FINE ART & ANTIQUES Saturday 20th March at 10am

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Your contact at the saleroom is: Ed Crichton ASFAV Image this page: 1268. Tel: 01284 748 618 E-mail: ecrichton @lsk.co.uk ANTIQUARIAN & COLLECTABLE BOOKS

Please note that books are sold subject to no return.

1001 1005 FLEMING, Ian. Thunderball. Jonathan WHYMPER, Charles. Egyptian Cape, London, 1961 1st ed. In original Birds. A&C Black, London, 1909. publisher’s cloth, with gilt titling to spine Deluxe Limited edition. Number and skeletal hand embossed to front 67 of 100 copies SIGNED BY board. With dust wrapper. Together AUTHOR. With 51 tipped in, with: You Only Live Twice. Jonathan tissue guarded colour plates by Cape, London, 1964 1st ed. In original the author and a further 11 line publisher’s cloth with silver titling to drawings in the text. Presented in spine and oriental letters in gilt to front original publisher’s cream cloth. board. With dust wrapper. Bevelled edge boards, gilt titling to £100-120 front board and spine. Teg. £30-50 1002 HELLEU, Paul. A Gallery of Portraits 1006 Reproduced form Original Etchings. The Complete Works of William Lot 1009 Edward Arnold, London, 1907 1st ed. Hogarth. The London Printing and Folio. A collection of 24 tissue guarded Publishing Company. nd. Contains 150 1009 and captioned full-page plates. In original steel engraved plates. Presented in half The First Folio of Shakespeare, Norton publisher’s quarter cloth. Gilt titling to leather binding. Aeg. Facsimile. Norton & Co New York and front board and spine. £50-70 Folio Society, London. 1996 2nd edition. £150-200 This special limited Folio Society edition 1007 is number 496/1000. Presented in half 1003 British Birds, With Which Was Wassa Goatskin, with marbled paper DE BOCK, Thomas. Jacob Maris. The Incorporated in January, 1917, “The boards. Teg. 928pp. Housed in purpose De La More Press, Alexander Moring Zoologist”, a consecutive run 1946 - built slipcase. Limited, Folio, limited to 100 copies on 1998 inclusive , various editors to £150-200 hand made paper. 181pp. With 90 include Tucker, Nicholson, Hollum and photogravures of the artist’s work Cramp, all but the 1946 volume being 1010 throughout the text. In original full leather bound. (52) (three boxes) TOLKIEN, J.R.R. The Hobbit. Folio publisher’s cloth with gilt and blind £200-300 Society, 1976 Deluxe Edition. Presented stamped decoration. in quarter leather, cloth boards with gilt £200-250 1008 decoration to front board and spine. The Works of Geoffrey Chaucer. Folio Illustrated. Housed in slipcase. Together 1004 Society, London 2008 reprint. A faithful with The Lord of the Rings, (3 vol set) OPPE, A. P. Thomas Rowlandson, His facsimile of the famous 150Kelmscott Folio Society, 1977. Presented in quarter Drawings and Water-Colours. The Edition., 559pp. Presented in brown leather with cloth boards, with gilt Studio, London, 1923. Number 107 of buckram with elaborate gilt decoration decoration to front boards and spines. 200 copies only. Presented in full vellum to front board and spine. Housed in Housed in slipcase. binding. Gilt titling to front board and purpose made slipcase with titling to £100-150 label to spine. 96 plates in monochrome front board. Printed on Oxenford twin and colour. wire laid paper. Teg. £50-70 £150-200

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LACY SCOTT & KNIGHT 55 CERAMIC & GLASSWARE 1019 A pot pourri vase and cover, of globular form, decorated with a single reserve of wildflowers by Frank Roberts, within raised gilt enamel borders to a powder- blue ground, shape No.1515, blue backstamp and date code circa 1898, h.16cm £400-600

1020 A Royal Worcester porcelain Empress teacup and saucer, shot enamel decorated with flowers and foliage, puce mark, shape No.1471, circa 1890 £80-120

1021 A Royal Worcester porcelain ewer, enamel decorated in the manner of Raby with insects and wildflowers on a blush ground, puce mark, shape No.1260, circa 1887, h.21cm £60-80

Lot 1015

1015 1017 A pair of Royal Worcester porcelain A Royal Worcester porcelain pot pedestal vases and covers, each of pourri vase and cover, of baluster slender baluster form, finely decorated form, shot enamel decorated with by Harry Davis with sheep in a Highland swans by Johnson on a powder-blue landscape, shape No.G962, circa 1907, ground, shape No.1515, puce h.23cm backstamp and date code circa £1,500-2,000 1909, h.16cm £1,000-1,500 1016 A Royal Worcester crown-top pot 1018 pourri jar with inner and outer cover, A Royal Worcester porcelain pot the whole painted with cattle grazing in pourri vase and cover, decorated a Highland landscape by E Townsend, with wildflowers in shot enamels on embellished in gilt, shape No.2048, black a blush ground, puce backstamp, mark verso, h.34cm shape No.1515, circa 1890, h.24cm £800-1,200 £300-500

Lot 1016

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LACY SCOTT & KNIGHT 56 1022 1028 1032 A Royal Worcester twin handled A pair of Hadley Worcester figures in A Royal Worcester porcelain group, footed bowl, decorated with fruit on a the Kate Greenaway style, each as a modelled as a boy and girl with pitchers, mossy bank by Horace Price, signed, the rustic boy with basket upon back and a designed by James Hadley, the whole reverse with a vignette of raspberries to rustic girl supporting a basket against a heightened in gilt, impressed and printed a white ground, shape No.254, puce treestump, numbered 962 and 963, backstamp, shape No.1046, circa 1884, mark, w.24.5cm printed green backstamp, circa 1883, h.24.5cm £400-600 h.21cm £150-200 £200-300 1023 1033 A Royal Worcester porcelain cabinet 1029 A pair of Worcester porcelain figures, plate, decorated by Horace Price with A pair of Hadley Worcester Queen modelled as a boy and girl with baskets, fruit on a mossy bank, within a gilt Anne boy and girl comports, being each heightened in gilt, green mark, border, signed, puce backstamp, numbers 1 and 4, each embellished in shape No.880, circa 1881, h.25cm dia.22cm bright enamels and heightened in gilt, £120-180 £300-400 numbered 775 and 778, puce mark circa 1860, h.16cm 1034 1024 £200-300 A pair of Hadley Worcester figures in A Royal Worcester porcelain cabinet the Kate Greenaway style, each plate, decorated by Raymond Rushton 1030 modelled as a child holding a wicker with a scene of Mary Arden’s house, A pair of late 19th century Worcester basket aloft, heightened in gilt, printed signed, puce mark, dia.22cm porcelain candelabra figures after green backstamps, h.19cm £100-150 Watteau, the male and female seated £150-200 on a treestump issuing two candle- 1025 holders, puce mark, shape number1092 1035 A Royal Worcester cased set of six and 1093, circa 1885, h.25.5cm A pair of Worcester porcelain figures porcelain coffee cans and saucers, each £200-250 of grape-pickers, modelled by James decorated with ducks and gamebirds by Hadley, each in standing pose, her James Stinton, entitled Mallard, Wood 1031 holding a basket of grapes and him with Pigeon, Plover, Snipe, Ptarmigan, A pair of Hadley Worcester comports, a large attendant basket, decorated in Woodcock, Wild Duck, Partridge, each modelled as lone figure seated on blue and gilt enamels, puce mark and Pheasant, Red Grouse and Black Cock, a treestump, shape numbers 1153 and numbered 138/H, h.27cm printed black marks, with silver gilt 1178, impressed and printed marks, £300-500 coffee spoons, spoons assayed Sheffield circa 1886, h.21.5cm 1924, retailed by James Ramsay of £150-200 Dundee, case w.35cm £800-1,200

1026 A pair of Hadley Worcester male and female Bringaree Indian figures, each embellished in gilt enamels, puce mark verso and numbered 1243, circa 1887, h.23cm £300-400

1027 A pair of Hadley Worcester porcelain boy and girl candlestick figures, heightened in gilt, impressed and printed puce backstamp, shape No.1141, circa 1886, h.25cm £200-300

Lot 1025

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LACY SCOTT & KNIGHT 57 1036 1042 1046 A Royal Worcester porcelain figure A Royal Worcester model of Arkle, A Worcester porcelain model of a ‘Bather Surprised’, modelled by Sir modelled by Doris Lindner, model grey wagtail and celadine, modelled by Thomas Brock as a semi-cladmaiden No.34, h.22cm (excluding plinth), in Dorothy Doughty, No.182, titled against a treestump, with powder blue glazed display case and with supporting ‘Motacilla Melanope and Celadine’, circa robes, the whole heightened in gilt, certificate of authenticity in gilt tooled 1968, black mark with fitted wooden shape No.486, puce mark, circa 1875, leather easel frame stand, w.15cm, with supporting framed h.38cm £200-300 certificate £200-300 £60-80 1043 1037 A collection of Royal Worcester 1047 A pair of Royal Worcester porcelain porcelain figurines from the Victorian A Royal Worcester porcelain fox, groups, modelled by James Hadley, Series, modelled by Ruth van model No.2993, black backstamp, ‘Hide & Seek’ No.825 and ‘Country Ruyckevelt, comprising; Rosalind dated h.18.5cm; together with a Royal Courtship’ No.828, each heightened in 1964, Emily dated 1969, Louisa dated Worcester porcelain beagle, No.2994, gilt, puce and impressed backstamps, 1961, Caroline undated, Elaine dated puce mark, h.17cm (2) circa 1881, h.15.5cm 1970, Lisette undated, Charlotte & Jane £80-120 £200-300 dated 1968, The Picnic dated 1975, Cecilia dated 1972, Felicity dated 1970, 1048 1038 Rebecca dated 1961, Alice dated 1972, A pair of Grainger & Co Royal A pair of mid-Victorian Worcester Marian dated 1968, Elizabeth dated Chinaworks Worcester reticulated porcelain sweetmeat dishes, of shell 1967, Bridget dated 1969, The Tea Party vases and covers, each decorated in shape, each centred with a male and dated 1964, Melanie dated 1964, powder-blue with turquoise and ruby- female musician, heightened in gilt, Madeleine dated 1967, and Beatrice red enamel beading, heightened in gilt, printed and impressed backstamp, artists undated (19) printed backstamp, shape No.317/G, monogram TR, w.22cm £1,000-1,500 h.21cm £200-300 £200-300 1044 1039 A set of four Royal Worcester 1049 A Royal Worcester old ivory porcelain porcelain figures of nurses, entitled A pair of Hadley Worcester porcelain Indian slipper shoe, with all-over scroll Sister, University College Hospital, specimen vases, modelled as three tree pierced decoration, puce mark, shape model No.111; Sister, London Hospital, trunks and with shot enamel decoration, No.1180, circa 1886, length 16cm model No.206; Sister, St Thomas’ shape No.660, puce mark circa 1905, £70-100 Hospital (London), model No.202; and h.20cm British Red Cross Society V.A.D. £80-120 1040 Member, model No.221, each modelled A Royal Worcester porcelain pin tray, by Ruth van Ruyckevelt, with gilt tooled 1050 decorated with a butterfly by Milwyn leather framed supporting certificates, all A pair of Milwyn Holloway porcelain Holloway, entitled verso ‘Brown with boxes oval dishes, each decorated with Fritillary’, w.12cm; together with a £700-900 Highland cattle in a misty landscape Grainger & Co Royal Chinaworks within raised gilded borders, signed and Worcester miniature cabinet cup, 1045 dated 1992, with printed backstamp, decorated with a Collage Great Malvern, A late 19th century each 22.5 x 18cm h.4cm (2) Royal Worcester £400-600 £50-70 Japan influenced vase, of lobed panel 1041 form, decorated in A pair of Worcester porcelain gilt enamels with specimen vases, each of waisted leaves and flowers trumpet form, decorated with fruit on a on a mottled ground, mossy bank by E Townsend, shape raised circle and No.G923, green mark, h.16cm crown mark verso, £150-250 with impressed numbers, h.29.5cm £120-180 Lot 1050

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LACY SCOTT & KNIGHT 58 1051 1057 1061 Milwyn Holloway - Highland cattle in a Milwyn Holloway after D.G.M. Peter Platt (ex-Royal Worcester) - misty landscape , polychrome enamel Gardner - The Argonaut, polychrome Pair; German Shepherds and Golden porcelain plaque, signed and dated 1984 enamel decorated porcelain plaque, Retrievers, polychrome decorated lower right, 21 x 25.5cm, all housed in a signed and dated 1981 lower right, 24.5 porcelain plaques, each signed, circa gilt composition frame measuring 35 x x 37cm, all housed in a gilt frame 1989, 21.5 x 11cm, each housed in gilt 40cm measuring 42 x 54cm composition frames measuring 35 x £250-350 Note: privately commissioned by the 25cm vendor’s family and a copy of the oil on £150-250 1052 canvas also featuring in this sale (Lot Milwyn Holloway - Highland cattle and No.?) 1062 sheep in a misty landscape, polychrome £300-400 T.G. Abbots - a triptych set of six bird enamel on porcelain plaque, signed and studies, polychrome enamel on dated 1985 lower right, 21 x 25.5cm, 1058 porcelain, each signed, each measuring 7 housed in a gilt composition frame, 35 x Milwyn Holloway - Ebb-tide, enamel x 5cm, framed on two boards, each 40cm decorated porcelain plaque, signed and measuring 18 x 34cm £250-350 dated 1983 lower right, 18 x 25cm, all £120-180 housed in a gilt composition frame 1053 measuring 32 x 40cm 1063 Milwyn Holloway - Highland cattle on a Note: privately commissioned by the A pair of Lynton Porcelain Co pedestal misty mountain riverbank, polychrome vendor’s family and a copy of the oil on vases and covers, each of classical urn enamel decorated porcelain plaque, canvas by David James also featuring in shape, decorated in bright enamels with signed and dated 1996 lower right, 30 x this sale (Lot No.?) a reserve of flowers and fruit upon a 45cm, with Bronte porcelain backstamp, £150-250 stone ledge, all within finely embellished housed in a gilt composition swept gilt enamel borders to a mauve ground, frame 1059 h.31cm £400-600 A Milwyn Holloway cased set of six £400-600 coffee cans and saucers, each 1054 polychrome decorated with Irish castles, 1064 Milwyn Holloway - Stag in a winter signed, titled and dated 1984, printed A pair of Lynton Porcelain Co pedestal landscape, polychrome enamel on backstamp, as retailed by Garrard & Co, vases and covers, each of classical urn porcelain plaque, signed and dated 1990 case w.42.5cm shape, decorated in bright enamels with lower right, 25 x 20cm, all housed in a £250-350 a reserve of flowers and fruit upon a swept gilt composition glazed framed stone ledge, all within finely embellished measuring 39 x 34cm 1060 gilt enamel borders, to a cobalt blue £250-400 Attributed to ground, h.31cm Edward Salter £400-600 1055 (1860-1902) (ex- MIlwyn Holloway after Jan van Os Royal (1744-1808) - Still life with flowers and Worcester) - fruit, polychrome enamel on porcelain Pair; Seascapes plaque, signed and dated 1990 lower after Thomas right, 24 x 19cm, housed in a swept gilt Bush Hardy, composition frame polychrome on £300-500 enamel porcelain plaques, unsigned, 1056 30 x 37cm, each Milwyn Holloway after Joseph housed in swept Farquharson (1846-1935)- Pair; Winter gilt composition and Spring, polychrome enamel frames, with decorated oval plaques, each signed and letter of Lots 1063, 1064 dated 1985, 22 x 15cm, each housed in attribution from glazed swept gilt composition frames Henry Sandon measuring 34 x 27cm verso £400-600 £800-1,200

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LACY SCOTT & KNIGHT 59 1065 1070 1075 A Lynton Porcelain Co pedestal twin A Lynton Porcelain Company cabinet A set of four Doulton Burslem handled vase, of slender baluster form, plate, the central ground decorated with porcelain posy plaques, decorated with polychrome enamel decorated with a a pink flamingo by Stefan Nowacki, the a stag, Highland cattle, pheasants and reserve of a three-masted naval frigate puce border decorated with three floral sheep within their respective landscapes, by Stefan Nowacki, within gilt enamel sprays, all embellished in gilt, dia.27.5cm, each by Milwyn Holloway, signed and border to a cobalt blue ground, having in original fitted box three dated lower right 1991, 1992, and puce backstamp, h.25.5cm £100-150 1993, each 12.5 x 8.5cm, one with floral £200-300 posy 1071 £300-500 1066 A Lynton Porcelain Company cabinet A Lynton Porcelain Company scent plate, the central ground decorated with 1076 bottle, finely enamelled with panel a scene of St Paul’s from across The A mid-19th century Copeland decoration, having a silver top as Pan, Thames by Stefan Nowacki, the pink porcelain cabinet plate, the reticulated h.8cm; together with a Lynton Porcelain border decorated with three floral flat rim finely decorated with four Company miniature scent bottle and sprays, all embellished in gilt, dia.27.5cm, reserves of French landscapes, to include stopper, of circular form, decorated with in original fitted box Bridge of St Cloud from Sevres, within a naval frigate to the obverse, the £100-150 turquoise and raised gilt enamel borders, reverse embellished with floral sprays in printed backstamp, circa 1862, gilt enamels to a cobalt blue ground, 1072 numbered D2605, dia.22cm h.7cm (including stopper); and one A Lynton Porcelain Company cabinet £100-150 other of heart shape, enamel decorated plate, the central ground decorated with with flowers and sheet music within a a scene of the Tower of London by 1077 gilt border to a pink ground, h.7cm (3) Stefan Nowacki, the pink border Two cased sets of six Spode bone £250-350 decorated with three floral sprays, all china coffee cans and saucers, pattern embellished in gilt, dia.27.5cm, in original No.Y7389, each with printed 1067 fitted box backstamps, case w.38.5cm A Lynton Porcelain Company cabinet £100-150 £150-200 cup and saucer, polychrome enamel decorated with a reserve of naval 1073 1078 frigates on calms seas, within gilt A Bronte porcelain figurine of Her A set of three early 19th century embellished borders, the ground as Majesty Queen Elizabeth II, Spode porcelain vases, each of cobalt blue, white and gilt vertical bands, commemorating the state opening of cylindrical form, embossed with fruiting printed backstamp, saucer dia.14cm parliament in celebration of her 80th vines, flowers and berries, puce £80-120 birthday on April 21st 2006, No.17/80, backstamp, pattern No.2910, circa 1820, with supporting certificate signed by the largest h.11cm 1068 Henry Sandon, h.25cm, with box £150-200 Lynton Porcelain Company - Pair; £80-120 Clipper ships in trouble, each signed by 1079 Stefan Nowacki, polychrome enamel 1074 A pair of decorated porcelain plaques, 13 x 17cm, A Bronte Porcelain Branwell vase, porcelain groups by B. Barker, each each in glazed moulded gilt frames privately commissioned by the vendor in modelled as a peacock upon a floral measuring 27 x 31cm 2006, decorated with a reserve of encrusted urn, the whole decorated in £250-400 Thorndon Hall, Essex, the reverse bright enamels and heightened in gilt, decorated with a reserve of stag, both printed backstamps and signed verso, 1069 by Milwyn Holloway, on a turquoise h.24cm Lynton Porcelain Company - British enamelled gilt ground, printed £200-300 naval frigate at anchor, polychrome backstamp, h.31cm, together with a enamel decorated porcelain plaque, Bronte Porcelain floral posy in tablet signed by Stefan Nowacki, 18 x 13.5cm, commemorating the vase, a certificate of the whole in gilt composition frame authenticity in gilt tooled leather easel measuring 34 x 30cm mount, and original box (2) £120-180 £200-300

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LACY SCOTT & KNIGHT 60 1080 1086 1091 A Royal Crown Derby porcelain barn A Capo di Monte porcelain figure of a A set of five porcelain napkin rings, owl, puce mark, numbered XXXVIII, seated boy with bird, glazed in bright each decorated with an oval vignette, to h.14.5cm; together with a Royal Crown enamels, painted mark verso, h.11cm; include pheasant, duck, and fruit on a Derby porcelain kingfisher, numbered together with a Bronte porcelain floral mossy bank by James Stinton, one XL, h.13cm (2) posy, unglazed, h.15cm; and a signed in full, three with monogram, and £70-100 contemporary bisque porcelain fox, on one unsigned, all on cobalt blue grounds bronzed metal base, h.9cm (3) within gilded reeded borders 1081 £70-100 £140-180 A first period Belleek porcelain basket, the flat rim encrusted with flower-heads 1087 1092 and foliage over a lattice worked body A circa 1900 Royal Bonn soft-paste A set of three early 19th century green to a basket weave base, the whole porcelain bulbous vase, decorated by J glass spirit decanters and stoppers, decorated in green, yellow, purple and Duren of a young woman within a each annotated in gilt for ‘Hollands’, pink enamels, banner mark verso, naturalistic setting, the small everted rim ‘Brandy’, and ‘Rum’, each of oval form w.30cm heightened in gilt, printed backstamp, with diamond cut shoulders and thumb £200-300 h.28cm cut bodies, h.19cm £200-300 £100-150 1082 A second period Belleek porcelain 1088 1093 Marine vase, having four trumpets over A 19th century porcelain letter-rack, A Bohemian glass vase by Moser, circa three conch-shells amidst coral, the having three tiered sections, polychrome 1900, with vermicelli gilding and royal whole embellished in pink and gilt enamel decorated with floral sprays and blue panels, h.32cm enamels, black mark 1891-1920 verso, with gilt enamelled borders, w.20cm £100-150 h.17.5cm £100-150 £150-200 1094 1089 A Ruth van Ruyckevelt (ex-Royal 1083 A late 19th century continental bisque Worcester for St Denis) A second period Belleek Harp, religious plaque, modelled as No11 of and gilt bronze sculpture of decorated with shamrock and The Stations of the Cross (Jesus is nailed blackberries, the whole on marble heightened in green enamels, black mark to the Cross), within an annotated and plinth with inset porcelain plaque, code verso, h.15cm Gothic influenced architectural surround, No.A109, w.39cm £30-50 w.33cm £100-150 £70-100 1084 Alan R Telford - An officer, after 1090 Rembrandt, polychrome enamel on A set of three Russian bisque porcelain porcelain plaque, signed upper right and peasant figures by the Gardener with studio backstamp verso, privately Porcelain Factory of Moscow, as a commissioned by the vendor December standing gentleman, maiden, and seated 1985, 24.5 x 20cm, all housed in a gilt street musician, marked and numbered composition swept frame to the underside with the Moscow St. £250-400 George and Dragon crest and the full name of the factory in Cyrillic, the 1085 largest h.24.5cm Alan R Telford - Head and shoulders £80-120 portrait after Rembrandt, polychrome enamel on convex porcelain plaque, signed and dated 1982, with further studio stamp verso, dia.14cm, all housed in a gilt composition swept frame, w.27cm £150-200

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LACY SCOTT & KNIGHT 61 SILVER & PLATED WARES

Lot 1097 1097 1099 1102 A set of eight silver plates, the broad A pair of George V silver meat dishes, A Mappin & Webb silver drinks tray, rims each cast with C-scrolls and shells, of oval form, the broad rims cast with having a raised reeded edge, initial W further engraved with leaves, flowers C-scrolls and shells, further engraved engraved to the plain ground, 35oz, and C-scrolls within banners, gross with leaves, flowers and C-scrolls within Sheffield 1962, dia.35cm weight 156.8oz, four being by banners, 63.4oz, maker Goldsmiths & £400-500 Hicklenton & Phillips Ltd, London 1972, Silversmiths Company Ltd, London two by Garrard & Co Ltd, Birmingham 1938, w.36cm (matches previous lot) 1103 1955, and two by W.H., Birmingham £800-1,200 A graduated pair of Mappin & Webb 1998, diameters.27cm, all housed in silver meat dishes, each of oval form velvet lined fitted box 1100 with reeded raised rims, engraved with £2,000-3,000 A pair of Mappin & Webb silver the letter W to each flat rim, gross sauceboats, each having gilt-washed weight 60.4oz, Sheffield 1949 and 1953, 1098 interiors, reeded edges, and on leaf 41cm and 35.5cm (2) (matches previous A George V silver meat dish, of oval capped feet, each engraved with the lot) form, the broad rim cast with C-scrolls letter W, 24.5oz, Sheffield 1961, w.20cm £700-900 and shells, further engraved with leaves, (matching to previous three lots) flowers and C-scrolls within banners, £300-500 1104 59oz, maker Goldsmiths & Silversmiths A Mappin & Webb silver boat shaped Company Ltd, London 1919, w.47.5cm 1101 bowl, having reeded rim engraved with (matches previous lot) A pair of silver footed bowls, each of the letter W, 18.4oz, Sheffield 1962, £800-1,200 lobed circular form, 42.2oz, maker D&J w.28cm (matching to previous two lots) Wellby Ltd, London 1947, dia.20cm £200-300 £500-700

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LACY SCOTT & KNIGHT 62 1105 1110 A pair of Mappin & Webb silver A mid-20th century silver footed bowl, 1115 pepperettes, having pierced and domed the raised edge cast with fruiting vines A late Victorian silver teapot, in the screw tops over slender baluster bodies, over a vine leaf cut and pierced frieze, early 18th century style, having a hinged each engraved with the letter W, 4.7oz, 10.6oz, maker Cooper Brothers & Sons domed cover and walnut handle, 21.9oz, Sheffield 1962, h.9.5cm (matches Ltd, Sheffield 1946, dia.21.5cm maker Frazer & Haws, London 1899, previous three lots) £150-200 h.15cm £60-90 £250-300 1111 1106 A Russian silver bowl, having a leaf and 1116 A mid-20th century Mappin & Webb flower chased rim, gilt-washed interior, A Walker & Hall silver three-piece tea mahogany three-drawer canteen table, and further leaf and flower chased frieze, set, in the early 19th century style, each containing a near-full silver twelve-place the whole raised on four scroll feet, piece of oval bombe form, the teapot setting, comprising table forks, dessert 481g, hallmarked 84 zolotniki, Latin mark with hinged domed cover and ebony forks (one missing), table knives, dessert SE possibly for maker Samuel Eberlein, handle, 34.5oz, Sheffield 1920, teapot knives (knives with steel blades), dessert St Petersburg 1825, assayer Aleksandr h.14.5cm spoons, grapefruit spoons, teaspoons, Yashinov, dia.18cm £350-450 coffee spoons, soup spoons, fish knives £300-500 and forks, four tablespoons, pair of 1117 sauce ladles, four butter knives, and a 1112 A George V silver three-piece tea-set, three-piece carving set, Sheffield assays A Garrard & Co silver snuff box comprising teapot, twin handled sugar, from 1957-61, the table all raised on commemorating the Royal & Ancient and cream, each of half-reeded oval square cut tapering supports, w.68cm Golf Club of St Andrews, the hinged bombe form, the teapot with ebony £1,500-2,500 cover enamel decorated with the handle, 39.5oz, maker Charles Boyton & clubhouse by Paul Swingler, 5.4oz, Son Ltd, London 1913, teapot h.14cm 1107 Birmingham 1991, w.9.2cm, in original £400-600 A modern Solingen 12-place setting gilt Garrard & Co fitted box, w.13.5cm plated on steel cutlery suite, to include £150-200 1118 table knives, table forks, dessert spoons, An Edwardian silver coffee pot, of pear sweet spoons, cake forks, various serving 1113 shape with reeded frieze and apron, flatware to include soup ladles, salad A Garrard & Co silver snuff box ebony handle, 20.2oz, Sheffield 1904, servers, sauce ladle, cake slice etc, all in commemorating the Royal Birkdale h.23cm fitted case, w.45cm Golf Club the hinged cover enamel £200-300 £150-250 decorated with the clubhouse by Paul Swingler, 5.5oz, Birmingham 1991, 1119 1108 w.9.2cm, in original Garrard & Co fitted An Edwardian silver hot water pot, of An Edwardian silver bonbon dish, box, w.13.5cm half-reeded oval bombe form, having having pierced leaf and flower embossed £150-200 ebony handle, 11.8oz, maker W.G. side panels, 7.4oz, maker T.W., Keight & Co, Birmingham 1905, h.18cm Birmingham 1901, w.23cm 1114 £120-180 £80-120 A Garrard & Co silver snuff box commemorating the Royal St Georges 1109 Golf Club, the hinged cover enamel An Edwardian silver basket, of pierced decorated with the clubhouse by Paul elliptical form with swing carry handle Swingler, 5.5oz, Birmingham 1992, and beaded rim, all to a stepped oval w.9cm, in original fitted box, w.13.5cm foot, 17.7oz, maker Martin Hall & Co £150-200 (Richard Martin & Ebenezer Hall), Sheffield 1905, w.30cm £200-300

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LACY SCOTT & KNIGHT 63 1128 A modern silver hors d’oeuvres dish by the Goldsmiths & Silversmiths Company, having a large oval tray and carry handle supporting two smaller trays, with frosted glass liners, silver weight 19.8oz, Sheffield 1970, w.24.5cm £200-300

1129 A William IV silver six-division toast rack, raised on scroll cast feet, 8oz, maker Henry Wilkinson & Co, Sheffield Lots 1120, 1121, 1122, 1123 1836, w.16cm 1120 1124 £150-200 An Edwardian silver bonbon dish, A pair of mid-Victorian silver pedestal having heavy green glass liner, the top goblets, each finely chased with a coat 1130 with a reeded edge and twin handles, all of arms within a leaf, berry and flower A late Victorian silver pedestal cream raised on bun feet, silver weight 7.2oz, surround, and opposing an annotated jug, of helmet form, having gilt-washed maker Joseph Rogers & Sons, Sheffield cartouche with presentation inscriptions interior, the whole repousee decorated 1906, gross w.19cm relating to Cambridge University with C-scroll flowers and foliage, 10.3oz, £100-150 sporting events, knopped stems and maker Hammond, Creeke & Co, domed feet, both with gilt-washed Sheffield 1892, h.16cm 1121 interiors, 19.9oz, maker George John £120-180 A silver gilt replica of the Vapheio Cup, Richards & Edward Charles Brown, with scroll and lug single handle, 10.2oz, London 1858/59, h.17cm 1131 maker Nathan & Hayes, Chester 1903, £250-400 A George V silver trinket box, of h.7.5cm circular form with proud ends, the £200-300 1125 pierced hinged cover over a pierced A cased 12-place setting of George V frieze, on scroll feet, 4.5oz, maker 1122 silver cake knives and forks, the Goldsmiths & Silversmiths Company Ltd, A George III silver teapot, having a finial handles each engraved with the letter D, London 1912, w.12.5cm topped hinged dome cover, bright cut 38oz, maker Goldsmiths & Silversmiths £100-150 engraved banded decoration to the Company Ltd, London 1925, the whole frieze and apron, 15.4oz, maker Peter, housed in fitted oak canteen, w.36cm 1132 Anne & William Bateman, London 1800, £400-500 A late Georgian silver twin handled h.17cm sugar, having gilt-washed interior, the £180-240 1126 exterior repousee decorated with A pair of circa 1900 continental white cherubs flanking a monogrammed 1123 metal table salts with frosted glass cartouche, opposing further cartouche A Queen Anne silver tankard, having a liners, each of pierced and embossed of feasting cherubs, within leaf and plain body with ribbed band, S-scroll oval form, decorated with floral swags, flower borders, 17.8oz, maker Joseph handle, 14.1oz, maker Robert Timbrell & unmarked, 8cm Angell I, London 1817, h.11.5cm Benjamin Bentley, London 1709, h.12cm £50-70 £200-300 £500-700 1127 1133 A late Victorian silver pedestal A late Victorian silver salver, having a lighthouse sugar caster, having a finial pierced and chased rim, decorated with topped pierced dome cover, C-scroll gamebirds, flowers and foliage, the and flower head embossed frieze, 4.8oz, central engraved ground with vacant maker James Dixon & Sons, Sheffield cartouche, raised on three leaf and 1895, h.18cm flower cast feet, 19.6oz, maker William £60-90 Hutton & Sons (Edward Hutton), London 1893, dia.25cm £250-400

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LACY SCOTT & KNIGHT 64 1134 1141 1146 A late Georgian Irish silver fish slice, A cased late Victorian silver and An early George III silver tablespoon, having pierced and bright cut engraved ivorine handled toasting fork , maker in the Hanoverian pattern, with blade, monogrammed handle in the A&D, Sheffield 1897, 22.5cm, housed in engraved terminal, makers mark worn, Fiddle pattern, 4.3oz, maker George a velvet and silk lined fitted leather case, London 1762, 20cm; one other mid- Nangle, Dublin 1807, 29cm w.26.5cm 18th century silver tablespoon, in the £100-150 £60-80 Old English pattern, maker Thomas Chawner, date letter worn but London 1135 1142 assay; and three various 19th century A late Georgian silver fish slice, of A silver harlequin cutlery suite, in the silver tablespoons, being one in the typical pierced form, in the Fiddle Fiddle pattern, comprising eleven table Kings pattern and the other in the pattern, 4.3oz, maker IB, London 1818, forks, eight dessert forks, six Fiddle, Thread & Shell pattern, various 31cm tablespoons, eight dessert spoons, two dates and makers, gross weight 11.3oz £60-90 sauce ladles, and one sugar sifter, some (5) with crested terminals, 61.2oz, various £140-180 1136 dates and makers but principally London A pair of George IV silver stuffing 2nd quarter 19th century 1147 spoons, in the Fiddle pattern, each £700-900 A George V silver part cutlery suite, in having armorial engraved terminal, 8.4oz, the Hanoverian pattern, comprising maker Jonathan Hayne, London 1825, 1143 twelve table forks, twelve dessert 30cm A George III silver stuffing spoon, in spoons, and eleven dessert forks, each £120-160 the Old English pattern, maker Peter, with monogrammed terminals, 63.2oz, Anne & William Bateman, London 1805, maker Atkin Brothers, Sheffield 1930/31 1137 29.5cm; together with a pair of matching £700-900 A George III Irish silver stuffing spoon, silver tablespoons by the makers, in the Kings pattern, the terminal London 1802, gross weight 6.9oz 1148 engraved with the red hand of Ulster, £100-150 A Mappin & Webb silver four-piece 7.1oz, maker LN (possibly Laurence cruet set, comprising a pair of boat Nowlan), Dublin 1803 , 31cm 1144 shaped salts, with matching mustards £150-250 A pair of George III silver tablespoons, having hinged covers, with blue glass each in the beaded Old English pattern, liners and probably original Mappin & 1138 with monogrammed terminals, 4.4oz, Webb salt and mustard spoons, A George III silver soup ladle, in the maker Hester Bateman, date letters Sheffield 1962, all spoons assayed Old English pattern, having crested worn but probably London 1778, 22cm Sheffield 1959, salt w.7cm terminal, 6.5oz, maker Richard Crossley, £150-200 £60-90 London 1810, 32.5cm £80-120 1145 1149 A set of three George III silver dessert A pair of Mappin & Webb silver easel 1139 spoons, in the Old English pattern with photograph frames, having shell cast A near-pair of mid-Victorian silver bright cut feathered edges and crested tops, the whole being silver and on silver serving spoons, each having bright cut terminals, maker William Sumner & easel arms, 20.4oz, Sheffield 1932, engraved bowls decorated with scroll Richard Crossley, London 1776, 17cm; h.17.5cm flowers and foliage, the handles each together with one other Georgian silver £300-400 finely worked with a basket issuing dessert spoon, London 1801, gross flowers and foliage and with a vacant weight 4.4oz (4) 1150 cartouche, 6.7oz, makers mark worn, £60-80 An Edwardian silver photograph frame, London 1853, 18.5cm having ribbon surmount, engine turned £100-150 border, and velvet bound easel arm, maker Stokes & Ireland Ltd (William 1140 Henry Stokes & Arthur George Ireland), A Garrard & Co silver stilton scoop, London 1907, gross h.24.5cm with push action, turned hardwood £100-150 handle, 3.6oz, Birmingham 1986, 28cm £60-80

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LACY SCOTT & KNIGHT 65 1151 1157 1164 A George V silver three-piece coffee A set of six early Victorian silver An Edwardian silver cream jug, of set, in the 18th century style, comprising dessert spoons, in the Fiddle pattern, shaped oval form, the top with a reeded a pear shaped coffee pot, twin handled each with monogrammed terminals, edge, all raised on paw feet, 7.2oz, sugar, and cream, the spout with 8.3oz, maker Robert Wallace, London maker ES Barnsley & Co, Birmingham mythical serpent mask, the whole with 1846, 17cm 1907, h.12cm card cut applied decoration, walnut £100-150 £100-150 handle, gross weight 40oz, maker Carrington & Co, London 1913, coffee 1158 1165 pot h.25cm A George III silver soup ladle, in the A pair of silver seal-top spoons, in the £500-700 Old English pattern, 5.3oz, maker John 16th century style, each annotated to West, London 1818, 33cm the hexagonal stems ‘Armourers & 1152 £70-100 Braziers Company copy ad 1552’, 3.5oz, A George III silver teapot, of oval maker William Comyns, London 1934 bombe form, the whole later repousee 1159 and 1936, 16cm decorated with a Chinese figure A George III silver soup ladle, in the £70-100 landscape within a surround of C scrolls, Fiddle pattern, having monogrammed 1166 flowers and foliage, walnut handle, gross terminal, 6.2oz, maker Richard Crossley A pair of late Victorian silver seal-top weight 13.9oz, maker Samuel & George Smith IV, London 1807, apostle spoons, in the 17th century Godbehere, Edward Wigan, & James 31.5cm style, 4.3oz, maker Josiah Williams & Co, Boult, London 1801, h.17cm £70-100 London 1900, 20cm £180-260 £80-120 1160 1153 A George III silver teapot on stand, of 1167 A George V silver salver, having a beaded oval form, both with bright cut A late Victorian silver serving spoon raised piecrust rim, on stepped hoof engraved decoration, the teapot with together with one other matching feet, 32.9oz, maker Fenton Brothers Ltd, finial topped hinged dome cover, gross smaller example, both having leaf and Sheffield 1921, dia.31cm weight 19.9oz, maker Andrew Fogelberg flower cut, pierced and engraved bowls £360-440 & Stephen Gilbert, London 1781 and and handles, 3.9oz, maker Atkin 1784, teapot h.13cm Brothers, Sheffield 1900, 21.5cm and 1154 £400-600 18cm (2) A Walker & Hall silver salver, having a £80-120 raised piecrust rim, on scroll feet, 27.4oz, 1161 1168 Sheffield 1941, dia.31.5cm A George III silver twin handled cup, An Edwardian silver part cutlery suite, £300-500 having bright cut engraved decoration in the Hanoverian pattern, all housed in (near-matching to previous lot), the a fitted oak canteen, comprising twelve 1155 whole raised on beaded circular foot, table forks, eleven dessert forks, twelve A cased pair of Edwardian silver 10.1oz, maker Abraham Peterson & dessert spoons, twelve soup spoons (of serving spoons, each having shell Peter Podio, London 1784, h.14.5cm date and period but there is not room shaped gilt-washed leaf and flower £200-300 for these in the canteen), and eight chased bowls, 4.5oz, maker Mappin & tablespoons, all monogrammed to back Webb, Sheffield 1910, 22cm, in silk and 1162 of terminals, gross weight 115oz, maker velvet lined fitted leather case A George III silver cream jug, of half- Martin, Hall & Co, Sheffield 1909, all £80-100 reeded helmet form, with bright cut housed in a fitted blond oak canteen engraved band, 4.2oz, makers mark with flush brass end carry handles, 1156 worn, London 1799, h.12cm canteen w.42cm A cased pair of Victorian silver fish £70-100 £1,200-1,600 servers, in the Kings pattern, the knife having central cartouche engraved with 1163 1169 a fisherman within scroll pierced border, A George V silver hot water pot, of A modern silver salver, having a raised 11.7oz, maker John Whiting, London ribbed and tapering circular form, piecrust rim and on scroll feet, the 1855, housed in a silk and velvet lined 12.2oz, maker Adie Brothers Ltd, central ground with presentation fitted leather case, w.38cm Birmingham 1932, h.18cm inscription, 1.53oz, maker Harrison £150-200 £140-180 Fisher & Co, Sheffield 1959, dia.25cm £180-220 All lots plus buyers premium of 24% including VAT

LACY SCOTT & KNIGHT 66 1170 JEWELLERY & WATCHES A George V silver and embossed rattle, having mother of pearl teether, 1.8oz, maker ES Barnsley & Co (Edward 1176 1179 Souter Barnsley), Chester 1911, 10.5cm An 18ct yellow and white gold, opal A yellow and white metal diamond £60-80 and diamond oval cluster ring, featuring single stone ring, featuring a round a centre cabochon cut opal within a brilliant cut diamond in a fancy scroll 1171 border of 12 round brilliant cut work collet setting, diamond dimensions A set of five circa 1900 silver plated diamonds, all in claw settings, opal approx 6.75 x 6.81 x 4.2mm, weight graduated meat dish covers, each dimensions approx 10.1 x 7.8 x 2.9mm, estimated as 1.17 carats, assessed having detachable handles and beaded weight estimated as 1.30 carats, mounted colour J to K and clarity I1 to rims, the largest w.47cm, the smallest diamond dimensions each approx 3.0 x I2, size N½, gross weight 3.0g, stamped 26cm 1.75mm, total weight estimated as 1.08 and tested as 18ct and platinum £150-250 carats, assessed mounted collectively £700-1,000 colour H to I and clarity SI1 to SI2, size 1172 M, gross weight 4.6g, hallmarked 18ct, 1180 A circa 1900 German silver cow London 1988, sponsor CMJ An 18ct yellow gold, sapphire and creamer, naturalistically modelled in £400-600 diamond half hoop eternity ring, standing pose, the hinged cover relief comprising five square cut sapphires decorated with a fly, having standard 1177 alternating with four Princess cut German 800 mark to the underside, no A yellow and white metal diamond diamonds, all in channel settings, with makers mark apparent, w.14.5cm, h.8cm five-stone half hoop eternity ring, twelve melee cut diamonds grain set to £200-300 featuring five graduated Old European each side bezel, sapphire dimensions cut diamonds in claw settings, diamond each approx 2.3 x 2.2 x 1.8mm, total 1173 dimensions between approx 3.5 x weight estimated as 0.45 carats, A 1920s mahogany table-top canteen 2.0mm and 4.35 x 2.71mm, total weight diamond dimensions each approx 2.35 x of cutlery, the hinged lid opening to estimated as 1.03 carats, size L½, 2.2 x 1.9mm, total weight estimated as reveal blue velvet lined interior and with stamped and tested as 18ct and 0.28 carats, melee cut diamond three drawers below, the stand with platinum diameters each approx 1.15mm, total further single drawer, on cabriole legs £400-600 weight estimated as 0.12 carats, size and padfeet, the matched contents M½, gross weight 3.9g, hallmarked 18ct, mainly being Goldsmiths & Silversmiths 1178 London, no date, sponsor MJ Co, to include twelve table knives with An 18ct yellow and white gold, £250-300 steel blades and silver mounted handles, sapphire and diamond circular cluster twelve cheese knives, twelve tea knives, ring, featuring a centre round faceted 1181 twelve dessert forks with mother of sapphire within a border of six round A yellow metal citrine dress ring, pearl handles, twelve dessert knives with brilliant cut diamonds, all in claw settings, featuring a pear cut citrine in a claw mother of pearl handles, twelve fish sapphire dimensions approx 3.5 x setting, with stirrup shoulders and a forks, twelve fish knives, two associated 2.31mm, weight estimated as 0.23 reeded band, citrine dimensions approx sauce ladles, nine soup spoons, and carats, diamond dimensions each approx 15.7 x 9.9 x 5.7mm, weight estimated as eleven tablespoons, mostly being 1920s 2.4 x 1.6mm, total weight estimated as 4.78 carats, size O, gross weight 8.9g, London assays, gross weight including 0.30 carats, size M, gross weight 3.8g, not hallmarked but tested as 18ct knives approx 168oz, cabinet w.68cm, hallmarked 18ct, London 1994, sponsor £200-300 d.50cm, h.105cm M&N £1,200-1,800 £300-400

Lots 1176, 1177, 1178, 1179, 1180, 1181 All lots plus buyers premium of 24% including VAT

LACY SCOTT & KNIGHT 67 1182 1186 1190 A yellow metal multi-stone necklet, A pair of contemporary yellow metal, An Edwardian white metal, comprising sapphire, lemon quartz, ruby and diamond set ear studs, each aquamarine, pearl and diamond peridot, blue topaz, pink tourmaline, of leaf shape and set with seven openwork pendant, featuring a pear citrine, amethyst, garnet and smoky graduated round cut and four-claw set shaped aquamarine suspended below an quartz oval faceted gemstones, in bezel rubies, each further pavê set with three openwork foliate section set with twelve settings and with an S shaped hook small brilliant cut diamonds, unmarked rose cut diamonds and seven approx clasp, stone dimensions between approx but tests as approx 22ct, 8.1g, 2.55 to 2.75mm seed pearls, aquamarine 4.3 x 3.5 x 3.0mm and 8.4 x 6.8 x w.17.5mm dimensions approx 7.85 x 5.39 x 5.0mm, overall length 540mm, gross £300-500 4.1mm, weight estimated as 0.93 carats, weight 9.9g, stamped and tested as 14ct diamond dimensions each approx 1.4 x £400-600 1187 1.4 x 1.0mm, total weight estimated as A pair of yellow metal, diamond and 0.09 carats, pendant length 40mm, chain 1183 sapphire half hoop earrings, each length 400mm, width 0.7mm, gross A yellow metal sapphire multi-stone featuring a twist design surmounted by a weight 5.4g, not marked but tested as necklet, featuring 42 oval faceted pavé set diamond ball with 3 rectangular 18ct and platinum sapphires in bezel settings, with an S cut sapphires, diamond diameters each £600-800 shaped hook clasp, sapphire dimensions approx 1.5mm, total weight estimated between approx 4.25 x 3.4 x 1.6mm as 0.32 carats, sapphire dimensions each 1191 and 5.0 x 4.0 x 2.75mm, total weight approx 1.9 x 1.6 x 1.5mm, total weight A 9ct gold belcher link neck chain, the estimated as 12.01 carats, length estimated as 0.30 carats, gross weight clasp with safety chain, 40cm; together 460mm, gross weight 6.2g, not marked 5.2g, with post and omega fittings, not with a 9ct gold and azurite mounted but tested as 14ct marked but tested as 18ct swivel fob pendant, 19mm (excluding £500-700 £300-400 bale), gross weight 13.1g £160-240 1184 1188 A yellow metal sapphire bracelet, A pair of yellow metal ruby flower 1192 having eleven oval faceted sapphires in cluster earrings, each comprising eight A yellow metal belcher link long guard bezel settings, with an S shaped hook oval faceted rubies in claw settings, with chain with locket, the chain having a clasp, sapphire dimensions each approx screw post fittings, ruby dimensions each swivel clasp, length 1620mm, width 4.4 x 3.2 x 2.19mm, total weight approx 4.0 x 3.6 x 1.85mm, total weight 3.25mm, gross weight 40.1g, stamped estimated as 3.19 carats, length 160mm, estimated as 3.68 carats, gross weight and tested as 12ct, the yellow metal gross weight 1.8g, not marked but 3.6g, not marked but tested as 18ct locket featuring an engraved cross tested as 14ct £150-200 design to front and back with two £180-240 interlocking horseshoes, one with eight 1189 1.75mm turquoise cabochons, the other 1185 A white metal, ruby and diamond daisy with eight 2mm seed pearls, locket A pair of white metal, sapphire and shaped cluster pendant, comprising a dimensions 29 x 24mm, gross weight diamond oval cluster earrings, each centre round faceted ruby within a 8.6g, not hallmarked but tested as 18ct featuring a centre oval faceted sapphire border of eight round brilliant cut £700-900 surrounded by a halo of nine round diamonds, all in claw settings, attached brilliant cut diamonds, all in claw settings, to an 18ct white gold filed curblink chain 1193 with post and scroll fittings, sapphire with bolt ring clasp, ruby dimensions A yellow metal amethyst multi-stone dimensions each approx 4.7 x 2.8 x approx 5.9 x 4.0mm, weight estimated fringe necklet, comprising 47 oval 2.0mm, total weight estimated as 0.52 as 1.17 carats, diamond diameters each faceted amethysts in bezel settings, with carats, diamond diameters each approx approx 2.9mm, total weight estimated an S shaped hook clasp, amethyst 1.3mm, total weight estimated as 0.14 as 0.64 carats, assessed mounted dimensions each approx 7.65 x 5.8 x carats, gross weight 2g, stamped and collectively colour L to M and clarity SI1 4.0mm, total weight estimated as 52.17 tested as 18ct to SI2, chain length 500mm, width carats, length 460mm, gross weight £550-650 1.5mm, gross weight 6.8g, chain 15.7g, not marked but tested as 14ct hallmarked 18ct, Birmingham, no date, £450-550 sponsor CC, pendant tested as 18ct £800-1,000

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LACY SCOTT & KNIGHT 68 1194 1198 A yellow metal garnet multi-stone A yellow and white metal marquise shaped panel cluster fringe necklet, comprising approx 211 ring, comprising 33 Old European cut diamonds and one oval faceted garnets in bezel settings, rose cut diamond, all in grain settings, principle diamond with an S shaped hook clasp, garnet dimensions approx 5.3 x 5.1 x 2.51mm, weight estimated as dimensions between approx 4.0 x 3.5 x 0.44 carats, remaining diamond dimensions between approx 2.5mm and 6.35 x 5.15 x 3.25mm, 2.0 x 1.5mm and 2.85 x 2.9mm, total weight estimated as weights between 0.29 and 0.91 carats 1.28 carats, assessed mounted collectively colour K to L and (estimated), overall length 440mm, gross clarity SI1 to I2, gross weight 3.9g, size M½, stamped and weight 31.2g, not marked but tested as tested as 18ct 14ct £800-1,200 £700-1,000 1200 1199 An Art Deco 1195 A rose metal torque bangle, comprising three rows of yellow and white A yellow and white metal, peridot and hydrophane opal cabochons, 41 in total, within a border of metal, aquamarine diamond floral brooch, featuring a 28 single cut diamonds, all in claw and grain settings, with and diamond centre heart shaped peridot within a pierced openwork shoulders, opal dimensions approx 4.9 x pendant, the diamond set floral wreath, with roller 4.9 x 3.65mm, total weight estimated as 18 carats, diamond principal cushion catch fastening and pendant loop, diameters each approx 1.0mm, total weight estimated as cut aquamarine peridot dimensions approx 12.6 x 12.0 x 0.08 carats, bangle diameter 60 x 53mm, width 10 to 18mm, measuring approx 7.5mm, weight estimated as 6.81 carats, gross weight 26.2g, stamped and tested as silver gilt 26 x 23.3 x 15mm, diamond diameters between approx 1.5 £500-600 weight estimated as x 2.35mm, total weight estimated as 63.89 carats, 0.82 carats, brooch dimensions 32 x suspended below a 31mm, gross weight 10.8g, not marked tapered bar set but tested as 18ct with three £700-900 graduated Old European cut 1196 diamonds and a A late Victorian yellow and white metal round faceted scrollwork brooch, featuring sixty-four aquamarine, Old European and rose cut diamonds, in diamond diameters cut-down grain settings, with detachable between approx brooch fitting, diamond diameters 1.0 and 2.0mm, between approx 1.2 and 4.0mm, total total weight weight estimated as 2.80 carats, assessed estimated as 0.05 mounted collectively colour I to J and carats, aquamarine clarity SI1 to I1, brooch dimensions 35 x dimensions approx 28mm, gross weight 7.7g, not marked 4.2 x 3.2mm, but tested as 15ct and silver weight estimated as £450-600 0.32 carats, attached to a 9ct 1197 white gold filed A pair of yellow metal diamond cross curblink chain with shaped earrings, each with twelve bolt ring clasp, chain round brilliant cut diamonds in grain length 430mm, settings, with post and scroll fittings, width 1.25mm, diamond dimensions each approx 2.5 x gross weight 19.1g, 1.55mm, total weight estimated as 1.44 chain hallmarked carats, gross weight 4.9g, stamped and 9ct, Birmingham, no tested as 18ct date, sponsor S&C, £400-500 pendant tested as 15ct £5,000-8,000 Lot 1200

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LACY SCOTT & KNIGHT 69 1201 1204 1207 A yellow metal, opal and diamond A pair of white metal, jadeite and A late 19th century yellow metal multi- hinged oval bangle, featuring a centre diamond drop earrings, each stone butterfly brooch, the wings set oval opal cabochon, having a pale body comprising a 23.2mm jadeite drop with 16 rose cut diamonds, 6 oval colour with blue, green and red colour pendant suspended below three round rubies, and 4 oval sapphires, the flashes, opal dimensions approx 13.3 x brilliant cut diamonds in bezel settings, abdomen set with 4 graduated seed 10.6 x 9.2mm, weight estimated as 7.41 with a jadeite cabochon above and a pearls, diameters between approx 1.4 carats, the opal within an openwork hook wire fitting, diamond dimensions and 3.8mm, with two approx 1.3mm border of eighteen Old European cut each approx 2.4 x 1.5mm, total weight rubies for the eyes, having a hook style diamonds, diameters between approx estimated as 0.30 carats, earring lengths fastening, diamond dimensions between 1.5 and 4.5mm, total weight estimated 50mm, gross weight 6.3g, not marked approx 2.0 x 1.7 x 1.05mm and 2.1 x as 2.24 carats, assessed mounted but tested as platinum, jadeite not 1.85 x 0.7mm, total weight estimated as collectively colour J to K and clarity SI2 tested for signs of treatment 0.16 carats, ruby dimensions each to I1, bangle diameter 61 x 50mm, gross £900-1,100 approx 3.25 x 2.7 x 1.7mm, total weight weight 31.3g, not hallmarked but tested estimated as 0.80 carats (including the as 15ct and silver 1205 eyes), sapphire dimensions between £2,500-3,000 A late Victorian yellow metal, sapphire approx 3.0 x 2.5 x 2.0mm and 3.15 x and diamond set hinge bangle, set with 3.0 x 2.11mm, total weight estimated as 1202 three round cut diamonds each 0.58 carats, brooch dimensions 35 x A pair of yellow metal, pearl and dispersed with a round cut sapphire, the 25mm, gross weight 7.7g, not marked diamond drop earrings, each with three centre diamond weighing approx 0.2 but tested as 15ct graduated freshwater pearls, diameters carats, the outer diamonds each £400-600 between approx 4.65 and 9.9mm, weighing approx 0.15 carats, total interlinked with two bow shaped sapphire weight estimated as approx 1208 sections each set with two 2.25mm 0.56 carats, unmarked but tests as A late Victorian yellow metal diamond round brilliant cut diamonds, total approx 9ct, 10.4g, 54mm bar brooch, having nine graduated old weight estimated as 0.32 carats, earring £200-300 European cut diamonds forming a cross length each 45mm, gross weight 9.1g, shape to the centre, in a floral and with hook wire fittings, not marked but 1206 scrollwork design with bead edging, tested as 18ct An Art Deco white metal sapphire and hook style clasp with safety chain, £800-1,000 diamond panel brooch, featuring a diamond dimensions between approx centre Old European cut diamond 3.1 x 3.0 x 1.6mm and 4.0 x 4.15 x 1203 flanked to either side by a pair of 2.19mm, total weight estimated as 1.41 A pair of yellow metal peridot drop Asscher cut diamonds and a round carats, assessed mounted collectively as earrings, each featuring an oval and a faceted sapphire, all within a border of colour I to J and clarity SI2 to I1, brooch round faceted peridot, with a bar in sixteen single cut diamonds in millegrain dimensions 60 x 42mm, gross weight between and hook wire fittings, peridot settings, with a roller catch fastening, 10.3g, not hallmarked but tested as 22ct dimensions between approx 3.0 x principle diamond dimensions approx £500-700 2.2mm and 6.2 x 4.5 x 3.5mm, total 4.9 x 5.0 x 2.81mm, weight estimated as weight estimated as 1.78 carats, earring 0.44 carats, Asscher cut diamond 1209 length 25mm, gross weight 2.1g, not dimensions each approx 2.35 x 1.5mm, An Art Deco white metal diamond marked but tested as 18ct total weight estimated as 0.24 carats, lozenge shaped bar brooch, comprising £220-260 single cut diamond dimensions each 51 graduated Old European and rose approx 1.7 x 1.15mm, total weight cut diamonds in grain settings, with a estimated as 0.32 carats, diamonds roller catch and safety chain, diamond assessed mounted collectively as colour dimensions between approx 1.3 x K to L and clarity SI1 to SI2, sapphire 0.8mm and 2.9 x 2.5 x 2.1mm, total dimensions each 3.75 x 2.6mm, total weight estimated as 1.05 carats, assessed weight estimated as 0.60 carats, brooch mounted collectively colour I to J and dimensions 34 x 12mm, gross weight clarity VS2 to SI1, brooch length 65mm, 3.5g, not marked but tested as 18ct gross weight 6.8g, not marked but £500-700 tested as platinum £400-600

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LACY SCOTT & KNIGHT 70 1210 1214 1218 A white metal diamond navette shape A yellow metal diamond five-stone half An Art Deco white metal lozenge cluster ring, featuring a centre marquise hoop eternity ring, comprising five shaped sapphire and diamond cluster shaped diamond within a border of graduated round brilliant cut diamonds ring , featuring a centre Old European twelve round brilliant cut diamonds, all in illusion settings, with carved shoulders, cut diamond within a panel of thirty- in claw settings, marquise diamond diamond dimensions between approx eight rose cut diamonds and four square dimensions approx 6 x 3 x 2.15mm, 3.25 x 2.1mm and 3.8 x 2.39mm, total cut sapphires, all in grain settings, weight estimated as 0.22 carats, brilliant weight estimated as 0.83 carats, assessed principal diamond dimensions approx cut diamond diameters each approx mounted collectively colour I to J and 3.45 x 2.8mm, weight estimated as 0.21 1.8mm, total weight estimated as 0.24 clarity SI1 to SI2, gross weight 4.9g, not carats, assessed mounted colour J to K carats, assessed mounted collectively marked but tested as 14 to 15ct and clarity SI1 to SI2, rose cut diamond colour I to J and clarity SI1 to SI2, gross £800-1,000 dimensions between approx 1.3 x 1.0 x weight 2.6g, not marked but tested s 0.75mm and 1.5 x 1.6 x 0.75mm, total 18ct 1215 weight estimated as 0.23 carats, sapphire £500-700 A pair of white metal Art Deco style dimensions each approx 2 x 2 x 1.5mm, pearl and diamond earrings, each total weight estimated as 0.24 carats, 1211 featuring a 7.8mm pearl suspended size R, gross weight 4.1g, not marked A yellow metal, ruby and diamond below a scallop shaped top set with 27 but tested as platinum rectangular cluster ring, comprising a single cut diamonds, with post and scroll £300-500 centre step cut ruby within a border of fittings, diamond diameters between ten Old European cut diamonds, all in approx 1.1 and 2.0mm, total weight 1219 grain and bezel settings, ruby dimensions estimated as 0.48 carats, earring lengths A white metal diamond cocktail ring, approx 4.4 x 3.5 x 3.35mm, weight 40mm, gross weight 10.6g, not marked having ten round brilliant cut diamonds estimated as 0.57 carats, diamond but tested as platinum in tiered settings to the centre, within a dimensions between approx 2 x £300-500 stepped border of fourteen tapered 1.65mm and 2.2 x 1.5mm, total weight baguette cut diamonds, all in claw estimated as 0.40 carats, size L, gross 1216 settings, brilliant cut diamond diameters weight 2.2g, not marked but tested as A three-row pearl necklace, comprising between approx 3.5 and 5.1mm, total 18ct 73, 83, and 87 pearls strung knotted to a weight estimated as 2.17 carats, tapered £800-1,000 9ct white gold circular clasp set with 8 baguette diamond dimensions each oval sapphires and a centre 4.7mm approx 6.5 x 2.0 x 1.5mm, total weight 1212 pearl, pearl diamonds between 3.8mm estimated as 2.80 carats, assessed A yellow and white metal, spinel and and 7.5mm, overall length 540mm, mounted collectively colour I to J and diamond oval cluster ring, comprising a sapphire dimensions approx 3.65 x 3.5 x clarity SI1 to SI2, size L, gross weight centre pink spinel within a border of ten 2.75mm, total weight estimated as 2.40 11.0g, not marked but tested as 18ct single cut diamonds, all in grain and carats, gross weight 56.5g, clasp £2,500-3,500 bezel settings, spinel dimensions approx hallmarked 9ct, Birmingham 1967, 6.5 x 4.9 x 3.6mm, weight estimated as sponsor MW 1220 0.96 carats, diamond diameters each £100-150 A white metal diamond eleven-stone approx 1.4mm, total weight estimated half hoop eternity ring, featuring eleven as 0.09 carats, size M, gross weight 1.9g, 1217 round brilliant cut diamonds in grain not marked but tested as 18ct An 18ct yellow gold, sapphire and settings, diamond dimensions each £900-1,100 diamond crossover style dress ring, approx 2.75 x 1.6mm, total weight featuring an oval faceted sapphire within estimated as 0.77 carats, assessed 1213 a gold flower surround, with two round mounted collectively colour I to J and A yellow and white metal Art Deco brilliant cut diamonds, sapphire clarity SI2 to I1, size R, gross weight 3.6g, style lozenge shaped panel ring, dimensions approx 5.75 x 5.3 x 2.7mm, not marked but tested as 18ct featuring a centre Old European cut weight estimated as 0.71 carat, diamond £400-600 diamond within an openwork border set diameters each approx 1.5mm, total with 10 rose cut diamonds, assessed weight estimated as 0.02 carats, size M, mounted collectively as colour K to L gross weight 3.9g, hallmarked 18ct, and clarity SI1 to I1, size M, gross weight London import 1990, sponsor YC 2.3g, not marked but tested as 15ct and £500-700 silver £350-450

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LACY SCOTT & KNIGHT 71 1227 A late 19th century yellow and white metal caduceus brooch, having twenty-six Old European and rose cut diamonds and two oval pearls measuring 3.85 x 3.0mm and 4.25 x 3.5mm, with a central octagonal cut emerald, and red and green enamel detail to the snakes, diamond dimensions approx 1.8 x 1.6 x 1.3mm, total weight estimated as 0.10 carats, brooch length 50mm, gross weight 6.7g, not marked but tested as 15ct and silver. Lot 1221 Note: Caduceus, the traditional symbol of the staff carried by Hermes in Greek mythology had 1221 1224 an ancient association with trade A late 19th century Indian Moghul A yellow metal diamond multi-stone and wisdom yellow metal, diamond and enamelled necklet, featuring fifteen round brilliant £250-350 hinged bangle, having concealed hinge at cut diamonds in bezel settings at 9 o’clock, with screw-down fastening, intervals along a 0.4mm fine curblink 1228 the bangle fashioned as two exotic birds, chain, having bolt ring clasp, diamond A late Victorian yellow and white metal their long tail feathers enamelled in diameters each approx 2.0mm, total diamond flower brooch, featuring forty- bright shades of green, red and blue, weight estimated as 0.45 carats, length one Old European cut diamonds in cut- with yellow metal inlays as flowers and 1020mm, gross weight 5.1g, stamped down grain settings, with hinged pin and foliage, the flower heads and leaves each and tested as 14ct safety chain, diamond dimensions set with small rough cut diamonds, the £700-900 between approx 1.6 x 1.35mm and 3.5 birds with diamond set eyes and x 2.35mm, total weight estimated as diamond set bands, unmarked but tests 1225 1.63 carats, assessed mounted as approx 22ct, 74.2g, gross dia.74mm, A white metal aquamarine single stone collectively colour I to J and clarity SI2 to inner dia. 55mm pendant, comprising an oval faceted I1, brooch diameter 30mm, gross weight £2,000-3,000 aquamarine in a bezel setting, with split 8.3g, not marked but tested as 15ct and bale, aquamarine dimensions approx silver 1222 12.6 x 7.2 x 5.9mm, weight estimated as £400-500 A yellow metal four-strand alternate 3.62 carats, gross weight 1.5g, not mesh and bead link bracelet, having marked but tested as 14ct 1229 box clasp and figure of eight safety £150-200 An early 20th century 18ct yellow catch, set with seven 3.5mm turquoise gold, ruby and diamond seven-stone cabochons, bracelet length 200mm, 1226 half hoop eternity ring, featuring three w.10mm, gross weight 22.8g, stamped A late Victorian yellow and white metal graduated oval faceted rubies and four and tested as 18ct diamond crescent brooch , comprising Old European cut diamonds, all in £500-700 fifteen Old European cut diamonds in scalloped claw settings, ruby dimensions cut-down grain settings, with a hinged between approx 3.5 x 3.1 x 2.25mm 1223 pin fitting, diamond dimensions between and 5.6 x 4.5 x 2.8mm, total weight A yellow metal six-strand plaited approx 1 x 0.6mm and 4.85 x 2.6mm, estimated as 1.06 carats, diamond meshlink bracelet, having box clasp and total weight estimated as 1.43 carats, dimensions each approx 2.2 x 1.85mm, two figure-of-eight safety catches, length assessed mounted collectively colour I total weight estimated as 0.20 carats, 190mm, width 24mm, gross weight to J and clarity SI1 to SI2, brooch size N, gross weight 4.4g, hallmarked 42.3g, stamped and tested as 14ct diameter 25mm, gross weight 3.3g, not 18ct, London 1917, sponsor worn £700-900 marked but tested as 15ct and silver £750-850 £400-500

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LACY SCOTT & KNIGHT 72 1230 An 18ct yellow gold, tanzanite and diamond crossover style ring, featuring a pear cut tanzanite in a semi-bezel setting with three graduated round brilliant cut diamonds in each shoulder, tanzanite dimensions approx 9.25 Lot 1233 x 7.3 x 6.0mm, weight estimated as 2.51 carats, diamond diameters between approx 2.4 and 3.1mm, total weight estimated as 1233 1234 0.48 carats, size L½, gross weight 10.7g, A suite of jewellery, comprising a pair A yellow metal diamond abstract dress hallmarked 18ct, Birmingham, no date, of yellow metal pearl and diamond drop ring, comprising a textured angled bar sponsor JRO earrings, each featuring a yellow 10mm design with seven 2mm diameter round £700-1,000 pearl suspended below a trefoil of brilliant cut diamonds, total weight 1.5mm round brilliant cut diamonds, estimated as 0.21 carats, size M, gross 1231 with post and scroll fittings, total weight 7.8g, not marked but tested as A white metal, emerald and diamond diamond weight estimated as 0.06 18ct rectangular cluster ring, featuring a carats, gross weight 5.3g, not marked £600-800 centre step cut emerald within a border but tested as 18ct; a yellow metal, pearl of ten Asscher cut diamonds, all in claw and diamond flower shaped pendant, 1235 settings, emerald dimensions approx having a centre 12.85mm yellow pearl A white metal diamond, emerald, ruby 7.39 x 7.3 x 4.42mm, weight estimated within a border of 31 round brilliant and and sapphire wreath brooch, featuring as 1.64 carats, diamond dimensions 6 malaguetta cut diamonds, with a solid 27 Old European cut diamonds, 9 cap between approx 2.5 x 2.5 x 1.5mm and bale, baguette cut diamond dimensions cut emeralds, 9 cap cut rubies, and 9 cap 3.0 x 2.9 x 1.75mm, total weight each approx 2.3 x 1.15 x 0.4mm, total cut sapphires, in grain and bezel settings, estimated as 1.00 carat, assessed weight estimated as 0.06 carats, brilliant with a roller catch fastening and pendant mounted collectively colour H to I and cut diamond diameters each approx loop, diamond dimensions between clarity VS2 to SI1, gross weight 5.6g, 1.5mm, total weight estimated as 0.31 approx 1.4 x 1.0mm and 3.7 x 2.4mm, stamped and tested as 18ct, with copy carats, pendant length 35mm, gross total weight estimated as 1.57 carats, of the GCS certificate weight 7g, not marked but tested as assessed mounted collectively colour I £2,500-3,000 18ct; and a yellow metal, pearl and to J and clarity SI1 to SI2, emerald diamond ring, featuring a 12.15mm dimensions between approx1.65 x 1.75 1232 yellow pearl with a trefoil of round x 1.1mm and 3.5 x 3.55 x 2.6mm, total A white metal, sapphire and diamond brilliant cut diamonds on either side, all weight estimated as 0.56 carats, ruby navette shaped cluster ring, featuring a within a border of 56 baguette cut dimensions between approx 1.9 x 1.65 round faceted sapphire off-centre within diamonds, brilliant cut diamond x 1.15mm and 3.5 x 2.75 x 2.9mm, total a border of fifteen round brilliant cut diameters between approx 1.6 and weight estimated as 0.92 carats, sapphire diamonds, all in grain settings, sapphire 2.35mm, total weight estimated as 0.24 dimensions between approx 1.75 x dimensions approx 3.9 x 2.6mm, weight carats, baguette cut diamond dimensions 1.25mm and 3.4 x 3.55 x 2.0mm, total estimated as 0.33 carats, diamond each approx 1.5 x 1.0 x 0.6mm, total weight estimated as 0.76 carats, brooch dimensions between approx 1.8 x weight estimated as 0.44 carats, size diameter 27mm, gross weight 6.9g, not 1.25mm and 2.3 x 1.55mm, total weight N½, gross weight 8.7g, not marked but marked but tested as platinum estimated as 0.42 carats, assessed tested as 18ct £500-700 mounted collectively colour I to J and £1,500-2,000 clarity SI1 to SI2, size P½, gross weight 2.8g, not hallmarked but tested as platinum £500-700

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LACY SCOTT & KNIGHT 73 1236 1240 A yellow metal ‘Japanned’ fan shaped A 15ct yellow gold lady’s Rolex manual brooch, having embossed floral and bird wind wristwatch, having round detail against a black lacquer discoloured Arabic dial with train track background, brooch dimensions 53 x border within an octagonal case, fifteen 30mm, gross weight 19.8g, base metal jewel movement, case engraved Rolex back, embossed detail tests as 18ct 1143659, hallmarked 15ct, London £200-250 import, 1920, sponsor Wilsdorf & Davis, gross weight 14.6g 1237 £200-300 A late Victorian yellow and white metal, sapphire and diamond six-ray 1241 star brooch, having six rose cut A Gents 18ct yellow gold IWC diamond spokes in-between, and a Schaffhausen manual wind wristwatch, removable brooch fitting, principal having round cream Arabic dial and diamond dimensions approx 4.5 x 4.0 x fitted to a black leather strap with 3.1mm, weight estimated as 0.43 carats, unsigned buckle, movement number the twelve small diamond dimensions 9126611, case number 1210934, between approx 1.9 x 1.2mm and 2.15 marked 18ct, Helvitia, Switzerland, case x 1.1mm, the rose cut diamonds points diameter 35mm, gross weight 39.6g dimensions each approx 1.9 x 0.85mm, £800-1,000 total diamond weight estimated as 0.36 carats, assessed mounted collectively 1242 colour I to J and clarity SI2 to I1, the A Gents yellow metal Longines manual twelve sapphire dimensions between wind wristwatch, having tonneau approx 1.9 x 1.9mm and 3.35 x 3.0 x shaped gilt champagne Arabic dial and 1.6mm, total weight estimated as 1.14 sub-dial at 6 o’clock, with heavy carats, brooch diameter 40mm, gross embossed case, and integral hinged weight 10.1g, not marked but tested as panel bracelet with engraved symbols to 18ct and silver include the national emblem of Mexico £1,500-2,000 Lot 1239 of an eagle with a snake in its’ beak. engraved to the back ‘Cecil J May 1238 Mexico 10.XI.47’, case dimensions 40 x A Gents 18ct yellow gold half hunter 1239 28mm, overall length 182mm, bracelet keyless wind pocket watch, having A vintage gent’s 9ct yellow and white w. 19 to 15mm, gross weight 77.8g, not round white Roman dial and subsidiary gold Rolex Prince chronometer, circa marked but tested as approx 18ct dial at six o’clock and blue Roman 1930s, having two-tone stepped case £1,800-2,200 numeral bezel to the front, case with convex glass, over signed silvered diameter 47mm, movement number tank dial with subsidiary seconds dial, 1243 26932, engraved Barnstaple, SLP & Co, Rolex 72092, manual wind 15 rubies A gent’s bi-colour Omega 89 High Street, hallmarked 18ct, 101g, jewelled movement, back cover Constellation Perpetual Calendar London 1910, sponsor PW inscribed and dated 1936, further quartz wristwatch, having round cream £800-1,000 numbered 68871 971U, case w.24mm, textured baton dial with date at three on replacement black crocodile skin and Roman bezel, fitted to an integral bracelet, in possibly original fitted case articulated rectangular bar link bracelet for Reed & Son of Liverpool with concealed clasp, case diameter £4,000-6,000 36mm, overall length 205mm, bracelet width 23 to 20mm, case numbered 56674686, clasp reference 1551/861, with box and two spare links £500-600

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LACY SCOTT & KNIGHT 74 1244 1248 OBJET D’ART A lady’s bi-colour Omega Constellation A ladies 18ct three-colour gold, ruby quartz wristwatch, with round cream and diamond cocktail manual wind baton dial and Roman bezel, fitted to an wristwatch, having a round cream baton integral articulated rectangular bar dial within an integral bark finish bracelet 1253 bracelet with concealed clasp, case with peg style clasp, the hinged textured A matched set of nine Victorian diameter 23mm, overall length 180mm, openwork cover set with 10 marquise copper graduated harvest jugs, from bracelet width 18 to 12mm, case shaped rubies and seven round brilliant four gallons down to half gill, each of numbered 55998533, clasp reference and single cut diamonds, ruby conical form, on footed bases, many 6553/865, with box dimensions each approx 4.7 x 2.7 x with London makers plaques to include £300-400 2.1mm, total weight estimated as 2.30 Loftus and Farrow & Jackson, the largest carats, diamond dimensions between h.40cm 1245 approx 1.2 and 2.0 x 1.4mm, total £400-600 A lady’s 9ct yellow gold Omega manual weight estimated as 0.16 carats, length wind wristwatch, featuring a cushion 173mm, bracelet width 12 to 17mm, 1254 shaped textured champagne baton dial, case diameter 15mm, gross weight A Victorian cast iron architectural attached to an integral Milanese bracelet 54.3g, partial hallmark for 18ct, sponsor Royal Coat of Arms, cast in relief with with ladder style clasp, case dimensions DS&S the crowned English lion and Scottish 23 x 20mm, bracelet length 165mm, £1,800-2,200 unicorn supporting either side within width 13 to 8mm, seventeen jewel foliage and above motto ‘DIEU ET signed movement, calibre 625, case 1249 MON DROIT’, w.45cm (paint rubbed) numbered 715546/8438, gross weight A white metal diamond manual wind £100-150 27g, hallmarked 9ct with the Morning cocktail watch, having a 15mm round Star symbol for Switzerland white Arabic dial housed within a hinged 1255 £200-250 cover with pavé set Old European cut A James II (ruled 1685-1688) diamonds, fitted to an integral Exemplification of Common Recovery 1246 articulated bracelet set with baguette, document, the Latin manuscript on An 18ct yellow gold Bueche Girod Old European, and Asscher cut vellum in brown ink and ruled in red ink, manual wind dress watch, comprising a diamonds, with a ladder clasp and safety with engraved portrait of James II to top 24mm square textured yellow dial, with chain, total diamond weight estimated as left within decorative ‘J’ of ‘Jacobus an integral mesh link bracelet with safety 11.24 carats, assessed mounted Secondus Dei gratia’, the top border clasp, bracelet w. 24 to 18mm, overall collectively colour I to K and clarity SI1 further decorated with Royal Arms, length 215mm, case numbered YG9920 to SI2, length 175mm, gross weight allegorical motifs and scrolling acanthus 98263, gross weight 72.5g, hallmarked 30.5g, not marked but tested as leaves, inscribed beneath the header 18ct, London import 1973, sponsor BG platinum ‘Sold at Furnivalls Inngate’ (former inn of £1,500-2,000 £1,000-1,500 chancery in Holborn), visible document dimensions 49.5 x 80cm, having lead 1247 seal suspended by a vellum tag beneath An Art Deco style white metal (worn), dia. 10cm diamond cocktail watch, having a round £120-180 white Arabic dial with a bezel set with eighteen brilliant cut diamonds, the 1256 bracelet set with a further 32 round A 19th century continental bronze brilliant cut diamonds terminating to a allegorical plaque, of rectangular form, ladder style clasp, diamond dimensions the central figure grasping a child by the between approx 1.5 x 1.0mm and 2.7 x throat, with oxen beside and an eagle at 1.6mm, total weight estimated as 1.18 his feet, unsigned, 8.5 x 10cm carats, case diameter 20mm, length £100-200 170mm, gross weight 20.4g, not marked but tested as 18ct £300-500

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LACY SCOTT & KNIGHT 75 1257 Attributed to Jean Warin (Flemish 1607-1672) - a bronze medal commemorating the appointment of Antoine Ruzé as French Superintendent of Finance in 1629, the obverse depicting a bust of Ruzé facing right, wearing a lace collar and ribbon with the cross of the Order of the Holy Spirit, his armour decorated with a lion’s head to the shoulder, the reverse depicting Atlas placing the burden of the world on to Hercules’ back, Hercules’ lion pelt and club on the ground to the right, dia.6.5cm. Antoine (Coëffier) Ruzé (1581-1632) adopted his uncle Martin Ruzé’s, the Superintendent of Mines, name to gain access to the French court. Under Richelieu’s guidance, he became marquis of Longjumeau and Effiet, and negotiated Lot 1261 the marriage of Charles I of England to 1261 1264 Louis XIII’s sister Henrietta Maria in the A pair of Sheraton Revival painted A circa 1830 mahogany travelling role of Ambassador in London. He further mahogany knife boxes, each of typical apothecary cabinet, the case with rose to the roles of Superintendent of shaped form, the hinged covers opening sunken brass carry handle over two Finances and Marshal of France. £200-400 to reveal well-fitted interiors, each hinged doors, opening to reveal fitted polychrome decorated with moonlit compartments with jars and covers, all 1258 coastal scenes amidst swags and ribbons, lacking annotations, two drawers, one In the manner of Hans Jamnitzer II w.20cm, h.34cm, d.24.5cm, sold with with steel and brass scale and the other (German c.1538-1603) - a lead roundel modern stainless steel flatwares with glass pestle and mortar and further depicting the allegory of Charity, the £500-800 bottles, the reverse with sliding panel to central figure with child at her breast reveal four velvet lined partitioned and flanked by cherubs, within a 1262 compartments, h.27.5cm, w.22cm landscape, pierced at 12 o’clock, An early 19th century mahogany and (closed), d.17cm dia.7.5cm brass bound campaign writing slope, £300-500 £200-300 having flush brass carry handles, the fold- out action opening to reveal 1265 1259 replacement gilt tooled leather inset A late Victorian bronze and gilt bronze A late Victorian satinwood tea caddy, writing surface and four fitted table lamp, modelled as a cherub of sarcophagus form, having rosewood compartments (restored and lacking holding a branch issuing a candle sconce crossbanding, fitted interior of two inkwells), w.41cm (converted from candle-holder), the lidded canisters flanking centre glass £100-150 whole raised upon a fluted black marble mixing bowl, and with brass double- plinth and on gilt bronze ball feet, lever lock, w.35cm 1263 h.46cm (excluding fittings) £300-500 A circa 1900 mahogany travelling chess £200-300 set, having fold-out action opening to 1260 reveal rosewood and satinwood 1266 A Sheraton Revival satinwood and veneered playing surface, turned bone A late 19th century French bronze of marquetry inlaid twin handled tray, the chess pieces with one side left natural the Muse of Music, in seated pose with wavy gallery enclosing centre conch shell and the other stained red, case harp behind her, brown patination, decoration within scroll flower w.20.5cm unsigned and lacking foundry mark, marquetry surround, 66cm £60-90 h.22.5cm, all raised on later marbled £200-250 composition plinth, £200-300

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LACY SCOTT & KNIGHT 76 1267 1273 1278 A pair of late 19th century alabaster A pair of Victorian black lacquered Jamal Brothers - a collection of 21 and gilt bronze candle-holders, each papier-mâché face screens, each black and white postcards, circa 1900- modelled as a pedestal urn, the candle- polychrome decorated with flowers, 1930 Palestine/Jerusalem, mainly being holders with flaming torch finials, the within gilded borders, dia.24.5cm, one male and female portraits, to include a urns with goat masks issuing floral swags handle incomplete ‘Spanish Jew of Jerusalem’, ‘The (probably from a clock garniture), £120-180 Perspective of Life’, ‘An Old Man in h.25cm Jerusalem’, ‘An Orthodox Jew of £120-180 1274 Jerusalem’, ‘A Yemenite Jew Chief in A pair of Victorian black lacquered Jerusalem’, ‘A Shepherdess in the Holy 1268 papier-mâché face screens, each Land’, ‘A Bedouin Girl’, ‘Baron Edmund Prosper Lecourtier (French 1855- polychrome decorated with flowers de Rothschild’, ‘A Native Jew of 1924) - Prenez Garde au Chien, bronze within gilded borders, w.25cm (one Jerusalem’, ‘A Yemenite Beauty’, ‘A of a bull mastiff tethered to a post, handle part missing) Bedouin in his happy mood’ etc (21) signed and dated 1878 to the base, £150-200 £100-150 h.44.5cm, all raised upon a rouge marble plinth 1275 1279 £2,000-3,000 A mid-19th century continental white Jamal Brothers - a collection of 44 metal posy holder, being four-sided, black and white postcards, circa 1900- 1269 pierced and engraved with trailing leaves 1930 Jerusalem/Palestine, mainly being After Pierre Jules Mene - Bronze to a Baroque influenced engraved topographical scenes, to include ‘Palnis hound, in standing pose, raised upon a hexagonal handle, 32.8g, 15cm at the foot of Mount Carmel’, ‘Brook plinth, unsigned, h.22cm £80-120 Cherith near Jericho’, ‘The mountains of £150-200 Gilead behind the River Jordan’, ‘Sorting 1276 the wheat’, ‘Flocks by the shore of the 1270 A 19th century French gilt metal posy Sea of Galilee’, ‘Palm tree groves’, ‘The Franz Bergman (1861-1936) - An holder, having turned mother of pearl source of the brook Cherith’, ‘Kedros Austrian cold painted bronze Snipe, in handle, the posy holder having a Valley’, ‘The site where the crown of standing pose, stamped, h.6cm; together miniature vignette depicting a river thorns was placed upon Christ’shead’, with an Austrian cold painted bronze landscape, opposed by a mirror, 15cm ‘Road leading to Mount Zion’ etc (44) model of a cat with a rat in its mouth, £100-150 £100-150 indistinctly signed and possibly by Bergman (2) 1277 1280 £100-150 A late 19th century continental gilt Jamal Brothers - a collection of 39 metal and enamel decorated posy black and white postcards, circa 1900- 1271 holder, having turned mother of pearl 1930 Jerusalem/Palestine, mainly being Franz Bergman (1861-1936) - a cold handle, 13cm; together with a smaller topographical scenes, to include painted bronze model of a shoe with cornucopia example, 8.5cm (2) ‘Mountain view of the Sea of Galilee and playful kitten, stamped verso, 6.5cm £80-120 surroundings’, ‘On the way to Jericho’, £80-120 ‘Calvary’, ‘Pasture land in the mountains’, ‘The spring at Ain Fara’, ‘At the foot of 1272 Mount Carmel’, ‘The hiding place of St Franz Bergman (1861-1936) - a cold John the Baptist’, ‘Jaffa seashore at dawn’, painted bronze figure of a crouching ‘Absalom’s Pillar and Mary’s Well’, rabbit and one other in recumbent ‘Gesthsemany’, ‘The source of brook pose, both marked Geschutz, h.4cm (2) Cherith’ etc (39) £100-150 £100-150

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LACY SCOTT & KNIGHT 77 ASIAN WORKS OF ART

1291 After Ichiyosai Toyokuni also known as Toyokuni I (1769 – 1825) - Cherry blossoms in the New Yoshiwara , rare Nigao-e (true view relism) woodblock print, one sheet from a pentaptych originally published circa 1811, visible image dimensions 36 x 24cm £100-150

1292 After Utagawa Hiroshige (1797-1858) - Two Ukiyo-e woodblock prints, being Foxfires at the Changing Tree at New Year, No.118 from the series One Lot 1281 Hundred Views of Edo, first published 1281 1285 1857, visible image dimensions 31 x An early 20th century painted wooden A Victorian brass pedestal oil lamp, 21cm; and Chiryu, No.40 from the Noah’s Ark with numerous animals having an acid etched shade over cut series 53 Stations of the Tokaido, first and figures, the animals mostly in pairs, clear glass font, to a reeded acanthus published circa 1840, visible image to include elephants, giraffes, tigers, leaf cast column on a square plinth, dimensions 18 x 24cm (2) horses, sheep, swans, zebras, kangaroos, h.86cm £80-120 camels etc, the ark polychrome painted £200-300 and with hinged cover, w.70cm 1293 £600-1,000 1286 After Utagawa Kuniyoshi (1797-1861) - A Victorian rosewood and mother of The utter defeat of the Taira clan in 1282 pearl inlaid writing box, having a hinged the Great Battle between the A late Victorian Scottish silver cover and fall, opening to reveal a fitted Minamoto and the Taira at Akama Bay mounted horn snuff-mull, of interior, w.35.5cm in Nagato Province, triptych Ukiyo-e conventional form, the hinged cover £100-150 woodblock print, originally printed circa with applied silver thistle mount, maker 1845, each panel visible dimensions 34 x Aitchison, Edinburgh 1885, 9cm 1287 23cm £100-150 A 19th century mahogany and £50-80 marquetry inlaid box, fitted for 1283 stationery, w.26.5cm 1294 Late 18th century English school - £80-120 A Japanese gold lacquer Portrait miniature of Jonathan Pytts, four-case inro by the wearing a black tunic and silk ruff, Kajikawa family, 19th watercolour on ivory (hairline), housed century, decorated to in brass backed frame, inscribed verso either side with battling ‘Jonathan Pytts 1792’, 6 x 5cm warriors separated by a £70-100 screen, signed and with red pot seal verso, 7cm, having 1284 a polished agate ojime and 19th century English school - Bust a hardwood netsuke portrait of a maiden, holding floral posy, modelled as an animal watercolour on ivory, in pinchbeck curled in a lotus leaf, with mount, 7 x 5.5cm; together with two original purchase receipt other portrait miniatures on ivory, for F. Kimura of Nikko, measuring 6.5 x 5cm and 6 x 4.5cm (3) Japan, dated 1968, in suede £150-200 pouch Lot 1294 £800-1,200

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LACY SCOTT & KNIGHT 78 1295 A late 19th century Chinese Canton carved ivory card case, both sides intricately carved with a figure pagoda landscape scene, 8.5 x 4.5cm; together with a Chinese Canton carved ivory pill box and cover, dia.4cm (2) £80-120

1296 A circa 1900 Hong Kong silver footed jardinière, of lobed tapering form, the panels decorated with figures, birds amidst bamboo, flowers and foliage, the whole raised on three mythical serpent supports, marked verso, 843g, dia.19cm £300-500

1297 A matched 19th century Chinese white metal three piece tea service, Lot 1299 comprising teapot, sugar bowl and cream jug, the teapot of oval form relief 1298 1301 decorated with various birds amongst A circa 1900 Chinese white metal An 18th century Chinese famille verte flowering bamboo, with faux bamboo cruet set, of trefoil shape, containing an footed bowl, the interior polychrome handle and floral engraved conical spout, open salt, mustard (lacking cover), and a enamel decorated with European figure makers mark IW with engraved pepperette, together with another scene, the exterior decorated with inscription from “Letty to Letty Aug matching pepperette, each entwined opposing reserves of one European and 30th 1913”, h.13cm, the sugar bowl and with flowering bamboo, each marked one Oriental allegorical figure scene, cream jug with matching decoration, verso, stand w.9.5cm (excluding handle), dispersed with floral sprays (with vacant shield shaped cartouches and gilt pepper h.5cm hairlines and one section broken out washed interiors with makers mark CS £80-120 and re-applied), dia.28.5cm probably for Cum Shing, Canton, the £120-180 cream jug with inscription matching the 1299 teapot, the sugar bowl inscribed “LL to A set of three 19th century Chinese 1302 William”, gross weight 23.3oz. Canton vase and covers, each 19th century Moghul school - It is thought by the vendor that the giver decorated in bright enamels in the Landscape with figures and horse, of the tea set was Letitia Elizabeth Rudge famille rose palette with opposing gouache, 14 x 9cm (1861-1923), better known as Letty Lind reserves of ceremonial figure scenes, £60-80 a British actress, singer, dancer and within gilded Greek Key borders, the acrobat, best known for her work in whole further decorated with flowers, burlesque at the Gaiety Theatre and foliage and insects, the covers each musical theatre at Daly’s in London, the surmounted with a Fo Lion, h.23cm recipient is thought to have been her £800-1,200 Grandmother (also Letty) who was her dresser for many years on the occasion of 1300 her marriage to William Edward Earl the A blue and white porcelain vase, Grandfather of the vendors wife. possibly 16/17th century Annamese or £300-500 Korean, having a waisted neck above rounded shoulders and tapering cylindrical body, painted with bands of figures, dragons, phoenix and flowers (a/f), h.34cm £400-600

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LACY SCOTT & KNIGHT 79 PICTURES

1310 John F. Smith (ex-Royal Worcester) - Pair; Still life with fruit on a ledge, oil on board, each signed lower right, 19 x 24cm £150-250

1311 Edgar Freyberg (b.1927) - Mighty waters, oil on canvas, signed lower right, 60 x 90cm £150-250

1312 Derek George Montague Gardner (1914-2007) - The Lot 1305 Argonaut, oil on canvas, signed and dated 1965 lower left, 60 x 90cm 1305 1308 £1,200-1,800 Alexis de Leeuw (Belgian Henry Garland (1834-1913) - Ninepence an hour, oil on c1822-1900) - Travellers with canvas, signed and dated 1898 lower left, 35 x 52cm 1313 a string of horses in a £1,000-1,500 Frederick James Aldridge landscape, oil on canvas, (1850-1933) - Remnants of signed lower right, 75 x 1309 the Dutch Fleet, July 1653, 126cm Alfred de Breanski Snr (1852-1928) - The pass at Leney, watercolour, signed, titled £1,000-1,500 Perth, oil on canvas, signed lower right, further inscribed and dated ‘98 lower right, 60 verso, 30 x 50cm x 95cm 1306 £1,500-2,000 £250-400 Jan van Hessel (Dutch b.1894) - Pair; Winter scenes, oil on panel, each signed lower left, 19 x 24cm £250-400

1307 Charles Edward Wilson (1854-1941) - Woman and children on a country lane, watercolour, signed lower left, 29 x 23cm £150-250

Lot 1309

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LACY SCOTT & KNIGHT 80 1314 William Thomas Such (act.1847-1857) - Lone figure in a winter landscape at sunset, oil on canvas, signed and dated 1853 lower right, 40 x 33.5cm £250-400

1315 Cheverton White (1830-c1905) - Pair; Figures before timbered cottages, watercolours, signed and dated 1883, 26 x 37cm £200-300

1316 Stephen Pearce (1819-1904) - Half- length portrait of Alfred Swaine Taylor, wearing black jacket and seated in an armchair, oil on canvas, unsigned but inscribed verso ‘Alfred Swaine Taylor Esq. MDFRS painted by Stephen Pearce’, 76 x 62.5cm, housed in ebony veneered frame (probably original). Note: Stephen Pearce was a portrait and equestrian painter who trained at Sass’s Academy and the Royal Academy schools. He was commissioned to paint ‘The Arctic Council discussing a plan of search for Sir John Franklin’, which comprised portraits of all those involved and was completed in 1851. Pearce went on to paint portraits of other Arctic explorers, scientists, doctors and noblemen. Many of these works hang Lot 1316 in the National Portrait Gallery. Professor Alfred Swaine Taylor (1806- 1317 1320 1880) has gone down in history as father Janos Pentelei-Molnar (Hungarian Robert Nixon (b.1955) - The Flying of British forensic medicine. He was chiefly 1878-1924) - Still life with sucrere and Scotsman with a rake of Gresley a medical jurist who held the professorship cream jug, oil on canvas, signed lower coaching stock, acrylic on canvas, signed post of medical jurisprudence at Guy’s right, 80 x 60cm and dated ‘82 lower right, 42 x 53cm Hospital from 1831 until 1877. He £250-400 £150-250 published works on forensic medicine, with particular focus on poisons, and was much 1318 in demand as a witness in criminal Robert Nixon (b.1955) - The Duchess investigations; including the 1856 case of of Hamilton, oil on artist board, signed William Palmer (the Rugeley poisoner), the lower right, 45 x 60cm murder of ‘sweet’ Fanny Adams, the £400-600 Tendring poisoning case, the Waterloo Bridge Mystery of the dismembered body 1319 in a carpet bag, and the first railway Robert Nixon (b.1955) - The LMS murder where Taylor was asked to identify Princess Royal class 6201 Princess blood on a fragment of clothing, as well as Elizabeth with a rake of maroon many others. coaches crossing a viaduct, acrylic, £2,000-3,000 signed lower right, 27 x 35.5cm £150-200

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LACY SCOTT & KNIGHT 81 1325 Kenneth Webb RWA FRSA RUA (b.1927) - The haycart within an extensive river landscape at sunset, oil on canvas, signed lower left, 50 x 100cm £500-700

1326 Daniel van der Putten (Dutch b.1949) - Summer in Preston Deanery, oil on panel, signed lower left, 50 x 65cm, in swept gilt composition frame £1,500-2,500

1327 Lot 1321 Alfred Edward Parkman (1852- 1930) - Worcester, watercolour, 1321 signed and dated 1925 lower right, Nicholas Condy (1793-1857) - Interior 27.5 x 43.5cm kitchen scene with couple seated by £80-120 the fire and two women at the spinning wheel, with pig and produce, oil on panel, signed lower right, 30 x 40cm £1,000-1,500

1322 Edward Hersey (b.1948) - Cattle watering within a river landscape at sunset, oil on canvas, signed lower left, 45.5 x 61cm £1,000-1,500

1323 19th century continental school - The Fishergirl, oil on canvas, 52 x 42cm (re- lined) £150-250

1324 Edward Villiers Rippingille (1798-1859) - The winning hand, oil on panel, signed and dated 1834 lower right, 64 x 54cm £800-1,000

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LACY SCOTT & KNIGHT 82 1328 Attributed to David Cox Jnr (1809-1885) - A view across the Sussex Downs, watercolour with body colour, dated 1855 lower right, 20.5 x 31.5cm £120-180

1329 Arthur Blackburn (1853- 1925) - Figures in a Yorkshire winter landscape, watercolour, signed lower left, 27 x 38cm £120-180

1330 George Stanfields Walters (1838-1924) - A view of Liverpool, watercolour, signed lower left, 32 x 49.5cm £200-300 Lot 1339 1331 Anthony Devis (1729-1817) - On the foreshore, bathing huts and fishergirls, 1334 1338 pencil, pen and grey ink watercolour, Joshua Cristall (1767-1847) - The R Hunt - Victory, children with signed with initials and dated 1798 lower meeting of Odysseus and Nausicaa, grandfather in a Devon coastal left, 13.5 x 20cm pen and ink, signed lower left, 11 x landscape, oil on canvas, signed and 18.5cm dated ‘89 lower right, 44 x 60cm Provenance: Spink Gallery, King Street, St £150-250 James’s, London, label verso Provenance; Abbott & Holder, Museum £150-200 Street, London, gallery label verso £50-80 1339 1332 John Robert Hobart (1788-1863) - Anthony Devis (1729-1817) - Lone Study of a bay hunter and foal within a traveller approaching a town within a 1335 landscape, oil on canvas, signed with landscape , pencil and watercolour wash, Circle of Meindert Hobbema (1638- monogram, indistinctly titled, and dated 30.5 x 43.5cm 1709) - Extensive Dutch river 184* lower right (re-lined and re- landscape , oil on panel, bears signature stretchered), 30 x 38cm Provenance; Abbott & Holder, Museum and dated 1688 lower right, 37 x 49cm £1,000-1,500 Street, London, gallery label verso £200-300 £200-400 1340 1333 1336 John Robert Hobart (1788-1863) - Joshua Cristall (1767-1847) - Pastoral, Colin Bent Phillip (1855-1932) - Ben Study of a bay hunter in a Monks Eleigh pencil, signed and dated 1832 lower Nevis, watercolour, 60 x 75cm landscape, oil on canvas, signed, titled right, 14 x 17cm £100-150 Monks Eleigh, and dated 1848 lower right (re-lined), 30 x 38cm Provenance; Abbott & Holder, Museum 1337 £800-1,200 Street, London, gallery label verso £60-80 Colin Bent Philip (1855-1932) - Mountian Loch scene, watercolour, 55 x 74cm £100-150

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LACY SCOTT & KNIGHT 83 CLOCKS

Lot 1348 1348 Russell of The Barbican, London, - a Regency mahogany and brass inlaid bracket clock, the stepped pediment with gilt metal pineapple finial over a Lot 1341 signed convex white enamel dial, twin winding holes for a brass eight day gut 1341 1344 driven fusee movement, having anchor Thomas Churchyard (1790-1865) - Charles Henry Clifford Baldwyn (1859- escapement and striking on a bell, signed The pond at Woodbridge, oil on panel, 1943) - Livestock on a country lane, and engraved backplate, with matching 31 x 24.5cm watercolour, signed lower left, 27 x pendulum, the case having twin ring £1,000-1,500 45cm; and one other by the artist - carry handles, pierced fishscale sound Thatched cottage in summer, grilles, and all raised on brass ball feet, 1342 watercolour, signed lower right, 26 x h.49cm Attributed to Joseph Poole (1804- 36cm (2) £600-800 1887) - Old Costessey, Norfolk, oil on £100-150 canvas (re-lined), 47 x 60cm 1349 £250-400 1345 A 19th century mahogany cased 19th century Continental school - Pair; bracket clock, having an unsigned 1343 Moonlit coastal landscape scenes, oil silvered dial with Roman numerals and Rose Mead (1867-1946) - Still life with on panel, 62 x 43cm outer scale with Arabic numerals, tulips in a stone jug, oil on canvas, £150-250 engraved centre, twin winding holes for signed lower left, 50 x 40cm a brass wire driven eight day fusee £200-300 movement having anchor escapement and striking on a gong, the case having brass snake carry handle, with cut glass fish-scale grilles, all raised on brass ogee bracket feet, h.67cm (including handle) £600-800

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LACY SCOTT & KNIGHT 84 1350 1354 RUGS & CARPETS William Bullock of Bradford - an early A French gilt brass and marble three- 19th century mahogany longcase clock, piece clock garniture, the clock having having a painted 13” arch dial, with an unsigned convex white enamel dial rocking ship automator to the arch, with twin winding holes for a brass eight signed to the chapter ring, with rolling day cylinder movement striking on a bell, 1358 date dial and subsidiary seconds dial, the case surmounted with a cherub over A Persian woollen Heriz carpet, the twin winding holes for a brass four pillar four columns, with bevelled glazed red ground having a central medallion eight day movement striking on a bell, window to a marble plinth, h.35cm, the issuing scroll flowers and foliage within the case having fluted pilasters flanking twin light candelabra with centre flaming trailing tramline borders (some fading), the dial and the trunk, all to a boxbase torch finial, h.25cm, 20th century 400 X 315CM and with boxwood stringing, h.220cm £200-300 £300-500 £500-700 1359 1351 A Persian woollen Kashmir rug, the Henry Fisher of Preston - an early 19th cream ground decorated with a central century oak longcase clock, having a medallion radiating scroll flowers and 13” brass dial with later painted arch, foliage, within trailing tramline borders, signed to the centre, silvered chapter 250 x 343cm ring with Roman and Arabic numerals, £300-500 rolling silvered date dial, twin dummy winding holes for a 30-hour weight 1360 driven movement striking on a bell, A Persian woollen Heriz carpet, the replacement seatboard, the case with red ground having a central blue all-over blind carving, gross h.226cm medallion issuing scroll flowers and £300-500 foliage, within trailing tramline borders, 282 x 370cm 1352 £250-400 A circa 1900 chinoiserie black lacquered droptrunk wall clock, of 1361 small proportions, having engine turned A Persian woven silk carpet, the central French dial with Arabic numerals and ground decorated with 64 boxed eight day French brass cylinder reserves, each depicting flowers and movement, h.23cm foliage, within trailing tramline borders, £100-150 273 x 415cm £700-1,000 1353 A late 19th century French alabaster, bronze and gilt bronze mantel clock, having a convex white enamel dial signed by the retailer Maple & Co and further signed Paris, with Arabic numerals, polychrome decorated with swags of flowers, twin winding holes for a French brass eight day cylinder movement striking on a bell, the case well cast and surmounted with a basket issuing fruit, flowers and foliage, flanked to either side by billy-goats, all supported on two bronze winged cherubs, the whole further adorned with gilt bronze ribbons and swags, h.39cm £400-600

Lot 1361

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LACY SCOTT & KNIGHT 85 1362 1369 FURNITURE & A Persian woollen green ground A Turkish woollen rug, the pink ground FURNISHINGS carpet, decorated with six rows of decorated with geometric motifs within flower-head medallions, each further trailing tramline borders, having decorated with flowers and foliage, flatweave Kilim ends, 152 x 192cm within multiple trailing tramline borders, £150-200 280 x 370cm £400-600 1370 1374 A Caucasian woollen rug, the red A late 19th century French kingwood 1363 ground decorated with a row of gul and marquetry inlaid two-tier etagere, A Persian woollen Qum rug, the motifs within multiple trailing borders, having gilt metal mounts, each tier being shaded brown ground having a central 167 x 268cm four-quarter veneered and having centre medallion issuing vases, flowers and £150-250 floral marquetry panel within foliage, within trailing tramline borders, crossbanding, w.77cm, d.48cm, h.92cm 176 x 275cm £250-400 £150-200 1375 1364 A 19th century mahogany and A Turkish silk Hereke rug, the cream kingwood tray-top side table, in the ground decorated with scroll flowers French Empire style, the top being plate and foliage within trailing tramline glass in a gilt brass mount, having borders, 150 x 105cm, with original marquetry inlaid frieze and raised on purchase receipt slender fluted tapering supports with £400-600 brass caps, w.79cm, d.51cm, h.76cm £400-600 1365 A Turkish silk Hereke Tree of Life 1376 prayer mat, having Kilim flatweave single A late 19th century French kingwood end, with border verse panels and and gilt metal mounted work table, of signed, 78 x 51cm serpentine outline, the four-quarter £80-120 veneered and triple crossbanded top opening to reveal birds-eye maple lined 1366 sectional fitted interior, the whole with A Turkish silk Hereke Tree of Life gilt metal chutes and sabots, w.63cm, prayer rug, the tramline borders with d.42cm, h.74cm further animal decoration, 73 x 118cm £200-300 £150-250 1377 1367 A 19th century fruitwood bench, the A Persian Bidjar woollen hall runner, narrow one-piece top on ring turned the blue ground decorated with five triform end supports, w.190cm, seat lozenge medallions within trailing d.15cm, seat h.48cm tramline borders, 65 x 345cm £300-500 £250-400 1378 1368 A set of four Victorian elm seat, ash A Turkish woollen rug, the ground and fruitwood stickback farmhouse decorated with five rows of boxed kitchen chairs; together with two medallions, each with geometric motifs, other similar examples, all having similar flowers and foliage, all within trailing pierced vase splat and stick backs (6) tramline borders and having flatweave £150-250 Kilim ends, 315 x 222cm £400-600

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LACY SCOTT & KNIGHT 86 1379 1385 1390 A pair of Queen Anne walnut dining A Victorian ebonised oak and iron- A pair of satin birch and parquetry chairs, having shaped top rails and vase bound fitted silver chest by Dobson & topped side tables, each with rosewood splat backs, with carved mask and scroll Sons Goldsmiths & Silversmiths of crossbanding and a single frieze drawer, work above a drop-in seat on carved Piccadilly, London, the hinged cover raised on slender square tapering cabriole supports and pad feet opening to reveal velvet lined fitted supports united by X stretchers, all with £200-300 interior, the inside with original paper ebony stringing, w.55cm, d.40cm, label, the double lever lock being h.76cm 1380 stamped (no key), with double-end iron £1,000-1,400 A Sheraton Revival mahogany and carry handles, the whole with mounted inlaid three-piece salon suite, circa brass plaque annotated ‘Lord Wolverton 1391 1900, comprising two-seater settee and No.1’, w.84cm A George III mahogany pedestal pair of elbow chairs, each with £200-400 reading table, having telescopic action marquetry inlaid pierced vase splat backs with hinged book-rest and two pull-out and silk damask upholstered pad seats, 1386 slides, the whole raised on ring turned settee w.108cm, seat h.43cm An 18th century joined elm table, urn column to three hipped cabriole £200-300 having a one-piece top over a plain supports, w.48cm frieze, the chamfered square supports £450-550 1381 united by low stretchers, w.130cm, A figured walnut bachelors chest, in the d.64cm, h.75cm 1392 early 18th century style, having a cross £200-300 A pair of Napoleon III style French and feather banded fold-over top above two-tier etagere, having crossbanded four long graduated cross and feather 1387 tops, frieze drawers and gilt metal banded drawers, w.60cm, h.76cm, A walnut and burr walnut four drawer mounts, w.44.5cm, d.34cm, h.68cm d.30cm servery, in the mid-18th century style, £200-300 £400-600 the crossbanded top having a leaf carved edge, the whole raised on shell capped 1393 1382 cabriole supports with carved hairy paw A Regency mahogany cheval mirror, A pair of contemporary burr oak and feet, circa 1920s, w.113cm, d.58cm, the rectangular plate within a ring turned crossbanded bedside chests, each fitted h.85cm skeleton frame on outswept square cut with four graduated drawers and raised £250-400 supports with brass hairy-paw caps and on plinth, w.43cm, d.41cm, h.79cm casters, w.64cm, h.174cm £400-600 1388 £300-400 A George III mahogany secretaire 1383 bookcase, the upper section having twin 1394 A figured walnut chest in the early astragal glazed doors enclosing A pair of French giltwood fauteuil in 18th century style, having a four- adjustable shelves, the base having fitted the Louis XV style, each having quarter veneered and crossbanded top secretaire drawer with fallfront enclosing upholstered backs, seats and arms, on above two short and two long centre cupboard flanking secret fluted cabriole supports graduated crossbanded drawers, pilaster drawers, all over three long £200-300 w.107cm, d.54cm, h.85cm graduated drawers, w.113cm, d.56cm, £300-500 h.213cm 1395 £300-500 A George III mahogany bureau 1384 bookcase, the associated upper section A set of eight antique joined oak dining 1389 having twin astragal glazed doors, the chairs, each having a carved top rail and A pair of painted demi-lune hall tables base having a sloping fall enclosing fitted splat back above a solid seat, on turned in the Sheraton style, the satinwood interior, the whole raised on straight supports united by stretchers, 18th tops with rosewood crossbanding, bracket feet, w.115cm, d.51cm, h.225cm century and later polychrome decorated with ribbons and £300-500 £400-600 swags of flowers within borders, over fluted white painted friezes heightened in gilt, w.99cm, d.46cm, h.81cm £1,500-2,000

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LACY SCOTT & KNIGHT 87 Lots 1399, 1400, 1401

1396 1399 1402 A late 19th century French kingwood A circa 1900 satinwood and ebony An antique oak refectory table, having and gilt metal mounted secrétaire à inlaid music canterbury, having two a planked top with cleated ends over a abattant, having a veined rouge marble divisions, pierced centre section, and rosette carved frieze, on turned top, the fallfront disguised as three raised on square cut lyre end supports, supports united by low square drawers and opening to reveal gilt w.51cm, h.65cm, d.20cm stretchers, w.202cm, d.88cm, h.78cm tooled leather inset writing surface and a £300-400 £400-600 shelved interior over four stationery drawers, the whole over four further 1400 1403 long drawers, w.66cm, d.34cm, h.124cm A circa 1900 satinwood two-tier An antique joined oak coffer, 17th £400-600 occasional table, of oval form with century and later, having a one-piece crossbanded top, further crossbanded top (lacking hinges) over a four panel 1397 single frieze drawer, with square cut linenfold front, on stile end supports, A French kingwood and marquetry supports and ebony inlays, all united by w.147cm, d.61cm, h.71cm inlaid bombe commode, in the Louis a platform undertier, w.61cm, d.45cm, £200-300 XV style, having a marble top and gilt h.70cm brass mounts, w.79cm, d.42cm, h.83cm £300-500 1404 £400-600 A Jacobean period and later geometric 1401 moulded oak chest, in two sections, the 1398 A fine quality Sheraton Revival painted upper section with dentil cornice over A French walnut and figured walnut satinwood workbox on stand, the box long frieze drawer and one deep vitrine, in the Louis XVI style, having a of sarcophagus form with rosewood drawer, the base as two cupboard doors grey marble top, the serpentine door crossbanding, polychrome decorated enclosing shelved interior, the whole with floral marquetry inlays, the whole with centre reserve of a pedestal bowl raised on bun feet, w.122cm, d.63cm, with gilt brass mounts, dated beneath issuing fruiting vines, all within a h.137cm the marble October 1923 and with surround of bell-flowers, the whole £300-500 makers monogram, w.99cm, d.37cm, further decorated with swags and h.98cm wildflowers, the stand with small square 1405 £400-600 tapering supports and brass casters, An early Victorian rosewood pedestal w.38cm, d.28cm, h.50cm teapoy, of waisted sarcophagus form, £500-800 the hinged cover opening to reveal later buttonback silk lined interior, all raised on shell capped double C-scroll supports with brass casters, w.39cm, d.33cm, h.60cm £100-150

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LACY SCOTT & KNIGHT 88 1406 1412 1418 A mahogany triple pillar pedestal dining A mahogany window seat, in the A circa 1830 giltwood and gesso table , in the Regency style, the top Victorian style, having scroll ends and overmantel mirror, the bevelled plate having a reeded edge and two extra raised on ring turned tapering supports, within a surround of leaf capped leaves, the pillars raised on outswept w.109cm, d.33cm, seat h.46cm pilasters, h.59cm, w.109cm reeded supports with brass caps and £200-300 £100-150 casters, mid-20th century, max. dimensions w.114cm, full length 386cm, 1413 1419 h.73cm A Sheraton Revival mahogany and A Victorian giltwood and gesso £400-600 inlaid Pembroke table, of small overmantel mirror, having moulded and proportions, having butterfly wing flaps beaded slip, h.129cm, w.128cm 1407 and single end frieze drawer opposing £200-300 A set of six Victorian rosewood dummy drawer, all raised on square balloon back salon chairs, each with tapering supports, w.46cm (leaves 1420 scroll carved centre rail, stuffover seat down), d.67cm, h.75cm An Edwardian cast iron and brass stick- (for re-upholstery), and on French £150-200 stand, w.47cm, h.73cm cabriole forelegs £100-150 £200-300 1414 A mahogany pedestal jardinière stand, 1421 1408 having fluted and reeded column, on A circa 1900 lacquered brass fire A figured walnut and crossbanded four hipped cabriole supports, early 20th fender, the ends each surmounted with drawer hall table, raised on chamfered century, dia.30cm, h.105cm pedestal urns and covers, the pierced square supports, w.110cm, d.30cm, £100-150 frieze divided with Anthemion topped h.77cm swags, w.185cm, max h.30cm, d.43cm £250-350 1415 £250-400 A mahogany pedestal wine table, in the 1409 George III manner, the top having a 1422 A pair of Regency style burr walnut, shaped and beaded edge to a gun barrel A George III and later mahogany silver oak crossbanded, and feather strung ring turned column, with acanthus leaf table, the dished top having pinched lamp tables, each having a raised back carved urn base, all raised on claw and corners, over a later cut-in brushing above a single drawer and slender ball feet, dia.42cm, h.78cm slide, raised on hipped cabriole supports turned and fluted supports, w.54cm, £150-250 with padfeet, w.87cm, d.56cm, h.71cm d.45cm, h.81cm £150-250 £400-600 1416 A mahogany and rosewood 1423 1410 crossbanded dressing table mirror, in An 18th century oak joint stool, the A walnut and figured walnut open the Georgian style, having a shield top having a moulded edge above a bookcase, having a cross and feather shaped plate to a three-drawer boxbase moulded frieze, on turned and square banded top over two adjustable shelves, with serpentine front, w.57cm, d.26cm, cut supports, w.42cm, h.56cm, d.27.5cm to a blind base, w.96cm, d.30cm, h.94cm h.71cm £120-180 £250-350 £80-120 1424 1411 1417 A George III fruitwood topped and ash An oak and burr oak narrow chest, A pair of mahogany and satinwood cricket table, the three plank top with having a crossbanded top and brushing crossbanded Pembroke tables by traces of old woodworm, the supports slide over four long graduated and Harrod’s, each of small proportions, each united by square stretchers, crossbanded drawers, w.39cm, d.33cm, having single frieze drawer and raised on dia.61.5cm, h.72cm h.90cm square tapering supports, w.40cm £80-120 £250-350 (leaves down), d.61cm, h.71cm £200-300

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LACY SCOTT & KNIGHT 89 1425 1431 1437 A circa 1700 joined oak side table, the A Jacobean period oak chest, of three A George III mahogany dropleaf dining three-plank top with a moulded edge long geometric moulded drawers, having table, having double gatelegs with over a thumb-cut frieze, on bobbin replacement turned wooden knobs and padfeet, d.120cm, w.60cm (leaves turned supports united by low raised on later bracket feet, w.109cm, down), w.178cm (leaves up), h.73cm stretchers, w.90cm, d.60cm, h.75cm d.58cm, h.77cm £400-600 £120-180 £200-300 1438 1426 1432 A George III and later mahogany chest, A Victorian padouk twin pedestal An early 18th century walnut chest, the having a fold-over top above four long campaign desk, the leather inset writing four quarter veneered crossbanded top graduated drawers with brass swan-neck surface within a removable three- over two short and three long handles, w.100cm, d.53cm, h.75cm quarter gallery, the pedestals each graduated drawers, each with £300-400 having flight of three graduated drawers, replacement brass bat-wing all with sunken brass handles, w.103cm, escutcheons, on later turned feet (some 1439 d.55cm, h.65cm veneer losses), w.95cm, d.55cm, h.92cm A William IV mahogany open £300-500 £300-500 bookcase, the adjustable shelves flanked by fluted pilasters to a base fitted with 1427 1433 two short and one long drawer, A Victorian mahogany tambour fronted A French walnut and kingwood bombe w.87cm, d.34cm, h.160cm desk top stationery cabinet, having a commode in the Louis XV style, having £200-300 three-quarter gallery, the tambour a marble top and two crossbanded opening to reveal a partitioned interior drawers, the whole with swept gilt metal 1440 of pigeonholes, w.90cm, d.28cm, h.52cm mounts, w.83cm, d.41cm, h.83cm A pair of oak and burr oak open £300-400 £300-500 bookcases, each having crossbanded tops and adjustable shelves with green 1428 1434 painted backs, w.61cm, d.30cm, h.96cm An antique oak wall cupboard, the A circa 1900 French walnut and £400-600 panelled door opening to reveal a fitted kingwood chiffonier, with gilt metal interior of nine drawers, w.46cm, mounts, marble top over a single frieze 1441 h.45cm, d.23cm drawer, w.87cm, d.39cm, h.101cm A pair of figured walnut three drawer £80-120 £300-500 bedside chests, each having cross and feather banded tops and a brushing 1429 1435 slide, w.38cm, d.37cm, h.71cm A George II walnut lowboy, having a A Victorian rosewood and woolwork £400-600 four quarter veneered feather and inset fire screen, the panel depicting an crossbanded top, the whole raised on owl upon a branch amidst floral 1442 replacement cabriole supports, w.76cm, bouquets, all on spiral turned uprights to An oyster veneered chest, of small d.51cm, h.72cm square cut feet, w.74cm, h.116cm proportions and in the late 17th century £800-1,000 £150-200 style, the sectional veneered crossbanded top over two short and 1430 1436 three long crossbanded drawers, all A late 17th century and later oak A late Regency mahogany bowfront raised on bun feet, w.64cm, d.43cm, chest-on-stand, the upper section as chest-on-chest, the upper section h.77cm four long geometric moulded drawers having two short and two long £400-600 (all with replaced bases), the base having graduated drawers, the base fitted with single long drawer (stand cut down), all two further long deep drawers, all with 1443 with replacement brass teardrop brass ring handles, w.106cm, d.57cm, A satinwood D-end two drawer hall handles, w.89cm, d.58cm, h.93cm h.153cm table, in the early 19th century style, all £200-300 £300-400 raised on ring turned tapering supports, w.137cm, d.33cm, h.76cm £250-350

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LACY SCOTT & KNIGHT 90 1444 1448 1453 A Sheraton Revival fiddleback An Edwardian mahogany and inlaid An antique oak chest in the Jacobean mahogany and marquetry inlaid shaped front sideboard, in the Georgian style, having two short and three long breakfront side cabinet by Edwards & taste, having centre drawer flanked by a geometric moulded drawers with brass Roberts, having glazed and shelved single cupboard and deep drawer, each teardrop handles, raised on stile end upper section over three bevelled with lion mask cast brass ring handles, supports, w.95cm, d.54cm, h.83cm mirrorplates, the base fitted with three the whole with satinwood inlays and £300-400 frieze drawers over cupboard doors, raised on square tapering supports with each with satinwood crossbanding and spade terminals, w.137cm, d.56cm, 1454 profuse marquetry inlays, all within fluted h.94cm A Charles II and later oak gateleg table, pilasters, stamped Edwards & Roberts to £200-300 the fall leaves (having replaced central drawer, w.115cm, d.40cm elements) on bobbin turned and square h.216cm 1449 cut gatelegs, w.145cm, h.73cm £1,000-1,500 A mid-18th century walnut chest-on- £300-500 chest, the upper section having three 1445 short and three long graduated drawers, 1455 A Sheraton Revival fiddleback the base fitted with three further long An 18th century oak dresser base, the mahogany and marquetry inlaid drawers and brushing slide, each with three-plank top having a moulded edge cylinder writing desk by Edwards & feather banding, engraved brass batwing over four frieze drawers, each with oak Roberts, having brass three-quarter escutcheons and raised on straight crossbanding and above a shaped apron, gallery over three frieze drawers, the bracket feet (with restoration), w.198cm, d.57cm, h.78cm stamped frieze drawer opening cylinder w.110cm, d.56cm, h.172cm £1,000-1,500 to reveal fitted interior with tooled £1,500-2,000 leather inset writing surface, the whole 1456 with bell-flower marquetry inlays, 1450 A fine quality mahogany, rosewood and w.80cm, d.49cm, h.110cm A mahogany and inlaid armchair, in the satinwood crossbanded twin pedestal £300-500 Heppelwhite style by S&H Jewell of dining table, in the Regency style, having London, the oval back carved with fleur single extra leaf, the solid top with 1446 de lys amidst ribbons and further inlays, reeded edge, the pedestals each having A satinwood and rosewood on reeded downswept supports flanking gun barrel turned urn columns, on four crossbanded sofa table, in the Regency silk damask upholstered stuffover seat outswept reeded supports with brass style, mid-20th century, having a £200-300 caps and casters, max w.198cm, crossbanded top over twin frieze d.121cm, h.73cm drawers with ebony crossbanding, raised 1451 £500-800 on square cut end supports with brass A walnut framed and upholstered caps and casters, w.95cm (leaves down), elbow chair, in the early 18th century 1457 d.51cm, h.72cm style, the arms with leaf carved A set of eight late Georgian mahogany £300-500 terminals, the whole upholstered in a barback dining chairs, each with pierced salmon pink dralon, all raised on further centre rails and reeded uprights, the 1447 leaf carved cabriole forelegs, all legs with stuffover seats re-upholstered in a A Regency style mahogany and claw and ball feet, front seat w.62cm, striped silk damask, and raised on ring rosewood crossbanded bowfront seat d.50cm turned tapering forelegs (6+2) chest, having a brushing slide over two £200-300 £800-1,200 short and three long graduated drawers, w.75cm, d.48cm, h.90cm 1452 1458 £300-500 A George III oak dresser, having an A walnut and crossbanded four drawer associated three-tier plate rack over, the hall table, on slender turned and reeded base with raised back over three frieze supports, w.127cm, d.30cm, h.76cm drawers, shaped apron, and platform £250-350 undertier, w.153cm, d.43cm, h.211cm £800-1,200

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LACY SCOTT & KNIGHT 91 1459 A pair of walnut and figured walnut side tables, each having a cross and feather banded top, single long feather banded frieze drawer, and raised on ring turned tapering supports, w.76cm, d.46cm, h.76cm £400-600

1460 A Victorian style mahogany and crossbanded breakfront dwarf open bookcase, having painted adjustable shelves, all raised on a plinth base, w.154cm, d.33cm, h.100cm Lot 1468 £500-600 1465 A reproduction mahogany kneehole desk, in 1461 1464 the George II style, by John L Corlyon An 18th century joined oak livery An Edwardian satinwood china (Furniture) Ltd of Burstwick, being No.12 of 50 cupboard, having twin blind carved display cabinet, having a cavetto reproduced from the original in No.10 Downing panelled doors, opening to reveal cornice and plain frieze, above Street, London, bearing plaque to inside door, unfitted interior, the base having an bowed glazed door flanked by the breakfront top having a gilt tooled leather arrangement of five drawers, each with concave glass panels, enclosing inset writing surface over three frieze drawers, blind carving, the whole raised on ogee plate glass shelved interior, all one with makers stamp and over three real bracket feet (with some repairs), above two frieze drawers, raised drawers and a cupboard door disguised as three w.154cm, d.59cm, h.201cm on square tapering supports drawers enclosing flight of six stationery drawers, £400-600 with platform undertier, all flanking recessed cupboard door, the plinth w.109cm, h.175cm with leaf carving, w.106cm, d.61cm, h.79cm 1462 £1,000-1,500 £500-800 A Regency rosewood side cabinet, having replacement 1466 veined green marble top over An early George III walnut writing twin gilt brass and pleated silk bureau, the sloping cross and feather fronted cupboard doors, enclosing banded fall opening to reveal fitted adjustable shelves, w.97cm, interior, above four long graduated d.36cm, h.92cm drawers, each with brass bat-wing £300-500 escutcheons, w.95cm, d.51cm, h.103cm £300-500 1463 A satinwood and ebony inlaid 1467 china display cabinet, by S&H A pair of Regency mahogany pot Jewell of 25 Parker Street, London cupboards, each having recessed WC2, the glazed upper section panelled single doors and raised on with twin bowed doors, opening carved lion paw feet (converted from a to reveal silk-backed interior with sideboard), w.44cm, d.49cm, h.73cm two plate glass shelves, all above £200-300 two further bowed and panelled doors and flanked by two 1468 marquetry inlaid panels, the whole A mid-Victorian figured walnut raised on square tapering supports pedestal breakfast table, the circular united by platform undertier, sectional veneered tilt-top crossbanded w.129cm, h.188cm with six marquetry floral sprays, within £1,000-1,500 scrollwork borders, dia.136cm, h.72cm Lot 1463 £800-1,200

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LACY SCOTT & KNIGHT 92 1469 1475 1478 A Victorian style mahogany An Edwardian parcel gilt music A set of seven George IV mahogany apothecary’s dispensary chest, fitted canterbury, of fan shape, having blue barback dining chairs, each with tulip with five rows of four short drawers, jasper inset panels and raised on carving to the barbacks, drop-in seats, each with painted annotation, the whole outswept square tapering supports, and raised on sabre legs (5+2) raised on a plinth, w.106cm, d.27cm, w.53cm, h.71cm £400-600 h.101cm £350-450 £800-1,200 1479 1476 In the manner of William Trotter of 1470 A circa 1900 French satin birch gilt Edinburgh - a late Regency burr oak, A late Regency mahogany jardinière metal mounted two-tier etagere, of rosewood and cut brass inlaid stand, having white marble inset top on oval form, having a pierced brass three- breakfront cabinet bookcase, having a turned and knopped column to a quarter gallery around an alabaster top, carved pediment over four arched triform base, h.79cm, dia.36cm with applied floral and scroll cast gilt glazed doors, with further silk panelled £350-450 metal mounts, w.54cm, d.38cm, h.81cm doors below, flanked by turned pilasters, £200-300 all raised on turned bun feet, w.184cm, 1471 d.45cm, h.214cm A circa 1700 joined oak coffer, the 1477 £1,000-1,500 three-panel top on loop hinges and A Sheraton Revival painted satinwood opening to reveal candle-box fitted bijouterie table, of oval form, having a 1480 interior, over a two-panel front with glazed hinged top, the whole A Victorian style buttonback leather blind carved frieze, w.114cm, d.55cm, polychrome decorated with floral sprays, upholstered Chesterfield settee, in h.66cm raised on square tapering supports faded tan, having serpentine front rail, £200-300 united by platform undertier, w.57cm, brass studded detail, and on ring turned d.38cm, h.72cm tapering forelegs with brass cup casters, 1472 £450-550 w.186cm, seat h.40cm, max seat d.59cm A pair of Regency mahogany hall chairs £400-600 in the manner of Gillows, having gadrooned and leaf carved shield shape backs, panelled seats, and raised on ring END OF SALE turned tapering reeded forelegs, seat w.44cm, seat h.44cm £600-800

1473 A pair of late Georgian mahogany hall chairs, probably Irish each having fan backs, plain seats, and on ring turned tapering forelegs £700-1,000

1474 An early 20th century mahogany quartetto nest of occasional tables, the crossbanded tops with beaded edges and on slender reeded supports, the smallest with platform undertier, the largest w.51cm, d.31.5cm, h.66cm £300-400

Lots 1473, 1474

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LACY SCOTT & KNIGHT 93