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The Globalization of K-Pop: the Interplay of External and Internal Forces
THE GLOBALIZATION OF K-POP: THE INTERPLAY OF EXTERNAL AND INTERNAL FORCES Master Thesis presented by Hiu Yan Kong Furtwangen University MBA WS14/16 Matriculation Number 249536 May, 2016 Sworn Statement I hereby solemnly declare on my oath that the work presented has been carried out by me alone without any form of illicit assistance. All sources used have been fully quoted. (Signature, Date) Abstract This thesis aims to provide a comprehensive and systematic analysis about the growing popularity of Korean pop music (K-pop) worldwide in recent years. On one hand, the international expansion of K-pop can be understood as a result of the strategic planning and business execution that are created and carried out by the entertainment agencies. On the other hand, external circumstances such as the rise of social media also create a wide array of opportunities for K-pop to broaden its global appeal. The research explores the ways how the interplay between external circumstances and organizational strategies has jointly contributed to the global circulation of K-pop. The research starts with providing a general descriptive overview of K-pop. Following that, quantitative methods are applied to measure and assess the international recognition and global spread of K-pop. Next, a systematic approach is used to identify and analyze factors and forces that have important influences and implications on K-pop’s globalization. The analysis is carried out based on three levels of business environment which are macro, operating, and internal level. PEST analysis is applied to identify critical macro-environmental factors including political, economic, socio-cultural, and technological. -
Biography Mark Ronson Is an Internationally Renowned DJ and Five-Time-Grammy-Award-Winning and Golden Globe-Winning Artist and P
Biography Mark Ronson is an internationally renowned DJ and five-time-Grammy-Award-winning and Golden Globe-winning artist and producer. Ronson spent the first eight years of his life growing up in London, England. Having played guitar and drums from an early age, it wasn't until moving to New York City following his parents’ divorce, that he discovered DJ culture. At age 16, and already a fan of artists like A Tribe Called Quest, Run DMC and the Beastie Boys, Ronson began listening to mixtapes released by various hip hop DJs. Inspired, Ronson confiscated his step-father's vinyl collection and tried his hand at mixing. It was the first step in a career highlighted by work on a multi Grammy-winning album by Amy Winehouse, as well as his own Grammy-winning, global smash hit with Bruno Mars, "Uptown Funk." In the late 1990s into the early 2000s, the New York club scene was percolating with booming hip-hop and glitzy R&B. Ronson quickly earned himself a reputation through stints on the decks in downtown clubs before becoming the DJ of choice for many noteworthy parties. Hip-hop mogul Sean "P. Diddy" Combs hired Ronson to DJ his fabled 29th birthday bash. These and other high-profile gigs boosted Ronson's profile and connected him with other artists, many of whom were interested in collaborating. His first production gig came from British soul singer Nikka Costa and he found that his experience of working a club crowd informed his production skills. Fusing his eclectic turntable skills with his knowledge of musical instruments and songwriting, Ronson soon embarked on his first solo record. -
Analýza Nejposlouchanějších Skladeb Na Serveru Youtube.Com
Masarykova univerzita Pedagogická fakulta ANALÝZA NEJPOSLOUCHANĚJŠÍCH SKLADEB NA SERVERU YOUTUBE.COM Bakalářská práce Brno 2017 Autor: Vedoucí bakalářské práce: Jakub Šindelka doc. PhDr. Marek Sedláček, Ph.D. Anotace Název práce: Analýza nejposlouchanějších skladeb na serveru YouTube.com Title: The analysis of the most listened compositions on YouTube.com Tato práce se zabývá analýzou devatenácti nejposlouchanějších hudebních skladeb na serveru YouTube.com, které byly uploadovány v roce 2014 a později. Seznam je aktuální k datu 1. 7. 2016, práce se tedy zabývá skladbami, které byly nejpopulárnější na serveru YouTube od začátku roku 2014 do poloviny roku 2016. U skladeb je zkoumán jejich žánr, délka, tempo, harmonie, struktura a další charakteristiky, práce se zabývá rovněž interprety těchto skladeb a jejich životem, tvorbou a uměleckou kariérou. Závěrečná část práce je věnována vyhodnocení toho, jaké znaky jsou u skladeb nejčastější a nejtypičtější. Okrajově se práce zabývá rovněž historií a principem fungování serveru YouTube. This thesis is focused on the analysis of the nineteen most listened music compositions on YouTube.com, which were uploaded in 2014 or later. The list is relevant to 1. 7. 2016, therefore the point of interest of the thesis are composions, which were the most popular in the period since the beginning of 2014 to the half of 2016. The aspects of compositions which are analyzed are their genre, lenght, tempo, harmony, structure and other characteristics, thesis also tries to comprehend the life, artworks and carrier of interprets of the compositions. The goal of the final part of this thesis is to evaluate which characteristics of the compositions are the most frequent and the most typical ones. -
ANALYSIS the Official UK Singles & Albums Charts Are Compiled by the Official Charts Company, Based on a Sample of More Than 15,000 Physical and Digital Outlets
ANALYSIS The Official UK Singles & Albums Charts are compiled by the Official Charts Company, based on a sample of more than 15,000 physical and digital outlets. They count actual sales and audio streams from last Friday to Thursday, based on sales of downloads, CDs, vinyl and other physical formats and audio streams weighted using SEA2 methodology. Highway to hell: Lewis Capaldi returns to top spot with debut album Q BY ALAN JONES ethroned by Bruce Springsteen last week, and trailing Will Young for much of the latest frame, Lewis DCapaldi edged past the latter to return to No.1. The Scot’s debut, Divinely Uninspired To A Hellish Extent, bounces 3-1 to secure its fifth week at the summit, although its sales are off 21.00% week-on-week to 19,003 (including 11,085 from sales-equivalent streams) its lowest haul yet. Denied his fifth No.1 album at the death, Will Young’s seventh studio set, Lexicon, opens at No.2 on sales of 16,706 copies. He thus remains tied with Cheryl (two solo, two with Girls Aloud), One Direction and Olly Murs as the reality TV graduates with most No.1 albums. Lexicon is No.1 on both physical sales (11,752) and paid-for downloads (4,274), being No.1 let down only by streaming. Recording Young’s lowest first week sale for a studio album yet, it is the successor to 85% Proof, which previously held that record with 21,320, but which Lewis Capaldi - Divinely Uninspired To A Hellish Extent (Virgin EMI) nevertheless opened at No.1 in 2015, and has sold 96,356 copies. -
Mark Ronson “Don't Leave Me Lonely” Featuring Yebba Out
MARK RONSON “DON’T LEAVE ME LONELY” FEATURING YEBBA OUT NOW LISTEN HERE NEW ALBUM LATE NIGHT FEELINGS OUT JUNE 21ST [New York, NY – May 17, 2019] Today Academy, Grammy and Golden Globe-winning artist and producer, Mark Ronson, releases the third track “Don’t Leave Me Lonely” featuring Grammy-award winning artist, YEBBA, off his highly-anticipated fifth studio album, Late Night Feelings, out on June 21st via RCA Records. Listen here “Don’t Leave Me Lonely” showcases YEBBA’s powerhouse voice and is one of three songs in a suite where YEBBA is featured on Late Night Feelings. Pre-Order Late Night Feelings here. “Don’t Leave Me Lonely,” plus the previously released songs “Nothing Breaks Like A Heart” featuring Miley Cyrus and “Late Night Feelings” featuring Lykke Li will be available for instant download with any album pre-order. Late Night Feelings features collaborations with a diverse range of artists including Camila Cabello, Alicia Keys, Miley Cyrus, YEBBA, Lykke Li, Angel Olson, King Princess, The Last Artful, Dodgr, Diana Gordon, and Ilsey. Find complete album track listing below. Mark has described this album as a collection of “sad bangers,” and the new track, like much of the album, is emotionally complex and personal. “Don’t Leave Me Lonely” comes on the heels of the title track, “Late Night Feelings” which has over 12 million streams and debuted to rave reviews, with Consequence of Sound calling it a “scorching contender for this year’s “Song of the Summer” and The Fader adding that “The song grabs ahold of the duo's primal moonlit urges and spins 'em into disco oblivion.” The premiere single from the album was 2018’s global smash “Nothing Breaks Like A Heart” feat. -
Exclusive Behind the Scenes Video of Martin Cohen’S 76Th
Exclusive Behind The Scenes Video Of Martin Cohen’s 76th Birthday Party 2015 Definitely one of the best parties anywhere, every year, I’m always honored to attend and sometimes perform with the band. Here’s some exclusive video. Sadly, I had to leave early, to perform with The Mambo Legends Orch and Tito Nieves at West Gate, which is fortunate for me. Check out the videos as I give a little tour and talk to some special people in attendance including the birthday boy. By Pete Nater Harvey Averne, Producer, Musician and Living Legend Harvey Averne is an American record producer, and the founder of CoCo Records, as well as its many subsidiaries. Established in 1972, CoCo was a label specializing in Afro-Cuban and Latin American Popular music, with special emphasis on the “New York Sound”, commonly referred to as “Salsa”. Averne’s gift for identifying and bringing together new and established musical talent, along with the careful management of his artists’ public image, initially made CoCo Records a major label nationally, and subsequently an international success. Over the next decade, he signed internationally known artists and was instrumental in bringing Latin American music into the American cultural mainstream. Averne personally ran the label from 1972 until 1979. His only rival was Fania Records, the leading Latin music label at the time and for whom Averne had previously been employed. He incorporated his new company (in partnership with Sam Goff, previously of Scepter/Wand Records) and quickly became one of the leading record producers in the Latin music field. -
Billboard Magazine
the beat WorldMags.net “When we hit on that opening line — ‘This shit, that ice cold/Michelle Ronson recorded much of the album at Memphis’ Royal Studios, former Pfeiffer, that white gold’ — we knew that we had the seed of this really excit- haunt of Southern soul legends like Al Green. A chance encounter with ing idea,” remembers Ronson. “I pushed myself much more than I have on Mystikal led to the rapper throwing down on “Feel Right,” which, with its anything else in the past.” sweaty horn-heavy groove and call-and-response parts, is James Brown for the Indeed, during the song’s grueling seven-month creation, Ronson col- post-crunk era. Then there’s Keyone Starr, a 23-year-old unknown who sings lapsed in a London eatery. “There was all this on three songs, including a soul track that interpo- pressure because Bhasker was leaving at the lates the stutter-step drums from Soho house classic end of the day,” he recalls. “The plan was for “Hot Music.” “We wanted a young Chaka Khan on me to record my guitar by lunch. Lunchtime it, but there wasn’t anybody coming to mind,” comes and I still haven’t nailed it. We go out Ronson says. “Jeff was like, ‘We’re going to drive and in the stress of fi nishing the song I fainted to the South, we’re going to call it the Mississippi in the restaurant. I threw up three times. Jeff Mission, and go to churches.’ It was a wild idea Y IMAGES. -
Final Nominations List
NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. FINAL NOMINATIONS LIST THE NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. Final Nominations List 58th Annual GRAMMY® Awards For recordings released during the Eligibility Year October 1, 2014 through September 30, 2015 Note: More or less than 5 nominations in a category is the result of ties. General Field Category 1 Category 2 Record Of The Year Album Of The Year Award to the Artist and to the Producer(s), Recording Engineer(s) Award to the Artist(s) and to the Album Producer(s), Recording Engineer(s) and/or Mixer(s) and mastering engineer(s), if other than the artist. and/or Mixer(s) & Mastering Engineer(s), if other than the artist. 1. REALLY LOVE 1. SOUND & COLOR D'Angelo And The Vanguard Alabama Shakes D'Angelo, producer; Russell Elevado & Ben Kane, Alabama Shakes & Blake Mills, producers; Shawn Everett, engineer/mixer; Bob Ludwig, mastering engineer engineers/mixers; Dave Collins, mastering engineer [ATO Records] Track from: Black Messiah [RCA Records] 2. TO PIMP A BUTTERFLY Kendrick Lamar 2. UPTOWN FUNK Bilal, George Clinton, James Fauntleroy, Ronald Isley, Rapsody, Mark Ronson Featuring Bruno Mars Snoop Dogg, Thundercat & Anna Wise, featured artists; Taz Arnold, Jeff Bhasker, Bruno Mars & Mark Ronson, producers; Josh Boi-1Da, Ronald Colson, Larrance Dopson, Flying Lotus, Fredrik Blair, Serban Ghenea, Wayne Gordon, John Hanes, Inaam "Tommy Black" Halldin, Knxwledge, Koz, Lovedragon, Terrace Haq, Boo Mitchell, Charles Moniz & Mark Ronson, Martin, Rahki, Sounwave, Tae Beast, Thundercat, Whoarei & engineers/mixers; Tom Coyne, mastering engineer Pharrell Williams, producers; Derek "Mixedbyali" Ali, Thomas Burns, James "The White Black Man" Hunt, 9th Wonder & Matt Track from: Uptown Special Schaeffer, engineers/mixers; Mike Bozzi, mastering engineer [RCA Records] [TDE/Aftermath/Interscope] 3. -
Uptown Plan Westerville, Ohio
UPTOWN PLAN WESTERVILLE, OHIO ADOPTED: May 6, 2014 PREPARED BY MKSK ACKNOWLEDGEMENTS Steering Committee and City of Westerville Stakeholder Interviews Planning Team STEERING COMMITTEE MEMBERS ORGANIZATIONS CITY OF WESTERVILLE Craig Treneff, City Council Otterbein University: Rebecca Vazquez-Skillings Julie Colley, Assistant City Manager Paul Johnson, Planning Commission Westerville Public Library: Don Barlow, Director Karl Craven, Planning & Development Director Diana Welling, Uptown Review Board Westerville City Schools: Jeff LeRose, Executive Director of Business Bassem Bitar, Senior Planner Rebecca Vazquez-Skillings, Otterbein University Operations Jeff Buehler, Planner Debbie Bennati, Uptown Merchants Association Uptown Merchants Association: Debbie Bennati, President Lisa LaMantia, Planner Jeff Hartnell, Visitors & Conventions Bureau Westerville Area Chamber of Commerce: Janet Tressler-Davis, President Chelsea Nichols, Planning & Zoning Secretary Rick Rano, Realtor/Broker The Arts Council Of Westerville: Jane Denick Molly Gaudioso, Planning Intern Tamara Krause, Uptown Property Owner Westerville Historical Society: Bill Merriman, President Randy Auler, Director of Parks & Recreation Doug Winbigler, Uptown Merchant/Property Owner Church of the Messiah: Jim Wilson, Senior Pastor Michael Hooper, Parks & Recreation Development Administrator Gerhard Hillmann, Uptown Resident Mary Lou Prouty, Uptown Resident UPTOWN RESIDENTS MKSK (Planning, Urban Design, Landscape Architecture) Mary Lou Prouty Keith Myers, Senior Principal WESTERVILLE CITY -
Finding Song Melody Similarities Using a Dna String Matching Algorithm
FINDING SONG MELODY SIMILARITIES USING A DNA STRING MATCHING ALGORITHM A thesis submitted to Kent State University in partial fulfillment of the requirements for the degree of Master of Science by Jeffrey Daniel Frey May, 2008 Thesis written by Jeffrey Daniel Frey B.S., Kent State University, USA, 1998 M.S., Kent State University, USA, 2008 Approved by ___________________________________ Dr. Johnnie Baker Advisor ___________________________________ Dr. Robert Walker Chair, Department of Computer Science ___________________________________ Dr. Jerry Feezel Dean, College of Arts and Sciences i i TABLE OF CONTENTS Acknowledgements......................................................................................................vii CHAPTER 1 Introduction............................................................................................1 1.1 The Problem...........................................................................................................1 1.2 Solution Concept....................................................................................................1 1.3 Approach................................................................................................................2 1.4 Document Organization..........................................................................................3 CHAPTER 2 The Need for a Solution..........................................................................4 2.1 Copyright Infringement ..........................................................................................4 -
XS Nov 2019 by ARTIST
XS Nov 2019 by ARTIST Artist Song Title Artist Song Title 311 Amber Avicii Lonely Together (feat Rita 5 Seconds Of Summer Easier Ora) Teeth SOS (feat Aloe Blacc) Youngblood Without You (feat Sandro Adams, Bryan Shine A Light Cavazza) Adele Love Song Azalea, Iggy Black Widow (feat Rita Ora) Aguilera, Christina Guy What Takes His Time Fancy (feat Charli XCX) Aitch Taste (Make It Shake) B.O.B. Headband (explicit feat 2 AJR I'm Ready Chainz) Alaina, Lauren Doin' Fine B-52's, The Rock Lobster Getting Good Badu, Erykah Danger Getting Good Ballerini, Kelsea Better Luck Next Time (Instrumental) Better Luck Next Time Aldean, Jason Girl Like You (Instrumental) Rearview Town Homecoming Queen Rearview Town Homecoming Queen (Instrumental) (Instrumental) We Back I Hate Love Songs We Back (Instrumental) Miss Me More You Make It Easy Band of Heathens, The Hurricane Allen, Jimmie Best Shot Banners Got It In You Alter Bridge Watch Over You Bareilles, Sara Fire Aly & AJ Potential Breakup Song Goodbye Yellow Brick Andress, Ingrid More Hearts Than Mine Road More Hearts Than Mine You Matter To Me (Instrumental) Bastille Basket Case Angels & Airwaves Kiss & Tell Joy Anne-Marie Heavy Those Nights Arthur, James Falling Like The Stars Bay, James Let It Go Naked Peer Pressures (feat Julia Say You Won't Let Go Michaels) Ashbury, Cory Reckless Love Beat, The Tears Of A Clown Reckless Love Bebe Rexha Meant To Be (feat Florida (Instrumental) Georgia Line) Au/Ra Dance In The Dark Beer, Madison All Day & All Night Ava Max Freaking Me Out Bellion, Jon All Time Low So Am I Benson, George The Greatest Love Of All Sweet But Psycho Beyonce Before I Let Go Torn Freedom Torn (Instrumental) If I Were A Boy (feat R. -
Abstract Conceptual Navigation (ACN)
Habilitation Thesis University Rennes 1 Reconciling Expressivity and Usability in Information Access from File Systems to the Semantic Web S´ebastien Ferre´ Associate Professor Team LIS, IRISA, University Rennes 1 [email protected] http://www.irisa.fr/LIS/ferre/ Defended on November 6th, 2014 in front of the defense committee, composed of: Olivier Pivert Professor at Univ. Rennes 1 / president Norbert E. Fuchs Senior researcher at Univ. Zurich / referee Marianne Huchard Professor at Univ. Montpellier 2 / referee Eero Hyvonen¨ Professor at Univ. Aalto / referee Karell Bertet Associate professor (HDR) at Univ. La Rochelle / examiner Fabien Gandon Researcher (HDR) at INRIA Valbonne / examiner 2 To Sterenn, Yann, and El´eonore 3 4 Foreword Since the start of my PhD in 1999, I have worked on various problems, and produced a number of different contributions pertaining to several domains and research communities. This habilitation thesis is an opportunity for me to summarize them, and to open perspectives. However, that synthesis work is made difficult by the fact that the set of my research tracks look more like a bush than like a tree. In fact, I see the research process as an evolution process where ideas, theories, softwares, and applications compete for sur- vival, and are transformed by mutation and crossover. Some of my research tracks have gone extinct (e.g., logic functors), while others have flourished (e.g., Semantic Web). Some have appeared by mutation (e.g., guided edition from guided search), while others have merged (e.g., conceptual navigation and faceted search). At every time, there is not a single active research track, nor a \best" research track, but a population of diverse and comple- mentary research tracks.