Generation M2: Media in the Lives of 8- to 18-Year-Olds
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Sony Corporation – Restructuring Continues, Problems Remain
BSTR/361 IBS Center for Management Research Sony Corporation – Restructuring Continues, Problems Remain This case was written by Indu P, under the direction of Vivek Gupta, IBS Center for Management Research. It was compiled from published sources, and is intended to be used as a basis for class discussion rather than to illustrate either effective or ineffective handling of a management situation. 2010, IBS Center for Management Research. All rights reserved. To order copies, call +91-08417-236667/68 or write to IBS Center for Management Research (ICMR), IFHE Campus, Donthanapally, Sankarapally Road, Hyderabad 501 504, Andhra Pradesh, India or email: [email protected] www.icmrindia.org BSTR/361 Sony Corporation – Restructuring Continues, Problems Remain “Seven out of eight years, Sony has failed to meet its own initial operating profit forecast. This is probably the worst track record amongst most major exporters. That means that either management is not able to anticipate challenges … or they fail on execution almost every time. Either way, it does not reflect well on Sony’s management.”1 - Atul Goyal, Analyst, CLSA2, in January 2009. SONY IN CRISIS, AGAIN In May 2009, Japan-based multinational conglomerate, Sony Corporation (Sony) announced that it posted its first full year operating loss since 1995, and only its second since 1958, for the fiscal year ending March 2009. Sony announced annual loss of ¥ 98.9 billion3, with annual sales going down by 12.9% to ¥ 7.73 trillion. Sony also warned that with consumers worldwide cutting back on spending in light of the recession, the losses could be to the extent of ¥ 120 billion for the year ending March 2010 (Refer to Exhibit IA for Sony‘s five year financial summary and Exhibit IB for operating loss by business segment). -
Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak
Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak. by Rose Ann Ko2inski Thesis presented as a partial requirement in the Master of Arts (M.A.) in Human Development School of Graduate Studies Laurentian University Sudbury, Ontario © Rose Ann Kozinski, 2009 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 OttawaONK1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-57666-3 Our file Notre reference ISBN: 978-0-494-57666-3 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Die Flexible Welt Der Simpsons
BACHELORARBEIT Herr Benjamin Lehmann Die flexible Welt der Simpsons 2012 Fakultät: Medien BACHELORARBEIT Die flexible Welt der Simpsons Autor: Herr Benjamin Lehmann Studiengang: Film und Fernsehen Seminargruppe: FF08w2-B Erstprüfer: Professor Peter Gottschalk Zweitprüfer: Christian Maintz (M.A.) Einreichung: Mittweida, 06.01.2012 Faculty of Media BACHELOR THESIS The flexible world of the Simpsons author: Mr. Benjamin Lehmann course of studies: Film und Fernsehen seminar group: FF08w2-B first examiner: Professor Peter Gottschalk second examiner: Christian Maintz (M.A.) submission: Mittweida, 6th January 2012 Bibliografische Angaben Lehmann, Benjamin: Die flexible Welt der Simpsons The flexible world of the Simpsons 103 Seiten, Hochschule Mittweida, University of Applied Sciences, Fakultät Medien, Bachelorarbeit, 2012 Abstract Die Simpsons sorgen seit mehr als 20 Jahren für subversive Unterhaltung im Zeichentrickformat. Die Serie verbindet realistische Themen mit dem abnormen Witz von Cartoons. Diese Flexibilität ist ein bestimmendes Element in Springfield und erstreckt sich über verschiedene Bereiche der Serie. Die flexible Welt der Simpsons wird in dieser Arbeit unter Berücksichtigung der Auswirkungen auf den Wiedersehenswert der Serie untersucht. 5 Inhaltsverzeichnis Inhaltsverzeichnis ............................................................................................. 5 Abkürzungsverzeichnis .................................................................................... 7 1 Einleitung ................................................................................................... -
Sony Corporation
SONY CORPORATION GRIFFIN CONSULTING GROUP Hao Tang Rahul Misra Ellie Shanholt April 2012 CONTENTS Executive Summary ..................................................................................................................... 3 Company Overview and History .............................................................................................. 4 Financial Analysis ........................................................................................................................ 6 Liquidity .................................................................................................................................... 6 Profitability ............................................................................................................................... 7 Operating Efficiency ................................................................................................................ 9 Stock Performance ................................................................................................................... 9 Segments and Locations ........................................................................................................ 12 Competitive Analysis ................................................................................................................ 14 Internal Rivalry: ..................................................................................................................... 14 Entry ........................................................................................................................................ -
Wv Board of Social Work Examiners
West Virginia Board of Social Work BIENNIAL REPORT FY 2020 July 1, 2018-June 30, 2020 The purpose of the Board of Social Work is to protect the public by setting standards of qualification, education, training and experience for those who seek to engage in the practice of social work and to promote high standards of professional performance for those engaged in the profession of social work. Mailing Address: PO Box 5459, Charleston, WV 25361 Physical Location: 1124 Smith St., B 200 Charleston, WV 25302 Phone: 304-400-4980; Fax: 304-400-4976 Email: [email protected] 2 3 I do hereby certify that the information contained within the following 2020 Biennial Report of the WV Board of Social Work is true and correct to the best of my knowledge Patricia O’Reilly, Chair Date Christine Maniskas, Secretary Date 4 5 6 Table of Contents Board Members and Staff …………………………………………….………………………….…….……….………. 7 Financial Receipts …………………………………………………………………………………………………………... 8 Categories of Licensure and Trends ….………………….…………………………………….………….…....... 11 Age of Licensees……………………………………………………………………………………………………………….13 License Statistics ………………………………………………….……….………………………………………………. 17 Examination Pass Rates ………………………………………….…………….….………………….………………… 18 Licensed Social Workers by County …………………….………………….……………………………………… 19 Complaints and Disciplinary Actions ……………….……………….…………………………………….……... 21 Board Agendas/Minutes 2020 ……………………….…………………………………………………………….… 25 Board Agendas/Minutes 2019 ………………………………………………………………………...….………… 56 Roster of Licenses issued in FY -
Program Classic Films I
Virtual Edition #epicadventuresindoors CLASSIC FILMS I PROGRAM The Last Honey Hunter Imagination: Tom Wallisch From the film 2017, Canada, 5 minutes Filmmaker: Dave Mossop, Mitchell Scott, Sherpas Cinema Have you ever been that little kid sitting in the back seat of your parents’ car, wishing you were somewhere else? So you imagine a skier on the side of the road, your fingers commanding back flips and roof drops, improbable rail slides and huge airs. Well, what if your imagination came to life? Chasing Water 2011, USA, 18 minutes Filmmaker: Pete McBride, Anson Fogel, Forge Motion Pictures Pete McBride grew up on a ranch in Western Colorado, a child of the Colorado River. After a life spent visiting other countries to tell stories as a National Geographic photojournalist, in 2008 Pete decided to follow the water from his family’s ranch to see where it ends up. Reel Rock 8: Spice Girl 2013, USA, 24 minutes Filmmaker: Josh Lowell, Big UP Productions The UK climbing scene is known for its strict traditional ethic, unyielding super sketchy, dangerous routes, and a competitive machismo. It’s the last place you’d expect to find a nice little blond girl putting all the lads to shame, but Hazel Findlay is doing just that. The Accord 2016, USA, 19 minutes Filmmaker: RC Cone, Tributaries Digital Cinema Being so far removed from the hustle and bustle of the tropical surf world hardens Iceland’s surfers to confront the harsh reality they all must face – that old and unforgiving North Atlantic wind. Bluehue 2015, UK, 5 minutes | Advisory: Nudity Filmmaker: Natasha Brooks Natasha Brooks swims naked year-round in the cold mountain lakes of Snowdonia, Wales. -
Annual Report 1990
' ~ • ::·~ ii ~:· J" ~ ~~~-:.,.. • •• • -;) ..... ~· 7 (3,,. '~.:.(_.,~:_-.:~·.::g. :... · ony Cor.~oratio. ri is on~ Of .· the world's le~ing ..~ .: .. ~.. .. manufacturers -of aud1o and v1deo .eqUlp- ,"':_. !<' • •· • .meat, televisions, displays, -semiconduct?rs, _com·puter.s,:'·and such informatipn.. related pr.pdt,:Jcts "' . .as micro flo:ppyaisk systems. Ke--en-1¥: aware 0f the interrelated Aature of ~software and hardware, Sony is also bolstering ,its p.resence in the audio and image-bas.ed software mar~~_ts through the ~BS Records group and the n~wly acquired ·~ Columbia Pktur~s Entertqinment, ·lnc. A strong co.mmltment te research Cilnd d€velopment has helped the {om.pany build a war.ldwide reputati<m as a pacesetter in the efectronic equipment industty. Havlng also garnered recognition as one . ' .~ . ; of Japan's rno~t intetnatjonal corpor:aUons by manufaetutfng fn the market~ - where its products. are sold! Son¥ is ~wrrently strengt!olening globaf systems fQt;, ·corp0rate fwncbie>rrs, fr:'otn 'ot~er- . management to R&D. ~ (:· r;., ~· ~· ... -; ~ ~. ': ,~~:!:~·~:. :r-r:i ··i ' ~. ~ Consolidated .Statements of Cash Flows Notes to Consolidated financial Statements Report of Jndepen:de.nt Accountants SONY CORPORI\TION 1\ND CONSOLIDATED SUBSIDII\RIES FINANCIAL HIGHLIGHTS Year ended March 31 OP~RATING R~SULTS Thousands of Millions of yen U.S. dollars except except per share amounts per share amounts Percent change 1989 1990 1990/1989 1990 FOR THE YEAR Net sales ¥2,145,329 ¥2,879,856 +34.2% $18,343,032 Operating income 160,499 295,191 +83.9 1,880,197 Net income 72,469 102,808 +41.9 654,828 Per Depositary Share: Net income ¥ 241.7 ¥ 306.9 +27.0 $ 1.95 Cash dividends 44.6 50.0 0.32 AT YEAR-END Stockholders' equity ¥ 911,816 ¥1,430,058 +56.8 $ 9,108,650 Total assets 2,364,775 4,370,085 +84.8 27,834,936 Number of employees 78,900 95,600 Note: U.S. -
Media in the Lives of 8- to 18-Year-Olds APPENDIX C: TOPLINES
APPENDIX C: Toplines Background Information 52 Media In The Home 57 Cell Phone Use 61 Print Media Use 63 Television Viewing 65 Movies 69 Video Games 69 Music and Other Audio 71 Computer Use 73 Media Rules 77 A KAISER FAMILY FOUNDATION STUDY 51 APPENDIX C: TOPLINES Harris Interactive for the Kaiser Family Foundation. N=2002 students ages 8–18. Margin of sampling error: plus or minus 3.9 percentage points. Field period: October 20, 2008 to May 7, 2009. Notes: 08/09 data in bold. An asterisk (*) indicates a value less than one-half percent (0.5%). A dash (-) represents a value of zero. A tilde (~) indicates the question was not asked in that year. For questions referring to ‘yesterday,’ a portion of respondents completing the survey on Monday were asked to report on their Friday or Saturday activities. Percentages may not always add up to 100% due to rounding, the acceptance of multiple answers from respondents, and because the percent who offered no answer (NA) is not shown. Unless otherwise noted the base for each question is all respondents. In the questionnaire, response categories for time spent with media were: no time, 5 minutes, 15 minutes, 30 minutes, 45 minutes, 1 hour, 1½ hours, and continuing on in half-hour increments (respondents were asked to write in the amount if it was above the final response category). In the toplines, these responses have been collapsed into a smaller number of time categories, such as 5-30 minutes. Trend Information: • 2004 trends from the Kaiser Family Foundation’s Generation M: Media in the Lives of 8–18 Year-Olds study conducted October 14, 2003 to March 19, 2004 of 2,032 students ages 8–18. -
More Verbal Remedies: Creative Writing by Medical Students 2016
More Verbal Remedies Creative Writing by Medical Students 1 More Verbal Remedies Creative Writing by Medical Students Selected and edited by Helen Lynch and Olive M. Ritch 2 3 More Verbal Remedies Creative Writing by Medical Students Selected and edited by Helen Lynch and Olive M. Ritch 2 3 Foreword Why Medical Humanities and Creative Writing? The arts and humanities help us to make sense of our experiences, understand the world, who we are and perhaps who we want to be. As medical students and future clinicians the third year students who study creative writing, as their medical humanities option, are taking time to connect with this long tradition. Fundamentally, the aim of the medical humanities courses is to give the students the opportunity to change their focus and consider alternative perspectives. By engaging with experiences, stories, emotions and characters, in a very different way from the approaches of much of their medical studies, we hope that the students learn about themselves and expand their horizons. Each patient is an individual and each doctor-patient relationship unique because we are people living in layers of context from family dynamics through to global economics. Many of the medical humanities courses seek to generate a greater understanding of this wider context. Creative writing allows students to imagine and explore context. In order to write about a character you must step into their shoes, surely an exercise in empathy. Refining and crafting writing require reflection. To show empathy and to be able to develop personally and professionally through reflective practice are now familiar requests for the skills of today’s and tomorrow’s doctors. -
Word Or Character of Registered Trade Mark Suggested Alternative Words
Word or character of registered trade mark Suggested alternative words or characters Boogie short flexible surfboard Blu-ray blu-ray disc: optical disc with format that uses a blue-violet laser blu-ray disc player: disc player with optical disc format that uses a blue-violet laser blu-ray drive: drive with optical disc format that uses a blue-violet laser apparatus for short-range transmission of digital voice and data that supports point-to-point Bluetooth and multipoint applications Botox botulinum toxin Caterpillar construction machine tractor equipped with continuous chain treads CompactFlash flash memory Cellophane regenerated cellulose in thin transparent sheets used especially for packaging Dictaphone tape recorder that records and reproduces dictation Discman portable CD player Doona duvet Frisbee plastic disk-shaped toy that players throw and catch HDMI high definition media interface Hoover vacuum cleaner IPOD/ iPOD portable media player Jacuzzi a large bath incorporating jets of water to massage the body Jeep small military road vehicle with four-wheel drive Karaoke audio and video apparatus with sing along devices Macbook notebook computers Mark Six lottery in the form of drawing of balls Memory Stick flash memory MTR railway Plasticine soft coloured material used for modelling Popsicle ice lolly 第 1 頁,共 2 頁 Word or character of registered trade mark Suggested alternative words or characters Rollerblade in-line skate SACD super audio compact disc Thermos vacuum flask UMD optical storage media for portable entertainment players Vaseline petroleum jelly Velcro nylon fabric used as a fastening VHS video cassette tape with half-inch and analog videocassette recorder format Walkman a small portable cassette player with earphones Xerox a photocopying machine employing xerography Yo-Yo spinning toy 凡士林 化妝用礦脂 工業用礦脂 醫用礦脂 六合彩 攪珠獎券活動 茅台 大麯醬香型白酒 麥麗素 含麥芽糊精的巧克力 藍牙 支援點對點或多點應用作短距離傳送數碼聲音及數據的設備 第 2 頁,共 2 頁. -
Philadelphia's First Fire Defences 355
Philadelphia's First Fire Defences 355 PHILADELPHIA'S FIEST FIKE DEFENCES By HARROLD E. GILLINGHAM History fails to reveal who first produced fire, mean- ing thereby the friendly fire for warmth and cooking; and it is equally uncertain who first thought of fire prevention, when the friendly fire became antagonistic. In the year 59 A. D., Lyons, in France, was destroyed by fire and Nero offered to have the city rebuilt, yet in 64 A. D., Rome itself suffered from a fire which burnt for eight days and two-thirds of the city was destroyed; during which time Nero is reputed to have fiddled instead of attempting to save the city. London experienced five great fires. In 798, most of the city was destroyed; in 982, it again was almost completely consumed. The years 1086 and 1212 are to be remembered, as then other great fires occurred. The "Great Fire of London," which started September 2, 1666, and continued four days, burnt over four hun- dred acres of buildings, entailing a property loss of more than fifty million dollars, is generally spoken of when the subject of fires and fire prevention are under discussion. During all these years the matter of fire prevention was carefully considered. In 1068, William I. (The Conqueror), introduced the curfew, when all fires and lights had to be extinguished as a means of safety. In 1189, Richard I. (Cour de Leon), had ladders kept near all the great houses of London, that the owners thereof could "succour their neighbors in case mis- adventure should occur from fire";1 and between the feast of Pentecost and the feast of St. -
9.8 1) Bills Father Can Paint a Room in Two Hours Less Than Bill Can Paint It. Working Together They Can Complete the Job In
9.8 1) Bills father can paint a room in two hours less than Bill can paint it. Working together they can complete the job in two hours and 24 minutes. How much time would each require working alone? : 2 122 122 12 2 : : 12 2 : 2 2 12 122 52 12 12 24 5 10 24 24 5 10 24 24 24 24 05 34 24 0 5 4 6 5 4 0 6 0 4 4 6 6 6 .8 : 6, : 4 3) Jack can wash and wax the family car in one hour less than Bob can. The two working together can complete the job in 1 hours. How much time would each require if they worked alone? : 1 61 61 61 : : 6 1 : 1 6 61 51 6 6 6 5 5 12 6 5 5 12 6 12 6 05 17 6 0 5 2 3 5 2 0 3 0 2 2 3 3 3 .4 : 3, : 2 5) Working alone it takes John 8 hours longer than Carlos to do a job. Working together they can do the job in 3 hours. How long will it take each to do the job working alone : 8 38 38 3 8 : : 3 8 : 3 3 38 8 3 3 24 8 6 24 8 6 24 6 24 0 224 0 6 4 60 40 6 6 4 4 6 4 : 4, : 12 7) A can do a piece of work in 4 days and B can do it in half the time. How long will it take them to do the work together? : 4 4 4 4 : 2 : 4 : 24 .133 1 .