerning the appropriate forms and themes of artistic production among members of the Caribbean exile community in Britain.2 Popular culture acquired increasing significance as these artists struggled, under the weight of the increasingly incendiary political events of the period, to forge a role for themselves as artists and popular leaders. Following the lead of figures like Edward Kamau Brathwaite, LKJ sought to craft his own poetic language in order to overcome the traditions of linguistic and mental colonization imposed by the educational apparatus in the British colonies of the Caribbean. He found a model for his own work in what he called the dub lyricist: Jamaican and Black British deejays who would ‘toast’ or invent improvised rhymes over the heavy rhythm tracks of reggae dub records. -
Table of Contents
National Discourse on Carnival Arts Report by Ansel Wong, October 2009 1 2 © Carnival Village, Tabernacle 2009 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form, or by any means, electronic, mechanical, photocopying, recorded or otherwise, without the prior permission of the author. Contact details for further information: Shabaka Thompson CEO Carnival Village, Tabernacle Powis Square London W11 2AY Tel: +44 (0) 20 7286 1656 [email protected] www.Carnivalvillage.org.uk 3 This report is dedicated to the memory of David Roussel-Milner (Kwesi Bachra) 18 February 1938 – 28 October 2009 4 Executive Summary Introduction The Carnival Village, The ELIMU Paddington Arts Carnival Band, the Victoria and Albert Museum and HISTORYtalk hosted the National Discourse on Carnival from Friday 2 October to Sunday 4 October 2009 with a number of post-conference events lasting for the duration of the month of October. The programme was delivered through two strands – ROOTS (a historical review and critical analysis of Carnival in London from 1969) and ROUTES (mapping the journey to artistic and performance excellence for Carnival and its related industries) - to achieve the following objectives: Inform Carnival Village‟s development plans Formulate an approach to and build a consensus on Carnival Arts Identify and develop a strategic forum of stakeholders, performers and artists Recognise and celebrate artistic excellence in Carnival Arts Build on the legacies of Claudia Jones and other Carnival Pioneers The Programme For the duration of the event, there were two keynote presentations; the first was the inaugural Claudia Jones Carnival Memorial Lecture delivered by Dr Pat Bishop and the second was delivered by Pax Nindi on the future of Carnival. -
Mangrove & BLM Protests Presentation Slides by Ife Thompson, Co-Founder of Black Protest Legal Support
01 Mangrove 9- BLM 2020- Black Resistance By Ife Thompson-Writer, UN Fellow, Lawyer & BLAM/BPLSFounder @Blamcharity @blkprotestlegal www.blamuk.org Quote “Black revolutionaries do not drop from the moon. We are created by our conditions. Shaped by our oppression. We are being manufactured in the droves in the ghetto streets”- Assata Shakur Mangrove Restaurant Invasion of the Mangrove restaurant piece by Race Today notes : During the Steel Band competition in run up to carnival, the police invaded and attacked the restaurant. The people in the restaurant were attacked by police batons and the building's windows and doors broken. This invasion led to no arrests, it had no purpose, just an excuse to attack, harass and demoralise the community. Frank Critchlow makes it clear that this targeting was because 'the presence of groups of Black people on the streets was not a palatable sight for Notting Hill police. In the first year the police raided my restaurant six times and six times they found nothing'. One officer in particular, PC Frank Pulley, ensured that the Mangrove was constantly targeted through police raids. The restaurant was raided 12 times between January 1969 and July 1970. Mangrove was also a site of cultural resistance August 1970 the Mangrove Demo Before the Brixton Uprisings Young Blacks combined under the Black power Banner to combact Police Violence and corruption inside the Black Community - Darcus Howe Conditions of Black Community in 1970s and 80s: Police Brutality, Racism in schools, White racist attacks and rise of National Front 1975 Forming of Black Parents Movement following the arrest and assault of Black School boy Cliff Mcdaniel at hands of Haringey police ( Protest outside Horsey Station and a defence fund, Black Lawyers provided pro-bono support ) In the 1970s the Radical Lawyers, Black or white who would challenge police evidence did not exist then. -
East End Immigrants and the Battle for Housing Sarah Glynn 2004
East End Immigrants and the Battle for Housing Sarah Glynn 2004 East End Immigrants and the Battle for Housing: a comparative study of political mobilisation in the Jewish and Bengali communities The final version of this paper was published in the Journal of Historical Geography 31 pp 528 545 (2005) Abstract Twice in the recent history of the East End of London, the fight for decent housing has become part of a bigger political battle. These two very different struggles are representative of two important periods in radical politics – the class politics, tempered by popularfrontism that operated in the 1930s, and the new social movement politics of the seventies. In the rent strikes of the 1930s the ultimate goal was Communism. Although the local Party was disproportionately Jewish, Communist theory required an outward looking orientation that embraced the whole of the working class. In the squatting movement of the 1970s political organisers attempted to steer the Bengalis onto the path of Black Radicalism, championing separate organisation and turning the community inwards. An examination of the implementation and consequences of these different movements can help us to understand the possibilities and problems for the transformation of grassroots activism into a broader political force, and the processes of political mobilisation of ethnic minority groups. Key Words Tower Hamlets, political mobilisation, oral history, Bengalis, Jews, housing In London’s East End, housing crises are endemic. The fight for adequate and decent housing is fundamental, but for most of those taking part its goals do not extend beyond the satisfaction of housing needs. -
Production Notes
PRODUCTION NOTES A Note from the Director The seed of Small Axe was sown 11 years ago, soon after my first film, Hunger. Initially, I had conceived of it as a TV series, but as it developed, I realized these stories had to stand alone as original films yet at the same time be part of a collective. After all, Small Axe refers to an African proverb that means together we are strong. The anthology, anchored in the West Indian experience in London, is a celebration of all that that community has succeeded in achieving against the odds. To me, it is a love letter to Black resilience, triumph, hope, music, joy and love as well as to friendship and family. Oh, and let’s not forget about food too! I recall each of these stories being told to me either by my parents, my aunt, and by experiencing racial discrimination myself growing up in the 70s and 80s. These are all our stories. I feel personally touched by each and every one of them. My five senses were awoken writing with Courttia Newland and Alastair Siddons. Images, smells, textures and old customs came flooding back. All five films take place between the late 60s and mid 80s. They are just as much a comment on the present moment as they were then. Although they are about the past, they are very much concerned with the present. A commentary on where we were, where we are and where we want to go. When the Cannes Film Festival selected Mangrove and Lovers Rock earlier this year, I dedicated both to George Floyd and all the other Black people that have been murdered, seen or unseen, because of who they are in the US, UK and elsewhere. -
Inside out 772.Pdf
Miscarriages of JusticeUK (MOJUK) 22 Berners St, Birmingham B19 2DR people on the street’. It was Howe’s organisational skills which meant that on that August day Tele: 0121- 507 0844 Email: [email protected] Web: www.mojuk.org.uk in 1970, the 150 protesters marched peacefully on police stations in Notting Hill. The mood was celebratory, some protesters echoing the Black Panthers’ style, many carrying placards bearing MOJUK: Newsletter ‘Inside Out’ No 772 (18/12/2019) - Cost £1 slogans like ‘Calling All Pigs, Freak Out or Get Out’ and ‘Power to the People’. They were out- numbered by a force of over 200 officers, standing five deep, with another 500 held in reserve. Mangrove Nine: When Black Power Took On the British Establishment This was force intent on inciting violence, and prepared to inflict it. Nicholas Reed Langen, Justice Gap: On the August 9, 1970, 150 black protesters marched The police had calculated that the best response was to overwhelm them with sheer weight against the Metropolitan Police, challenging the campaign of intimidation that had been waged of personnel, hoping that their numbers would spark a conflict, giving the officers the right to against their community. This protest set in motion the train of events that led to the trial of the arrest, charge and prosecute the demonstrators. A brief struggle at Portnall Road provided the Mangrove Nine where the power of the British state went up against black power and lost. The trial police all the justification they needed, with Howe later writing that they descended on the of the Mangrove Nine was a historical event. -
'Animalia' Cirque and Dance Show
EDITOR-IN-CHIEF TABLE OF CONTENTS Madison Dobrzenski [email protected] EDITORIAL PAGE 3 Spring 2021: ‘not unlike where we are now’ Olivia Lawless MANAGING EDITOR Tyler Trudeau COMMUNITY EDITOR NEWS PAGE 4 Two UNC Charlotte students awarded Megan Bird NEWS EDITOR Charlotte “Inno Under 25” Hiral Patel OPINION EDITOR Julianna Peres LIFESTYLE EDITOR Anders Hare A&E EDITOR PAGE 5 Why partying this Halloween will be Bradley Cole SPORTS EDITOR a nightmare Max Young COPY EDITOR Niyathi Sulkunte PHOTO EDITOR OPINION María Solano VIDEO EDITOR Nic Jensen LAYOUT EDITOR PAGE 6 United in Gold ASSISTANT EDITORS Milo Cain, April Carte, Jessica Ceballos, Emily Kottak, Beth PAGE 7 Five takeaways from Charlotte’s first McGuire, Brandon Mitchell, Miles win of 2020 Ruder, and Reuben Sanchez SPORTS CONTRIBUTING STAFF Nancy Carroll, Bryson Foster, Cameron Williams, Gabe Lapalombella COVER IMAGE PAGE 8 Radicalize your range Nic Jensen LIFESTYLE PAGE 9 Hangover helpers NINER MEDIA NEWSROOM 705.687.7150 NINERTIMES.COM/STAFF @UNCCMEDIA TWITTER @NINER_TIMES PAGE 10 ‘Animalia’ cirque and dance show MARKETING DIRECTOR New York Film Festival review: ‘Mangrove’ Abram Shaw PAGE 11 [email protected] CREATIVE DIRECTOR A&E PAGE 12 What is NT listening to? NINER TIMES James Bourke [email protected] @niner_times MARKETING STAFF READ + WATCH MORE ONLINE AT Ridge Grant and Luisana Gonzalez NINERTIMES.COM UPTOWN AUDIO POLICE BLOTTER @uptownaudio 10/8: Suspicious Person/Arrest Officers responded to McEniry in reference to a suspicious person. One LOCATED ON THE LOWER LEVEL OF THE STUDENT UNION Niner Times • Uptown Audio subject was transported to Mecklenburg County Intake and issued a trespass order. -
James Kelman's Interview with John La Rose
The full interview with John La Rose1 More than twenty five years ago I was asked to interview John La Rose for the arts and culture journal Variant 19. Malcolm Dickson was then editor. The interview took place in John’s house in Finsbury Park. Malcolm organized the recording apparatus and also jumped about taking photographs. I had known John for a few years by then and had been in his company quite often; my only plan, therefore, was to start talking. He was a very strong and experienced orator, and with a tremendous breadth of knowledge. He was used to the toughest forms of meetings, those that began in confrontation and moved towards negotiation. I knew he would go where he thought necessary and return near enough to the starting point: my job was to resist interfering. The general population are unaware of the depth and complexity of the struggle of black people and other minorities in the United Kingdom. This transcription of a talk by John La Rose allows an insight into that and of the richness of the Caribbean side of its social and intellectual tradition. Insight here is gained into the inseparable nature of the culture and the political. There is also the matter of John's own centrality to some of the more crucial political interventions in his time. It should be a matter of concern how easily such a figure can be airbrushed from the political and cultural history of the UK, and the fundamental role played by John La Rose, his peers and contemporaries. -
Islam Councils
THE MUSLIM QUESTION IN EUROPE Peter O’Brien THE MUSLIM QUESTION IN EUROPE Political Controversies and Public Philosophies TEMPLE UNIVERSITY PRESS Philadelphia • Rome • Tokyo TEMPLE UNIVERSITY PRESS Philadelphia, Pennsylvania 19122 www.temple.edu/tempress Copyright © 2016 by Temple University—Of Th e Commonwealth System of Higher Education All rights reserved Published 2016 Library of Congress Cataloging-in-Publication Data Names: O’Brien, Peter, 1960– author. Title: Th e Muslim question in Europe : political controversies and public philosophies / Peter O’Brien. Description: Philadelphia, Pennsylvania : Temple University Press, 2016. | Includes bibliographical references and index. Identifi ers: LCCN 2015040078| ISBN 9781439912768 (cloth : alk. paper) | ISBN 9781439912775 (paper : alk. paper) | ISBN 9781439912782 (e-book) Subjects: LCSH: Muslims—Europe—Politics and government. | Islam and politics—Europe. Classifi cation: LCC D1056.2.M87 O27 2016 | DDC 305.6/97094—dc23 LC record available at http://lccn.loc.gov/2015040078 Th e paper used in this publication meets the requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI Z39.48-1992 Printed in the United States of America 9 8 7 6 5 4 3 2 1 For Andre, Grady, Hannah, Galen, Kaela, Jake, and Gabriel Contents Acknowledgments ix 1 Introduction: Clashes within Civilization 1 2 Kulturkampf 24 3 Citizenship 65 4 Veil 104 5 Secularism 144 6 Terrorism 199 7 Conclusion: Messy Politics 241 Aft erword 245 References 249 Index 297 Acknowledgments have accumulated many debts in the gestation of this study. Arleen Harri- son superintends an able and amiable cadre of student research assistants I without whose reliable and competent support this book would not have been possible.