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Old Buildings, New Views Recent Renovations Around Town Have Uncovered Views of Manhattan That Had Been Hiding in Plain Sight
The New York Times: Real Estate May 7, 2021 Old Buildings, New Views Recent renovations around town have uncovered views of Manhattan that had been hiding in plain sight. By Caroline Biggs Impressions: 43,264,806 While New York City’s skyline is ever changing, some recent construction and additions to historic buildings across the city have revealed some formerly hidden, but spectacular, views to the world. These views range from close-up looks at architectural details that previously might have been visible only to a select few, to bird’s-eye views of towers and cupolas that until The New York Times: Real Estate May 7, 2021 recently could only be viewed from the street. They provide a novel way to see parts of Manhattan and shine a spotlight on design elements that have largely been hiding in plain sight. The structures include office buildings that have created new residential spaces, like the Woolworth Building in Lower Manhattan; historic buildings that have had towers added or converted to create luxury housing, like Steinway Hall on West 57th Street and the Waldorf Astoria New York; and brand-new condo towers that allow interesting new vantages of nearby landmarks. “Through the first decades of the 20th century, architects generally had the belief that the entire building should be designed, from sidewalk to summit,” said Carol Willis, an architectural historian and founder and director of the Skyscraper Museum. “Elaborate ornament was an integral part of both architectural design and the practice of building industry.” In the examples that we share with you below, some of this lofty ornamentation is now available for view thanks to new residential developments that have recently come to market. -
ANTIQUES and COLLECTABLES AUCTION Saturday 28Th July 2018 10.00Am
1 ANTIQUES AND COLLECTABLES AUCTION Saturday 28th July 2018 10.00am For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Terms of Consignment for Buyers at the back of the catalogue. 2 Front Cover Image: Lots 247, 249, and 236 (clockwise from left) Inside Front Cover Image: Lot 377 A George IV silver three piece tea set, comprising tea pot, sugar bowl and milk jug by John James Keith, London 1836. Back Page Image: Lot 668 A Maw & Co. vase with a ruby lustre glaze, designed by Walter Crane. Circa 1885. Height 23.5cm. JOIN US FOR OUR NEXT SALE ASIAN DECORATIVE & FINE ART SALE SATURDAY 6TH OCTOBER 2018 ANTIQUES, FINE ART AND COLLECTABLES SALE SATURDAY 8TH DECEMBER 2018 ENTRIES NOW INVITED 3 ANTIQUES & COLLECTABLES AUCTION To be held at: DAVIES HOUSE, DAVIES ROAD, EVESHAM, WORCESTERSHIRE WR11 1YZ SATURDAY 28TH JULY 2018 Viewing Thursday 26nd July – 10.00am to 5.00pm Friday 27th July – 10.00am to 7.00pm Day of Sale – From 8.30am to 10.00am Day of the Sale The auction is scheduled to start at 10.00 am. Bids will only be accepted from registered bidders. Please ensure you obtain a paddle number on arrival. You will need to be registered before the sale. Live internet bidding is available on www.the-saleroom.com, www.invaluable.com, and www.easyliveauction.com together with the fully illustrated online catalogue. Live internet bidding is available on www.the-saleroom.com together with the fully illustrated online catalogue. -
ORIENTAL and EUROPEAN CERAMICS and GLASS
SECOND DAY’S SALE THURSDAY 21st APRIL 2011 ORIENTAL AND EUROPEAN CERAMICS AND GLASS Commencing not before 10.30pm Oriental and European Ceramics and Glass will be on view on: Saturday 16th April 9.00am to 1.00pm Sunday 17th April 2.00pm to 4.00pm Monday 18th April 9.00am to 5.15pm Tuesday 19th April 9.00am to 5.15pm Wednesday 20th April 9.00am to 5.15pm Limited viewing on sale day Enquiries: Andrew Thomas Enquiries: Nic Saintey Tel: 01392 413100 Tel: 01392 413100 Email: [email protected] Email: [email protected] 87 323 324 321. 323. 325. A pair of clear glass A champagne or sweetmeat A small sweetmeat glass or decanters of mallet shaped glass, the pan shaped bowl stand of shallow flaring and form with facet cut decoration with diamond moulded externally ribbed form, the fold beneath a mushroom stopper, exterior with double basal over rim applied with eight together with a claret jug en blade knops set on a teared loops terminating in strawberry suite, each 25.5 cm high, early and inverted baluster stem and prunts set on a short stem with 20th century. (3) diamond moulded and domed moulded domed and fold over £80-120 fold over foot, 12 cm high, foot, 10 cm diameter, mid 322. circa. 1730-40, retailer’s label 18th century. A pair of clear glass for Churchill to underside. £100-150 confitures of pedestal form £250-300 326. and with domed covers cut 324. A pair of glass patty pans of with fretted panels, 30 cm A sweetmeat glass the externally ribbed form with high, early 19th century, rounded funnel bowl with fold over rims, 8 cm diameter, staple repair to one together diamond moulded exterior mid 18th century. -
EX091214 Sale
For Sale by Auction to be held at St Edmund’s Court, Okehampton Street, Exeter 01392 413100 Antiques & Interiors to include the property of the late Ivy Hilton th Tuesday 9 December 2014 yeer Sale Commences at 10.00am SALE REFERENCE EX124 Buyers are reminded to check the ‘Saleroom Notice’ for information regarding WITHDRAWN LOTS and EXTRA LOTS On View: Order of Sale: th Saturday 6 December 2014 Property of the late Ivy Hilton 9.00am – 12noon Lots 1 – 230 Monday 8th December Jewellery, Ceramics & Glass, Works of Art 9am – 7.00pm and Collectables, Pictures and Furniture and morning of sale Lots 241 - 657 W: www.bhandl.co.uk Catalogue £1.50 E: [email protected] Follow us on Twitter: @BHandL Tuesday 9th Deccember 2014 Sale commences at 10am. The property of the late Ivy Hilton Lots 1 – 230 1 . A 9ct gold engine turned, rectangular 9 . A 9ct gold, one tallar mounted ring vesta case, 30gms gross weight. dated '1853', four 9ct gold signet £200-£250. rings, an 18ct gold signet ring, an 18ct gold embossed band ring, three 22ct 2 . An 'India Portugueza Meia Rupia' gold gold wedding bands and an eternity coin mounted as a brooch, also a ring of multiple heart design (11), Peruvian triple gold coin bar brooch. approximately 51gms gross weight. £200-£250. £500-£600. 3 . Two 9ct gold trophy medallions, 25 10 . A 22ct gold and graduated diamond gms gross weight. three stone ring. £250-£300. £120-£180. 4 . A circular, engine turned locket 11 . A collection of silver and silver and stamped '9ct GOLD', on a 9ct gold enamel trophy medallions, circular link chain with bolt ring clasp, (approximately 16). -
2021 NYYC Foundation Newsletter Issue #2
FOUNDATION CORNER THE ILLUMINATING REVIVAL OF THE PALM CAFÉ by Jill Connors ONE OF THE MOST ENCHANTING ROOMS AT THE 44TH STREET CLUBHOUSE REGAINS ITS ORIGINAL LUSTER, AND THEN SOME. Bold design stands the test of time, and nowhere is this truer than at the 44th Street Clubhouse, which this year celebrates its 120th magnificent year. Splendid buildings require care and attention—to every plaster molding, carved-wood bracket, and cast-iron balustrade. The remarkable care that the New York Yacht Club has provided over the years is the reason this Warren & Wetmore-designed exemplar of Beaux Arts style has survived so grandly. As Commodore Christopher J. Culver said on the building’s anniversary in January, “It’s an honor for all of us to play a role in preserving this Clubhouse.” C2 Limited’s interior-design scheme for the renewed Palm Café includes casual seating near the original ban- quettes and a color scheme evocative of an early 1900s conservatory. LIMITED DESIGN ASSOCIATES & BRYN BACHMAN & BRYN LIMITED DESIGN ASSOCIATES 2 C 14 NEW YORK YACHT CLUB FOUNDATION CORNER The New York Yacht Club was wearing thin and the Foundation is particularly lighting gave no hint of the important in this regard, original natural light that as it was created in 2007 would have made the room for the sole purpose of so pleasurable. A further maintaining both of the issue was the lack of heating club’s historic properties: the or cooling in the space. All 44th Street Clubhouse and these issues fell neatly under Newport’s Harbour Court. -
Landmarks Preservation Commission April 18, 2006, Designation List 372 LP-2185
Landmarks Preservation Commission April 18, 2006, Designation List 372 LP-2185 STEWART & COMPANY BUILDING, 402-404 Fifth Avenue (aka 2 West 37th Street), Manhattan. Built 1914; [Whitney] Warren & [Charles D.] Wetmore, architects; George A. Fuller Co., builders; New York Architectural Terra Cotta Company, terra cotta manufacturer. Landmark Site: Borough of Manhattan Tax Map Block 838, Lot. 48 On October 18, 2005, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of Stewart & Company building and the proposed designation of the related Landmark Site (Item No. 2). The hearing had been duly advertised in accordance with the provision of law. Three people spoke in favor of designation, including representatives of the property’s owners. In addition, the Commission received two letters in support of designation. Summary The Stewart & Company Building, designed by Warren and Wetmore, is one of the firm’s most unusual designs. The 1914 building reflects the unusual combination of diverse influences such as the 18th century British neo-Classical movement and the late 19th century Chicago School of Architecture style. The blue and white ornament of the terra cotta cladding is reminiscent of the 18th century neo-Classical movement in England, and specifically two of the most important proponents of the movement, Josiah Wedgwood and Robert Adam. Characteristic of the Chicago style are steel frame construction, masonry cladding that was usually terra cotta, large areas of glazing, usually featuring tripartite windows known as Chicago windows, and a tripartite vertical design. As the commercial center of Manhattan moved uptown so did the location of department stores. -
National Register of Historic Places Inventory -- Nomination Form
Form No. 10-300 (Rev. 10-74) UNITED STATES DEPARTMEN ,. JF THE INTERIOR NATIONAL PARK SERVICE NATIONAL REGISTER OF HISTORIC PLACES INVENTORY -- NOMINATION FORM SEE INSTRUCTIONS IN HOW TO COMPLETE NATIONAL REGISTER FORMS TYPE ALL ENTRIES -- COMPLETE APPLICABLE SECTIONS I NAME HISTORIC Grand Central Terminal AND/OR COMMON Grand Central Terminal LOCATION STREETS,NUMBER 71-105 East 42nd Street _NOT FOR PUBLICATION CITY. TOWN CONGRESSIONAL DISTRICT New York _ VICINITY OF 18th STATE CODE COUNTY CODE New York New York 36 QCLASSIFICATION CATEGORY OWNERSHIP STATUS PRESENT USE _DISTRICT —PUBLIC X2DCCUPIED —AGRICULTURE —MUSEUM 2^BUILDING(S) ^PRIVATE _ UNOCCUPIED X.COMMERCIAL _PARK —STRUCTURE —BOTH —WORK IN PROGRESS —EDUCATIONAL —PRIVATE RESIDENCE _S!TE PUBLIC ACQUISITION ACCESSIBLE —ENTERTAINMENT —RELIGIOUS _ OBJECT _IN PROCESS —YES: RESTRICTED —GOVERNMENT —SCIENTIFIC —BEING CONSIDERED X_YES: UNRESTRICTED —INDUSTRIAL ^-TRANSPORTATION _NO _ MILITARY —OTHER: OWNER OF PROPERTY NAME Pennsylvania Central Transportation Company STREET & NUMBER 466 Lexington Avenue CITY. TOWN STATE New York VICINITY OF New York LOCATION OF LEGAL DESCRIPTION COURTHOUSE, New York County Hall of Records REGISTRY OF DEEDS, ETC. STREET& NUMBER 31 Chambers Street CITY, TOWN STATE New York New York REPRESENTATION IN EXISTING SURVEYS TITLE New York City Landmarks Commission DATE 1967 —FEDERAL —STATE —COUNTY x_LOCAL DEPOSITORY FOR SURVEY RECORDS CITY, TOWN STATE New York New Yn-rlf DESCRIPTION CONDITION CHECK ONE CHECK ONE _EXCELLENT —DETERIORATED —UNALTERED ^-ORIGINAL SITE X_GOOD —RUINS X_ALTERED _MOVED DATE- _FAIR _UNEXPOSED DESCRIBE THE PRESENT AND ORIGINAL (IF KNOWN) PHYSICAL APPEARANCE A complete contemporary description would be lengthy—in the brief: "The terminal has two levels. The upper one of these, 20 ft. -
D'annunzio at Fiume, Quaderni, Vol
Pamela Ballinger JOHN HOPKINS UNIVERSITY REWRITING THE TEXT OF THE NATION: D'ANNUNZIO A T FIUME P. BALL!NGER, D'Annunzio at Fiume, Quaderni, vol. Xl, 1997, p. 117- 155 119 Introduction: In the house of the nation Perched in the hills above the resort town ofGardone Riviera on the northern Jtalian Lago di Garda stands the ornate and idiosyncratic villa known as the Vittoria/e. Visitors invariably express astonishment upon first viewing the villa, which almost overflowswith statues, objets d'art, Persian carpets, religious icons, and war relics. Countless mottos and inscriptions decorate its walls and niches; garish reds and blues dazzle the eyes in this otherwise dusky building into which little sunlight penetrates. The villa stands as a self-created monument to the · lifework of its former owner, the poet and war hero Gabriele D'Annunzio, and to his vision of a revitalized Italian nation. Crossing the Vittoria/e 's threshold, the visitor enters the symbolic universe of this poet who, having fa i led to realize as political reality his vision of a new Italian identity fo unded upon a proto-fascist military ethos, subsequently dedicated himself to memorializing his efforts by transforming his residence into a literal museum and tempie. Pausing at the gateway portico fo rmed by two triumphal arches, the visitor's gaze first meets a fo untain whose inscription reveals D' Annunzio's aim: "Dentro da questa cerchia triplice di mura, ove tradotto e già in pietre vive quel libro religioso ch'io mi pensai preposto ai riti della Patria e dai vincitori latini chiamato Vittoria/e "(Mazza 1987: 22). -
PREMIER AUCTION GALLERIES FINE ARTS, PERIOD FURNITURE & DECORATIVE ARTS DECEMBER 15Th, 2013 at 11:00A.M
PREMIER AUCTION GALLERIES FINE ARTS, PERIOD FURNITURE & DECORATIVE ARTS DECEMBER 15th, 2013 AT 11:00A.M. LOT TITLE LOW HIGH START NOTES SOLD 1001 Blue Decorated Floral 2 Gallon Stoneware Jug 300 450 100 1002 Whites Utica NY. Blue Decorated Stoneware Jug 300 450 100 1003 Deep Blue Decorated Stoneware 2 Gallon Jug 200 350 75 1004 Blue Brushed Flower Decorated Stoneware Jug 200 350 75 1005 Lyons Blue Slip Ware Brushed Decorated Jug 150 300 75 1006 West Troy Pottery NY Blue Decorated Jug 150 250 50 1007 Stoneware Spotted Slip Glaze Decoration Jug 150 250 50 1008 I.M. Mead Ovoid Form 3 Gallon Stoneware Jug 200 300 75 1009 J. Fisher Lyons NY 2 Gallon Advertising Jug 100 150 50 1010 Providence R.I. Signed Stoneware Jug 100 200 40 1011 Williams And Reppert Blue Stenciled Crock 250 450 100 1012 A. Conrad New Geneva 2 Gallon Preserve Jar 150 250 75 1013 Hamilton & Jones Blue Decorated Storage Jar 125 225 35 1014 Blue Decorated Rare Size Table Butter Churn 300 600 125 1015 Blue Decorated Storage Crock Out Of Round 100 300 40 1016 Jas. Hamilton & Co. Greensboro Cream Pot 200 400 75 1017 Whites Utica NY. Decorated With Running Bird 200 400 75 1018 J. Fischer Co. & Lyons Decorated Stoneware 150 200 50 1019 Ottoman Bros. Edwards NY. Decorated Crock 150 250 50 1020 Blue Decorated 3 Gallon Stoneware Crock 150 250 50 1021 Blue Decorated 5 Gallon Stoneware Crock 150 250 60 1022 Blue Decorated 3 Gallon Stoneware Crock 125 225 40 1023 Blue Decorated 3 Gallon Stoneware Crock 150 225 50 1024 Blue Decorated 3 Gallon Stoneware Crock 150 225 50 1025 West Troy Pottery Blue Decorated Cake Crock 150 225 50 1026 Ovoid Form Blue Decorated Storage Jar Crock 150 225 50 1027 Advertizing 3 Gallon Stoneware Crock 200 300 50 1028 Two Whites Utica NY. -
MA in European and Southeast European Studies Advanced Education for European Integration
Center for International Studies of University of Montenegro MA in European and Southeast European Studies Advanced Education for European Integration Curriculum (Course Plan) The program contains four semesters. Each semester embraces fundamental courses and specialized courses. All are obligatory. The fundamental courses are covering five modules: 1) History, 2) Economics, 3) Politics, 4) Law, and 5) Language. The last (fourth) semester is devoted to the visit to some of West European partner universities and to MA Thesis. First semester Fundamental Courses (two hours per week) European History 1789-1945 (Š. Rastoder) Principles of Microeconomics (Milenko Popović) European Political Thought (R. Radonjić) Introduction to International Law (N. Vučinić) German, French, or Italian I Specialized Courses (one hour per week) At the Crossroad of Worlds and Civilizations (D. Vukčević) In the Vortex of Great Ideological Mobilizations (R. Radonjić) Great Powers and Small States (Š. Rastoder) European Integrations and Southeast Europe (Milan Popović) Second Semester Fundamental Courses (two hours per week) European History 1945-1989 and the End of the Cold War (Š. Rastoder) Principles of Macroeconomics (Milenko Popović) Comparative European Politics (S. Darmanović and Milan Popović) The Law of the European Union I (N. Vučinić) German, French, or Italian II Specialized Courses (one hour per week) The Dissolution of Former Yugoslavia and Beyond (Milan Popović) Trauma and Catharsis in Historical Memory: Serbia and Germany (N. Popov) Comparative Elections (V. Pavićević) New Information Technologies (D. Prlja) Theoretical Methodology: Social Theory, Research, and Science (D. Vukčević) Third Semester Fundamental Courses (two hours per week) 1 History of European Integration (A. Fatić) Economic and Monetary Integration of the European Union (Milenko Popović) The Institutions and the Policy-Making Process of European Union (A. -
Case Corrals Best of the West, Old South for January 23 Auction
FOR IMMEDIATE RELEASE CONTACT: Sarah Campbell Drury (615) 812-6096 [email protected] www.caseantiques.com Case Corrals Best of the West, Old South for January 23 Auction KNOXVILLE, Tenn.— Art and antiques from the antebellum South mix with artifacts and art of the Old Southwest at the Winter Case Antiques Auction, set for January 23 at the company’s gallery in Knoxville, Tennessee. The 900+ lot auction will also include the William Zarnan estate collection of Continental decorative arts including art glass and paintings, plus outstanding Asian antiques, trade signs and folk art, historical and presidential memorabilia, and a trove of silver items and estate jewelry. “Days Gone By,” a large oil on canvas depicting a band of Native Americans overlooking a canyon at sunset by Jim Norton leads a roundup of Western genre paintings. Cowboy paintings by Robert Wesley Amick, Suzanne Baker, Robert Pummill, and William Matthews are offered, along with a large circa 1900 California landscape by Henry Dietrich Gremke and other Western landscapes by Roland Enright and Carl Smith, plus portraits by Miguel Martinez and Raymond Nordwall. Complimenting the paintings is a large selection of Native American baskets including a Yokuts serving tray measuring a whopping 22 and ¾ inches in diameter and a large Pomo coiled basket bowl; pottery including a Cochiti bird effigy and double lobed bowl and assorted ollas, plus beadwork, jewelry, Kachina dolls, Navajo rugs, and tribal artifacts. Several items are from the estate of Dorothy Louise Luhrs, an archaeologist with the University of New Mexico who served as president of the Southwestern Anthropological Association from 1950-51. -
Grand Central Transcript
Page 1 Grand Central Transcript Narrator: On the morning of January 8, 1902, the air around Grand Central Station was choked with smoke, cinders, and noxious fumes. Hundreds of trains converged at the station - - a deluge of steel and steam far too great for the outdated train yard to handle. For decades New Yorkers had complained about the horrid conditions at Grand Central. But a shocking tragedy that January day would change everything. Steam locomotives would be banished from the city and the crowded train yard condemned. A new Grand Central would arise -- a miracle of design and engineering. Paul Goldberger, Writer: Grand Central is both grand and part of everyday life; incredibly practical, incredibly functional, and yet overpoweringly exciting at the same time. Grand Central is so much more than just a train station. In many ways, it's the heart of New York. I got to know Grand Central really well when I was in college and would take the train down from New Haven all the time. And you felt as if you were arriving in the place. This was it. If you had any doubt when you got off the train and walked into that incredible concourse, you knew it was the center of the world, and you knew this was the place you wanted to go to. It encourages movement. And yet has a sort of stately dignity at the same time. It's sublime. It reminds you of the greatness of human ambition. When we build so much beyond what we have to, and we do it not to glorify a king, say, as in a palace -- something like that -- but to glorify everybody.